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              <name>Title</name>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=42149" target="_blank"&gt;http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=42149&lt;/a&gt;</text>
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                <text>The Mass, Corpus Christi at Manly</text>
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                <text>Benediction, celebration, Christ, Corpus Christi, Eucharist, feast day, feast of Corpus Christi, Hugh of St-Cher, Jacques PantelÃ©on, Juliana of LiÃ¨ge (1193-1258), Latin Rite, Manly, Mass, medieval ritual, mystic, mysticism, New South Wales, NSW, nun, Papal Bull, Pope Urban IV, procession, religious ritual, Robert de Thorete (d.1246), sacrament, St Juliana, Sydney, Ted Hood (1911-2000),Transiturus de hoc mundo, veneration, vision</text>
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                <text>A photograph taken by photographer Ted Hood of the Corpus Christi Mass held at Manly, New South Wales, in 1934.&#13;
&#13;
Corpus Christi is an annual feast day observed by the Catholic Church on the Thursday following Trinity Sunday. It celebrates the Eucharist (or â€˜Blessed Sacramentâ€™) as the blood and body of Christ, and is often followed by a procession. Corpus Christi was established as a feast day in the thirteenth century after revelations by a Belgian nun, Juliana of LiÃ¨ge (St Juliana), that she had experienced repeated visions of Christ and had been instructed to petition for a feast day to celebrate the sacrament. Juliana disclosed her visions to Robert de Thorete, the Bishop of LiÃ¨ge, Hugh of St-Cher and Jacques PantelÃ©on, then the Archdeacon of LiÃ¨ge. Robert de Thorete used his power as a bishop (with the authority to order a feast in his diocese) to convene a synod in 1246 and order the celebration of Corpus Christi to be observed the following year. In 1261, Jacques PantelÃ©on became Pope Urban IV. In 1264 he published a Papal Bull, Transiturus de hoc mundo , in which he ordered the annual celebration of Corpus Christi and the granting of indulgences to the faithful for their attendance at Mass and at the Office. </text>
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                <text>Hood, Ted</text>
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                <text>State Library of New South Wales</text>
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                <text>1934</text>
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                <text>State Library of New South Wales</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;a href="http://www.themedievalclassroom.com.au/?page_id=1009"&gt;http://www.themedievalclassroom.com.au/?page_id=1009&lt;/a&gt;</text>
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            <description>A name given to the resource</description>
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                <text>The Medieval Classroom: Lesson Plans/Programmes</text>
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                <text>school, education, children, child, juvenile, youth, classroom, class, classes, student, students, lesson plan, lesson plans, lesson, lessons, The Medieval Classroom, teach, teachers, teaching, educational resources, McAuley Medieval Fayre, ACU, Australian Catholic University</text>
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            <description>An account of the resource</description>
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                <text>A list of lesson plans/teaching programmes for Australian primary and high school teachers in PDF format.&#13;
&#13;
The Medieval Classroom website is the result of a Teaching and Learning Enhancement Scheme grant awarded by the Australian Catholic University to the â€˜Arts and Culture teamâ€™ in the School of Arts and Sciences in Queensland in 2006. The site serves as an important teaching and learning link between the University and the wider community.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>The McAuley Medieval Fayre, Australian Catholic University</text>
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                <text>The McAuley Medieval Fayre, Australian Catholic University</text>
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                <text>Accessed 03/04/2012</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19892">
                <text>The McAuley Medieval Fayre, Australian Catholic University</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;span&gt;&lt;a href="http://sydney.edu.au/senate/images/stained_glass/Medieval.JPG" target="_blank"&gt;&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;&lt;span style="color: #0000ff;"&gt;http://sydney.edu.au/senate/images/stained_glass/Medieval.JPG&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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            <description>A name given to the resource</description>
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                <text>The Medieval Writerâ€™s window, The Great Hall at The University of Sydney</text>
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                <text>Author, canopy, Education, Geoffrey Chaucer (1340-1400), Gothic Revival, Great Hall, James I of Scotland (1394-1437), John Fortescue (1394-1476), learning, literature, medieval, neo-gothic, New South Wales, NSW, Quadrangle, Stained Glass, Sydney, The University of Sydney, university, university buildings, window, writer</text>
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                <text>&lt;p&gt;An image of one of a series of colourful and elaborate figural windows with trefoil heads created especially for The University of Sydney by the London firm of Clayton &amp;amp; Bell (c. 1859-60). The window depicts three well-known medieval writers: Geoffrey Chaucer (l), the jurist John Fortescue (c), and James I of Scotland (r). Each of the three figures is fully &amp;lsquo;canopied,&amp;rsquo; a self-conscious nineteenth-century &amp;lsquo;medievalism&amp;rsquo; that lends an ecclesiastical dignity to the overall composition. The Great Hall at the University of Sydney is functionally a place of assembly, and its appearance is strikingly similar to the choir of a medieval church. The Hall is designed to invoke the ambience, seriousness, and sense of achievement of the great medieval seats-of-learning established at Oxford and Cambridge. The collection of windows gathered within its walls is one of the finest anywhere in Australia, and encompasses a variety of themes, including those of learning, patronage, royalty and corporate endeavour.&lt;/p&gt;&#13;
To view this and other stained glass windows from the Great Hall and Quadrangle, see: &lt;a href="http://sydney.edu.au/senate/Quadrangle_decorative_features_stained_glass.shtml%20" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://sydney.edu.au/senate/Quadrangle_decorative_features_stained_glass.shtml &lt;/span&gt;&lt;/a&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="19150">
                <text>White, David</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="19151">
                <text>Unknown</text>
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            </elementTextContainer>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19152">
                <text>Â© David White (photo)</text>
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        <name>Geoffrey Chaucer (1340-1400)</name>
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        <name>Great Hall</name>
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        <name>James I of Scotland (1394-1437)</name>
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        <name>John Fortescue (1394-1476)</name>
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              <text>&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://nvg.org.au/index.php" target="_blank"&gt;http://nvg.org.au/index.php&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The New Varangian Guard Inc</text>
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                <text>Anglo-Saxon, Byzantium, Byzantine Empire, Constantinople, Istanbul, Norman, Norman Conquest, recreation, re-enactment, Rus, Turkey, Varangian, Varangian Guard, The Varangian Voice, Viking</text>
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                <text>The New Varangian Guard are an Australian historical re-enactment group with fifteen branches throughout Australia. The group concentrate on the Byzantine (or Eastern Roman) Empire, particularly between the ninth and thirteenth centuries. During most of this period the Varangian guard existed. As well as participating in re-enactment activities the group also engage in more scholarly activities and their website includes a number of articles. The group began in 1981 and produce a newsletter, The Varangian Voice.&#13;
&#13;
The Byzantine Empire was centred on Constantinople, now Istanbul in modern-day Turkey. The Varangian guard were part of the Byzantine army and eventually became the elite bodyguard of the Emperor. They were initially dominated by Vikings, often referred to as Rus or Varangians in the written sources, but following the Norman conquest of England in 1066 many Anglo-Saxons joined the guard.</text>
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                <text>McLeod, Shane</text>
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                <text>&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://nvg.org.au/index.php" target="_blank"&gt;http://nvg.org.au/index.php&lt;/a&gt;&lt;/span&gt;</text>
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                <text>&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://nvg.org.au/index.php" target="_blank"&gt;http://nvg.org.au/index.php&lt;/a&gt;&lt;/span&gt;</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>10 September 2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11390">
                <text>The New Varangian Guard Inc.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Hyperlink</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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        <name>Anglo-Saxon</name>
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        <name>Byzantine Empire</name>
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        <name>Byzantium</name>
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        <name>Constantinople</name>
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        <name>Istanbul</name>
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        <name>Norman</name>
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        <name>Norman Conquest</name>
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        <name>re-enactment</name>
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        <name>recreation</name>
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        <name>Rus</name>
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        <name>The Varangian Voice</name>
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        <name>Turkey</name>
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        <name>Varangian</name>
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        <name>Varangian Guard</name>
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        <name>viking</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/ab1ab31ee4495869cc1847d273a27f60.jpg</src>
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                <name>Bit Depth</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <name>Title</name>
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                <text>The Old Swan Barracks Hotel, Perth, WA</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Administration building, arcading, arch, architecture, army, balcony, barracks, columns, crenellation, defence force, drill hall, Federation Romanesque style, George Temple-Poole (1856-1934), Government architect, government building, heraldic shield, heraldry, military building, neo-romanesque, rusticated stone, soldiers, WA, Western Australia</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Images of the Old Swan Barracks Hotel in Perth, Western Australia. The Swan Barracks was originally used as a military training facility. A Volunteer Drill Hall was built in 1896 and this rusticated stone building was added in 1897 to house the administration offices. Both were designed by WAâ€™s chief Government architect George Temple-Poole. The architecture of the Administration Building incorporates a number of medieval features, including the large heraldic shield, the neo-Romanesque rounded arches and columns of the balcony and the crenellation that was used for decorative effect along the top of the third storey, which was added in 1900. The building is no longer used by the Australian army, and today functions as a backpacker hostel. </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8521">
                <text>McEwan, Joanne</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>4 February 2011</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8523">
                <text>No Copyright</text>
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            <name>Format</name>
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                <text>Digital Photograph; JPEG</text>
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        <name>barracks</name>
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        <name>Federation Romanesque style</name>
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        <name>George Temple-Poole (1856-1934)</name>
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        <name>heraldic shield</name>
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        <name>heraldry</name>
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        <name>military building</name>
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        <name>neo-Romanesque</name>
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        <name>rusticated stone</name>
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        <name>WA</name>
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        <name>Western Australia</name>
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