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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.youtube.com/watch?v=EXXifVGU8Lk"&gt;http://www.youtube.com/watch?v=EXXifVGU8Lk&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>â€˜Gallantry is backâ€™ St George beer commercial</text>
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                <text>Advertisement, alcohol, beer, Boagâ€™s Brewery, chivalry, commercial, crusade, dragon, gallantry, â€˜gallantry is backâ€™, James Boagâ€™s, Launceston, logo, St George, sword, Tas, Tasmania.</text>
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                <text>&lt;p&gt;This advertisement is for the Launceston, Tasmania, brewing company James Boag&amp;rsquo;s &amp;lsquo;St George&amp;rsquo; beer. The slogan of the commercial is &amp;lsquo;Gallantry is back&amp;rsquo;, which plays on one of the attributes associated with St George, that of honour. In medieval chivalric culture St George was also depicted as showing great chivalry towards women, and this is the notion found in the advertisement. The advertisement concludes with the logo of a mounted St George coming to life and trampling a dragon underfoot.&lt;/p&gt;&#13;
&lt;p&gt;For the advertisement see &lt;a href="http://www.youtube.com/watch?v=EXXifVGU8Lk"&gt;http://www.youtube.com/watch?v=EXXifVGU8Lk&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>This chalk board drawing advertises The Burger Bistro in Shafto Lane in central Perth. The drawing is based on posters and the dvd cover for Season One of the television series â€˜Game of Thronesâ€™, based on the fantasy book series A Song of Ice and Fire by George R.R. Martin. The chalk drawing shows Lord Eddard Stark, played by actor Sean Bean, sitting on a throne and holding a sword. The character has the appearance of a medieval warrior.</text>
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                <text>McLeod, Shane</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>An article in the German edition of Golf Digest magazine about Thorngrove Manor Hotel in Stirling. As well as highlighting the features of the luxury boutique hotel the article provides information on nearby golf courses. The Kenneth Lehmann building is a fairy tale rendition of a manor house, partly in Victorian gothic style. The rooms, including the Kings Chamber, Queens Chamber, Castle Chamber, and Tower Loft Room, have such medieval features as tapestries, centrally vaulted ceilings, slate floors and fortified stone walls, and the exterior includes turrets and a crenellated tower covered in shingles. </text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34460">
                  <text>Medievalism on the Page</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              </elementTextContainer>
            </element>
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    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="22585">
              <text>Journal (Microfilm)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>â€˜Gratuitous Pugnacityâ€™, The Bulletin, 3 March 1888.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22577">
                <text>Colonies, debt, Federation, free trade, government, internal debts, knight, Knight Henry, Phil May (1864-1903), Sir Henry Parkes, NSW Politics</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22578">
                <text>&lt;span style="font-family: Calibri; font-size: small;"&gt;Cartoonist Phil May here encapsulates the main problems of a premature pitch by NSW for Australian Federation. The doughty knight (Sir Henry) is ready to do battle with &amp;lsquo;all and sundry,&amp;rsquo; for he needs to pay off (or perhaps unload the responsibility of) his debts. The symbols of his fiscal carelessness are daubed on his surcoat and shield. This was a sticking point in the Federation debate, where the difficult question &amp;ldquo;Who would take responsibility for the unequal debts and liabilities of the [other] colonies?&amp;rdquo; frequently arose (See Beverley Kingston, &lt;em&gt;The Oxford History of Australia: Glad, Confident Morning 1860-1900&lt;/em&gt;, vol. 3, Oxford: OUP, 1993, p. 56). Indeed, this question was still being debated at the 1910 elections (See, for example: &lt;/span&gt;&lt;a href="http://nla.gov.au/nla.news-article15142572" target="_blank"&gt;&lt;span style="color: #0000ff; font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article15142572&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Calibri;"&gt;). While Sir Henry is keen to push forward, the female figure in the cartoon - &amp;lsquo;That State House&amp;rsquo; - wears mourning black and remains unconvinced, for it is she who will have to find the money and manage things should the need arise. The State House in question is most likely the Senate, the then much debated Upper House of the projected Federal Parliament (See R. C. Baker, &lt;em&gt; Federation&lt;/em&gt;, Adelaide: Scrymgour &amp;amp; Sons, 1897, p. 4).&lt;/span&gt;&lt;/span&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22579">
                <text>May, Phil</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="22580">
                <text>The Bulletin</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="22581">
                <text>The Bulletin</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22582">
                <text>3 March 1888 (p. 13)</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22583">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22584">
                <text>Journal (Microfilm)</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="4981">
        <name>Colonies</name>
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        <name>debt</name>
      </tag>
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        <name>federation</name>
      </tag>
      <tag tagId="4983">
        <name>free trade</name>
      </tag>
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        <name>government</name>
      </tag>
      <tag tagId="4984">
        <name>internal debts</name>
      </tag>
      <tag tagId="96">
        <name>knight</name>
      </tag>
      <tag tagId="4985">
        <name>Knight Henry</name>
      </tag>
      <tag tagId="4759">
        <name>NSW politics</name>
      </tag>
      <tag tagId="4915">
        <name>Phil May (1864-1903)</name>
      </tag>
      <tag tagId="4891">
        <name>Sir Henry Parkes</name>
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  </item>
  <item itemId="774" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
                </elementText>
              </elementTextContainer>
            </element>
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        </elementSet>
      </elementSetContainer>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19176">
              <text>&lt;p&gt;This image and several others related to Longerenong homestead can be viewed on pages 71-76 of Miles Lewis&amp;rsquo;s 702675 Australian Building Analysis: Stained glass and specialist finishes, available as a pdf download:&lt;/p&gt;&#13;
&lt;p&gt;Go to: &lt;a href="http://mileslewis.net/illustrated-contents/10-australian-building.html" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://mileslewis.net/illustrated-contents/10-australian-building.html&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
Select: Stained Glass (pdf.)</text>
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    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19169">
                <text>â€˜Heraldicâ€™ domestic pattern window, Front entrance, Longerenong homestead, Longerenong, Victoria</text>
              </elementText>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19170">
                <text>Celtic, Ferguson &amp; Urie, floral grid pattern, flowers, harp, heraldry, John Lyon, Longerenong homestead, medieval design, Samuel Wilson, Stained glass, Victoria, VIC, window</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19171">
                <text>This â€˜heraldicâ€™ pattern transom hangs over the doorway at Longerenong homestead in Victoria. Central to the design is a golden Celtic harp on blue shield (c. 13th century) representing owner Samuel Wilsonâ€™s Irish roots. This is flanked by his initials (S W), and the year (AD 1862). A â€˜diaperedâ€™ medieval floral grid pattern dominates the background, and alternate blue and white flowers attached to golden stems and leaves, occupy the red outer borders. Beverley Sherry points out that, â€œThe nineteenth-century pioneers of Victoriaâ€™s pastoral districts had a strong sense of family pride and this was [often] expressed in stained glassâ€ (Australiaâ€™s Historic Stained Glass, Sydney, Murray Child, 1991, p.37). The colourful â€˜Longerenongâ€™ window provides an excellent example of such expression.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19172">
                <text>Lewis, Miles (digital image)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19173">
                <text>2009 - 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19174">
                <text>Â© Miles Lewis and University of Melbourne </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19175">
                <text>Hyperlink</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="2036">
        <name>Celtic</name>
      </tag>
      <tag tagId="4334">
        <name>Ferguson &amp; Urie</name>
      </tag>
      <tag tagId="4428">
        <name>floral grid pattern</name>
      </tag>
      <tag tagId="1364">
        <name>flowers</name>
      </tag>
      <tag tagId="629">
        <name>harp</name>
      </tag>
      <tag tagId="362">
        <name>heraldry</name>
      </tag>
      <tag tagId="4429">
        <name>John Lyon</name>
      </tag>
      <tag tagId="4430">
        <name>Longerenong homestead</name>
      </tag>
      <tag tagId="553">
        <name>medieval design</name>
      </tag>
      <tag tagId="4431">
        <name>Samuel Wilson</name>
      </tag>
      <tag tagId="693">
        <name>stained glass</name>
      </tag>
      <tag tagId="2984">
        <name>Vic</name>
      </tag>
      <tag tagId="890">
        <name>Victoria</name>
      </tag>
      <tag tagId="128">
        <name>window</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1099" public="1" featured="0">
    <collection collectionId="3">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34454">
                  <text>Medievalism on the Streets</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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    <itemType itemTypeId="11">
      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="27251">
              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.abc.net.au/local/videos/2009/04/21/2548797.htm"&gt;http://www.abc.net.au/local/videos/2009/04/21/2548797.htm&lt;/a&gt;&lt;/span&gt;</text>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27243">
                <text>â€˜Home-made medieval war machine goes off with a bangâ€™</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27244">
                <text>ABC, Australian Broadcasting Corporation, ballista, counterweight trebuchet, crossbow, Hobart, Doug Pattison, performance, Carol Raabus, re-creation, siege, siege engine, Tas, Tasmania, trebuchet, war, website.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27245">
                <text>&lt;p&gt;This online article by Carol Raabus was posted in 2009 on the Australian Broadcasting Corporation&amp;rsquo;s Hobart page. It is about local man Doug Pattison and his re-creation of siege engines. He has built a trebuchet, first used in the twelfth century, and a ballista (a large version of a crossbow), which was first used by the classical Greeks and remained popular until replaced by the trebuchet. Doug sometimes gives public performances of the weapons.&lt;/p&gt;&#13;
&lt;p&gt;For the story, including a clip of the trebuchet in action, see &lt;a href="http://www.abc.net.au/local/videos/2009/04/21/2548797.htm"&gt;http://www.abc.net.au/local/videos/2009/04/21/2548797.htm&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27246">
                <text>Raabus, Carol</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="27247">
                <text>Australian Broadcasting Corporation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27248">
                <text>April 21, 2009</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27249">
                <text>Carol Raabus; Australian Broadcasting Corporation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27250">
                <text>hyperlink</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="5019">
        <name>ABC</name>
      </tag>
      <tag tagId="5395">
        <name>Australian Broadcasting Corporation</name>
      </tag>
      <tag tagId="5610">
        <name>ballista</name>
      </tag>
      <tag tagId="5613">
        <name>Carol Raabus</name>
      </tag>
      <tag tagId="5611">
        <name>counterweight trebuchet</name>
      </tag>
      <tag tagId="2013">
        <name>crossbow</name>
      </tag>
      <tag tagId="5612">
        <name>Doug Pattison</name>
      </tag>
      <tag tagId="320">
        <name>Hobart</name>
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      <tag tagId="350">
        <name>performance</name>
      </tag>
      <tag tagId="569">
        <name>re-creation</name>
      </tag>
      <tag tagId="2700">
        <name>siege</name>
      </tag>
      <tag tagId="5344">
        <name>siege engine</name>
      </tag>
      <tag tagId="3222">
        <name>Tas</name>
      </tag>
      <tag tagId="643">
        <name>Tasmania</name>
      </tag>
      <tag tagId="5345">
        <name>trebuchet</name>
      </tag>
      <tag tagId="1615">
        <name>war</name>
      </tag>
      <tag tagId="4806">
        <name>website.</name>
      </tag>
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  </item>
  <item itemId="1269" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
                </elementText>
              </elementTextContainer>
            </element>
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        </elementSet>
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    <itemType itemTypeId="11">
      <name>Hyperlink</name>
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      <elementContainer>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="33418">
              <text>&lt;a href="http://cs.nga.gov.au/Detail-LRG.cfm?View=LRG&amp;amp;IRN=100786"&gt;http://cs.nga.gov.au/Detail-LRG.cfm?View=LRG&amp;amp;IRN=100786&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="33409">
                <text>â€˜Inferno, canto XIII: The Forest of Suicidesâ€™ by Fiona Hall</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33410">
                <text>Afterlife, allegory, art, artwork, birds, canto, Dante Alighieri, dogs, epic poem, forest, Giacomo of Santâ€™ Andrea, harpies, Hell, â€˜Illustrations to Danteâ€™s Divine Comedyâ€™, Inferno, journey, Lano, medieval literature, mastiffs, medieval world-view, modern art, Pier della Vigna (c.1190-1249), photograph, poem, punishment, sin, soul, suffering, The Divine Comedy, The Forest of the Suicides, The National Gallery, trees, underworld, Virgil, wounded.</text>
              </elementText>
            </elementTextContainer>
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;This photographic artwork by Australian artist Fiona Hall belongs to a series titled &amp;lsquo;Illustrations to Dante&amp;rsquo;s Divine Comedy&amp;rsquo;. It is held by The National Gallery of Australia and depicts a scene from canto XIII of Dante Alighieri&amp;rsquo;s &amp;lsquo;Inferno&amp;rsquo;, the first part of his famous medieval Italian poem &lt;em&gt;The Divine Comedy&lt;/em&gt;. Written between 1308 and 1321,&lt;em&gt; The Divine Comedy&lt;/em&gt; tells of Dante&amp;rsquo;s journey through hell, purgatory and paradise respectively, guided at first by the Roman poet Virgil and then by his ideal woman, Beatrice. In canto XIII, Dante and Virgil descend into the second ring of the seventh circle of hell, where people who committed suicide were cast. They come across a thorny, tangled forest of gnarled trees that bleed and cry in pain when they are broken. One of the trees, who identifies himself as Pier della Vigna, a prominent figure at the imperial court of Frederick II, explains to Dante that people like himself who committed suicide were sent by Minos to the wood where they would grow into trees, all the while being wounded by harpies (half woman/half-bird creatures) who would tear and feast on their leaves. They are then disturbed by the sight of two figures running frantically through the forest. The slower of the two, subsequently identified as Giacomo of Sant&amp;rsquo; Andrea, takes refuge in a bush, only to be pounced upon by a number of black female mastiffs who &amp;lsquo;rent him piecemeal&amp;rsquo;.&lt;/p&gt;&#13;
&lt;p&gt;For an English translation of &amp;lsquo;Inferno, canto XIII&amp;rsquo;, translated by the Rev. H. F. Cary, see: &lt;a href="http://ebooks.adelaide.edu.au/d/dante/d19he/canto13.html"&gt;http://ebooks.adelaide.edu.au/d/dante/d19he/canto13.html&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Fiona Margaret Hall</text>
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            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="33413">
                <text>The National Gallery of Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="33414">
                <text>The National Gallery of Australia</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33415">
                <text>1988</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33416">
                <text>The National Gallery of Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33417">
                <text>Photograph, 53.3cm x 61.5cm.</text>
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        <name>â€˜Illustrations to Danteâ€™s Divine Comedyâ€™</name>
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      <tag tagId="6179">
        <name>Afterlife</name>
      </tag>
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        <name>allegory</name>
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      <tag tagId="4297">
        <name>birds</name>
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        <name>Dante Alighieri</name>
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      <tag tagId="6182">
        <name>dogs</name>
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      <tag tagId="6183">
        <name>epic poem</name>
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        <name>forest</name>
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        <name>Giacomo of Santâ€™ Andrea</name>
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        <name>harpies</name>
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        <name>Hell</name>
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        <name>Inferno</name>
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        <name>journey</name>
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        <name>Lano</name>
      </tag>
      <tag tagId="6192">
        <name>mastiffs</name>
      </tag>
      <tag tagId="6191">
        <name>medieval literature</name>
      </tag>
      <tag tagId="6193">
        <name>medieval world-view</name>
      </tag>
      <tag tagId="5747">
        <name>modern art</name>
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      <tag tagId="6194">
        <name>Pier della Vigna (c.1190-1249)</name>
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      <tag tagId="1595">
        <name>poem</name>
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        <name>punishment</name>
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        <name>sin</name>
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        <name>soul</name>
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        <name>suffering</name>
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        <name>The Divine Comedy</name>
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        <name>The Forest of the Suicides</name>
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        <name>The National Gallery</name>
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        <name>trees</name>
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        <name>underworld</name>
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        <name>Virgil</name>
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        <name>wounded</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/b8ebd0ff00f1e1173a8b23dc8c9e2b58.jpg</src>
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            <name>Omeka Image File</name>
            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
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              <element elementId="74">
                <name>Bit Depth</name>
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                    <text>8</text>
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                <name>Channels</name>
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                    <text>3</text>
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                <name>Height</name>
                <description/>
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                  <elementText elementTextId="22724">
                    <text>3479</text>
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                    <text>813</text>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Medievalism on the Page</text>
                </elementText>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="22736">
              <text>Journal (microfilm)</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>â€˜Lays of Contemporary Chivalryâ€™</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22727">
                <text>chivalry, doggerel, knight, knighthood, lampoon, satire, peerage, popular anti-medievalism, social pretention</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>These light-hearted verses describe the endeavours of a motley band of â€˜gallantsâ€™ with dubious social origins, who jostle and vie for the hand of Lady Podophylline Musa Miggs, daughter of the Baron of Potts Point, in Sydney. These are but two of the made-up names of the various â€˜aristocraticâ€™ protagonists and suitors. Others are: Lord Golfo McGuff, Sir Perryman Pym, and the Marquis of Manganese. Add to these the two front-runners, Sir Peblar de Bart, and Sir Jago Phipp, and the tale gets underway with a smirk. It is clear from the outset that, â€œIt is difficult to grasp the point of the [...] rather silly narrativeâ€ (Louise D'Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout: Brepols, 2011, p.145). Indeed, there is little more than lunacy (or moon sickness) contained within the poemâ€™s doggerel verses. Even keeping track of the events leading to the outcome requires perspicacity. This is popular medievalism run amok in the Antipodes: a satirical commentary on these not so â€˜gentle-bornâ€™ knights, a fair maiden, and her father â€˜the baron,â€™ along with a veritable fortune or dowry comprised almost entirely of chickens and pigs! The maiden finally succumbs to the blandishments of a coachman, while the others jettison their chances through various foolhardy intrigues and disappear to places obscure.</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22729">
                <text>Anon.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="22730">
                <text>The Bulletin</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="22731">
                <text>The Bulletin</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22732">
                <text>16 May 1885 (p. 22).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22733">
                <text>Public Domain</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22734">
                <text>Journal (Microfilm)</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22735">
                <text>English</text>
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        <name>chivalry</name>
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        <name>doggerel</name>
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      <tag tagId="96">
        <name>knight</name>
      </tag>
      <tag tagId="139">
        <name>knighthood</name>
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      <tag tagId="4888">
        <name>lampoon</name>
      </tag>
      <tag tagId="4088">
        <name>peerage</name>
      </tag>
      <tag tagId="4993">
        <name>popular anti-medievalism</name>
      </tag>
      <tag tagId="1656">
        <name>satire</name>
      </tag>
      <tag tagId="4994">
        <name>social pretention</name>
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</itemContainer>
