147
8
1266
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism in the Classroom
Description
An account of the resource
This Collection traces the development of academic medievalism in Australia’s universities, and explores the discipline’s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.
Hyperlink
Title, URL, Description or annotation.
URL
<a href="http://www.youtube.com/watch?v=Dcqd9j3EhZY&feature=relmfu">http://www.youtube.com/watch?v=Dcqd9j3EhZY&feature=relmfu</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
'Performance of excerpt from Aucassin et Nicolette'
Subject
The topic of the resource
Aucassin and Nicolette, Aucassin et Nicolette, Alana Bennett, Belinda Bennett, Centre for Medieval and Early Modern Studies, chantefable, costume, education, film, hurdy gurdy, Eugene Mason, MEMS, Minerva’s Tower, music, performance, Perth, University of Western Australia, UWA, WA, website, Western Australia, YouTube.
Description
An account of the resource
<p>This performance of an excerpt from Aucassin et Nicolette was performed by Alana Bennett on November 1, 2012 as part of her MEMS (Medieval and Early Modern Studies) Honours dissertation at the University of Western Australia. The four minute film made by Belinda Bennett was uploaded to YouTube on November 1, 2012. Alana (a member of the medieval band Minerva’s Tower) plays a hurdy gurdy and wears medieval clothing. Aucassin et Nicolette is an anonymous twelfth or thirteenth century French chantefable (sung story) which combines prose and verse.</p>
<p>For the performance see <a href="http://www.youtube.com/watch?v=Dcqd9j3EhZY&feature=relmfu">http://www.youtube.com/watch?v=Dcqd9j3EhZY&feature=relmfu</a></p>
<p>An English translation of Aucassin et Nicolette by Eugene Mason is available at <a href="http://www.yorku.ca/inpar/aucassin_mason.pdf">http://www.yorku.ca/inpar/aucassin_mason.pdf</a></p>
<p> </p>
Creator
An entity primarily responsible for making the resource
Bennett, Belinda (link to a translation by Eugene Mason)
Date
A point or period of time associated with an event in the lifecycle of the resource
November 1, 2012
Rights
Information about rights held in and over the resource
Alana Bennett
Format
The file format, physical medium, or dimensions of the resource
Hyperlink
Alana Bennett
Aucassin and Nicolette
Aucassin et Nicolette
Belinda Bennett
Centre for Medieval and Early Modern Studies
chantefable
costume
education
Eugene Mason
film
hurdy gurdy
MEMS
Minerva’s Tower
music
performance
Perth
University of Western Australia
UWA
WA
website
Western Australia
YouTube.
-
https://ausmed.arts.uwa.edu.au/files/original/4cf5ff44cd6c020fa1650690c2a33f78.JPG
bb52a9de6b74f475a9e8b2e354b6daca
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
https://ausmed.arts.uwa.edu.au/files/original/70e183479a614aa2bff806e54ebb34d3.JPG
39f6e721ece0f6f645715590958f9aa3
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St Mary’s Church of England, Kempton, Tasmania
Subject
The topic of the resource
Anglican, James Blackburn, buttress, Church of England, Gothic, Gothic Revival, Kempton, lancet window, pointed arch, Romanesque, St Mary’s Church of England, semi-circular arch, Tas, Tasmania, tower.
Description
An account of the resource
St Mary’s Church of England (now Anglican) is in the small Tasmanian town of Kempton. The foundation stone for the sandstone church was laid in 1839 and it opened in 1844. It is thought that the church was designed by the convict architect James Blackburn (1803-1854). The church is in the Gothic Revival style and features lancet windows (the small ones at the front are concreted up), including groups of three lancet windows at the building’s east and west, buttresses, and a pointed arch door and doorway. The square tower is unfinished, resulting in the bell being housed in a smaller structure on its top. Surprisingly, this addition has three Romanesque semi-circular arches on each side rather than the Gothic pointed arches used elsewhere on the building.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
November 21, 2012
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
2xDigital Photograph
Anglican
buttress
Church of England
Gothic
Gothic Revival
James Blackburn
Kempton
lancet window
pointed arch
Romanesque
semi-circular arch
St Mary’s Church of England
Tas
Tasmania
tower.
-
https://ausmed.arts.uwa.edu.au/files/original/29527589b73076dc60cac32bd175a109.JPG
820fc0392a06a0b57d836c9420018aca
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Malt Kiln, Boag’s Brewery, Launceston, Tasmania
Subject
The topic of the resource
Beer, James Boag, Boag’s Brewery, buttress, column, dragon, Esk Brewery, knight, Launceston, malt kiln, Queen Anne Style, Romanesque, St George and the Dragon, sculpture, semi-circular arch, Tas, Tasmania, tower.
Description
An account of the resource
<p>The 1886 malt kiln of the Esk Brewery of James Boag and Son (Boag’s Brewery) is in the northern Tasmanian city of Launceston. The façade is in the Queen Anne architectural style and includes a number of medieval features, such as buttresses, corner towers, and Romanesque semi-circular arches. The medieval aspects of the building are enhanced by the bas relief sculpture of St George and the dragon. St George is depicted as a medieval knight wearing armour and a helmet and sword. He is riding a horse which is trampling a winged dragon.</p>
<p>For a close up of the St George and the dragon sculpture see <a href="http://ausmed.arts.uwa.edu.au/items/show/1212">http://ausmed.arts.uwa.edu.au/items/show/1212</a></p>
<p> </p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
November 18, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<a href="http://ausmed.arts.uwa.edu.au/items/show/1216">http://ausmed.arts.uwa.edu.au/items/show/1216</a>
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph
Beer
Boag’s Brewery
buttress
column
dragon
Esk Brewery
James Boag
knight
Launceston
malt kiln
Queen Anne Style
Romanesque
sculpture
semi-circular arch
St George and the Dragon
Tas
Tasmania
tower.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Website
A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ).
Local URL
The URL of the local directory containing all assets of the website.
<a href="http://www.rognvaldslith.com/">http://www.rognvaldslith.com/</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rognvald’s Lith: Lismore Medieval Re-enactment Society
Subject
The topic of the resource
Anglo-Saxon, archery, art, axe, Byzantine Empire, chain mail, combat, costume, education, gripping-beast, helmet, javelin, Lismore, living history, New South Wales, Norman, NSW, performance, re-enactment, Rognvald Ingvarson, Rognvald’s Lith, Rognvald’s Lith: Lismore Medieval Re-enactment Society, rune, runestone, Rus, school, serpent, shield, spear, stave, Sweden, sword, Uppsala, Varangian Guard, Viking, website.
Description
An account of the resource
<p>Rognvald’s Lith: Lismore Medieval Re-enactment Society is a re-enactment group founded in 2003 and based in Lismore, New South Wales. The group concentrate on the period 700-1200 and such peoples as Anglo-Saxons, Normans, Rus, and Vikings. Combat and weapon training with swords, spears, axes, staves, shields, javelins, archery, chain mail, and helmets is carried out. Rognvald’s Lith (Rognvald’s troop) do public performances, including educational performances for schools.</p>
<p>The group is named after Rognvald Ingvarson, a commander of the Varangian Guard (who fought for the Byzantine Empire) from Sweden. The club’s banner is based on the serpent design of a eleventh-century runic inscription in Uppsala that Rognvald had made. Their website includes photographs of the runestone, as well as other designs based on Viking Art, including the ‘gripping-beast’ motif.</p>
<p>For their website see <a href="http://www.rognvaldslith.com/">http://www.rognvaldslith.com/</a></p>
<p> </p>
Creator
An entity primarily responsible for making the resource
Rognvald’s Lith
Rights
Information about rights held in and over the resource
Copyright Rognvald's Lith
Format
The file format, physical medium, or dimensions of the resource
Website
Anglo-Saxon
Archery
art
axe
Byzantine Empire
chain mail
combat
costume
education
gripping-beast
helmet
javelin
Lismore
living history
New South Wales
Norman
NSW
performance
re-enactment
Rognvald Ingvarson
Rognvald’s Lith
Rognvald’s Lith: Lismore Medieval Re-enactment Society
rune
runestone
Rus
school
serpent
shield
spear
stave
Sweden
sword
Uppsala
Varangian Guard
viking
website.
-
https://ausmed.arts.uwa.edu.au/files/original/e36064afd6f95c07c8a1065968f5adb0.JPG
4d3315ab6326e11ca824632ee6120600
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
(Former) St Matthew’s Presbyterian Church rear window, Glenorchy, Hobart, Tasmania
Subject
The topic of the resource
James Blackburn, capital, columns, convict, John Franklin, Glenorchy, Hobart, Kirk and Fisher, Neo-Norman, Presbyterian, Romanesque, Romanesque Revival, semi-circular arch, Tas, Tasmania, tracery.
Description
An account of the resource
<p>The former St Matthew’s Presbyterian Church is in the suburb of Glenorchy in Hobart, Tasmania. The church is in the Romanesque Revival style and is one of the earliest remaining Romanesque Revival buildings in Australia. The style is evident in the rear window of the church, made up of three narrow windows featuring tracery with semi-circular arches, above which are two small circular windows. The window frame also has a semi-circular arch, with columns and capitals on either side of the window.</p>
<p>St Matthew’s was designed by the convict architect James Blackburn (1803-1854) in 1839. The foundation stone was laid by Governor Sir John Franklin (1786-1847) in 1839 and the church was built by the Hobart company Kirk and Fisher and completed in 1841.</p>
<p>Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.</p>
<p>For more of the building see</p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1213">http://ausmed.arts.uwa.edu.au/items/show/1213</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1211">http://ausmed.arts.uwa.edu.au/items/show/1211</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
November 21, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1213">http://ausmed.arts.uwa.edu.au/items/show/1213</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1211">http://ausmed.arts.uwa.edu.au/items/show/1211</a></p>
<p> </p>
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph
capital
columns
convict
Glenorchy
Hobart
James Blackburn
John Franklin
Kirk and Fisher
Neo-Norman
Presbyterian
Romanesque
Romanesque Revival
semi-circular arch
Tas
Tasmania.
tracery
-
https://ausmed.arts.uwa.edu.au/files/original/497a5e8f505504fd9c2a9b7cf82ca151.JPG
8ddd575b28bdbac0d2dbdd289ff248e4
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Blue Place, Kempton, Tasmania
Subject
The topic of the resource
The Blue Place, Gothic, Gothic Revival, James Hadden, hall, Kempton, lancet window, pointed arch, Presbyterian, Presbyterian Church, Tas, Tasmania.
Description
An account of the resource
The Blue Place is a community hall housed in a former Presbyterian Church in the small Tasmanian town of Kempton. The timber church was built in 1886 on land donated by James Hadden (d. 1911), whose mother Jane had been a Presbyterian convict transported from Scotland. The church is in the Gothic Revival style and features lancet windows, a pointed arch door and doorway, and decorated timber at the front of the building.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
November 21, 2012
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph
Gothic
Gothic Revival
hall
James Hadden
Kempton
lancet window
pointed arch
Presbyterian
Presbyterian Church
Tas
Tasmania.
The Blue Place
-
https://ausmed.arts.uwa.edu.au/files/original/b5ac8c3e83b807215436a02436082a31.jpg
1b040450260290a80c3ff75dfe17bc20
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
960
Width
720
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG <a href="https://www.facebook.com/photo.php?fbid=346385925387139&set=a.346382042054194.100191.324391430919922&type=3&theater">https://www.facebook.com/photo.php?fbid=346385925387139&set=a.346382042054194.100191.324391430919922&type=3&theater</a><br />
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gothic Revival Ruin in Central NSW
Subject
The topic of the resource
Medieval Shoppe, NSW, New South Wales, Gooloogong, church, churches, ruin, ruined, ruins, architecture, gothic, Catholic, Catholicism, arches, arch, St Malachy, Saint Malachy, St. Malachy
Description
An account of the resource
An image of the abandoned Catholic church of St. Malachy in Gooloogong, New South Wales. It was featured on the Facebook site for the Medieval Shoppe, who design historical replicas of swords, armour and other weapons.
The church, which fell out of use in 1914, was also used as an infants' school, but was later abandoned and has been ever since. The building possesses many Gothic architectural features, such as the pointed archways featured in this image.
Creator
An entity primarily responsible for making the resource
The Medieval Shoppe
Publisher
An entity responsible for making the resource available
The Medieval Shoppe, Facebook Page.
Date
A point or period of time associated with an event in the lifecycle of the resource
Accessed 26/11/2012
Rights
Information about rights held in and over the resource
Image used with the permission of The Medieval Shoppe, 2012
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
arch
arches
architecture
Catholic
Catholicism
Church
churches
Gooloongong
Gothic
Gothic Revival
Medieval Shoppe
New South Wales
NSW
pointed arch
ruin
ruined
ruins
Saint Malachy
St Malachy
St. Malachy
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
265
Width
362
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG <a href="https://www.facebook.com/media/set/?set=a.346382042054194.100191.324391430919922&type=1">https://www.facebook.com/media/set/?set=a.346382042054194.100191.324391430919922&type=1</a><br /><br />
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St. Malachy Catholic Church, Gooloogong, New South Wales
Subject
The topic of the resource
Medieval Shoppe, NSW, New South Wales, Gooloogong, church, churches, ruin, ruined, ruins, architecture, Gothic, Gothic Revival, Catholic, Catholicism, arches, arch, St Malachy, Saint Malachy, St. Malachy, Archbishop, Archbishop of Armagh, Armagh.
Description
An account of the resource
An image of the abandoned Catholic church of St. Malachy in Gooloogong, New South Wales. It was featured on the Facebook site for the Medieval Shoppe, who design historical replicas of swords, armour and other weapons.
The church, which fell out of use in 1914, was also used as an infants' school, but was later abandoned and has been ever since. The building possesses many Gothic architectural features, such as a vaulted ceiling, and pointed arched doorways and windows.
St Malachy (1094-1148) was a medieval Irish saint. He was Archbishop of Armagh.
Creator
An entity primarily responsible for making the resource
The Medieval Shoppe
Publisher
An entity responsible for making the resource available
The Medieval Shoppe, Facebook Page
Date
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Accessed 26/11/2012
Rights
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Image used with the permission of The Medieval Shoppe, 2012
Format
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Digital Photograph; JPEG
arch
archbishop
arches
architecture
Arhbishop of Armagh
Armagh
Catholic
Catholicism
Church
churches
Gooloongong
Gothic
Medieval Shoppe
New South Wales
NSW
ruin
ruined
ruins
Saint Malachy
St Malachy
St. Malachy