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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Keith Sydney Isles memorial window, St Davidâ€™s Cathedral, Hobart, Tasmania</text>
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                <text>&lt;p&gt;The Keith Sydney Isles (1902-1977) memorial window is in St David&amp;rsquo;s Anglican Cathedral, Hobart. The window is made up of three lancet windows with a figure in each. The figure in the tall central window is a knight in late medieval armour and helmet holding a spear and shield. Above the knight is a ring-headed (Celtic) cross, a style common in Ireland, Scotland, the Isle of Man, Wales, and England from c. 750-1200. Below the each of the figures are two heraldic shields.&lt;/p&gt;&#13;
&lt;p&gt;For the interior of the Cathedral see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Michael and All Angels Anglican Church interior door, Bothwell, Tasmania </text>
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                <text>This door is in the chancel of St Michael and All Angels Anglican Church in the small Tasmanian town of Bothwell. The church was built in the Gothic Revival style from 1887 and consecrated in 1891. It was designed by Launceston architect Alexander North (1858-1945) and built of local stone by Lewis and son and Hallet, primarily by the stonemason Thomas Lewis. Although the actual door only has a small rounded arch, the stonework, in particular the molding, gives the impression of the Gothic style with the creation of a pointed arch above the doorway.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This church hall is adjacent to St Markâ€™s Anglican Church in the northern Tasmanian town of Deloraine. The brick building includes corner buttresses ending in towers at the front of the hall and the porch. The concrete tower gives the impression of having a crenelated parapet.</text>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.bismarckmetalcraft.com/"&gt;http://www.bismarckmetalcraft.com/&lt;/a&gt;&lt;/span&gt;</text>
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                <text>&lt;p&gt;Bismarck Metalcraft was established in 1988 by Ken Bradford in the northern Tasmanian town of Deloraine. They use modern steel to create armour, helmets, knives, and swords, including many recreations of items from medieval Britain and Europe, and feudal Japan. They also create custom-made items. Each&amp;nbsp;item is hand engraved with the Bismarck name in what is described&lt;br /&gt;as an &amp;lsquo;Old English Font&amp;rsquo;.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.bismarckmetalcraft.com/"&gt;http://www.bismarckmetalcraft.com/&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Anglican, George Arthur, James Blackburn, buttress, Church of England, William Henry Clayton, convict, crenellation, Gothic, Gothic Revival, lancet windows, Francis Russell Nixon, parapet, pinnacle, pointed arch, porch, St Andrewâ€™s Anglican Church, Tas, Tasmania, tower, tracery, Westbury.</text>
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                <text>&lt;p&gt;St Andrew&amp;rsquo;s Church of England (Anglican) is opposite the Village Green in the small Tasmanian town of Westbury. The foundation stone was laid in 1836 by Lieutenant George Arthur (1784-1854) and the sandstone brick church was first used in 1841. The nave was designed by the convict architect James Blackburn (1803-1854) in 1840-02.&amp;nbsp;The church&amp;nbsp;was finally consecrated in 1851 by Tasmania&amp;rsquo;s first Bishop, Francis Russell Nixon (1803-1879). The tower was added in 1859 under the supervision of architect William Henry Clayton (1823-1877). The sanctuary and chancel were completed in 1888 and consecrated in 1890. St Andrew&amp;rsquo;s is in the Gothic Revival style and features buttresses, lancet windows, a porch, tracery in the east window, and pointed arch doorways. The tower is topped by a crenelated parapet and originally had pinnacles but these were removed following serious storm damage in 1877.&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1191"&gt;http://ausmed.arts.uwa.edu.au/items/show/1191&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1186"&gt;http://ausmed.arts.uwa.edu.au/items/show/1186&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1197"&gt;http://ausmed.arts.uwa.edu.au/items/show/1197&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1191"&gt;http://ausmed.arts.uwa.edu.au/items/show/1191&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1186"&gt;http://ausmed.arts.uwa.edu.au/items/show/1186&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1197"&gt;http://ausmed.arts.uwa.edu.au/items/show/1197&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Anglican, Burlison and Grylls, buttress, crown, King David, Gothic, heraldry, King Hezekiah, Hobart, king, lancet window, London, St Davidâ€™s Cathedral, shield, King Solomon, spire, stained glass, sword, Tas, Tasmania.</text>
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                <text>&lt;p&gt;The Window of Old Testament is in St David&amp;rsquo;s Anglican Cathedral, Hobart. It was created by the firm Burlison and Grylls in London and installed in 1872. The window is made up of three lancet windows with a figure in each: King David, King Solomon, and King Hezekiah. King Solomon is dressed as a king of the late medieval period. In his right hand he holds a scale model of a Gothic church with a tower, spire, buttresses, and apse. Kings Solomon and Hezekiah also wear medieval-era crowns and swords. Below the each of the figures is a heraldic shield.&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Michael and All Angels Anglican Church interior, Bothwell, Tasmania </text>
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                <text>Alter, Anglican, Bothwell, column, font, Gothic, Gothic Revival, lancet window, Thomas Lewis, Alexander North, pointed arch, pulpit, St Michael and All Angels Church, sculpture, Tas, Tasmania, trusses.</text>
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                <text>&lt;p&gt;St Michael and All Angels Anglican Church is in the small Tasmanian town of Bothwell. The church was built in the Gothic Revival style from 1887 and consecrated in 1891. It was designed by Launceston architect Alexander North (1858-1945) and built of local stone by Lewis and son and Hallet, primarily by the stonemason Thomas Lewis. The stonemason&amp;rsquo;s skill is amply displayed on the interior, which features stone steps through a low stone wall connected to a stone pulpit, a stone alter, and decorated stone columns. An unusual feature is the stone fireplace on the west wall to heat the church. The low stone wall features a pointed arch design in relief which adds to the Gothic appearance of the interior. The fittings of the interior, including the pews and the font beside the fireplace, were designed by North. Also evident in the photographs are the lancet windows, some with stained glass, and the timber trusses of the roof.&lt;/p&gt;&#13;
&lt;p&gt;For more of the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1175"&gt;http://ausmed.arts.uwa.edu.au/items/show/1175&lt;/a&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1172"&gt;http://ausmed.arts.uwa.edu.au/items/show/1172&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1165"&gt;http://ausmed.arts.uwa.edu.au/items/show/1165&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1162"&gt;http://ausmed.arts.uwa.edu.au/items/show/1162&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1175"&gt;http://ausmed.arts.uwa.edu.au/items/show/1175&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1172"&gt;http://ausmed.arts.uwa.edu.au/items/show/1172&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1165"&gt;http://ausmed.arts.uwa.edu.au/items/show/1165&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1162"&gt;http://ausmed.arts.uwa.edu.au/items/show/1162&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Gothic Bird Cage</text>
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                <text>Pearl Anderson, bird cage, Cameo Alpacas and Garden Art, Deloraine, Gothic, Elod Gunther, pointed arch, spire, Tas, Tasmania, Tasmanian Craft Fair, tower, tracery, Woodbridge.</text>
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                <text>&lt;p&gt;This wood and tin bird cage is in the Gothic architectural style that was commonly employed on churches in Europe between the twelfth and sixteenth centuries. The body of the bird cage is four panels in the shape of pointed arch windows with tracery at the top. This is topped by a tower with another four windows, and a tall spire. The bird cage was created by Cameo Alpacas and Garden Art, a company run by Pearl Anderson and Elod Gunther and based in Woodbridge in southern Tasmania. The photograph was taken at the Tasmanian Craft Fair held in the town of Deloraine.&lt;/p&gt;&#13;
&lt;p&gt;For more of their creations see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1185"&gt;http://ausmed.arts.uwa.edu.au/items/show/1185&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1189"&gt;http://ausmed.arts.uwa.edu.au/items/show/1189&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Dorey, Margaret</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1185"&gt;http://ausmed.arts.uwa.edu.au/items/show/1185&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1189"&gt;http://ausmed.arts.uwa.edu.au/items/show/1189&lt;/a&gt;&lt;/p&gt;</text>
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