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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Winthrop Tower Balconette, The University of Western Australia.</text>
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                <text>arch, architecture, balconette, balcony, banksia, clock tower, column, Conrad Sayce, corbel, Crawley, cross, decorated capital, fortification, King John II (b.1455-1495), King Manuel I (b.1469-1521), Lisbon, Manueline style, Moorish influence, Portugal, â€œRenaissanceâ€ style, Rodney Alsop, Sir John Winthrop Hackett (1848-1916), The University of Western Australia, tower, Tower of BelÃ©m, Torres de BelÃ©m, university buildings, Western Australia, Winthrop Hall</text>
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                <text>&lt;p class="MsoNormal"&gt;A view of the balconette on the north facing wall  of Winthrop Tower at The University of Western Australia. Photographs of  a similar balconette taken by Winthrop Hall&amp;rsquo;s architect Rodney Alsop  (held in The University of Western Australia Archives Image Collection  61463P) suggest that the design was modelled on balconies at the Torres  de Bel&amp;eacute;m (Tower of Bel&amp;eacute;m) in Lisbon, Portugal (see &lt;span style="font-size: 11pt; color: #1f497d;"&gt;&lt;a href="http://www.bluffton.edu/%7Esullivanm/portugal/Lisbon/belem/belem.html" target="_blank"&gt;http://www.bluffton.edu/~sullivanm/portugal/Lisbon/belem/belem.html&lt;/a&gt;&lt;/span&gt;). The Tower of Bel&amp;eacute;m is a  fortified tower built in a characteristically Portuguese architectural  style known as Manueline, though it also incorporates features of  medieval military architecture and Moorish architecture. It was  commissioned by King John II (r.1481-1495) in the late fifteenth century  and built during the reign of King Manuel I (r.1495-1521), probably  between 1514 and 1521. Alsop made his Winthrop Tower balconette  distinctively Australian by using Banksia flowers and leaves for the  decorated capitals of the columns.&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;About Winthrop Hall:&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;Winthrop  Hall was designed by Melbourne architects Rodney Alsop and Conrad  Sayce, whose joint entry won an architectural competition held by the  University Senate in 1927. The impetus for the competition was a large  bequest left by the University&amp;rsquo;s first Chancellor, Sir John Winthrop  Hackett, upon his death in 1916. Alsop and Sayce began the project of  building Winthrop Hall, Hackett Hall and the Arts and Administration  Building together, but disagreed over changes to the design and Sayce  left before the buildings were completed. Winthrop Hall was officially  opened at a ceremony on 13 April 1932. The architectural style of  Winthrop Hall and the Hackett Buildings was described by Alsop as  &amp;ldquo;Renaissance&amp;rdquo;.&lt;/p&gt;</text>
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                <text>McEwan, Joanne</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Opening of Queen's College</text>
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                <text>A wood engraving from March 1888 by Samuel Calvert of Queen's College at the University of Victoria. An accompanying article in the Melbourne newspaper The Illustrated Australian News reported on the opening ceremony for the new college. Architectually, Queen's College is typical of the gothic revival style, featuring an arched entrance and windows, crenellation, lancet windows, and a central tower topped by a turret. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Christ Church Interior, Claremont, Western Australia</text>
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                <text>altar, Anglican, Anglican church, apse, arch, architect, architecture, buttress, chancel, chancel arch, church, church building, Church of England, Claremont, Cottesloe limestone, gothic architecture, Gothic Revival style, J. J. Talbot Hobbs, lancet arch, lancet windows, lead-light windows, lectern, limestone, masonry, nave, neo-gothic, pews, pulpit, sanctuary, stained glass, T. W. L. Powell, trussed ceiling, Western Australia, William Howitt, wood-carving</text>
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                <text>An interior view of Christ Church, Claremont in Western Australia. The neo-gothic style of the building is clearly visible in the pointed arches of the stained-glass windows, arcading and large chancel arch separating the rectangular nave from the octagonal chancel. The wooden pulpit and lectern are the work of William Howitt, a well-known Western Australian wood carver. &#13;
&#13;
About Christ Church, Claremont:&#13;
&#13;
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                <text>A view of the timber trusses and arch braces of the ceiling at Christ Church, Claremont, in Western Australia. The ceiling of the church is comprised of tongue and groove pine boards. It is supported by timber crucks extending from corbels on the walls between the arcading. The curved timbers intersect to form functional, but also decorative, arch-braces. Arches roof trusses were a common feature of medieval architecture.&#13;
&#13;
About Christ Church, Claremont:&#13;
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Christ Church is an Anglican Church located in Claremont, Western Australia. It was designed by Perth architect J. J. Talbot Hobbs and built in a Gothic Revival style. The foundation stone was laid on 10 September 1892, and the original church building (consisting of the Sanctuary and the eastern four bays of the nave) was completed in February 1893. The nave was extended in 1901, and in 1909 two aisles were added. Further extensions took place in 1938 when the vestry, porch and square bell tower at the western end were completed under the supervision of architect T. W. L. Powell. </text>
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                <text>McEwan, Joanne</text>
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                <text>04 February 2011</text>
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