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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>1 photographic print on carte de visite mount : albumen silver. </text>
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              <text>11 x 7 cm.</text>
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              <text>&lt;a href="http://handle.slv.vic.gov.au/10381/46054"&gt;http://handle.slv.vic.gov.au/10381/46054&lt;/a&gt;</text>
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                <text>Wesleyan Church, Woolloomooloo, NSW</text>
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                <text>Thomas Rowe, gothic architecture, window, windows, lancet window, lancet windows, church, spire, neo-gothic, gothic revival, gothic building, albumen print, sketch, architect, architecture, NSW, New South Wales</text>
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                <text>Sketch of the Wesleyan Church, designed by the architect Thomas Rowe, at Woolloomoolo in New South Wales. The church is typical of the gothic revival style with its spire and arched, gothic windows.</text>
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                <text>Rowe, Thomas (architect)</text>
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                <text>State Library of Victoria</text>
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                <text>ca 1870 - 1890</text>
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                <text>State Library of Victoria</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <name>Local URL</name>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://nvg-rusland.com/"&gt;http://nvg-rusland.com/&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Rusland NGV Garrison</text>
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                <text>Axe, Byzantium, bodyguard, combat, New Varangian Guard, NGV Garrison, Norse, re-enactment, Rusland, saex, spear, sword, Varangian, Viking, website.</text>
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                <text>&lt;p&gt;Rusland NGV Garrison are a Viking re-enactment group which formed in 1991. They are part of the larger New Varangian Guard group. Rusland recreate the Varangian Guard, the bodyguard of the Byzantine Emperors and their cultural and military lifestyle c. 950-1204. The group place an emphasis on training, where members use such weapons as spear, sword, saex, and axe.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://nvg-rusland.com/"&gt;http://nvg-rusland.com/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the New Varangian Guard see &lt;a href="http://ausmed.arts.uwa.edu.au/admin/items/show/540"&gt;http://ausmed.arts.uwa.edu.au/admin/items/show/540&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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        <name>axe</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;" lang="EN-AU"&gt;&lt;a href="http://www.ballarat.com/kryalcastle/" target="_blank"&gt;http://www.ballarat.com/kryalcastle/&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Kryal Castle, Ballarat</text>
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                <text>Ballarat, battlements, castle, crenelation, drawbridge, gate, Kryal Castle, moat, porticullis, Keith Ryall, tourism, tower, VIC, Victoria</text>
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                <text>Kryal Castle is a tourist attraction 8km from Ballarat in Victoria. Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can also be hired for weddings, conferences, functions, and special events. It was built in 1972 and opened in 1974 by Keith Ryall. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. </text>
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                <text>Ryall, Keith</text>
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                <text>Kryal Castle</text>
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                <text>12 January 2012</text>
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                <text>Kryal Castle</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://www.artgallery.nsw.gov.au/work/182.2002.20/" target="_self"&gt;http://www.artgallery.nsw.gov.au/work/182.2002.20/&lt;/a&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>â€˜Afternoon in Chartres Cathedralâ€™ by Salvatore Zofrea</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>&lt;em&gt;Appassionata&lt;/em&gt;, Architecture, art, Art gallery of New South Wales, Cathedral, Catholicism, Chartres Cathedral, church interior, ecclesiastical building, France, French Gothic, gothic architecture, print, Salvatore Zofrea (b.1946), stained glass, window.</text>
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            <description>An account of the resource</description>
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                <text>This woodblock print, from Salvatore Zofrea&amp;rsquo;s &lt;em&gt;Appassionata&lt;/em&gt; collection, was gifted to the Art Gallery of New South Wales by the Italian-Australian artist in 2002. Depicting a scene in Chartres Cathedral, it features the gothic arches, vaulted ceilings and, especially, some of the magnificent 12th-13th century stained glass that remains intact and for which Chartres Cathedral is famous. Chartres Cathedral was constructed between 1194 and 1250 in the French High Gothic style, and its architecture has only undergone minor changes since the 13th century. It is commonly held to be one of the finest surviving examples of this style.</text>
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                <text>Salvatore Zofrea (b.1946)</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Art Gallery of New South Wales</text>
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                <text>c.1994-1999</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="27267">
                <text>Art Gallery of New South Wales</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Woodblock Print, black ink on white Japanese Hitachi paper, 45cm x 59.5cm block mark</text>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span&gt;&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;a href="http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/7370157/under-merlins-spell/" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/7370157/under-merlins-spell/&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>â€˜Under Merlinâ€™s Spellâ€™</text>
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            <name>Subject</name>
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                <text>Arthur, Australian television, BBC series, broadcasting, Camelot, Channel 10, dragon, entertainment, film, folklore, Gaius, Guinevere, Johnny Capps, magic, medieval legend, Merlin, Morgana, mythology, re-interpretation, romance, Shine Drama, television series, wizard</text>
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                <text>This entertainment piece from The West Australianâ€™s online edition reviews the BBC series Merlin (2008). At the time the article was written in 2010, the second season of the series was being aired on Australian television by Channel 10. The characters and setting of the show are based on figures and places from Arthurian legend, however, the plot focuses on the lives of the characters prior to the mythologised events of the medieval legend. The characters include Merlin, Arthur, Guinevere, Gaius and Morgana, and the story is set in Camelot. Merlinâ€™s Producer, Johnny Capps, is quoted as saying that they needed a mythological tale and he thought that Merlin â€œjust seemed to be right for re-interpretation for a 21st- century audienceâ€. On the motivation for the plot, he continued: â€œWe decided to start before they were famous because what appealed to us was a story of empowerment. What if we had a young Arthur who was not yet King and Merlin as a young wizard, coping with trying to be a teenager and at the same time his destiny and extraordinary power? And we subverted the expectation around Guinevere by making her a lowly servant girl."</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="11790">
                <text>Saunders, Amanda</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="11791">
                <text>&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;a href="http://thewest.com.au/" target="_blank"&gt;Thewest.com.au&lt;/a&gt;&lt;/span&gt;</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="11792">
                <text>The West Australian&#13;
&#13;
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11793">
                <text>9 June 2010</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11794">
                <text>The West Australian</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11795">
                <text>Online newspaper article; URL</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="11796">
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        <name>Arthur</name>
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        <name>Australian television</name>
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        <name>BBC series</name>
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        <name>broadcasting</name>
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        <name>Camelot</name>
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        <name>Channel 10</name>
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        <name>dragon</name>
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      <tag tagId="344">
        <name>entertainment</name>
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      <tag tagId="2123">
        <name>film</name>
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      <tag tagId="2998">
        <name>folklore</name>
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      <tag tagId="3438">
        <name>Gaius</name>
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        <name>Guinevere</name>
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        <name>Johnny Capps</name>
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        <name>magic</name>
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        <name>medieval legend</name>
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        <name>Merlin</name>
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        <name>Morgana</name>
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        <name>mythology</name>
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        <name>re-interpretation</name>
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        <name>romance</name>
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      <tag tagId="3445">
        <name>Shine Drama</name>
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      <tag tagId="3446">
        <name>television series</name>
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      <tag tagId="171">
        <name>wizard</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="34460">
                  <text>Medievalism on the Page</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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          <name>URL</name>
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              <text>&lt;span style="line-height: 16.5px; color: #1b0600;"&gt;&lt;span style="font-family: verdana,sans-serif;"&gt;&lt;a href="http://www.wolfletters.com" target="_blank"&gt;www.wolfletters.com&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Wolf Letters Website</text>
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            <description>The topic of the resource</description>
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              <elementText elementTextId="27105">
                <text>Anglo-Saxon, St Boniface, literature, missionary, novel, Perth, promotion, Will Schaefer, University of Western Australia, UWA, WA, Western Australia, Winfrith, The Wolf Letters</text>
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;Will Schaefer&amp;rsquo;s novel &amp;lsquo;The Wolf Letters&amp;rsquo; is a murder-mystery set in England in 1936, but the murders relate to events in the eighth century. An historian investigates. The novel was inspired by the life of the Anglo-Saxon missionary Winfrith/St Boniface. Amongst information directly related to the novel, the associated website includes recommendations for those wanting to read Anglo-Saxon literature and invites people to contact the author, who has an Honours degree in History from UWA, about Anglo-Saxon literature. The website also includes photographs of some of the creative publicity used to advertise the book, including a &amp;lsquo;medieval marathon&amp;rsquo;, by bicycle, around the Swan River with the author dressed as a warrior-monk being chased by four devils!&lt;/p&gt;&#13;
&lt;p&gt;The Anglo-Saxon Winfrith/St Boniface is often referred to as the Apostle of the Germans and was the first archbishop of Mainz. He was killed trying to convert the Frisians in 754 or 755. &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For more on The Wolf Letters see &lt;a href="http://www.whiteknights.com.au/" target="_blank"&gt;http://www.whiteknights.com.au&lt;/a&gt;.&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27107">
                <text>Schaefer, Will</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="27108">
                <text>&lt;a href="http://www.whiteknights.com.au/" target="_blank"&gt;http://www.whiteknights.com.au&lt;/a&gt;.&lt;br /&gt;</text>
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            <name>Publisher</name>
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              <elementText elementTextId="27109">
                <text>&lt;a href="http://www.whiteknights.com.au/" target="_blank"&gt;http://www.whiteknights.com.au&lt;/a&gt;.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27110">
                <text>21 September 2011</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27111">
                <text>Will Schaefer</text>
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          </element>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27112">
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        <name>St Boniface</name>
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      <tag tagId="3371">
        <name>The Wolf Letters</name>
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        <name>University of Western Australia</name>
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              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;a href="http://www.wolfletters.com/" target="_blank"&gt;http://www.wolfletters.com/&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The Wolf Letters, by Will Schaefer</text>
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            <description>The topic of the resource</description>
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              <elementText elementTextId="10880">
                <text>Abbess, battle, Brother Duggo, Claude Pownall, Detective Sergeant Aage Nielsen, Dr Deborah Caraman, Eulalia, Father Walter Roby, fiction, George Haye, historical fiction, Kenneth Tiernan, letters, medieval characters, medieval setting, medievalism, medievalist fiction, monk, murder, mystery, novel, nunnery Ohthere, policeman, soldier, St Boniface, St Matthewâ€™s College, thriller, war, Winfrith, wolf</text>
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            <description>An account of the resource</description>
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                <text>The Wolf Letters, released in May 2011, is a debut historical thriller from Perth novelist Will Schaefer. The plot is a mystery that revolves around a stolen historical artefact (a wolf carved in jet) and two eighth-century letters found at the scene of a murder in Southern England, 1936. The setting for the novel oscillates between 1936 and the eighth century. According to the author, the story was inspired â€˜by the real-life adventures of Winfrith, the seventh/eighth century Englishman better known as St Bonifaceâ€™.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Schaefer, William</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="10883">
                <text>www.wolfletters.com</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>Hybrid Publishers</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>May 2011</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10886">
                <text>Hybrid Publishers</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="10887">
                <text>Hyperlink</text>
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            <description>A language of the resource</description>
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                <text>English</text>
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        <name>Abbess</name>
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        <name>battle</name>
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        <name>Brother Duggo</name>
      </tag>
      <tag tagId="3249">
        <name>Claude Pownall</name>
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      <tag tagId="3250">
        <name>Detective Sergeant Aage Nielsen</name>
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      <tag tagId="3251">
        <name>Dr Deborah Caraman</name>
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      <tag tagId="3252">
        <name>Eulalia</name>
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        <name>Father Walter Roby</name>
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        <name>fiction</name>
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      <tag tagId="3254">
        <name>George Haye</name>
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        <name>historical fiction</name>
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        <name>Kenneth Tiernan</name>
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        <name>letters</name>
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        <name>medieval characters</name>
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        <name>medievalism</name>
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      <tag tagId="3258">
        <name>medievalist fiction</name>
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      <tag tagId="1471">
        <name>monk</name>
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        <name>murder</name>
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        <name>mystery</name>
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        <name>novel</name>
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        <name>nunnery Ohthere</name>
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      <tag tagId="3261">
        <name>policeman</name>
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        <name>soldier</name>
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        <name>St Boniface</name>
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        <name>St Matthewâ€™s College</name>
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        <name>thriller</name>
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        <name>war</name>
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        <name>Winfrith</name>
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        <name>wolf</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/c79b336ef275bfbec4c20f1226bed280.pdf</src>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Medievalism on the Page</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>&lt;p&gt;Newspaper article; PDF&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://nla.gov.au/nla.news-article55725222" target="_blank"&gt;&lt;span style="color: #0000ff; font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article55725222&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>On the Viking Trail</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Adelaide, Iceland, illustration, Leifur Eiricksson, The Mail, photograph, SA, Jeune Scott-Kemball, ship, South Australia, Viking, vikings</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A travel report on page 4 of the Adelaide newspaper The Mail, on January 11, 1936. The report was written by artist and aviator Jeune Scott-Kemball who, with her mother, became the first South Australian women to visit Iceland. Despite its title, the article includes no information about Viking-Age Iceland, except for a brief report on the sculpture of Leifur Eiricksson, the semi-legendary â€˜discovererâ€™ of America, near Reykjavik. As well as photographs taking during their journey, the article also includes an illustration of a Viking ship, perhaps by Jeune.&#13;
&#13;
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="10893">
                <text>Scott-Kemball, Jeune</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="10894">
                <text>National Library of Australia</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="10895">
                <text>The Mail</text>
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            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10896">
                <text>January 1936</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10897">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10898">
                <text>Newspaper Article</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10899">
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        <name>Adelaide</name>
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      <tag tagId="3279">
        <name>Iceland</name>
      </tag>
      <tag tagId="2059">
        <name>illustration</name>
      </tag>
      <tag tagId="3281">
        <name>Jeune Scott-Kemball</name>
      </tag>
      <tag tagId="3280">
        <name>Leifur Eiricksson</name>
      </tag>
      <tag tagId="111">
        <name>photograph</name>
      </tag>
      <tag tagId="887">
        <name>SA</name>
      </tag>
      <tag tagId="440">
        <name>ship</name>
      </tag>
      <tag tagId="885">
        <name>South Australia</name>
      </tag>
      <tag tagId="3114">
        <name>The Mail</name>
      </tag>
      <tag tagId="2556">
        <name>viking</name>
      </tag>
      <tag tagId="2703">
        <name>vikings</name>
      </tag>
    </tagContainer>
  </item>
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