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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.youtube.com/watch?v=EugBPAbN-fY"&gt;http://www.youtube.com/watch?v=EugBPAbN-fY&lt;/a&gt;</text>
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                <text>Balingup 2012 film</text>
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                <text>Armour, Balingup, Balingup 2012, Balingup Medieval Carnivale, banner, carnival, Michael Cheffins, combat, costume, festival, harp, helmet, knights, Minervaâ€™s Tower, music, parade, shield, sword, Trio Grosso, WA, website, Western Australia, YouTube, ZigZagCommunityArts.</text>
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                <text>&lt;p&gt;This 11 minute film on YouTube shows highlights of the 2012 Balingup Medieval Carnivale held in the town of Balingup in the south-west of Western Australia on August 25-26. The film was made by Michael Cheffins for ZigZagCommunityArts Inc., and the soundtrack is played by Minerva&amp;rsquo;s Tower and Trio Grosso. The film includes the carnival parade with floats, banners, and people in medieval dress, a harp player, combat between knights in armour and helmets using shields and swords.&lt;/p&gt;&#13;
&lt;p&gt;For the film see &lt;a href="http://www.youtube.com/watch?v=EugBPAbN-fY"&gt;http://www.youtube.com/watch?v=EugBPAbN-fY&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Michael Cheffins; ZigZagCommunityArts Inc.</text>
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                <text>August 27, 2012</text>
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                <text>Michael Cheffins; ZigZagCommunityArts Inc.</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Davidâ€™s Cathedral interior, Hobart, Tasmania</text>
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                <text>Prince Alfred, altar, Anglican, George Frederick Bodley, column, font, Gothic, Gothic Revival, Hobart, Henry Hunter, pointed arch, rood screen, St Davidâ€™s Cathedral, stained glass, Tas, Tasmania, tracery, vaulted ceiling.</text>
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                <text>St Davidâ€™s Anglican Cathedral, Hobart was designed by English architect George Frederick Bodley (1827-1907) in 1865 in the Gothic Revival style. The foundation stone was laid in 1868 by Prince Alfred, the Duke of Edinburgh, and the nave was consecrated in 1874. The work was supervised by Henry Hunter (1832-1892). The photographs show the nave, aisles, and sanctuary of the cathedral, as well as a small internal pointed arch door and doorway (photograph three), demonstrating that the Gothic style was carried through to utilitarian features. Photographs one and two show the elevation of the cathedral achieved with columns supporting pointed arches with molding, and the vaulted ceiling. Also visible is the large stained glass east window with stone tracery above the high altar, and numerous smaller stained glass windows. Other fatures of note in photographs one and two are the Bodley designed stone font and timber rood screen, the latter being installed in 1916.   &#13;
&#13;
George Bodley was a well-known architect working in the Gothic Revival style, and in particular he was influenced by late medieval architecture from England and northern Europe. His best known work is perhaps Magdalen College, Oxford.&#13;
&#13;
For more on St David's Cathedral see the 'Relation' section.</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1149"&gt;http://ausmed.arts.uwa.edu.au/items/show/1149&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1145"&gt;http://ausmed.arts.uwa.edu.au/items/show/1145&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1160"&gt;http://ausmed.arts.uwa.edu.au/items/show/1160&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1163"&gt;http://ausmed.arts.uwa.edu.au/items/show/1163&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1179"&gt;http://ausmed.arts.uwa.edu.au/items/show/1179&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1166"&gt;http://ausmed.arts.uwa.edu.au/items/show/1166&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1155"&gt;http://ausmed.arts.uwa.edu.au/items/show/1155&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1168"&gt;http://ausmed.arts.uwa.edu.au/items/show/1168&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1184"&gt;http://ausmed.arts.uwa.edu.au/items/show/1184&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1174"&gt;http://ausmed.arts.uwa.edu.au/items/show/1174&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1171"&gt;http://ausmed.arts.uwa.edu.au/items/show/1171&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1190"&gt;http://ausmed.arts.uwa.edu.au/items/show/1190&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>East Window, St Andrewâ€™s Anglican Church, Westbury, Tasmania</text>
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                <text>Anglican, altar, Church of England, William Henry Clayton, Gothic, Gothic Revival, lancet window, pointed arch, reredos, St Andrewâ€™s Anglican Church, stained glass, Tas, Tasmania, tracery, Westbury.</text>
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                <text>&lt;p&gt;This East Window is in St Andrew&amp;rsquo;s Church of England (Anglican) in the small Tasmanian town of Westbury. The window is above the altar and reredos in the Sanctuary of the Gothic Revival church. The Sanctuary was completed in 1888 and consecrated in 1890 from a design by architect William Henry Clayton (1823-1877). The large pointed arch stained glass window with tracery is made up of three lancet windows.&lt;/p&gt;&#13;
&lt;p&gt;For more of the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1186"&gt;http://ausmed.arts.uwa.edu.au/items/show/1186&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1191"&gt;http://ausmed.arts.uwa.edu.au/items/show/1191&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1178"&gt;http://ausmed.arts.uwa.edu.au/items/show/1178&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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            <name>Date</name>
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                <text>October 20, 2012</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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            <description>A related resource</description>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1186"&gt;http://ausmed.arts.uwa.edu.au/items/show/1186&lt;/a&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1191"&gt;http://ausmed.arts.uwa.edu.au/items/show/1191&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1178"&gt;http://ausmed.arts.uwa.edu.au/items/show/1178&lt;/a&gt;&lt;/p&gt;</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="30831">
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  <item itemId="1196" public="1" featured="0">
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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;p&gt;&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.loreto.org.au/Images/News/Promotional---rego-form.aspx"&gt;http://www.loreto.org.au/Images/News/Promotional---rego-form.aspx&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Festival of Hildegard, Centre for Theology and Ministry, Melbourne, Victoria</text>
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                <text>Lauren Artress, Catholic, Centre for Theology and Ministry, dramatic readings, education, festival, Festival of Hildegard, Sabina Flanagan, food, Hildegard of Bingen, lecture, Loreto College, Melbourne, Constant Mews, music, mystic, Parkville, St Maryâ€™s College, St Paulâ€™s Cathedral, school, Vic, Victoria, website.</text>
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            <description>An account of the resource</description>
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                <text>The Festival of Hildegard was an educational event held at the Catholic Loreto College&amp;rsquo;s Centre for Theology and Ministry at St Mary&amp;rsquo;s College in the Melbourne suburb of Parkville, Victoria. The event ran from October 19-21, 2012, closing with a special Vespers at St Paul&amp;rsquo;s Cathedral. Other activities included medieval food and music, dramatic readings, and scholarly lectures and conversation. Guest speakers included Dr Lauren Artress, Dr Sabina Flanagan, and Professor Constant Mews. The Festival celebrated the conferral on Hildegard of the title &amp;lsquo;Doctor of the Church&amp;rsquo; on October 7, 2012. Hildegard of Bingen (1098-1179) was a mystic, author, abbess, and composer. She also invented her own alphabet. For more information see http://www.loreto.org.au/Images/News/Promotional---rego-form.aspx</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Centre for Theology and Ministry</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30795">
                <text>2012</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30796">
                <text>Centre for Theology and Ministry</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30797">
                <text>Hyperlink</text>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://www.artgallery.nsw.gov.au/collection/works/169.1984/" target="_self"&gt;http://www.artgallery.nsw.gov.au/collection/works/169.1984/&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>â€˜The Marriage of the Arnolfini â€“ After Jan van Eyckâ€™ by Fiona Hall</text>
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            <description>The topic of the resource</description>
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                <text>art, artwork, Bruges, Giovanni di Nicolao Arnolfini, insert, Jan van Eyck, marriage, merchant, modern art, New South Wales, NSW, photograph, portrait, The Arnolfini Portrait, The National Gallery, wedding.</text>
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            <description>An account of the resource</description>
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                <text>This photographic artwork by Australian artist Fiona Hall was purchased by the Art Gallery of New South Wales in 1984. In the photograph Hall has reconstructed her own version of the scene from medieval Dutch painter Jan van Eyckâ€™s famous 1434 oil painting, â€œThe Arnolfini Portraitâ€, by transposing the figures into a modern setting and replacing their faces. At the bottom of the frame is an insert of the original painting by Jan van Eyck. The figures in van Eyckâ€™s painting are believed to be those of Gionvanni di Nicolao Arnolfini, a fifteenth-century Italian merchant living in the Flemish town of Bruges, and his wife. </text>
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                <text>Fiona Margaret Hall</text>
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                <text>The Art Gallery of New South Wales</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="30787">
                <text>1980</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30788">
                <text>The Art Gallery of New South Wales</text>
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          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Photograph, 28cm x 35.5cm.</text>
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        <name>Jan van Eyck</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/c859b9dcec53b27b76a393e613d8353f.jpg</src>
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                <name>Bit Depth</name>
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                    <text>8</text>
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                    <text>3888</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Alfred Ibbott memorial window, St Michael and All Angels Anglican Church, Bothwell, Tasmania</text>
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                <text>Anglican, Bothwell, crenellation, finial, Gothic, Gothic Revival, Alfred Ibbott, lancet window, memorial, parapet, pointed arch, Romanesque, St Michael and All Angels Church, Tas, Tasmania.</text>
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                <text>&lt;p&gt;The Alfred Ibbott (1844-1928) memorial window is in St Michael and All Angels Anglican Church in the Tasmanian town of Bothwell. The window (on the left in the photograph) is one of two lancet windows parrallel. The figures are framed by a representation of elaborate Gothic stonework with columns, pointed finials, pointed arches, and a crenelated parapet in the upper section. The more recent window on the right includes a Romanesque semi-circular arch.&lt;/p&gt;&#13;
&lt;p&gt;For more of the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1187"&gt;http://ausmed.arts.uwa.edu.au/items/show/1187&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1180"&gt;http://ausmed.arts.uwa.edu.au/items/show/1180&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1175"&gt;http://ausmed.arts.uwa.edu.au/items/show/1175&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1172"&gt;http://ausmed.arts.uwa.edu.au/items/show/1172&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1165"&gt;http://ausmed.arts.uwa.edu.au/items/show/1165&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1162"&gt;http://ausmed.arts.uwa.edu.au/items/show/1162&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1158"&gt;http://ausmed.arts.uwa.edu.au/items/show/1158&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1157"&gt;http://ausmed.arts.uwa.edu.au/items/show/1157&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>October 8, 2012</text>
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                <text>No Copyright</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1187"&gt;http://ausmed.arts.uwa.edu.au/items/show/1187&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1180"&gt;http://ausmed.arts.uwa.edu.au/items/show/1180&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1175"&gt;http://ausmed.arts.uwa.edu.au/items/show/1175&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1172"&gt;http://ausmed.arts.uwa.edu.au/items/show/1172&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1165"&gt;http://ausmed.arts.uwa.edu.au/items/show/1165&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1162"&gt;http://ausmed.arts.uwa.edu.au/items/show/1162&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1158"&gt;http://ausmed.arts.uwa.edu.au/items/show/1158&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1157"&gt;http://ausmed.arts.uwa.edu.au/items/show/1157&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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        <name>Alfred Ibbott</name>
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        <name>Anglican</name>
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        <name>Bothwell</name>
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        <name>Romanesque</name>
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        <name>Tas</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/f71341afbe2098889db7f74432132ff9.JPG</src>
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                    <text>8</text>
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              <name>Title</name>
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                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
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            <elementText elementTextId="31072">
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                <text>(Former) Methodist Church, Whitemore, Tasmania </text>
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            <description>The topic of the resource</description>
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                <text>Buttress, Gothic, Gothic Revival, lancet window, Methodist, Methodist Church, Percy Oakden, A.A. Quick, pointed arch, Tas, Tasmania, Uniting Church, Whitemore. </text>
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                <text>The Uniting Church in the small town of Whitemore in northern Tasmania was formally a Methodist church. The simple brick building was designed by Launceston architect Percy Oakden (1845-1917) in the Gothic Revival style with buttresses, lancet windows, and a pointed arch door and doorway. The use of a darker paint colour effectively highlights the buttresses and pointed arches. The church hall beside the church incorporates part of an earlier timber chapel. The foundation stone for the Methodist church was laid in 1864 and it was opened in 1865 by the President of the Wesleyan Conference Rev. A.A. Quick. It became part of the Uniting Church in 1977.  </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="31068">
                <text>McLeod, Shane</text>
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                <text>November 11, 2012</text>
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                <text>No Copyright</text>
              </elementText>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="31071">
                <text>Digital Photograph</text>
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            </elementTextContainer>
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        <name>A.A. Quick</name>
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        <name>buttress</name>
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        <name>Gothic</name>
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        <name>Gothic Revival</name>
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        <name>lancet window</name>
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      <tag tagId="3960">
        <name>Methodist</name>
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        <name>Methodist Church</name>
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  <item itemId="1192" public="1" featured="0">
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            <element elementId="50">
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <description>The URL of the local directory containing all assets of the website.</description>
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              <text>&lt;a href="http://europa-reenactment.org/index.php"&gt;http://europa-reenactment.org/index.php&lt;/a&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Europa Re-enactment Association Inc.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Archery, armour, article, Blue Mountains, Celtic cross, combat, cooking, costume, craft, culture, England, Europa Re-enactment, Europa Re-enactment Association Inc., games, helmet, hut, Jorvik, living history, logo, map, Middleton Cross, New South Wales, Norse, NSW, Odin, oven, OÃ°inr, performance, re-enactment, ring-chain, shield, spear, Springwood, sword, Viking, warrior, website, Wiccy, York.</text>
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                <text>&lt;p&gt;Europa Re-Enactment Association Inc. are a living history group based at Springwood in the Blue Mountains, New South Wales. The group focus on the period of Viking rule of the city of Jorvik (York) in northern England from 876-954. They re-enact such cultural activities as craft, cooking, clothing, combat, building construction, and weapon making. Combat includes archery, swords, shields, armour, and helmets. The group also performs for school groups and at re-enactment events. Their website, made by Wiccy, includes basic maps on Viking settlement in England, a gallery, and useful articles on making such things as Viking ovens, huts, and shields, a Bibliography for those wanting more information about Viking life, and a comprehensive 'Links' page.&lt;/p&gt;&#13;
&lt;p&gt;The groups logo features the early tenth-century Viking cross from Middleton, North Yorkshire. The ring-headed Celtic cross features a Scandinavian ring-chain pattern and a warrior sitting on a throne with two swords and a spear. A raven, a bird commonly associated with the Norse war god O&amp;eth;inr (Odin) flies from the cross.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://europa-reenactment.org/"&gt;http://europa-reenactment.org/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Wiccy</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30725">
                <text>Copyright Â© Europa Reenactment 2009 - 2010</text>
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