146 8 1266 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.artgallery.nsw.gov.au/collection/works/8536/" target="_self">http://www.artgallery.nsw.gov.au/collection/works/8536/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜The Fight: St George Kills the Dragon VIâ€™ by Edward Burne-Jones Subject The topic of the resource Aesthetic Pre-Raphaelitism, armor, armour, art, artwork, chivalric tradition, chivalry, damsel, dragon, gallantry, George, knight, legend, Myles Birket Foster, myth, New South Wales, NSW, Pre-Raphaelite, Princess Sabra, St George, sword, The Hill, Witley. Description An account of the resource This oil on canvas painting by well-known nineteenth-century artist Edward Burne-Jones was gifted to the Art Gallery of New South Wales by Arthur Moon. It is one of seven paintings from a â€˜St George and the Dragonâ€™ narrative cycle that Burne-Jones was commissioned to produce in 1864 for the dining room of Myles Birket Fosterâ€™s house, The Hill, in Witley, Surrey. Completed in 1866, this is the sixth painting in the series. It depicts an armoured St George slaying a reptilian looking dragon, while a female figure wearing a flowing white gown and a wreath of flowers - Princess Sabra from the legend - clasps her hands and watches tentatively from the sidelines. The deadly threat posed by the dragon, and by extension the valour of the knight in quashing it, is evident from the skull and broken lance lying in the foreground of the painting. Although the legend of St George slaying the dragon is Eastern in origin, it is thought to have been taken back to England by medieval crusaders, where it was incorporated into the chivalric tradition. As the patron saint of England, a champion of Christianity, and an exemplar of chivalric masculinity, St George was a popular subject for Pre-Raphaelite artists such as Burne-Jones, and for the Victorian medieval revival more generally. Creator An entity primarily responsible for making the resource Edward Burne-Jones Source A related resource from which the described resource is derived The Art Gallery of New South Wales Date A point or period of time associated with an event in the lifecycle of the resource 1866 Rights Information about rights held in and over the resource The Art Gallery of New South Wales Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 105.4cm x 130.8cm Aesthetic Pre-Raphaelitism Armor Armour art artwork chivalric tradition chivalry damsel dragon gallantry George knight legend Myles Birket Foster myth New South Wales NSW Pre-Raphaelite Princess Sabra St George sword The Hill Witley https://ausmed.arts.uwa.edu.au/files/original/d8c4266655bf6be49c9cebce57a9a23a.JPG 007c2d4248e91d3545ac18d441faa3a4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church of the Apostles Altar, Launceston, Tasmania Subject The topic of the resource Altar, Catholic, Church of the Apostles, column, finials, Gothic, Gothic Revival, lancet window, Launceston, Alexander North, pointed arch, spire, stained glass, Tas, Tasmania, tracery, Bishop Willson, Robert William Willson. Description An account of the resource This elaborate altar is in the Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania’s first catholic Bishop, Robert William Willson (1794-1866). The altar is in the sanctuary designed by Alexander North (1858-1945) and built in 1886. The altar is topped by a spire and is in the Gothic style, with prominent decorated pointed arches, columns, and finials. Behind the altar are the two stained glass east windows, both of which consist of two lancet windows and tracery, with additional glass above. For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1204">http://ausmed.arts.uwa.edu.au/items/show/1204</a> For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1202">http://ausmed.arts.uwa.edu.au/items/show/1202</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 18, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1202">http://ausmed.arts.uwa.edu.au/items/show/1202</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1204">http://ausmed.arts.uwa.edu.au/items/show/1204</a>   Format The file format, physical medium, or dimensions of the resource Digital Photograph Alexander North Altar Bishop Willson Catholic Church of the Apostles column finials Gothic Gothic Revival lancet window Launceston pointed arch Robert William Willson. spire stained glass Tas Tasmania tracery https://ausmed.arts.uwa.edu.au/files/original/5d18f538d2e0f5b2987f17fea032b7f6.JPG c25f5a030ddeba962af6bf9c3078efff Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilmot Arms sign, Kempton, Tasmania Subject The topic of the resource Advertising, coat of arms, crest, eagle, family crest, helmet, heraldry, Kempton, shield, sign, Tas, Tasmania, website, Wilmot Arms. Description An account of the resource The Wilmot Arms Inn is a B&B in a former coaching inn built in 1844 in the small Tasmanian town of Kempton. The business uses the Wilmot coat of arms, or family crest, in their advertising. The family crest consists of a late medieval helmet with an eagle crest above a square shield containing three scallop shells and three eagle heads. The Wilmot surname evolved from the personal name William and is first attested in England in the thirteenth century. The coat of arms is also featured on their website: http://www.wilmotarms.com.au/ Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph advertising coat of arms crest eagle family crest helmet heraldry Kempton shield sign Tas Tasmania website Wilmot Arms. https://ausmed.arts.uwa.edu.au/files/original/a8ce5800fd6e0de5a95e7143e3a7a654.pdf c7477928c30f790ffec92500e7a435fe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="http://nla.gov.au/nla.news-article4384619" target="_self">http://nla.gov.au/nla.news-article4384619</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medieval Anatomy, The Argus, 15 August 1931 Subject The topic of the resource Adrenal glands, adrenaline, Andreas Vesalius (1514-1564), anatomists, anatomy, animal spirit, blood, brain, British Medical Association, circulation, digestion, dissection, examinations, liver, medicine, medieval anatomy, natural spirit, physicians, Professor Buckmaster, Professor Osborne, Professor Wright, Renaissance medicine, surgeons, The Royal College of Surgeons, vapour, vital spirit, William Harvey (1578-1657). Description An account of the resource Despite recognising that Flemish physician Andreas Vesalius (1514-1564) was one of the most progressive anatomists of his day, this article from The Argus in 1931 incorrectly labels his views as those of ‘medieval anatomy’. The article describes a light-hearted lecture delivered to members of the British Medical Association in which Professor Wright, one of two prestigious visitors from the Royal College of Surgeons, adopted the role of Vesalius. In this role he proceeded to outline how the internal functions of the human body were understood prior to William Harvey’s discoveries concerning the circulatory system in the seventeenth century. However this model, which consists of three spirits (animal spirit, natural spirit and vital spirit) that are transported around the body by the blood and altered by heat and various secretions, is specific to the sixteenth century rather than the medieval period. This is because bodily dissection was heavily forbidden by the Catholic Church in the medieval period, and so anatomical discussions were limited. The use of ‘medieval’ here refers rather to an early twentieth-century attitude that the theory was primitive and reactionary within a linear narrative of medical advancement. This is evident in the explanation offered by Professor Wright that “it emphasised to a modern audience the remarkable advances which had been made in 350 years”, and “should teach the harm that could be done by adhering slavishly to conceptions which might be false”. Creator An entity primarily responsible for making the resource Anon Source A related resource from which the described resource is derived TROVE: National Library of Australia, <a href="http://nla.gov.au/nla.news-article4384619" target="_self">http://nla.gov.au/nla.news-article4384619</a> Publisher An entity responsible for making the resource available The Argus Date A point or period of time associated with an event in the lifecycle of the resource 15 August 1931, p.21 Rights Information about rights held in and over the resource Copyright Expired Format The file format, physical medium, or dimensions of the resource Newspaper Article Adrenal glands adrenaline anatomists anatomy Andreas Vesalius (1514-1564) animal spirit blood brain British Medical Association circulation digestion dissection examinations liver medicine medieval anatomy natural spirit physicians Professor Buckmaster Professor Osborne Professor Wright Renaissance medicine surgeons The Royal College of Surgeons vapour vital spirit William Harvey (1578-1657) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Website A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ). Local URL The URL of the local directory containing all assets of the website. <span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"><a href="http://www.freewebs.com/coffsmedguild/">http://www.freewebs.com/coffsmedguild/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Korffs Haven Medieval Guild Subject The topic of the resource Anglo-Norman, Anglo-Saxon, archery, chain mail, Coffs Harbour, combat, cooking, costume, craft, Crusades, Crusader, dyeing, embroidery, feast, felting, food, games, helmet, Highlanders, Korffs Haven Medieval Guild, leatherwork, living history, New South Wales, Norman, NSW, performance, re-enactment, sewing, shield, slingshot, spear, stave, sword, Viking, website, woodwork. Description An account of the resource Korffs Haven Medieval Guild are a re-enactment group based in Coffs Harbour, or Korffs Haven, in New South Wales. The group concentrate on the period 1066-1166 and such peoples as Anglo-Saxons, Anglo-Normans, Crusaders, Highlanders (of Scotland), and Vikings. Combat and weapon training with swords, spears, staves, shields, slingshots, archery, chain mail, and helmets is carried out. Other medieval activities are also re-created, including cooking, clothes-making, feasting, games, and craft (woodwork, leatherwork, felting, embroidery, dyeing, sewing etc.). The group’s website features a useful section on making medieval clothes, including patterns. For their website see <a href="http://www.freewebs.com/coffsmedguild/">http://www.freewebs.com/coffsmedguild/</a>   Creator An entity primarily responsible for making the resource Korffs Haven Medieval Guild Date A point or period of time associated with an event in the lifecycle of the resource 2007 Rights Information about rights held in and over the resource Â©2007 Korffs Haven Medieval Guild Format The file format, physical medium, or dimensions of the resource Website Anglo-Norman Anglo-Saxon Archery chain mail Coffs Harbour combat cooking costume craft Crusader Crusades dyeing embroidery feast felting food games helmet Highlanders Korffs Haven Medieval Guild leatherwork living history New South Wales Norman NSW performance re-enactment sewing shield slingshot spear stave sword viking website woodwork. https://ausmed.arts.uwa.edu.au/files/original/a61a73d168d82cb4b8a937aa736e0124.JPG 5bd2adfe55a75a97345bebe7f438a4aa Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/3c572f113e7f3de3abadf04550fe4d7e.JPG 94c1ced2f1a997f11b4affbafa4b3675 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) St Matthewâ€™s Presbyterian Church, Glenorchy, Hobart, Tasmania Subject The topic of the resource James Blackburn, blind arcading, buttress, cemetery, columns, convict, John Franklin, Glenorchy, Hobart, Kirk and Fisher, Neo-Norman, Presbyterian, Romanesque, Romanesque Revival, semi-circular arch, Tas, Tasmania, tower, tracery. Description An account of the resource St Matthew’s Presbyterian Church is in the suburb of Glenorchy in Hobart, Tasmania. It was designed by the convict architect James Blackburn (1803-1854) in 1839. The foundation stone was laid by Governor Sir John Franklin (1786-1847) in 1839 and the church was built by the firm Kirk and Fisher and completed in 1841. The church is in the Romanesque Revival style and is one of the earliest remaining Romanesque Revival buildings in Australia. The style is evident in the use of semi-circular arches on the windows, doorway, and the blind arcading above the doorway. The building also has buttresses, a large square corner tower, and three smaller octagonal corner towers. The church is unusual in having its cemetery at the front of the building. Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066. For a close up photograph of the entrance see <a href="http://ausmed.arts.uwa.edu.au/items/show/1213">http://ausmed.arts.uwa.edu.au/items/show/1213</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1213">http://ausmed.arts.uwa.edu.au/items/show/1213</a> Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph blind arcading buttress cemetery columns convict Glenorchy Hobart James Blackburn John Franklin Kirk and Fisher Neo-Norman Presbyterian Romanesque Romanesque Revival semi-circular arch Tas Tasmania tower tracery. https://ausmed.arts.uwa.edu.au/files/original/bf87e04a530e2d4187e34da76b0098b6.JPG af419946399f913b97631ad74b5a809e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St George and the Dragon sculpture, Boagâ€™s Brewery, Launceston, Tasmania Subject The topic of the resource Armour, beer, James Boag, Boagâ€™s Brewery, dragon, helmet, knight, Launceston, plume, sculpture, St George, sword, Tas, Tasmania. Description An account of the resource This sculpture of St George and the Dragon is at the top of the 1886 malt kiln of Boag’s Brewery in the northern Tasmanian city of Launceston. St George is depicted as a medieval knight wearing armour and a helmet with an open visor and a feather plume. He rides a horse and carries a sword. His horse is trampling a winged dragon. For the malt kiln see <a href="http://ausmed.arts.uwa.edu.au/items/show/1216">http://ausmed.arts.uwa.edu.au/items/show/1216</a> For other depictions of St George by Boag’s Brewery see <a href="http://ausmed.arts.uwa.edu.au/items/show/989">http://ausmed.arts.uwa.edu.au/items/show/989</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/886">http://ausmed.arts.uwa.edu.au/items/show/886</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/884">http://ausmed.arts.uwa.edu.au/items/show/884</a>   Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 18, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/989">http://ausmed.arts.uwa.edu.au/items/show/989</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/886">http://ausmed.arts.uwa.edu.au/items/show/886</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/884">http://ausmed.arts.uwa.edu.au/items/show/884</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1216">http://ausmed.arts.uwa.edu.au/items/show/1216</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph Armour Beer Boagâ€™s Brewery dragon helmet James Boag knight Launceston plume sculpture St George sword Tas Tasmania. https://ausmed.arts.uwa.edu.au/files/original/51c7937d0c2bd7d0f79187a2ff2ff840.JPG 0f4fceb69793273d81f51d06cc2674bc Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) St Matthewâ€™s Presbyterian Church entrance, Glenorchy, Hobart, Tasmania Subject The topic of the resource James Blackburn, blind arcading, columns, convict, John Franklin, Glenorchy, Hobart, Kirk and Fisher, Neo-Norman, Presbyterian, Romanesque, Romanesque Revival, semi-circular arch, Tas, Tasmania. Description An account of the resource The former St Matthew’s Presbyterian Church is in the suburb of Glenorchy in Hobart, Tasmania. It was designed by the convict architect James Blackburn (1803-1854) in 1839. The foundation stone was laid by Governor Sir John Franklin (1786-1847) in 1839 and the church was built by the Hobart company Kirk and Fisher and completed in 1841. The church is in the Romanesque Revival style and is one of the earliest remaining Romanesque Revival buildings in Australia. The style is evident in the entrance to the church featuring a semi-circular arched doorway and door, and on the blind arcading above the doorway. The doorway also decorated columns and decorated molding on the doorway arch. Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066. For more of the building see <a href="http://ausmed.arts.uwa.edu.au/items/show/1211">http://ausmed.arts.uwa.edu.au/items/show/1211</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1211">http://ausmed.arts.uwa.edu.au/items/show/1211</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph blind arcading columns convict Glenorchy Hobart James Blackburn John Franklin Kirk and Fisher Neo-Norman Presbyterian Romanesque Romanesque Revival semi-circular arch Tas Tasmania.