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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Alban, Anglican, armour, blind arcading, column, finial, Gothic, heraldry, Hobart, lancet window, St Laurence, plate armour, pointed arch, Roman Empire, Romanesque, St Davidâ€™s Cathedral, shield, stained glass, St Stephen, sword, Tas, Tasmania, tracery.</text>
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                <text>&lt;p&gt;The Window of Roman-era Saints is in the south wall of St David&amp;rsquo;s Anglican Cathedral, Hobart. The large pointed arch window with stonework tracery is made up of three lancet windows with stained glass. Each lancet window features a Saint martyred during the rule of the Roman Empire: St Stephen (died c. 34), St Alban (3rd century), and St Laurence (c. 225-258). St Alban is depicted as a knight from the late middle ages in plate armour, an embroidered tunic, and wearing a sword. The saints stand upon a tiled platform of Gothic stonework featuring columns, blind arcading, pointed finials, as well as Romanesque semi-circular arches. Below each of the platforms is a heraldic shield.&lt;/p&gt;&#13;
&lt;p&gt;For the interior of the Cathedral see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Andrewâ€™s Anglican Church interior, Westbury, Tasmania</text>
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                <text>Anglican, James Blackburn, carving, Church of England, convict, Gothic, Gothic Revival, memorial, Ellen Nora Payne, pointed arch, pulpit, rood screen, St Andrewâ€™s Anglican Church, stained glass, Tas, Tasmania, tracery, Westbury, woodcarver.</text>
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                <text>&lt;p&gt;The interior of St Andrew&amp;rsquo;s Church of England (Anglican) in the small Tasmanian town of Westbury continues the Gothic Revival style of its exterior. &amp;nbsp;The nave was designed by the convict architect James Blackburn (1803-1854) in 1840-02. Of particular note are the various carvings by Tasmanian woodcarver Ellen Nora Payne (1865-1962) of Hobart, who had been born in the Westbury district. These include the pulpit which was carved in London sometime between 1901 and 1906, and the &amp;lsquo;Seven Sisters&amp;rsquo; rood, or chancel, screen completed in 1938 as a memorial to her seven dead sisters. The screen features a recreation of tracery common in Gothic windows. Other Gothic features are the large pointed arch east window with tracery made up of three lancet windows with stained glass, lancet windows in the north and south walls, and the internal pointed-arch doors and doorways.&lt;/p&gt;&#13;
&lt;p&gt;For more of the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1186"&gt;http://ausmed.arts.uwa.edu.au/items/show/1186&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1197"&gt;http://ausmed.arts.uwa.edu.au/items/show/1197&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1178"&gt;http://ausmed.arts.uwa.edu.au/items/show/1178&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1186"&gt;http://ausmed.arts.uwa.edu.au/items/show/1186&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1178"&gt;http://ausmed.arts.uwa.edu.au/items/show/1178&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1197"&gt;http://ausmed.arts.uwa.edu.au/items/show/1197&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;Europa Re-Enactment Association Inc. are a living history group based at Springwood in the Blue Mountains, New South Wales. The group focus on the period of Viking rule of the city of Jorvik (York) in northern England from 876-954. They re-enact such cultural activities as craft, cooking, clothing, combat, building construction, and weapon making. Combat includes archery, swords, shields, armour, and helmets. The group also performs for school groups and at re-enactment events. Their website, made by Wiccy, includes basic maps on Viking settlement in England, a gallery, and useful articles on making such things as Viking ovens, huts, and shields, a Bibliography for those wanting more information about Viking life, and a comprehensive 'Links' page.&lt;/p&gt;&#13;
&lt;p&gt;The groups logo features the early tenth-century Viking cross from Middleton, North Yorkshire. The ring-headed Celtic cross features a Scandinavian ring-chain pattern and a warrior sitting on a throne with two swords and a spear. A raven, a bird commonly associated with the Norse war god O&amp;eth;inr (Odin) flies from the cross.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://europa-reenactment.org/"&gt;http://europa-reenactment.org/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Copyright Â© Europa Reenactment 2009 - 2010</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>(Former) Methodist Church, Whitemore, Tasmania </text>
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                <text>Buttress, Gothic, Gothic Revival, lancet window, Methodist, Methodist Church, Percy Oakden, A.A. Quick, pointed arch, Tas, Tasmania, Uniting Church, Whitemore. </text>
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                <text>The Uniting Church in the small town of Whitemore in northern Tasmania was formally a Methodist church. The simple brick building was designed by Launceston architect Percy Oakden (1845-1917) in the Gothic Revival style with buttresses, lancet windows, and a pointed arch door and doorway. The use of a darker paint colour effectively highlights the buttresses and pointed arches. The church hall beside the church incorporates part of an earlier timber chapel. The foundation stone for the Methodist church was laid in 1864 and it was opened in 1865 by the President of the Wesleyan Conference Rev. A.A. Quick. It became part of the Uniting Church in 1977.  </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;The Alfred Ibbott (1844-1928) memorial window is in St Michael and All Angels Anglican Church in the Tasmanian town of Bothwell. The window (on the left in the photograph) is one of two lancet windows parrallel. The figures are framed by a representation of elaborate Gothic stonework with columns, pointed finials, pointed arches, and a crenelated parapet in the upper section. The more recent window on the right includes a Romanesque semi-circular arch.&lt;/p&gt;&#13;
&lt;p&gt;For more of the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1187"&gt;http://ausmed.arts.uwa.edu.au/items/show/1187&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1180"&gt;http://ausmed.arts.uwa.edu.au/items/show/1180&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1175"&gt;http://ausmed.arts.uwa.edu.au/items/show/1175&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1172"&gt;http://ausmed.arts.uwa.edu.au/items/show/1172&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1165"&gt;http://ausmed.arts.uwa.edu.au/items/show/1165&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1162"&gt;http://ausmed.arts.uwa.edu.au/items/show/1162&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1158"&gt;http://ausmed.arts.uwa.edu.au/items/show/1158&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1157"&gt;http://ausmed.arts.uwa.edu.au/items/show/1157&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1187"&gt;http://ausmed.arts.uwa.edu.au/items/show/1187&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1180"&gt;http://ausmed.arts.uwa.edu.au/items/show/1180&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1175"&gt;http://ausmed.arts.uwa.edu.au/items/show/1175&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1172"&gt;http://ausmed.arts.uwa.edu.au/items/show/1172&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1165"&gt;http://ausmed.arts.uwa.edu.au/items/show/1165&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1162"&gt;http://ausmed.arts.uwa.edu.au/items/show/1162&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1158"&gt;http://ausmed.arts.uwa.edu.au/items/show/1158&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1157"&gt;http://ausmed.arts.uwa.edu.au/items/show/1157&lt;/a&gt;&lt;/p&gt;&#13;
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://www.artgallery.nsw.gov.au/collection/works/169.1984/" target="_self"&gt;http://www.artgallery.nsw.gov.au/collection/works/169.1984/&lt;/a&gt;</text>
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                <text>â€˜The Marriage of the Arnolfini â€“ After Jan van Eyckâ€™ by Fiona Hall</text>
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                <text>art, artwork, Bruges, Giovanni di Nicolao Arnolfini, insert, Jan van Eyck, marriage, merchant, modern art, New South Wales, NSW, photograph, portrait, The Arnolfini Portrait, The National Gallery, wedding.</text>
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                <text>This photographic artwork by Australian artist Fiona Hall was purchased by the Art Gallery of New South Wales in 1984. In the photograph Hall has reconstructed her own version of the scene from medieval Dutch painter Jan van Eyckâ€™s famous 1434 oil painting, â€œThe Arnolfini Portraitâ€, by transposing the figures into a modern setting and replacing their faces. At the bottom of the frame is an insert of the original painting by Jan van Eyck. The figures in van Eyckâ€™s painting are believed to be those of Gionvanni di Nicolao Arnolfini, a fifteenth-century Italian merchant living in the Flemish town of Bruges, and his wife. </text>
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                <text>The Art Gallery of New South Wales</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1980</text>
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                <text>The Art Gallery of New South Wales</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Photograph, 28cm x 35.5cm.</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;p&gt;&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.loreto.org.au/Images/News/Promotional---rego-form.aspx"&gt;http://www.loreto.org.au/Images/News/Promotional---rego-form.aspx&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Festival of Hildegard, Centre for Theology and Ministry, Melbourne, Victoria</text>
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                <text>Lauren Artress, Catholic, Centre for Theology and Ministry, dramatic readings, education, festival, Festival of Hildegard, Sabina Flanagan, food, Hildegard of Bingen, lecture, Loreto College, Melbourne, Constant Mews, music, mystic, Parkville, St Maryâ€™s College, St Paulâ€™s Cathedral, school, Vic, Victoria, website.</text>
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                <text>The Festival of Hildegard was an educational event held at the Catholic Loreto College&amp;rsquo;s Centre for Theology and Ministry at St Mary&amp;rsquo;s College in the Melbourne suburb of Parkville, Victoria. The event ran from October 19-21, 2012, closing with a special Vespers at St Paul&amp;rsquo;s Cathedral. Other activities included medieval food and music, dramatic readings, and scholarly lectures and conversation. Guest speakers included Dr Lauren Artress, Dr Sabina Flanagan, and Professor Constant Mews. The Festival celebrated the conferral on Hildegard of the title &amp;lsquo;Doctor of the Church&amp;rsquo; on October 7, 2012. Hildegard of Bingen (1098-1179) was a mystic, author, abbess, and composer. She also invented her own alphabet. For more information see http://www.loreto.org.au/Images/News/Promotional---rego-form.aspx</text>
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                <text>2012</text>
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            <name>Rights</name>
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              <elementText elementTextId="30796">
                <text>Centre for Theology and Ministry</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>Lauren Artress</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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          <element elementId="50">
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                <text>East Window, St Andrewâ€™s Anglican Church, Westbury, Tasmania</text>
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                <text>Anglican, altar, Church of England, William Henry Clayton, Gothic, Gothic Revival, lancet window, pointed arch, reredos, St Andrewâ€™s Anglican Church, stained glass, Tas, Tasmania, tracery, Westbury.</text>
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                <text>&lt;p&gt;This East Window is in St Andrew&amp;rsquo;s Church of England (Anglican) in the small Tasmanian town of Westbury. The window is above the altar and reredos in the Sanctuary of the Gothic Revival church. The Sanctuary was completed in 1888 and consecrated in 1890 from a design by architect William Henry Clayton (1823-1877). The large pointed arch stained glass window with tracery is made up of three lancet windows.&lt;/p&gt;&#13;
&lt;p&gt;For more of the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1186"&gt;http://ausmed.arts.uwa.edu.au/items/show/1186&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1191"&gt;http://ausmed.arts.uwa.edu.au/items/show/1191&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1178"&gt;http://ausmed.arts.uwa.edu.au/items/show/1178&lt;/a&gt;&lt;/p&gt;</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>McLeod, Shane</text>
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                <text>October 20, 2012</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30829">
                <text>No Copyright</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1186"&gt;http://ausmed.arts.uwa.edu.au/items/show/1186&lt;/a&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1191"&gt;http://ausmed.arts.uwa.edu.au/items/show/1191&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1178"&gt;http://ausmed.arts.uwa.edu.au/items/show/1178&lt;/a&gt;&lt;/p&gt;</text>
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