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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span&gt;&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;a href="http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/7370157/under-merlins-spell/" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/7370157/under-merlins-spell/&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>â€˜Under Merlinâ€™s Spellâ€™</text>
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                <text>Arthur, Australian television, BBC series, broadcasting, Camelot, Channel 10, dragon, entertainment, film, folklore, Gaius, Guinevere, Johnny Capps, magic, medieval legend, Merlin, Morgana, mythology, re-interpretation, romance, Shine Drama, television series, wizard</text>
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                <text>This entertainment piece from The West Australianâ€™s online edition reviews the BBC series Merlin (2008). At the time the article was written in 2010, the second season of the series was being aired on Australian television by Channel 10. The characters and setting of the show are based on figures and places from Arthurian legend, however, the plot focuses on the lives of the characters prior to the mythologised events of the medieval legend. The characters include Merlin, Arthur, Guinevere, Gaius and Morgana, and the story is set in Camelot. Merlinâ€™s Producer, Johnny Capps, is quoted as saying that they needed a mythological tale and he thought that Merlin â€œjust seemed to be right for re-interpretation for a 21st- century audienceâ€. On the motivation for the plot, he continued: â€œWe decided to start before they were famous because what appealed to us was a story of empowerment. What if we had a young Arthur who was not yet King and Merlin as a young wizard, coping with trying to be a teenager and at the same time his destiny and extraordinary power? And we subverted the expectation around Guinevere by making her a lowly servant girl."</text>
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&#13;
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://www.mysteriousaustralia.com/strangephenomenonh.html"&gt;http://www.mysteriousaustralia.com/strangephenomenonh.html&lt;/a&gt;</text>
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                <text>â€˜Vikings Visited Cairnsâ€™, Rex Gilroy, Psychic Australia </text>
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                <text>BifrÃ¶st, Cairns, Rex Gilroy, horned helmet, Mysterious Australia, Norse, Odin, opera, Psychic Australia, Qld, Queensland, Ring Cycle, Scandinavia, ship, swastika, Thor, Valkyrie, Viking, Vikings Visited Cairns, Richard Wagner, website.</text>
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                <text>&lt;p&gt;This article from &amp;lsquo;Psychic Australia&amp;rsquo; in March 1977 by Rex Gilroy claims that Norse/Scandinavian sailors visited the South Pacific and northern Australia. The article, &amp;lsquo;Vikings Visited Cairns&amp;rsquo;&amp;rsquo;, is now freely available online on the Mysterious Australia website. The article includes various arguments for a Norse presence in the south Pacific, including swastika symbols found in rock and wood art in Java, Cambodia, Malaya, and Vietnam, the shape of war canoes in Fiji, New Guinea, the Solomon Islands, and Tonga, and the physical appearance of some of the native inhabitants of New Guinea. Similar arguments are then applied to northern Australia, augmented by a comparison between northern-Australian Aboriginal religious beliefs and those of the Norse, such as the existence of a rainbow bridge (Bifr&amp;ouml;st in Old Norse texts) in both cultures, and spirits, or Valkyries, carrying off the dead after a battle. Gilroy also considers rock art near Cairns, Queensland, to show warriors dressed as Vikings in horned helmets. The author&amp;rsquo;s belief that Vikings wore horned and winged helmets, both of which became popularly associated with Vikings through the costumes used in Richard Wagner&amp;rsquo;s (1813-1883) Ring Cycle operas (although there is evidence for the ceremonial use of horned helmets in pre-Viking age Scandinavia), and the confusion in calling Wotan/O&amp;eth;in/Odin the thunder god instead of &amp;THORN;orr/Thor, allows for little confidence in the assertions of the article.&lt;/p&gt;&#13;
&lt;p&gt;The article can be found at &lt;a href="http://www.mysteriousaustralia.com/strangephenomenonh.html"&gt;http://www.mysteriousaustralia.com/strangephenomenonh.html&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>Psychic Australia (hard copy); Mysterious Australia (online) </text>
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                <text>Copyright Â© 2006  - Uru Publications</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>â€˜White Knightâ€™, The Bulletin, 17 November 1894</text>
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                <text>â€˜pedigree hunting,â€™ armor, armour, battle, civic administrator, Edmund Gerald Fitzgibbon 1825-1905, genealogy, Jubilee Peerage, knight, kookaburra, lineage, Melbourne, Melbourne &amp; Metropolitan Board of Works, Thomas C. Durkin (1853-1902), town clerk, Victorian politics, White Knight of Kerry</text>
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                <text>In this cartoon from The Bulletin in 1894 a serious-faced Edmund Fitzgibbon, fully-armoured and seated astride a caparisoned Kangaroo instead of a steed, charges off to give battle to an unnamed adversary. On a handy perch (a sign pointing to India), a little kookaburra laughs at his antics. In fact, Fitzgibbon is offering â€˜battleâ€™ to those who question his right to refer to himself as the White Knight of Kerry. Like other public figures of this era, Fitzgibbon was determined to add substance to his reputation and public persona through the discovery (or invention) of long-forgotten yet â€œillustrious antecedentsâ€ (Louise D'Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout: Brepols, 2011, p.24). Fitzgibbon was town clerk, and later chairman of the Melbourne &amp; Metropolitan Board of Works. The determination of up-and-coming Australians to improve themselves by heaping-up honours and collecting famous ancestors was also responsible for Hopâ€™s amusing 1887 â€˜Australian Jubilee Peerageâ€™ cartoon. </text>
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                <text>Durkin, Tom</text>
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                <text>The Bulletin</text>
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                <text>17 November 1894 (p. 14).</text>
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                <text>Public Domain</text>
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                <text>&lt;p&gt;This anonymous article in The Sydney Morning Herald on 30 November 1886 is a review of a musical performance about Alfred the Great. The cantata &amp;lsquo;Alfred&amp;rsquo; was composed by Ebenezer Prout with a libretto by Mr Grist. The piece is based around Alfred&amp;rsquo;s battle with the Viking great army and its leader Guthrum in 878 and opens with Alfred at Athelney, where he had been forced to take refuge with his wife Alswitha (Ealhswith) and men following a Viking attack on the royal estate at Chippenham. Alfred eventually enters the Viking camp disguised as a minstrel where he enters a singing competition with Guthrum, which he wins. During the competition Guthrum sings about the Norse god Thor and Alfred a song of love. Alfred and his men later defeat the Vikings at the battle of Ethandun and Guthrum and his followers become Christians. The performance was given to raise money for a new organ at St Paul&amp;rsquo;s, Redfern, and took place at the Y.M.C.A.&lt;/p&gt;&#13;
&lt;p&gt;The article can be found at &lt;a href="http://nla.gov.au/nla.news-article28351939" target="_blank"&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article28351939&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>appropriation, Call for papers, Centre for Medieval and Early Modern Studies, CMEMS, conference, cultural encounters, exchange, legacy, literature, Perth, Perth Medieval and Renaissance Group, PMRG, university, universities, education, UWA, The University of Western Australia, tradition, WA, Western Australia</text>
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                <text>&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;This poster advertises the 2012 annual conference of the Centre for Medieval and Early Modern Studies (at The University of Western Australia) and the Perth Medieval and Renaissance Group, which was held at UWA on 17-18 August 2012. The theme of the conference was &amp;ldquo;Receptions: Medieval and Early Modern Cultural Appropriations&amp;rdquo;, and featured papers exploring a range of cultural appropriations in, by and of the medieval and early modern world. One of the possible themes or approaches suggested by the convenors was medievalism. For more information about this conference, see: &lt;a href="http://www.pmrg.arts.uwa.edu.au/2012_conference" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.pmrg.arts.uwa.edu.au/2012_conference&lt;/span&gt;&lt;/a&gt;. &lt;/span&gt;</text>
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                <text>Hirsch, Brett</text>
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                <text>Centre for Medieval and Early Modern Studies, The University of Western Australia</text>
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                <text>Centre for Medieval and Early Modern Studies, The University of Western Australia</text>
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                <text>Centre for Medieval and Early Modern Studies, The University of Western Australia</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>â€œRobin Hoodâ€ (comic opera)</text>
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                <text>Comic opera, Conservatorium, Crusade, Government House, Reginald De Koven, light opera, music, New South Wales, NSW, opera, performance, Richard I, Robin Hood, Royal Botanic Gardens, Harry B. Smith, Sydney, Sydney Conservatorium of Music, Sydney Morning Herald.</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28413">
                <text>&lt;p&gt;This piece titled &amp;ldquo;Robin Hood&amp;rdquo; in the &amp;lsquo;Amusements&amp;rsquo; section of the Sydney Morning Herald newspaper appeared on June 30, 1928. It brings to attention a new production of the comic/light opera Robin Hood at the Sydney Conservatorium of Music in the Royal Botanic Gardens, formerly the stables of Government House. Elsewhere on the same page in the &amp;lsquo;Music and Drama&amp;rsquo; section there is a complimentary article to remind readers of two previous seasons of the opera, and to discuss the opera&amp;rsquo;s origins and style. The &amp;lsquo;rustic&amp;rsquo; opera by Americans Reginald De Koven (music) and Harry B. Smith (libretto) was written in Chicago in the 1880s and, according to the newspaper article, features comic treatment of the characters of the Sherriff and Sir Guy. The opera is based on the popular adventures of the outlaw Robin Hood and is set in Nottingham, England, during the reign of Richard I (the Lionheart) during his time abroad on crusade.&lt;/p&gt;&#13;
&lt;p&gt;For the article see &lt;a href="http://nla.gov.au/nla.news-article28052740"&gt;http://nla.gov.au/nla.news-article28052740&lt;/a&gt;&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28414">
                <text>Anon.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="28415">
                <text>Sydney Morning Herald</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28416">
                <text>June 30, 1928</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28417">
                <text>Sydney Morning Herald</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28418">
                <text>Newspaper article;Hyperlink</text>
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          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="5109">
        <name>Comic opera</name>
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      <tag tagId="5110">
        <name>Conservatorium</name>
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        <name>Crusade</name>
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        <name>Government House</name>
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        <name>Harry B. Smith</name>
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      <tag tagId="5112">
        <name>light opera</name>
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      <tag tagId="237">
        <name>music</name>
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      <tag tagId="106">
        <name>New South Wales</name>
      </tag>
      <tag tagId="338">
        <name>NSW</name>
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      <tag tagId="5113">
        <name>opera</name>
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        <name>performance</name>
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        <name>Reginald De Koven</name>
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      <tag tagId="4683">
        <name>Richard I</name>
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      <tag tagId="3070">
        <name>Robin Hood</name>
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      <tag tagId="4554">
        <name>Royal Botanic Gardens</name>
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      <tag tagId="122">
        <name>Sydney</name>
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      <tag tagId="4556">
        <name>Sydney Conservatorium of Music</name>
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      <tag tagId="5115">
        <name>Sydney Morning Herald.</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Medievalism on the Page</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              </elementTextContainer>
            </element>
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    </collection>
    <itemType itemTypeId="11">
      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="28410">
              <text>&lt;a href="http://nla.gov.au/nla.news-article23754864" target="_self"&gt;http://nla.gov.au/nla.news-article23754864&lt;/a&gt;</text>
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        </element>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28402">
                <text>â€œRobin Hoodâ€ (pantomime)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28403">
                <text>Bijou Theatre, Hobart, The Mercury, newspaper, outlaw, pantomime, performance, Robin Hood, Tas, Tasmania, theatre.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28404">
                <text>This 1924 article in the Hobart based newspaper The Mercury advertises two performances of the pantomine 'Robin Hood' at the Bijou Theatre. The performances were held 'by special request' following an earlier successful season. The pantomine is presumably based on the exploits of the legendary medieval English outlaw Robin Hood.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28405">
                <text>Anon.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="28406">
                <text>The Mercury</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28407">
                <text>August 6, 1924</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28408">
                <text>The Mercury</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28409">
                <text>Newspaper article;Hyperlink</text>
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      </elementSet>
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    <tagContainer>
      <tag tagId="5119">
        <name>Bijou Theatre</name>
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      <tag tagId="320">
        <name>Hobart</name>
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      <tag tagId="109">
        <name>newspaper</name>
      </tag>
      <tag tagId="4517">
        <name>outlaw</name>
      </tag>
      <tag tagId="5120">
        <name>pantomime</name>
      </tag>
      <tag tagId="350">
        <name>performance</name>
      </tag>
      <tag tagId="3070">
        <name>Robin Hood</name>
      </tag>
      <tag tagId="3222">
        <name>Tas</name>
      </tag>
      <tag tagId="4809">
        <name>Tasmania.</name>
      </tag>
      <tag tagId="3220">
        <name>The Mercury</name>
      </tag>
      <tag tagId="348">
        <name>theatre</name>
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  </item>
  <item itemId="403" public="1" featured="0">
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      <file fileId="465">
        <src>https://ausmed.arts.uwa.edu.au/files/original/17b73f2789ec13c7005407d4c6cf3315.pdf</src>
        <authentication>7947c1b8a3b98d9fc2bb52bb4d99715b</authentication>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34454">
                  <text>Medievalism on the Streets</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
                </elementText>
              </elementTextContainer>
            </element>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="8624">
              <text>Digital Newspaper Article</text>
            </elementText>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8613">
                <text>â€œThe Winterâ€™s Taleâ€ for Perth Stage</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8614">
                <text>Antigonus, Apolloâ€™s Temple, Bohemia, Camillo, costume, drama, Emilia, Florizel, head dress, head-dress, headdress, Hermione, jealousy, John Alden (1908-1962), John Alden Shakespearean Company, Leontes, Mamillius, medieval costume, medieval dress, oracle, Pauline, Perdita, performance, Perth, Polixenes, Shakespeare, shepherd, shepherdess, shoes, Sicilia, sleeves, stage, theatre, The Winterâ€™s Tale, WA, Western Australia, William Shakespeare (1564-1616)</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8615">
                <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;In this article from The West Australian in  1952, notice of the upcoming stage production  of Shakespeare&amp;rsquo;s &amp;ldquo;The Winter&amp;rsquo;s Tale&amp;rdquo; by the John Alden Shakespearean  Company is given. The medieval costumes - including elaborate  head-dresses, pointed shoes and draped sleeves - would be particularly  appealing to Perth audiences, the article suggests, because  they were such a marked change from the plays usually performed on the  Perth stage. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;About The Winter&amp;rsquo;s Tale:&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;In &amp;ldquo;The Winter&amp;rsquo;s Tale&amp;rdquo;, Leontes, the King  of Sicilia, becomes consumed with jealousy that  Hermione, his wife, is having an affair with the King of Bohemia  (Polixenes). He instructs his councillor Camillo to poison Polixenes,  but instead Camillo reveals Leontes&amp;rsquo; plans and both he and Polixenes  secretly leave for Bohemia. The pregnant Hermione is  banished to prison, where she gives birth to a daughter. Refusing to  believe the legitimacy of the child, Leontes demands that the child be  burned alive and then, upon the protestations of his chief adviser  Antigonus, abandoned off the coast of Bohemia. In  the events that unfold over the following Act, Leontes refuses to  believe an oracle from Apollo&amp;rsquo;s Temple exonerating Hermione&amp;rsquo;s and orders  her trial to proceed, his son Mamillius dies, Hermione dies, Leontes  realises his mistake and repents, Antigonus is killed  by a bear and a shepherd finds the abandoned baby and takes her home.  Sixteen years later, in Bohemia, the story recommences with Polixenes  expressing concern that his son Florizel has fallen in love with a  shepherdess. He attends a sheep-shearing festival  in disguise, revealing himself at the last moment to prevent the  betrothal of the couple, after which Florizel and the shepherdess are  advised by Camillo (now Polixenes&amp;rsquo; chief adviser) to flee to Sicilia.  When Polixenes also arrives in Sicilia with the shepherd  and his son, the shepherdess&amp;rsquo; identity as Leontes&amp;rsquo; lost child is  discovered and her marriage to Florizel condoned, Leontes and Polixenes  are friends once more, and a statue of Hermione comes to life, revealing  that she is alive and has been waiting to be reunited  with her daughter.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;For a copy of the text, see: &lt;a href="http://www.gutenberg.org/ebooks/2248" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.gutenberg.org/ebooks/2248&lt;/span&gt;&lt;/a&gt;. &lt;/span&gt;&lt;/p&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8616">
                <text>Anon.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="8617">
                <text>&lt;span&gt;&lt;span style="font-family: Tahoma; color: #000000; font-size: x-small;"&gt;&lt;span style="line-height: 115%; font-size: 10pt;"&gt;National Library of Australia,&lt;/span&gt;&lt;span style="line-height: 115%; font-size: 10pt;"&gt; &lt;/span&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article49052507" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article49052507&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="../../items/show/402"&gt;&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="8618">
                <text>The West Australian</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8619">
                <text>13 September 1952, p. 5.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8620">
                <text>The West Australian</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="8621">
                <text>&amp;ldquo;This is What Women Wore in Bygone Times&amp;rdquo;, The West Australian, 18 September 1952, p. 7, &lt;a href="../../items/show/402"&gt;http://ausmed.arts.uwa.edu.au/items/show/402&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8622">
                <text>Digital Newspaper Article</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8623">
                <text>English</text>
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        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
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        <name>Antigonus</name>
      </tag>
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        <name>Apolloâ€™s Temple</name>
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      <tag tagId="2735">
        <name>Bohemia</name>
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      <tag tagId="2736">
        <name>Camillo</name>
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      <tag tagId="1409">
        <name>costume</name>
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      <tag tagId="1165">
        <name>drama</name>
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        <name>Emilia</name>
      </tag>
      <tag tagId="2739">
        <name>Florizel</name>
      </tag>
      <tag tagId="2740">
        <name>head dress</name>
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      <tag tagId="868">
        <name>head-dress</name>
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      <tag tagId="1254">
        <name>headdress</name>
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        <name>Hermione</name>
      </tag>
      <tag tagId="2743">
        <name>jealousy</name>
      </tag>
      <tag tagId="2744">
        <name>John Alden (1908-1962)</name>
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      <tag tagId="2745">
        <name>John Alden Shakespearean Company</name>
      </tag>
      <tag tagId="2746">
        <name>Leontes</name>
      </tag>
      <tag tagId="2748">
        <name>Mamillius</name>
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      <tag tagId="566">
        <name>medieval costume</name>
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      <tag tagId="447">
        <name>medieval dress</name>
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      <tag tagId="2750">
        <name>oracle</name>
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      <tag tagId="2751">
        <name>Pauline</name>
      </tag>
      <tag tagId="2752">
        <name>Perdita</name>
      </tag>
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        <name>performance</name>
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      <tag tagId="150">
        <name>Perth</name>
      </tag>
      <tag tagId="2753">
        <name>Polixenes</name>
      </tag>
      <tag tagId="1849">
        <name>Shakespeare</name>
      </tag>
      <tag tagId="2754">
        <name>shepherd</name>
      </tag>
      <tag tagId="2755">
        <name>shepherdess</name>
      </tag>
      <tag tagId="2759">
        <name>shoes</name>
      </tag>
      <tag tagId="2756">
        <name>Sicilia</name>
      </tag>
      <tag tagId="2760">
        <name>sleeves</name>
      </tag>
      <tag tagId="1174">
        <name>stage</name>
      </tag>
      <tag tagId="2757">
        <name>The Winterâ€™s Tale</name>
      </tag>
      <tag tagId="348">
        <name>theatre</name>
      </tag>
      <tag tagId="838">
        <name>WA</name>
      </tag>
      <tag tagId="73">
        <name>Western Australia</name>
      </tag>
      <tag tagId="2758">
        <name>William Shakespeare (1564-1616)</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
