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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Engraving featured in The Illustrated Australian News</text>
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                <text>The Design for the Federal Coffee Palace, Collins Street West Melbourne</text>
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                <text>An engraving featured in &lt;em&gt;The Illustrated Australian News &lt;/em&gt;of a design for the Federal Coffee Palace in West Melbourne. The gothic style of the design is very typical of nineteenth century architecture in Australia and other nations with British colonial influences. &lt;br /&gt;</text>
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                <text>The Illustrated Australian News</text>
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                <text>The Illustrated London News</text>
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              <text>Engraving featured in The Illustrated Australian News</text>
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                <text>This atmospheric engraving from 1887 in The Illustrated Australian News depicts the gothic architectual style, including crenellation and turrets, of the 'Old Convict Church' at the penal settlement of Port Arthur in Tasmania.</text>
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              <text>Engraving featured in The Illustrated Australian News</text>
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                <text>A page of engravings depicting notable landmarks and monuments in Adelaide at the end of the nineteenth century. One notices a strong gothic influence in the appearance of Colonel Light's monument and some of the buildings in Victoria Square.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This engraving by Samuel Calvert appeared in The Illustrated Australian News on June 23, 1888. It shows the neo-gothic design for the Town Hall in the Melbourne suburb of Brunswick.</text>
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            <elementTextContainer>
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                <text>The Great Hall of the Exhibition on the 1st of August</text>
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              <elementText elementTextId="14503">
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The New Queen's College</text>
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                <text>University of Melbourne, university, Melbourne, Queen's College, gothic architecture, gothic revival, neo-gothic, gothic, architecture, architect, gothic building, W.A. Quick, E.H. Sugden</text>
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                <text>An engraving depicting the then new appearance of Queen's College at the University of Melbourne in 1888. Either side of the gothic style building are the portraits of the architects, Rev. W.A. Quick and E.H. Sugden.</text>
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                <text>31 March 1888</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17002">
                <text>Out of Copyright</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>Engraving [orig.];&#13;
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        <name>Queen's College</name>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Weddings. Henry-Christie</text>
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                <text>dress, fashion, Karrakatta Club, medieval lines, Marjorie Christie, Norman J. Henry, Rev. George Tulloch, satin gown, St. Andrewâ€™s Presbyterian Church, wedding, wedding dress, vogue, medieval dress, medieval style</text>
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                <text>This article from the wedding column of the Western Mail gives an  account of the wedding of Marjorie Christie and Norman J. Henry at St  Andrew&amp;rsquo;s Presbyterian Church in Perth, Western Australia, on 15 July  1933. The bride&amp;rsquo;s dress is described as &amp;ldquo;a lovely gown of satin cut on  medieval lines, with long fitting sleeves.&amp;rdquo; Pink and silver flowers  decorated the corsage and train of the dress, matching the pink velvet  dresses and silver and pink turbans worn by the bridesmaids. The wedding  reception was held at the Karrakatta Club.</text>
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                <text>National Library of Australia</text>
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                <text>27 July 1933, p. 22.</text>
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            <elementTextContainer>
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                <text>The Western Mail</text>
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        <name>wedding</name>
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        <name>wedding dress</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Engraving featured in The Illustrated Australian News</text>
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          <description/>
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              <text>&lt;span style="font-family: tahoma; font-size: x-small;"&gt;&lt;a href="http://trove.nla.gov.au/work/12199915" target="_blank"&gt;http://trove.nla.gov.au/work/12199915&lt;/a&gt;&lt;/span&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Chateau Tahbilk Vineyard Company's Exhibit at the 1888 Exhibition</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Great Hall, Great Hall exhibition, 1888, gothic, gothic revival, neo-gothic, exhibit, exhibition, display, 1888 Exhibition, wine, wine industry, winery, vine, vineyard, castle turret, Chateau Tahbilk</text>
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                <text>Engraving in The Illustrated Australian News of the Chateau Tahbilk Vineyard's exhibit at the 1888 Great Hall Exhibition. The exhibit was made to look like with a medieval-style tower, complete with crenellation.</text>
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            <name>Creator</name>
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                <text>Anon.</text>
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                <text>The Illustrated Australian News</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>The Illustrated Australian News</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>15 November 1888</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>The Illustrated Australian News</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Engraving [orig.];&#13;
Hyperlink</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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        <name>castle turret</name>
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        <name>Chateau Tahbilk</name>
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        <name>exhibit</name>
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        <name>exhibition</name>
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        <name>Gothic</name>
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        <name>Gothic Revival</name>
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        <name>Great Hall</name>
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        <name>Great Hall exhibition</name>
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        <name>neo-Gothic</name>
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        <name>vine</name>
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        <name>vineyard</name>
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        <name>wine</name>
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        <name>wine industry</name>
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        <name>winery</name>
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