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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>â€˜Lightâ€™ Verses</text>
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                <text>adversary, knight, lampoon, lance, Macquarie Lighthouse, NSW Politics, Port Jackson, satire, Sir Henry Parkes, Sir John Robertson, Sydney Harbour, The Bulletin, verse</text>
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                <text>This poem is an example of the satirical verses published by The Bulletin to ridicule the perceived â€œopportunistic and self-servingâ€ collaborative association between former political opponents (aka â€˜rivalsâ€™), Sir Henry Parkes, and Sir John Robertson aka â€˜the Knight of Clovellyâ€™ (Louise D'Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout, Brepols, 2011, pp.147-48). The occasion that warranted lampooning here was the inauguration of the new Macquarie lighthouse (South Head, Port Jackson). The poemâ€™s backdrop is that of two â€˜worthyâ€™ knights. Formerly bitter adversaries, they now seem â€˜reconciledâ€™ and working together for the common good, albeit at considerable expense to public funding, and to general good will, while stretching the city of Sydneyâ€™s patience to the limits.</text>
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                <text>13 March 1880 (p. 3)</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>â€˜An I.O.G.T. Idyllâ€™</text>
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                <text>Crusades, doggerel, idyll, I.O.G.T., drunkenness, military order, Order of Knights Templar, Order of the Temple, sobriety, Soldiers of Christ, templar, templar knights, temperance, temperance society, The International Order of Good Templars</text>
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                <text>This amusing temperance â€˜dittyâ€™ describes the adventures of â€œa burly Templar chiefâ€ whose carefree night of drinking turns out to be more than he expected or bargained for. The I.O.G.T. was a temperance society (The International Order of Good Templars). There were people from all walks of life and religious persuasions involved in the temperance movement in 1880s Australia, Britain, America and Sweden. Presumably the I.O.G.T. hierarchy viewed themselves as crusader knights fighting the â€œGood Fight,â€ and clearly a good fight was one that ended well for â€˜true believersâ€™ and badly for their foes (i.e. â€˜winebibbersâ€™, â€˜publicansâ€™ and â€˜sinners). However, it should be noted that the Order of Knights Templar, a powerful military order and charitable organisation in the Middle Ages, was never actually forbidden the use of wine, and occasionally instances of over-indulgence were recorded (See Dominic Selwood, Knights of the Cloister: Templars and Hospitallers in central-southern Occitania c.1100-c.1300, Woodbridge, Boydell, 2001, p.205). This oversight reveals the mindset of those who supported the adoption of quasi-medieval terminology and ceremony in the nineteenth-century, without fully appreciating the history and behaviour of those whose names they had chosen to adopt.</text>
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                <text>11 November 1882 (p. 8)</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>â€˜Lays of Contemporary Chivalryâ€™</text>
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                <text>chivalry, doggerel, knight, knighthood, lampoon, satire, peerage, popular anti-medievalism, social pretention</text>
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                <text>These light-hearted verses describe the endeavours of a motley band of â€˜gallantsâ€™ with dubious social origins, who jostle and vie for the hand of Lady Podophylline Musa Miggs, daughter of the Baron of Potts Point, in Sydney. These are but two of the made-up names of the various â€˜aristocraticâ€™ protagonists and suitors. Others are: Lord Golfo McGuff, Sir Perryman Pym, and the Marquis of Manganese. Add to these the two front-runners, Sir Peblar de Bart, and Sir Jago Phipp, and the tale gets underway with a smirk. It is clear from the outset that, â€œIt is difficult to grasp the point of the [...] rather silly narrativeâ€ (Louise D'Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout: Brepols, 2011, p.145). Indeed, there is little more than lunacy (or moon sickness) contained within the poemâ€™s doggerel verses. Even keeping track of the events leading to the outcome requires perspicacity. This is popular medievalism run amok in the Antipodes: a satirical commentary on these not so â€˜gentle-bornâ€™ knights, a fair maiden, and her father â€˜the baron,â€™ along with a veritable fortune or dowry comprised almost entirely of chickens and pigs! The maiden finally succumbs to the blandishments of a coachman, while the others jettison their chances through various foolhardy intrigues and disappear to places obscure.</text>
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                <text>Anon.</text>
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        <name>lampoon</name>
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        <name>peerage</name>
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      <tag tagId="4993">
        <name>popular anti-medievalism</name>
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        <name>social pretention</name>
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              <name>Title</name>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>â€œRobin Hoodâ€ (comic opera)</text>
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            <name>Subject</name>
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              <elementText elementTextId="28412">
                <text>Comic opera, Conservatorium, Crusade, Government House, Reginald De Koven, light opera, music, New South Wales, NSW, opera, performance, Richard I, Robin Hood, Royal Botanic Gardens, Harry B. Smith, Sydney, Sydney Conservatorium of Music, Sydney Morning Herald.</text>
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            <elementTextContainer>
              <elementText elementTextId="28413">
                <text>&lt;p&gt;This piece titled &amp;ldquo;Robin Hood&amp;rdquo; in the &amp;lsquo;Amusements&amp;rsquo; section of the Sydney Morning Herald newspaper appeared on June 30, 1928. It brings to attention a new production of the comic/light opera Robin Hood at the Sydney Conservatorium of Music in the Royal Botanic Gardens, formerly the stables of Government House. Elsewhere on the same page in the &amp;lsquo;Music and Drama&amp;rsquo; section there is a complimentary article to remind readers of two previous seasons of the opera, and to discuss the opera&amp;rsquo;s origins and style. The &amp;lsquo;rustic&amp;rsquo; opera by Americans Reginald De Koven (music) and Harry B. Smith (libretto) was written in Chicago in the 1880s and, according to the newspaper article, features comic treatment of the characters of the Sherriff and Sir Guy. The opera is based on the popular adventures of the outlaw Robin Hood and is set in Nottingham, England, during the reign of Richard I (the Lionheart) during his time abroad on crusade.&lt;/p&gt;&#13;
&lt;p&gt;For the article see &lt;a href="http://nla.gov.au/nla.news-article28052740"&gt;http://nla.gov.au/nla.news-article28052740&lt;/a&gt;&lt;/p&gt;</text>
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            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28414">
                <text>Anon.</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="28415">
                <text>Sydney Morning Herald</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="28416">
                <text>June 30, 1928</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28417">
                <text>Sydney Morning Herald</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28418">
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="5109">
        <name>Comic opera</name>
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      <tag tagId="5110">
        <name>Conservatorium</name>
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        <name>Crusade</name>
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        <name>Harry B. Smith</name>
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      <tag tagId="5112">
        <name>light opera</name>
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        <name>music</name>
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        <name>New South Wales</name>
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      <tag tagId="338">
        <name>NSW</name>
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      <tag tagId="5113">
        <name>opera</name>
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        <name>Reginald De Koven</name>
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        <name>Richard I</name>
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      <tag tagId="3070">
        <name>Robin Hood</name>
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      <tag tagId="4554">
        <name>Royal Botanic Gardens</name>
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        <name>Sydney</name>
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      <tag tagId="4556">
        <name>Sydney Conservatorium of Music</name>
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      <tag tagId="5115">
        <name>Sydney Morning Herald.</name>
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  <item itemId="990" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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      <name>Hyperlink</name>
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        <element elementId="28">
          <name>URL</name>
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            <elementText elementTextId="28410">
              <text>&lt;a href="http://nla.gov.au/nla.news-article23754864" target="_self"&gt;http://nla.gov.au/nla.news-article23754864&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28402">
                <text>â€œRobin Hoodâ€ (pantomime)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28403">
                <text>Bijou Theatre, Hobart, The Mercury, newspaper, outlaw, pantomime, performance, Robin Hood, Tas, Tasmania, theatre.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28404">
                <text>This 1924 article in the Hobart based newspaper The Mercury advertises two performances of the pantomine 'Robin Hood' at the Bijou Theatre. The performances were held 'by special request' following an earlier successful season. The pantomine is presumably based on the exploits of the legendary medieval English outlaw Robin Hood.</text>
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            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="28405">
                <text>Anon.</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="28406">
                <text>The Mercury</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28407">
                <text>August 6, 1924</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28408">
                <text>The Mercury</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28409">
                <text>Newspaper article;Hyperlink</text>
              </elementText>
            </elementTextContainer>
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        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="5119">
        <name>Bijou Theatre</name>
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      <tag tagId="320">
        <name>Hobart</name>
      </tag>
      <tag tagId="109">
        <name>newspaper</name>
      </tag>
      <tag tagId="4517">
        <name>outlaw</name>
      </tag>
      <tag tagId="5120">
        <name>pantomime</name>
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      <tag tagId="350">
        <name>performance</name>
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      <tag tagId="3070">
        <name>Robin Hood</name>
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      <tag tagId="3222">
        <name>Tas</name>
      </tag>
      <tag tagId="4809">
        <name>Tasmania.</name>
      </tag>
      <tag tagId="3220">
        <name>The Mercury</name>
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      <tag tagId="348">
        <name>theatre</name>
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  <item itemId="992" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34460">
                  <text>Medievalism on the Page</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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    <itemType itemTypeId="11">
      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="24154">
              <text>&lt;p&gt;&lt;a href="http://nla.gov.au/nla.news-article3743134"&gt;http://nla.gov.au/nla.news-article3743134&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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        </element>
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    </itemType>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24146">
                <text>One-Man Tank: â€œMedieval Knightâ€</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24147">
                <text>The Argus, armour, Daily Telegraph, knight, Melbourne, sword, tank, Vic, Victoria, warfare.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24148">
                <text>&lt;p&gt;This article in the Melbourne newspaper The Argus in 1926 describes the invention of a one-man tank. The report is based on photographs published in the London newspaper the Daily Telegraph. It describes the tank as reintroducing &amp;lsquo;the medieval knight in armour&amp;rsquo;. The medieval imagery is continued with the description of the building of the tanks as &amp;lsquo;a veritable beating of plough shares into swords&amp;rsquo;.&lt;/p&gt;&#13;
&lt;p&gt;The article can be found at &lt;a href="http://nla.gov.au/nla.news-article3743134"&gt;http://nla.gov.au/nla.news-article3743134&lt;/a&gt;&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24149">
                <text>Anon.</text>
              </elementText>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24150">
                <text>The Argus</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24151">
                <text>April 1, 1926</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24152">
                <text>The Argus</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24153">
                <text>Newspaper article;Hyperlink</text>
              </elementText>
            </elementTextContainer>
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    </elementSetContainer>
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      <tag tagId="153">
        <name>Armour</name>
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      <tag tagId="5129">
        <name>Daily Telegraph</name>
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      <tag tagId="96">
        <name>knight</name>
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      <tag tagId="104">
        <name>Melbourne</name>
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      <tag tagId="363">
        <name>sword</name>
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      <tag tagId="5130">
        <name>tank</name>
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      <tag tagId="124">
        <name>The Argus</name>
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      <tag tagId="2984">
        <name>Vic</name>
      </tag>
      <tag tagId="890">
        <name>Victoria</name>
      </tag>
      <tag tagId="757">
        <name>warfare</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1047" public="1" featured="0">
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        <elementSet elementSetId="1">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34460">
                  <text>Medievalism on the Page</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="28295">
              <text>&lt;a href="http://nla.gov.au/nla.news-article81658763" target="_self"&gt;http://nla.gov.au/nla.news-article81658763&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28287">
                <text>â€˜Alfred Was Great Kingâ€™</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28288">
                <text>Alfred the Great, Anglo-Saxon, Anglo-Saxon Chronicle, Charters Towers, Danes, education, England, King Alfred, law, literature, navy, The Northern Miner, Old English Chronicle, Qld, Queensland, Vikings, Wessex.</text>
              </elementText>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;&amp;lsquo;Alfred Was Great King&amp;rsquo; is an anonymous article that appeared in the Charters Towers, Queensland, newspaper &lt;em&gt;The Northern Miner&lt;/em&gt; in 1954. The article is about the ninth-century Anglo-Saxon/English king Alfred of Wessex, or Alfred the Great. The article enthusiastically supports his title and discusses Alfred&amp;rsquo;s achievements &amp;ndash; saving Wessex from Danish (Viking) invaders, laying the foundations for English law, beginning its naval tradition, and promoting education and prose literature. A lot of text is devoted to another of Alfred&amp;rsquo;s achievements, the establishment of the Old English Chronicle, now usually referred to as the Anglo-Saxon Chronicle. It is described in the article as &amp;lsquo;the first great work in English prose&amp;rsquo;. &lt;/p&gt;&#13;
&lt;p&gt;The article can be found at &lt;a href="http://nla.gov.au/nla.news-article81658763"&gt;http://nla.gov.au/nla.news-article81658763&lt;/a&gt; &amp;nbsp;&amp;nbsp;&lt;/p&gt;</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Anon.</text>
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                <text>The Northern Miner</text>
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            <name>Date</name>
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                <text>February 6, 1954</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Public Domain</text>
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                <text>Newspaper article; hyperlink</text>
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        <name>literature</name>
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        <name>navy</name>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/"&gt;http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>â€˜Living by the swordâ€™</text>
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            <description>The topic of the resource</description>
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                <text>Adult education, education, Elizabethan, Stephen Hand, Hobart, Leatherwood Online, â€˜Living by the swordâ€™, performance, rapier, re-creation, Vincentio Saviolo, George Silver, Stocatta School of Defence, sword, swordsman, Tas, Tasmania, Tasmaniaâ€™s Journal of Discovery, website.</text>
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                <text>&lt;p&gt;The anonymous online article &amp;lsquo;Living by the sword&amp;rsquo; appears in volume 4 of the Leatherwood Online &amp;ndash; Tasmania&amp;rsquo;s Journal of Discovery website and was posted in June/July 2007. It is about professional swordsman Stephen Hand of Hobart, Tasmania. Stephen teaches writes about, performs, and choreographs medieval and Elizabethan sword fighting. His technique is based on the late sixteenth-century works by Italian rapier master&lt;br /&gt;Vincentio Saviolo and the Englishman George Silver who favoured a more traditional backsword. Stephen helped establish the Stocatta School of Defence in Sydney in 1998 and a Hobart branch in 2004, and also teaches adult education classes. &amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For the article see &lt;a href="http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/"&gt;http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/&lt;/a&gt;</text>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="28583">
                <text>Anon.</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Summerhill Publishing Pty Ltd / Leatherwood Online</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>June/July 2007</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28586">
                <text>Summerhill Publishing Pty Ltd / Leatherwood Online</text>
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                <text>Online article; hyperlink</text>
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        <name>website.</name>
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    </tagContainer>
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