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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Church of the Apostles Altar, Launceston, Tasmania</text>
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                <text>&lt;p&gt;This elaborate altar is in the Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania&amp;rsquo;s first catholic Bishop, Robert William Willson (1794-1866). The altar is in the sanctuary designed by Alexander North (1858-1945) and built in 1886. The altar is topped by a spire and is in the Gothic style, with prominent decorated pointed arches, columns, and finials. Behind the altar are the two stained glass east windows, both of which consist of two lancet windows and tracery, with additional glass above.&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1204"&gt;http://ausmed.arts.uwa.edu.au/items/show/1204&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1202"&gt;http://ausmed.arts.uwa.edu.au/items/show/1202&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://www.artgallery.nsw.gov.au/collection/works/8536/" target="_self"&gt;http://www.artgallery.nsw.gov.au/collection/works/8536/&lt;/a&gt;</text>
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                <text>â€˜The Fight: St George Kills the Dragon VIâ€™ by Edward Burne-Jones</text>
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                <text>This oil on canvas painting by well-known nineteenth-century artist Edward Burne-Jones was gifted to the Art Gallery of New South Wales by Arthur Moon. It is one of seven paintings from a â€˜St George and the Dragonâ€™ narrative cycle that Burne-Jones was commissioned to produce in 1864 for the dining room of Myles Birket Fosterâ€™s house, The Hill, in Witley, Surrey. Completed in 1866, this is the sixth painting in the series. It depicts an armoured St George slaying a reptilian looking dragon, while a female figure wearing a flowing white gown and a wreath of flowers - Princess Sabra from the legend - clasps her hands and watches tentatively from the sidelines. The deadly threat posed by the dragon, and by extension the valour of the knight in quashing it, is evident from the skull and broken lance lying in the foreground of the painting. Although the legend of St George slaying the dragon is Eastern in origin, it is thought to have been taken back to England by medieval crusaders, where it was incorporated into the chivalric tradition. As the patron saint of England, a champion of Christianity, and an exemplar of chivalric masculinity, St George was a popular subject for Pre-Raphaelite artists such as Burne-Jones, and for the Victorian medieval revival more generally. </text>
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                <text>The Art Gallery of New South Wales</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="31264">
              <text>Digital Photograph; JPEG</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Horizontal Retort Building, (Former) Launceston Gasworks, Launceston, Tasmania </text>
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                <text>Horizontal retort building, Launceston, Launceston Gasworks, Romanesque, semi-circular arch, Tas, Tasmania. </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The horizontal retort building is one of a number of derelict buildings on the former Launceston Gasworks site in the northern Tasmanian city of Launceston. The brick with sandstone edging building was completed in 1860. The building includes Romanesque features, in particular the semi-circular arched windows and doors, many of which have now been bricked up. As can be seen in photograph 3, some Romanesque windows were also included in later (20th century) brick and steel buildings on the site.  </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31260">
                <text>McLeod, Shane</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31261">
                <text>November 12, 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31262">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31263">
                <text>3xDigital Photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
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        <name>Horizontal retort building</name>
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      <tag tagId="2972">
        <name>Launceston</name>
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        <name>Launceston Gasworks</name>
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      <tag tagId="2066">
        <name>Romanesque</name>
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      <tag tagId="3108">
        <name>semi-circular arch</name>
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      <tag tagId="3222">
        <name>Tas</name>
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      <tag tagId="4809">
        <name>Tasmania.</name>
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                <name>Bit Depth</name>
                <description/>
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                    <text>8</text>
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                <name>Channels</name>
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                    <text>3</text>
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                    <text>1944</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="31343">
              <text>Digital Photograph; JPEG</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Church of the Apostles interior, Launceston, Tasmania</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Catholic, Church of the Apostles, column, Gothic, Gothic Revival, lancet window, Launceston, Cardinal Moran, Patrick Francis Moran, Alexander North, pointed arch, stained glass, Tas, Tasmania, tracery, Bishop Willson, Robert William Willson.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;The Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania&amp;rsquo;s first catholic Bishop, Robert William Willson (1794-1866). The foundation stone for the tower and spire were laid by Cardinal Patrick Francis Moran (1830-1911), Archbishop of Sydney, in 1889. The main church building was completed in 1866 and is made of dolerite with freestone dressing. Alexander North (1858-1945) designed the Sanctuary which was built in 1886. The decorated interior has a number of features common in Gothic and Gothic Revival churches including lancet windows with tracery and stained glass, columns supporting pointed arches with molding, and a large west window (between the pipe organs) with tracery and stained glass made up of four smaller lancet windows.&lt;/p&gt;&#13;
&lt;p&gt;For the altar see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1207"&gt;http://ausmed.arts.uwa.edu.au/items/show/1207&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1202"&gt;http://ausmed.arts.uwa.edu.au/items/show/1202&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>McLeod, Shane</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>November 18, 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31340">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="31341">
                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1207"&gt;http://ausmed.arts.uwa.edu.au/items/show/1207&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1202"&gt;http://ausmed.arts.uwa.edu.au/items/show/1202&lt;/a&gt;&lt;/p&gt;</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31342">
                <text>2xDigital Photograph</text>
              </elementText>
            </elementTextContainer>
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        <name>Alexander North</name>
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        <name>Bishop Willson</name>
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        <name>Cardinal Moran</name>
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      <tag tagId="66">
        <name>Catholic</name>
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        <name>Church of the Apostles</name>
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        <name>column</name>
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      <tag tagId="70">
        <name>Gothic</name>
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      <tag tagId="72">
        <name>Gothic Revival</name>
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      <tag tagId="1115">
        <name>lancet window</name>
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      <tag tagId="2972">
        <name>Launceston</name>
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        <name>Patrick Francis Moran</name>
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      <tag tagId="4650">
        <name>pointed arch</name>
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      <tag tagId="5720">
        <name>Robert William Willson.</name>
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      <tag tagId="693">
        <name>stained glass</name>
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      <tag tagId="3222">
        <name>Tas</name>
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      <tag tagId="643">
        <name>Tasmania</name>
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      <tag tagId="1094">
        <name>tracery</name>
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  <item itemId="1203" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              </elementTextContainer>
            </element>
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    <itemType itemTypeId="7">
      <name>Website</name>
      <description>A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ).</description>
      <elementContainer>
        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website.</description>
          <elementTextContainer>
            <elementText elementTextId="31204">
              <text>&lt;a href="http://www.fourseasonsgutterpro.com.au/"&gt;http://www.fourseasonsgutterpro.com.au/&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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    <elementSetContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Four Seasons Gutter Protection</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>Advertisement, cartoon, flail, foot soldier, Four Seasons Gutter Protection, helmet, mace, pike, shield, soldier, spear, Vic, Victoria, website.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>&lt;p&gt;The website and advertisements for Four Season Gutter Protection feature four cartoon medieval foot soldiers wearing helmets and brandishing shields and weapons &amp;ndash; flails (a type of mace) and spears or pikes. The heads of the weapons are in the shape of different leaves, and the leaves also feature on the soldiers helmets and shields. The soldiers are evidently protecting your gutters against leaves.&lt;/p&gt;&#13;
&lt;p&gt;Four Season Gutter Protection are an Australian-wide company based in Victoria.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.fourseasonsgutterpro.com.au/"&gt;http://www.fourseasonsgutterpro.com.au/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Four Seasons Gutter Protection</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31201">
                <text>2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31202">
                <text>Â© 2011 Four Seasons Gutter Protection. All Rights Reserved.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31203">
                <text>Website</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1157">
        <name>advertisement</name>
      </tag>
      <tag tagId="84">
        <name>cartoon</name>
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      <tag tagId="5931">
        <name>flail</name>
      </tag>
      <tag tagId="5932">
        <name>foot soldier</name>
      </tag>
      <tag tagId="5933">
        <name>Four Seasons Gutter Protection</name>
      </tag>
      <tag tagId="1555">
        <name>helmet</name>
      </tag>
      <tag tagId="2773">
        <name>mace</name>
      </tag>
      <tag tagId="5934">
        <name>pike</name>
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      <tag tagId="723">
        <name>shield</name>
      </tag>
      <tag tagId="1599">
        <name>soldier</name>
      </tag>
      <tag tagId="1820">
        <name>spear</name>
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      <tag tagId="2984">
        <name>Vic</name>
      </tag>
      <tag tagId="890">
        <name>Victoria</name>
      </tag>
      <tag tagId="4806">
        <name>website.</name>
      </tag>
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                    <text>3</text>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="31361">
              <text>Digital Photograph; JPEG</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="31353">
                <text>Church of the Apostles exterior, Launceston, Tasmania</text>
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          <element elementId="49">
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            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31354">
                <text>Buttress, Catholic, Church of the Apostles, Gothic, Gothic Revival, lancet window, Launceston, Cardinal Moran, Patrick Francis Moran, pointed arch, spire, stained glass, Tas, Tasmania, tower, tracery, Bishop Willson, Robert William Willson.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="31355">
                <text>&lt;p&gt;The Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania&amp;rsquo;s first catholic Bishop, Robert William Willson (1794-1866). The foundation stone for the tower and spire were laid by Cardinal Patrick Francis Moran (1830-1911), Archbishop of Sydney, in 1889. The main church building was completed in 1866 and is made of dolerite with freestone dressing. It is in the Gothic Revival style with a square tower topped by a spire, lancet windows with tracery and stained glass, buttresses, and pointed arch doorways.&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1204"&gt;http://ausmed.arts.uwa.edu.au/items/show/1204&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the altar see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1207"&gt;http://ausmed.arts.uwa.edu.au/items/show/1207&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31356">
                <text>McLeod, Shane</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31357">
                <text>November 18, 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31358">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="31359">
                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1204"&gt;http://ausmed.arts.uwa.edu.au/items/show/1204&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1207"&gt;http://ausmed.arts.uwa.edu.au/items/show/1207&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31360">
                <text>2xDigital Photograph</text>
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        <name>Bishop Willson</name>
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      <tag tagId="1075">
        <name>buttress</name>
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      <tag tagId="5928">
        <name>Cardinal Moran</name>
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        <name>Catholic</name>
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      <tag tagId="5927">
        <name>Church of the Apostles</name>
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      <tag tagId="70">
        <name>Gothic</name>
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      <tag tagId="72">
        <name>Gothic Revival</name>
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      <tag tagId="1115">
        <name>lancet window</name>
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      <tag tagId="2972">
        <name>Launceston</name>
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      <tag tagId="5929">
        <name>Patrick Francis Moran</name>
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      <tag tagId="4650">
        <name>pointed arch</name>
      </tag>
      <tag tagId="5720">
        <name>Robert William Willson.</name>
      </tag>
      <tag tagId="1087">
        <name>spire</name>
      </tag>
      <tag tagId="693">
        <name>stained glass</name>
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      <tag tagId="3222">
        <name>Tas</name>
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      <tag tagId="643">
        <name>Tasmania</name>
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      <tag tagId="270">
        <name>tower</name>
      </tag>
      <tag tagId="1094">
        <name>tracery</name>
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  </item>
  <item itemId="1201" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="31309">
              <text>&lt;a href="http://www.artgallery.nsw.gov.au/collection/works/703/" target="_self"&gt;http://www.artgallery.nsw.gov.au/collection/works/703/&lt;/a&gt;</text>
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          </elementTextContainer>
        </element>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31301">
                <text>â€˜Chaucer at the Court of Edward IIIâ€™, by Ford Madox Brown</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31302">
                <text>Alice Perrers (1348-1400), anniversary, art, artwork, birthday, Black Prince (1330-1376), Court, Custance, Dante Gabriel Rossetti (1828-1882), Edward III (1312-1377), English language, Geoffrey Chaucer (c.1343-1400), history painting, jester, John of Gaunt (1340-1399), knight, â€˜Legend of Custanceâ€™, Lute, palace of Sheen, poetry, Pre-Raphaelite, reading, royalty, troubadour.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31303">
                <text>This large oil on canvas history painting by Victorian artist Ford Madox Brown was purchased (directly from the artist) by the Art Gallery of New South Wales in 1876. Subtitled &amp;ldquo;Geoffrey Chaucer Reading the &amp;lsquo;Legend of Custance&amp;rsquo; to Edward III and his Court, at the Palace of Sheen, on the Anniversary of the Black Prince&amp;rsquo;s Forty-Fifth Birthday&amp;rdquo;, the painting depicts Geoffrey Chaucer reading aloud to King Edward III and his Court. In addition to Chaucer and Edward III, other fourteenth-century figures featured in the painting include the King&amp;rsquo;s two sons, Edward the Black Prince and John of Gaunt, and his mistress Alice Perrers. The figure of Chaucer has been modelled on the famous Pre-Raphaelite and Brown&amp;rsquo;s close friend, Dante Gabriel Rosetti. However, scholars have noted the lengths to which Brown went to ensure historical accuracy in both costuming and facial resemblances, which included consulting and purchasing antiquarian volumes on medieval furniture and dress and also visiting tombs and effigies (see, for example, Angela Thirwell, Tim Barringer &amp;amp; Laura MacCulloch, &lt;em&gt;Ford Madox Brown: The Unofficial Pre-Raphaelite&lt;/em&gt;, D. Giles, 2008). Chaucer was a common subject for Ford Madox Brown (and the nineteenth-century medieval revival more generally) on account of his prominent role in popularising the English language (over French and Latin) and his widely-held reputation as the &amp;lsquo;Father of English poetry&amp;rsquo;. This enabled the Victorians, Velma Bourgeois Richmond has argued, to revere him as a Protestant hero, because &amp;ldquo;the development of the English language was crucial to breaking the hold of the Catholic Church by the clergy and to the formation of national identity&amp;rdquo; (Velma Bourgeois Richmond, &amp;ldquo;Ford Madox Brown&amp;rsquo;s Protestant Medievalism: Chaucer and Wycliffe&amp;rdquo;, &lt;em&gt;Christianity and Literature&lt;/em&gt;, Vol.54, Issue 3, Spring 2005, p.366). The image was originally designed as the central panel in a triptych entitled &lt;em&gt;The Seeds and Fruits of English Poetry&lt;/em&gt;, and was to be flanked by portraits of famous poets such as Milton, Spenser, Shakespeare and Burns.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31304">
                <text>Ford Madox Brown</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="31305">
                <text>The Art Gallery of New South Wales</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31306">
                <text>1847-1851</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31307">
                <text>The Art Gallery of New South Wales</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31308">
                <text>Oil on Canvas, 372cm x 296cm</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="5925">
        <name>â€˜Legend of Custanceâ€™</name>
      </tag>
      <tag tagId="5920">
        <name>Alice Perrers (1348-1400)</name>
      </tag>
      <tag tagId="1019">
        <name>anniversary</name>
      </tag>
      <tag tagId="575">
        <name>art</name>
      </tag>
      <tag tagId="1230">
        <name>artwork</name>
      </tag>
      <tag tagId="4295">
        <name>birthday</name>
      </tag>
      <tag tagId="5921">
        <name>Black Prince (1330-1376)</name>
      </tag>
      <tag tagId="892">
        <name>court</name>
      </tag>
      <tag tagId="5922">
        <name>Custance</name>
      </tag>
      <tag tagId="3908">
        <name>Dante Gabriel Rossetti (1828-1882)</name>
      </tag>
      <tag tagId="5923">
        <name>Edward III (1312-1377)</name>
      </tag>
      <tag tagId="1262">
        <name>English language</name>
      </tag>
      <tag tagId="5208">
        <name>Geoffrey Chaucer (c.1343-1400)</name>
      </tag>
      <tag tagId="5924">
        <name>history painting</name>
      </tag>
      <tag tagId="163">
        <name>jester</name>
      </tag>
      <tag tagId="4439">
        <name>John of Gaunt (1340-1399)</name>
      </tag>
      <tag tagId="96">
        <name>knight</name>
      </tag>
      <tag tagId="631">
        <name>Lute</name>
      </tag>
      <tag tagId="5926">
        <name>palace of Sheen</name>
      </tag>
      <tag tagId="1272">
        <name>poetry</name>
      </tag>
      <tag tagId="3911">
        <name>Pre-Raphaelite</name>
      </tag>
      <tag tagId="791">
        <name>reading</name>
      </tag>
      <tag tagId="232">
        <name>royalty</name>
      </tag>
      <tag tagId="2332">
        <name>troubadour</name>
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  </item>
  <item itemId="1200" public="1" featured="0">
    <collection collectionId="3">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34454">
                  <text>Medievalism on the Streets</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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    </collection>
    <itemType itemTypeId="11">
      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="31097">
              <text>&lt;a href="http://www.youtube.com/watch?v=xKLvfAJChL4"&gt;http://www.youtube.com/watch?v=xKLvfAJChL4&lt;/a&gt;</text>
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        </element>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31089">
                <text>Minervaâ€™s Tower at Balingup Medieval Carnival 2012 film</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31090">
                <text>Balingup, Balingup Medieval Carnivale, Alana Bennett, Belinda Bennett, carnival, costume, festival, film, folk music, Dylan Kerr, Minervaâ€™s Tower, performance, Perth, Renaissance, troubadour, trouvÃ¨re, WA, website, Western Australia, YouTube.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31091">
                <text>&lt;p&gt;This 11 minute film on YouTube shows has been pieced together from separate performances by Minerva&amp;rsquo;s Tower at the 2012 Balingup Medieval Carnivale. The event was held in the town of Balingup in the south-west of Western Australia on August 25-26. The film was made by Belinda Bennett. The film shows the band perform a six pieces comprised of traditional folk music, a Renaissance tune, and a thirteenth century trouv&amp;egrave;re (northern French version of troubadour) song.&lt;/p&gt;&#13;
&lt;p&gt;Minerva&amp;rsquo;s Tower are a Perth-based band who performs medieval and neo-medieval folk music, including some original compositions. The band consists of two multi-instrumentalists, Alana Bennett and Dylan Kerr.&lt;/p&gt;&#13;
&lt;p&gt;For the film see &lt;a href="http://www.youtube.com/watch?v=xKLvfAJChL4"&gt;http://www.youtube.com/watch?v=xKLvfAJChL4&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the band see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1051"&gt;http://ausmed.arts.uwa.edu.au/items/show/1051&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31092">
                <text>Bennett, Belinda</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31093">
                <text>September 11, 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31094">
                <text>Minerva's Tower</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="31095">
                <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1051"&gt;http://ausmed.arts.uwa.edu.au/items/show/1051&lt;/a&gt;&lt;/span&gt;</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31096">
                <text>Hyperlink</text>
              </elementText>
            </elementTextContainer>
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        </elementContainer>
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    <tagContainer>
      <tag tagId="3879">
        <name>Alana Bennett</name>
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      <tag tagId="180">
        <name>Balingup</name>
      </tag>
      <tag tagId="3312">
        <name>Balingup Medieval Carnivale</name>
      </tag>
      <tag tagId="5917">
        <name>Belinda Bennett</name>
      </tag>
      <tag tagId="177">
        <name>carnival</name>
      </tag>
      <tag tagId="1409">
        <name>costume</name>
      </tag>
      <tag tagId="5368">
        <name>Dylan Kerr</name>
      </tag>
      <tag tagId="647">
        <name>festival</name>
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      <tag tagId="2123">
        <name>film</name>
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      <tag tagId="5367">
        <name>folk music</name>
      </tag>
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        <name>Minervaâ€™s Tower</name>
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        <name>performance</name>
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      <tag tagId="150">
        <name>Perth</name>
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      <tag tagId="427">
        <name>Renaissance</name>
      </tag>
      <tag tagId="2332">
        <name>troubadour</name>
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