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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>An image of the abandoned Catholic church of St. Malachy in Gooloogong, New South Wales. It was featured on the Facebook site for the Medieval Shoppe, who design historical replicas of swords, armour and other weapons.&#13;
&#13;
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                <text>The Medieval Shoppe</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>An advertisement for The Medieval Shoppe, a store in NSW which produces and sells replicas of swords, shields, armour, and other historical weapons. The advertisement is shot in black and white and features The Medieval Shoppe crest and five men clad in armour and bearing weapons. The five men, representing warriors, knights and infantrymen, are wearing armour from different eras, including chain mail, plate armour, helmets, and leather padding. The weapons include swords and a halberd, a primarily Swiss weapon of the fourteenth and fifteenth centuries. The Medieval Shoppe logo features three arrows. &#13;
&#13;
'Shoppe' is a Middle English (late twelfth to late fifteenth century) version of 'shop'.</text>
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                <text>armour, gauntlets, hourglass gauntlet, gloves, combat, battle, weapons, weapon, weaponry, protection, Medieval Shoppe, recreation, re-creation, re-enactment, replica, replicas, Parkes, New South Wales, NSW, 14th Century, fourteenth century</text>
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                <text>&lt;p&gt;An image of reproduction hourglass gauntlets, sold by the Medieval Shoppe in Parkes, NSW. The Medieval Shoppe produces and sells replicas of swords, shields, armour, and other historical weapons.&lt;/p&gt;&#13;
&lt;p&gt;Their website provides some information about hourglass gauntlets (&lt;a href="http://www.medievalshoppe.com.au/hourglass-gauntlets.html"&gt;http://www.medievalshoppe.com.au/hourglass-gauntlets.html&lt;/a&gt;):&lt;/p&gt;&#13;
&lt;p&gt;"When fighting was almost entirely hand-to-hand, the thorough protection of the hand was necessarily of paramount importance. Armour for the head and body was, after all, but a second line of defence against the attack which penetrated the guard of the weapon. Any damage to the hand which controlled all offensive movements, as well as all parries, would place a combatant at the mercy of his antagonist. But the armourer had not only to give his attention to the protective qualities of the covering which enclosed a part so vulnerable and so likely to receive a wound, he had also to consider how he should least interfere with the use of so complicated a piece of mechanism as the human hand. It was on account of these very important considerations that one finds the gauntlet always more complicated in the details of its construction than the rest of the protective outfit.&lt;/p&gt;&#13;
&lt;p&gt;Underneath the plate was worn a leather glove, to the fingers and thumb of which small overlapping scales were attached to complete the defence of the hand. Hourglass gauntlets are considered the zenith of medieval gauntlets. An example of this type may be seen on the brass of Sir John de Saint Quintan in Brandesburton Church, Yorkshire, which may be dated at about 1397. The famous effigy of Edward, Prince of Wales, known as the Black Prince, in the cathedral church of Canterbury depicts this masterful warrior wearing this kind of hand defence."&lt;/p&gt;&#13;
&lt;br /&gt;</text>
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                <text>Accessed 2012.</text>
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                <text>Image used with the permission of The Medieval Shoppe, 2012.</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.osta.org.au/Welcome.htm"&gt;http://www.osta.org.au/Welcome.htm&lt;/a&gt;</text>
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                <text>The Order of St Thomas of Acre</text>
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                <text>Anglican, chivalric code, chivalry, Crusader, Crusades, Henry II, Henry VIII, hospitaller, Hospitallerâ€™s of St Thomas of Canterbury at Acre, knight, Knights of St Thomas, Military Order, The Order of St Thomas of Acre, re-creation, Richard I, Richard the Lionheart, St Thomas Becket, St Thomas of Canterbury, Vic, Victoria, website, Werribee.</text>
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                <text>&lt;p&gt;The Order of St Thomas of Acre was re-established in 2005 and is dedicated to both St Thomas of Acre and St Thomas of Canterbury. The original Hospitaller&amp;rsquo;s of St Thomas of Canterbury at Acre were founded by King Richard I (the Lionheart) of England (1157-1199) in Acre in 1190 while he was on the third crusade. They were later re-organised into a military order during the fifth crusade. It is usually referred to as the Knights of St Thomas. Membership was restricted to Englishmen. The Knights of St Thomas were dissolved by Henry VIII (1491-1547) in 1538. The current Order has adopted the habit of the original &amp;ndash; a white mantle with a red cross with a scallop shell at its centre. The Order of St Thomas of Acre are an &amp;lsquo;ecumenical society concerned with fostering of the values of traditional chivalry&amp;rsquo;, and their website includes a &amp;lsquo;Chivalric Code&amp;rsquo;. The inclusion on the website of a section on the stained glass windows at St Thomas&amp;rsquo; Anglican Church in the Victorian town of Werribee suggests that someone from the town leads the order.&lt;/p&gt;&#13;
&lt;p&gt;St Thomas of Canterbury (Thomas Becket) (1118-1170) was appointed Archbishop of Canterbury by Henry II (1133-1189) of England, father of Richard I. After a series of disputes with Henry he was martyred in Canterbury Cathedral by the king&amp;rsquo;s followers.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.osta.org.au/Welcome.htm"&gt;http://www.osta.org.au/Welcome.htm&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30011">
                <text>The Order of St Thomas of Acre</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.discovertasmania.com/event/burniewynyardmedievalfestival"&gt;http://www.discovertasmania.com/event/burniewynyardmedievalfestival&lt;/a&gt;</text>
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            <name>Title</name>
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                <text>Burnie-Wynyard Medieval Festival</text>
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                <text>Advertisement, armour, Burnie, Burnie-Wynyard Medieval Festival, combat, dance, Discover Tasmania, dragon, entertainment, festival, jousting, knights, lance, melee, The Order of the Dragonâ€™s Realm Inc, poster, shield, swordsmanship, Tas, Tasmania, website, Wynyard.</text>
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                <text>&lt;p&gt;This advertisement for the Burnie-Wynyard Medieval Festival appears on the Discover Tasmania website.&lt;br /&gt;The festival was presented by The Order of the Dragon&amp;rsquo;s Realm Inc and was the first open combat swordsmanship and jousting competition held in Tasmania, with both single and melee combat events. The family friendly event was held in Wynyard on September 14-16, 2012, and also featured dancing and birds or prey. The poster depicts a flying fire-breathing dragon attacking a knight in armour holding a lance and shield and riding a horse.&lt;/p&gt;&#13;
&lt;p&gt;For the advertisement see&lt;br /&gt;http://www.discovertasmania.com/event/burniewynyardmedievalfestival&lt;/p&gt;&#13;
&lt;p&gt;For an ABC news report on the event see http://ausmed.arts.uwa.edu.au/items/show/1055&lt;/p&gt;</text>
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            <name>Creator</name>
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              <elementText elementTextId="29223">
                <text>The Order of the Dragonâ€™s Realm Inc. </text>
              </elementText>
            </elementTextContainer>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="29224">
                <text>Discover Tasmania</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29225">
                <text>Discover Tasmania, The Order of the Dragonâ€™s Realm Inc. </text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1055"&gt;http://ausmed.arts.uwa.edu.au/items/show/1055&lt;/a&gt;</text>
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            <element elementId="50">
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://www.smh.com.au/news/western-australia/spanish-flavours-in-the-bush/2005/11/09/1131407687134.html"&gt;http://www.smh.com.au/news/western-australia/spanish-flavours-in-the-bush/2005/11/09/1131407687134.html &lt;/a&gt;</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
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                <text>Spanish Flavours in the Bush</text>
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          <element elementId="49">
            <name>Subject</name>
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                <text>New Norcia, monastery, St. Gertrude, Saint Gertrude, St. Gertrude's College, Western Australia, Benedictine, Gothic Revival, architecture, missionary, Bishop Rosendo Salvado, Bishop Fulgentius Torres, Monastic town, monasticism, rural</text>
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            <description>An account of the resource</description>
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                <text>A correspondent from Tourism Western Australia writes about the monastic town of New Norcia for The Sydney Morning Herald.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.smh.com.au/news/western-australia/spanish-flavours-in-the-bush/2005/11/09/1131407687134.html"&gt;http://www.smh.com.au/news/western-australia/spanish-flavours-in-the-bush/2005/11/09/1131407687134.html &lt;/a&gt;</text>
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                <text>Tourism Western Australia</text>
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                <text>The Sydney Morning Herald&lt;br /&gt;&lt;a href="http://www.smh.com.au/news/western-australia/spanish-flavours-in-the-bush/2005/11/09/1131407687134.html"&gt;http://www.smh.com.au/news/western-australia/spanish-flavours-in-the-bush/2005/11/09/1131407687134.html &lt;/a&gt;</text>
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            <elementTextContainer>
              <elementText elementTextId="3485">
                <text>The Sydney Morning Herald</text>
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              <elementText elementTextId="3486">
                <text>6 November 2005</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3487">
                <text>The Sydney Morning Herald, 2005</text>
              </elementText>
            </elementTextContainer>
          </element>
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              <elementText elementTextId="3488">
                <text>Online article</text>
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        <name>architecture</name>
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        <name>Bishop Rosendo Salvado</name>
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        <name>Gothic Revival</name>
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        <name>missionary</name>
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        <name>monastery</name>
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        <name>monastic town</name>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://travelling-foodies.blogspot.com.au/2012/06/robin-hood-of-regional-tourism.html"&gt;http://travelling-foodies.blogspot.com.au/2012/06/robin-hood-of-regional-tourism.html&lt;/a&gt;</text>
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                <text>&lt;p&gt;The Travelling-Foodies blog includes an entry made on June 15, 2012, titled &amp;lsquo;Robin Hood of Regional Tourism!&amp;rsquo;. The entry reports that the Tourism Channel were providing free websites for small regional towns, helping them to promote their attractions to tourists. One of the founders of the Tourism Channel, Nicholas Parkinson-Bates, is quoted as saying &amp;lsquo;We like to think of ourselves as the Robin Hood of tourism&amp;rsquo;. The quote refers to the free help being provided to poorer towns, and how it is similar to the legend of Robin Hood taking from the rich to help the poor. &lt;/p&gt;&#13;
&lt;p&gt;The blog can be found at: &lt;a href="http://travelling-foodies.blogspot.com.au/2012/06/robin-hood-of-regional-tourism.html"&gt;http://travelling-foodies.blogspot.com.au/2012/06/robin-hood-of-regional-tourism.html&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;p class="MsoNormal" style="margin: 0cm 0cm 10pt;"&gt;&lt;span lang="EN-AU"&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;The course outline can be found at &lt;/span&gt;&lt;a href="https://handbook.unimelb.edu.au/view/2011/ENGL30046" target="_blank"&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;https://handbook.unimelb.edu.au/view/2011/ENGL30046&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Level 3 undergraduate unit â€˜Romancing the Medievalâ€™ coordinated by Stephanie Trigg at the University of Melbourne. The unit covers a variety of genres of medieval literature, as well as post-16th century works that re-create or revive medieval culture, including those by Edmund Spenser, Alfred Tennyson, J.R.R. Tolkien, fairy tales, and the film versions of Tolkienâ€™s work by Peter Jackson.</text>
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