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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Newspaper Article in the Western Mail.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>In Fashionâ€™s Realm</text>
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                <text>medieval fashion, fashion, medieval dress, medieval style, gown, gowns, hats, dress-making, fabric, dress, vogue, medieval</text>
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                <text>In this column describing the latest fashion trends in 1928, the author suggests that alongside coat frocks, hats and fur pelts, the medieval style was making a comeback. Popular materials such as ring and chiffon velvets, brocades, satins and rich quality georgettes, the article suggests, were especially amenable to the â€˜grace, softness and classic expressionâ€™ of medieval gowns.</text>
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            <name>Creator</name>
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                <text>Anonymous</text>
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            <name>Source</name>
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              <elementText elementTextId="16329">
                <text>National Library of Australia</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Western Mail</text>
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                <text>26 April 1928</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="16332">
                <text>Western Mail</text>
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                <text>Newspaper Article</text>
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        <name>dress</name>
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        <name>fashion</name>
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        <name>gown</name>
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        <name>gowns</name>
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        <name>hats</name>
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        <name>medieval</name>
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        <name>medieval dress</name>
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        <name>medieval fashion</name>
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        <name>medieval style</name>
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        <name>vogue</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/a8742398a9e4c597f090120eff525f80.jpg</src>
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                    <text>8</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Microfilm</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&amp;lsquo;Parkes and the Templars&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 3 September 1887</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>alcohol, Bulletin, drunkenness, I.O.G.T., New South Wales, NSW, piety, pledge, poem, politics, Sir Henry Parkes (1815-1896), state politics, temperance, Templars. </text>
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            <name>Description</name>
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                <text>This poem has links with medievalism through its reference to &amp;lsquo;the Templars&amp;rsquo;. However, the Templars to whom it refers are not the famous medieval order of crusading knights but rather the crusading nineteenth-century temperance society, the I.O.G.T. The anonymous writer accuses Sir Henry Parkes (P-RK-S) of joining with, or rather of making use of, the temperance league for vested political interests. Presumably, the wily NSW premier was being accused of securing temperance votes by any means possible; including offering false &amp;lsquo;pledges.&amp;rsquo; At the time, Parkes was into his fourth premiership, which he secured on a Free Trade ticket. He later managed to attain the office for a fifth time, equalling the accomplishment of his old rival Sir John Robertson. It is unlikely that Parkes ever seriously entertained the idea of enforcing temperance on the colony; he was too canny and his own fondness for champagne was too well known (see A. W. Martin, 'Parkes, Sir Henry (1815&amp;ndash;1896)', Australian Dictionary of Biography, &lt;a href="http://adb.anu.edu.au/biography/parkes-sir-henry-4366" target="_blank"&gt;http://adb.anu.edu.au/biography/parkes-sir-henry-4366&lt;/a&gt;). He did, however, &amp;ldquo;regulate the liquor trade&amp;rdquo; in 1881, which pleased the temperance groups momentarily. The final stanza of the poem announces &amp;ldquo;When all the world is turned teetotal / Then P----s will leave the pleasant bottle, / But that&amp;rsquo;s in dim hereafter.&amp;rdquo; The anonymous Bulletin contributor also upbraids Sir Henry (and presumably politicians in general) for failing to maintain and justify &amp;lsquo;broken&amp;rsquo; political pledges, for reasons only hinted at here.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="23565">
                <text>Anonymous</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="23566">
                <text>The Bulletin</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="23567">
                <text>The Bulletin</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>3 September 1887, p.8</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23569">
                <text>Public Domain</text>
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        <name>alcohol</name>
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        <name>Bulletin</name>
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        <name>drunkenness</name>
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      <tag tagId="4952">
        <name>I.O.G.T.</name>
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      <tag tagId="106">
        <name>New South Wales</name>
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      <tag tagId="338">
        <name>NSW</name>
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        <name>piety</name>
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        <name>pledge</name>
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        <name>poem</name>
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        <name>politics</name>
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        <name>Sir Henry Parkes (1815-1896)</name>
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        <name>state politics</name>
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        <name>temperance</name>
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        <name>Templars</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34454">
                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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        <element elementId="28">
          <name>URL</name>
          <description/>
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              <text>&lt;p&gt;The &amp;lsquo;table items&amp;rsquo; Image is one of a series of 8 &amp;lsquo;Every day items&amp;rsquo;.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://www.knightsstjohn.com/apps/photos/album?albumid=6911577"&gt;http://www.knightsstjohn.com/apps/photos/album?albumid=6911577&lt;/a&gt;&lt;/p&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>â€˜Table Itemsâ€™</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>candle-holder, crusades, eating, dining utensils, fork, goblet, knife, Knight, Knights of St John, mealtimes, medieval implements utensils</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18601">
                <text>This photograph features a collection of â€˜representativeâ€™ dining utensils from the Damascus (Knights of St John) re-enactment group. Pictured is a turned wooden bowl, a serrated-edged knife with a carved handle, a steel fork with two tines, a spoon, and an â€˜ash glazedâ€™ goblet. There is also a candle and candle-holder with scrolled feet, presumably included to lend atmosphere to the â€˜still lifeâ€™ composition. These items roughly approximate the kinds of everyday implements that would have been used by the knights at mealtimes in the early fifteenth century. </text>
              </elementText>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18602">
                <text>Anonymous contributor, Knights of St John, Qld</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18603">
                <text>2009</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18604">
                <text>Damascus Crusader Living History Â© 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18605">
                <text>Hyperlink</text>
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        <name>candle-holder</name>
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        <name>Crusades</name>
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        <name>dining utensils</name>
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        <name>eating</name>
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        <name>goblet</name>
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        <name>knife</name>
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      <tag tagId="96">
        <name>knight</name>
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      <tag tagId="4274">
        <name>Knights of St John</name>
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      <tag tagId="4275">
        <name>mealtimes</name>
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      <tag tagId="4276">
        <name>medieval implements utensils</name>
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  <item itemId="1153" public="1" featured="0">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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        <element elementId="28">
          <name>URL</name>
          <description/>
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              <text>&lt;p&gt;To view this image,&lt;/p&gt;&#13;
&lt;p&gt;1. Go to: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_self"&gt;http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;2. Search by artist or title.&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>'St Francis beaten by his Father', by Arthur Boyd</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>art, Assisi, beating, business, Catholicism, Christianity, church, cloth merchant, drawing, family, father, Francis of Assisi, Franciscan Order, modern art, patrimony, poverty, preacher, preaching, religious order, repairs, saint, Saint Francis of Assisi, San Damiano, St Francis of Assisi, The Poor Clares, violence, work.</text>
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                <text>This work by Arthur Boyd was acquired by the Art Gallery of South Australia in 1969 with funds from the Morgan Thomas Bequest. It depicts St Francis of Assisi being beaten by his father, who is known to have objected to Francisâ€™ religious inclinations and specifically to have reprimanded him for selling cloth from his shop to fund church repairs. St Francis (Giovanni Francesco do Bernadone) was born in Assisi around 1181. After an adolescence spent learning his fatherâ€™s cloth business and aspiring to be a noble knight, he received his religious calling in his twenties when he was praying at San Damiano and heard Christ telling him to repair the church. Following a dispute with his father after selling cloth to raise money for the task, Francis returned every stitch of clothing his father had ever given him and renounced his patrimony. He turned to a life of poverty and religious work. He founded the Franciscan Order, a religious order devoted to poverty, work and preaching, which was authorised by Pope Innocent III in 1210 and quickly grew in popularity from a few followers to a large network of Franciscan preachers and missionaries (administered by Cardinal Ugolini, later Pope Gregory IX) and an enclosed order for women, The Poor Clares. In 1224 St Francis received the stigmata. He died in 1226, and was pronounced a saint only two years later by Pope Gregory IX. </text>
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                <text>Arthur Boyd, 1920-1999</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="29436">
                <text>Art Gallery of South Australia: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/" target="_self"&gt;http://www.artgallery.sa.gov.au/agsa/home/&lt;/a&gt;&lt;br /&gt;</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="29437">
                <text>1965</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29438">
                <text>Art Gallery of South Australia, with permission of the Bundanon Trust</text>
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            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29439">
                <text>Lithograph on Paper, 47.9cm x 60.3cm</text>
              </elementText>
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        <name>art</name>
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        <name>Assisi</name>
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        <name>beating</name>
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        <name>business</name>
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        <name>Catholicism</name>
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        <name>Christianity</name>
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        <name>Church</name>
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        <name>cloth merchant</name>
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        <name>drawing</name>
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        <name>family</name>
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        <name>father</name>
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        <name>Francis of Assisi</name>
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        <name>Franciscan Order</name>
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        <name>modern art</name>
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        <name>patrimony</name>
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        <name>poverty</name>
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        <name>preaching</name>
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        <name>saint</name>
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        <name>Saint Francis of Assisi</name>
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        <name>San Damiano</name>
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        <name>St Francis of Assisi</name>
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        <name>The Poor Clares</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Website</name>
      <description>A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ).</description>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website.</description>
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              <text>&lt;a href="http://ascomanni.webs.com/"&gt;http://ascomanni.webs.com/&lt;/a&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ascomanni Medieval Re-enactment Society</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Anglo-Saxons, Ascomanni Medieval Re-enactment Society, Battle of Hastings, Battle of Stamford Bridge, combat, costume, Launceston, living history, Normans, Oseberg Ship Burial, Oseberg Tapestry, re-creation, re-enactment, Saxons, Tas, Tasmania, Viking Age, Vikings, website.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;Ascomanni Medieval Re-enactment Society is a living history group based in the Tasmanian city of Launceston. The group focus on Anglo-Saxons, Normans, and Vikings during the later Viking Age, specifically the period 966-1066 ending with the Norwegian defeat at Stamford Bridge and the Norman victory at Hastings. Ascomanni (a term used for the Vikings by the eleventh-century German chronicler Adam of Bremen) focus both on the daily life and martial aspects of the Viking Age.&lt;/p&gt;&#13;
&lt;p&gt;Their website banner is an image of the reconstructed Oseberg Tapestry which was found in the Oseberg ship burial in Norway, c. 834.&lt;/p&gt;&#13;
&lt;p&gt;For their website see http://ascomanni.webs.com/&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Ascomanni Medieval Re-enactment Society</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33423">
                <text>Ascomanni Medieval Re-enactment Society, Copyright Â©2011</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="33424">
                <text>Website</text>
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        <name>Ascomanni Medieval Re-enactment Society</name>
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        <name>Battle of Hastings</name>
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        <name>Battle of Stamford Bridge</name>
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      <tag tagId="2238">
        <name>combat</name>
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      <tag tagId="1409">
        <name>costume</name>
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      <tag tagId="2972">
        <name>Launceston</name>
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      <tag tagId="4060">
        <name>living history</name>
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      <tag tagId="3464">
        <name>Normans</name>
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      <tag tagId="6205">
        <name>Oseberg Ship Burial</name>
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      <tag tagId="6206">
        <name>Oseberg Tapestry</name>
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        <name>re-creation</name>
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        <name>re-enactment</name>
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      <tag tagId="5679">
        <name>Saxons</name>
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      <tag tagId="3222">
        <name>Tas</name>
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      <tag tagId="643">
        <name>Tasmania</name>
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      <tag tagId="4155">
        <name>Viking Age</name>
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      <tag tagId="2703">
        <name>vikings</name>
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      <tag tagId="4806">
        <name>website.</name>
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  <item itemId="473" public="1" featured="0">
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      <file fileId="523">
        <src>https://ausmed.arts.uwa.edu.au/files/original/6b668e5374ff4882a750f284b1c6cf5c.pdf</src>
        <authentication>e74d3a289dfa5e203757866d9197fe58</authentication>
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          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34460">
                  <text>Medievalism on the Page</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
                </elementText>
              </elementTextContainer>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="10197">
              <text>&lt;p&gt;&lt;span&gt;&lt;span style="font-family: Calibri; color: #800080; font-size: small;"&gt;PDF; hyperlink&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;&lt;a href="http://nla.gov.au/nla.news-article63063300" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #800080; font-size: small;"&gt;http://nla.gov.au/nla.news-article63063300&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10187">
                <text>Viking Ship Greets King</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10188">
                <text>British Museum, QLD, Queensland, replica, Stockholm, Sweden, Swedish, Townsville, Townsville Daily Bulletin, Viking, vikings, ship, ships, boat, vegetarian, vegetarianism, sports, youth, youth movement, King Gustaf</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10189">
                <text>An article in the â€˜Townsville Daily Bulletinâ€™ newspaper in Queensland on June 18, 1949. The article is about a replica Viking ship built by a Swedish vegetarian sports and youth movement that was based on an original from the British Museum. The replica ship brought greetings to Swedenâ€™s King Gustaf in Stockholm on his 91st birthday. The report is credited only to an anonymous Associated Press correspondent.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10190">
                <text>Associated Press Correspondent</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="10191">
                <text>National Library of Australia</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="10192">
                <text>Townsville Daily Bulletin</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10193">
                <text>18 June 1949</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10194">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10195">
                <text>Newspaper Article; PDF</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10196">
                <text>English</text>
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        <name>boat</name>
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      <tag tagId="1728">
        <name>British Museum</name>
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      <tag tagId="3092">
        <name>King Gustaf</name>
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      <tag tagId="1350">
        <name>Qld</name>
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      <tag tagId="475">
        <name>Queensland</name>
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      <tag tagId="114">
        <name>replica</name>
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      <tag tagId="440">
        <name>ship</name>
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      <tag tagId="2551">
        <name>ships</name>
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      <tag tagId="2434">
        <name>sports</name>
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      <tag tagId="2974">
        <name>Stockholm</name>
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      <tag tagId="3084">
        <name>Sweden</name>
      </tag>
      <tag tagId="3085">
        <name>Swedish</name>
      </tag>
      <tag tagId="3086">
        <name>Townsville</name>
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      <tag tagId="3087">
        <name>Townsville Daily Bulletin</name>
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      <tag tagId="3088">
        <name>vegetarian</name>
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      <tag tagId="3089">
        <name>vegetarianism</name>
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      <tag tagId="2556">
        <name>viking</name>
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      <tag tagId="2703">
        <name>vikings</name>
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      <tag tagId="3090">
        <name>youth</name>
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      <tag tagId="3091">
        <name>youth movement</name>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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        <element elementId="28">
          <name>URL</name>
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              <text>&lt;p&gt;&lt;a href="http://www.abc.net.au/compass/s3510122.htm"&gt;http://www.abc.net.au/compass/s3510122.htm&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>â€˜Tasmanian Gothicâ€™, Compass, ABC TV</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>ABC, alter cloths, Australian Broadcasting Corporation, baptismal font, Wendy Boynton, Catholic, chalice linen, church, Colebrook, Compass, cross, Geraldine Doogue, Gothic, Gothic Revival, headstone, monstrance, Oatlands, Augustus Welby Northmore Pugin, Pugin, Richmond, rood screen, Tas, Tasmania, Tasmanian Gothic, television, transcript, vestment, website, Bishop Willson, Robert William Willson.</text>
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                <text>&lt;p&gt;&amp;lsquo;Tasmanian Gothic&amp;rsquo; was an episode of the Australian Broadcasting Corporation&amp;rsquo;s Compass television programme presented by Geraldine Doogue. The story was researched by Wendy Boynton and aired on June 24, 2012 to celebrate the 200&lt;sup&gt;th&lt;/sup&gt; anniversary of the birth of English architect and designer Augustus Welby Northmore Pugin (1812-1852), one of the main&amp;nbsp;instigators of the Gothic Revival. Although he never visited Australia some consider the best examples of Pugin&amp;rsquo;s work to be in Tasmania, in part due to their preservation. When his friend Robert William Willson (1794-1866) was chosen as Tasmania&amp;rsquo;s first Catholic Bishop, Pugin provided him with the materials necessary to establish his diocese. These items, including scale models for three churches, were taken by Willson by ship from England to Hobart in 1844. Pugin artefacts in Tasmania include alter cloths, baptismal fonts, chalice linens, crosses, rood screens, headstones, vestments, and a monstrance (a vessel to hold the communion host, first used in the medieval period), the churches at Oatlands and Colebrook, and elements of the church at Richmond. The programme also deals with Pugin&amp;rsquo;s lasting legacy, including the enduring notion that Gothic style architecture is the most appropriate for ecclesiastical architecture. &amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For the episode transcript see &lt;a href="http://www.abc.net.au/compass/s3510122.htm"&gt;http://www.abc.net.au/compass/s3510122.htm&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Pugin churches see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1104"&gt;http://ausmed.arts.uwa.edu.au/items/show/1104&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/951"&gt;http://ausmed.arts.uwa.edu.au/items/show/951&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1117"&gt;http://ausmed.arts.uwa.edu.au/items/show/1117&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1119"&gt;http://ausmed.arts.uwa.edu.au/items/show/1119&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1104"&gt;http://ausmed.arts.uwa.edu.au/items/show/1104&lt;/a&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/951"&gt;http://ausmed.arts.uwa.edu.au/items/show/951&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1117"&gt;http://ausmed.arts.uwa.edu.au/items/show/1117&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1119"&gt;http://ausmed.arts.uwa.edu.au/items/show/1119&lt;/a&gt;&lt;/p&gt;</text>
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(Description sourced from the ALHF website link provided).&#13;
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The ALHF offers advice and guidance to members, event organisers and the public on such things as performance and display safety, and the presentation of historical accuracy in our activities." </text>
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