139 8 1266 https://ausmed.arts.uwa.edu.au/files/original/c22b705d9d76c28abd2e23d94ba911d5.JPG 8e15fbc9c138fd50b1da67d171910c33 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/fad4cdcdedcec90e5f5a0b50ebd75038.JPG 2401550a093bad36d0a58367c0c9837d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Holy Trinity Catholic Church, Westbury, Tasmania Subject The topic of the resource Buttress, Catholic, crenellation, Decorated Gothic, finial, Gothic, Gothic Revival, James Hogan, Holy Trinity Catholic Church, Henry Hunter, lancet windows, parapet, pointed arch, rose window, Tas, Tasmania, tower, tracery, Westbury. Description An account of the resource Holy Trinity Catholic Church is in the small Tasmanian town of Westbury. The building of the bluestone church began in 1869 under the direction of the townâ€™s first resident Catholic priest, Father James Hogan (1825-1899), who had arrived in 1850. Holy Trinity was consecrated in 1874 and the clock tower was added in 1901 as a memorial to Hogan. The cruciform church was designed by Henry Hunter (1832-1892) in the Gothic Revival style, in particular the Decorated Gothic style originally popular in England from c. 1270-1380. The church features buttresses, lancet windows, rose windows, a crenelated parapet and pointed corner finials on the tower, window tracery, and pointed arch doorways. Irish-born James Hogan helped the convicted Irish nationalist activist John Mitchel (1815-1875) escape Tasmania in 1853. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 20, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph buttress Catholic crenellation Decorated Gothic finial Gothic Gothic Revival Henry Hunter Holy Trinity Catholic Church James Hogan lancet windows parapet pointed arch rose window Tas Tasmania tower tracery Westbury. https://ausmed.arts.uwa.edu.au/files/original/59fef3a8cabe2301d641e8702a170dcc.jpg 54b0ae648bce820848a81373744506e7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3888 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/f6ac604c42eea1e967b66eb31f0edc26.jpg 9b16550bd9931ea2506ebe11933e7cb4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ut Si CafÃ©, Perth, Tasmania Subject The topic of the resource Church, Gothic, Gothic Revival, Perth, pointed arch, porch, Tas, Tasmania, Ut Si CafÃ©. Description An account of the resource Ut Si CafÃ© is in the Tasmanian town of Perth. It is in a renovated brick church built in the Gothic Revival style. The Gothic pointed arch windows and doorway in the porch have been highlighted by the use of contrasting colours in the new paint scheme. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 8, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Church Gothic Gothic Revival Perth pointed arch porch Tas Tasmania Ut Si CafÃ©. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.michaelgalovic.com/Pop/StFrancis.html" target="_self">http://www.michaelgalovic.com/Pop/StFrancis.html</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜St Francis and the Birdsâ€™, by Michael Galovic Subject The topic of the resource Animals, art, Assisi, Bevagna, birds, Cardinal Ugolini, Catholicism, Christianity, Francis of Assisi, Franciscan, Giovanni Francesco do Bernadone, icon, iconography, modern art, Pope Gregory IX, Pope Innocent III, Portiuncula, poverty, preacher, preaching, religious art, religious order, saint, Saint Francis of Assisi, St Francis of Assisi, The Little Flowers of St Francis, The Poor Clares, work, â€˜new iconsâ€™. Description An account of the resource This artwork by Yugoslavian-Australian artist Michael Galovic depicts St Francis of Assisi, the thirteenth-century religious reformer, preaching to birds in his characteristic brown habit. It is an example of the artist’s modern religious artwork in which he seeks to create new versions of traditional icons, often featuring medieval figures such as St Francis or Hildegard of Bingen (see <a href="http://www.michaelgalovic.com/galleryintro.html" target="_self">http://www.michaelgalovic.com/galleryintro.html</a>). St Francis (Giovanni Francesco do Bernadone) was born in Assisi around 1181 to a wealthy cloth merchant. Following a dispute with his father in his twenties, he returned every stitch of clothing his father had ever given him and turned to a life of poverty and religious work, particularly by helping to rebuild churches. He founded the Franciscan Order, a religious order devoted to poverty, work and preaching, which was authorised by Pope Innocent III in 1210 and quickly grew in popularity from a few followers to a large network of Franciscan preachers and missionaries (administered by Cardinal Ugolini, later Pope Gregory IX) and an enclosed order for women, The Poor Clares. In 1224 St Francis received the stigmata. He died in 1226 and only two years later he was pronounced a saint by Pope Gregory IX. Among many well-known stories about St Francis and animals is the scene depicted in this painting, which is described in The Little Flowers of St Francis: So solace-filled he left them, and full well, To penitence disposed, and, parting thence, Betwixt Carmano and Bevagna came. And, ardently as ever journeying on, He raised his eyes and certain trees beheld Fast by the way-side, on whose boughs were perched A multitude of birds innumerable, So that Saint Francis was amazed thereat, And said to his companions: “In the road Ye shall await me here, whole I go preach Unto the birds my sisters”: and he went Within the field, and to the birds ‘gan preach That on the ground were sitting; and at once Those that were on the trees did come to him, And, one and all, stayed motionless until Saint Francis had done preaching, and e’en then Departed not till he had given them His Benediction. (James Rhoades, The Little Flowers of St Francis: Rendered into English Verse, London, 1904, pp.88-89). Creator An entity primarily responsible for making the resource Michael Galovic Source A related resource from which the described resource is derived <a href="http://www.michaelgalovic.com" target="_self">http://www.michaelgalovic.com</a> Date A point or period of time associated with an event in the lifecycle of the resource 1998 Rights Information about rights held in and over the resource Michael Galovic Format The file format, physical medium, or dimensions of the resource Gessoed board, with egg tempera and gold leaf, mixed technique assemblage, 100cm x 70cm â€˜new iconsâ€™ Animals art Assisi Bevagna birds Cardinal Ugolini Catholicism Christianity Francis of Assisi Francsciscan Giovanni Francesco do Bernadone icon iconography modern art Pope Gregory IX Pope Innocent III Portiuncula poverty preacher preaching religious art religious order saint Saint Francis of Assisi St Francis of Assisi The Little Flowers of St Francis The Poor Clares work Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1. Go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_self">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2. Search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'St Francis beaten by his Father', by Arthur Boyd Subject The topic of the resource art, Assisi, beating, business, Catholicism, Christianity, church, cloth merchant, drawing, family, father, Francis of Assisi, Franciscan Order, modern art, patrimony, poverty, preacher, preaching, religious order, repairs, saint, Saint Francis of Assisi, San Damiano, St Francis of Assisi, The Poor Clares, violence, work. Description An account of the resource This work by Arthur Boyd was acquired by the Art Gallery of South Australia in 1969 with funds from the Morgan Thomas Bequest. It depicts St Francis of Assisi being beaten by his father, who is known to have objected to Francisâ€™ religious inclinations and specifically to have reprimanded him for selling cloth from his shop to fund church repairs. St Francis (Giovanni Francesco do Bernadone) was born in Assisi around 1181. After an adolescence spent learning his fatherâ€™s cloth business and aspiring to be a noble knight, he received his religious calling in his twenties when he was praying at San Damiano and heard Christ telling him to repair the church. Following a dispute with his father after selling cloth to raise money for the task, Francis returned every stitch of clothing his father had ever given him and renounced his patrimony. He turned to a life of poverty and religious work. He founded the Franciscan Order, a religious order devoted to poverty, work and preaching, which was authorised by Pope Innocent III in 1210 and quickly grew in popularity from a few followers to a large network of Franciscan preachers and missionaries (administered by Cardinal Ugolini, later Pope Gregory IX) and an enclosed order for women, The Poor Clares. In 1224 St Francis received the stigmata. He died in 1226, and was pronounced a saint only two years later by Pope Gregory IX. Creator An entity primarily responsible for making the resource Arthur Boyd, 1920-1999 Source A related resource from which the described resource is derived Art Gallery of South Australia: <a href="http://www.artgallery.sa.gov.au/agsa/home/" target="_self">http://www.artgallery.sa.gov.au/agsa/home/</a> Date A point or period of time associated with an event in the lifecycle of the resource 1965 Rights Information about rights held in and over the resource Art Gallery of South Australia, with permission of the Bundanon Trust Format The file format, physical medium, or dimensions of the resource Lithograph on Paper, 47.9cm x 60.3cm art Assisi beating business Catholicism Christianity Church cloth merchant drawing family father Francis of Assisi Franciscan Order modern art patrimony poverty preacher preaching religious order repairs saint Saint Francis of Assisi San Damiano St Francis of Assisi The Poor Clares violence work https://ausmed.arts.uwa.edu.au/files/original/59e0d63b2c5e1a5032728a4a101ee24d.jpg 93d430c4c902f825a3753bdcd266c328 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 https://ausmed.arts.uwa.edu.au/files/original/88375914acea7ae2c805ad821aba11a5.jpg 203bad6e1465c6a9e63f65a15137ac6c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Lukeâ€™s Church interior, Bothwell, Tasmania Subject The topic of the resource Anglican, John Lee Archer, George Arthur, Bothwell, Celtic, Celtic cross, convict, Gothic, Gothic Revival, lancet window, pointed arch, Presbyterian, St Lukeâ€™s Church, stained glass, Tas, Tasmania, Uniting Church. Description An account of the resource St Luke’s Church is in the small town of Bothwell in Tasmania. Built by the government under the direction of Lieutenant Governor George Arthur (1784-1854), St Luke’s originally held combined services for Anglicans and Presbyterians, before the Anglicans built their own church in 1891. It is now a Uniting Church. It was designed in 1828 by John Lee Archer (1791-1852) and was opened in 1830. Apparently the building was supposed to have Romanesque semi-circular windows but George Arthur directed Archer to change them to the pointed Gothic style as he considered rounded windows unchristian (!). The simple interior of the church shows these Gothic windows, consisting of two lancet windows parallel and more recent stained glass. Some of the stained glass feature ring-headed ‘Celtic’ crosses that originated during the early medieval period in Ireland. The design is more commonly found in Catholic churches but such stylistic barriers between the denominations are now less common. For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1146">http://ausmed.arts.uwa.edu.au/items/show/1146</a> For the Celtic heads see <a href="http://ausmed.arts.uwa.edu.au/items/show/1147">http://ausmed.arts.uwa.edu.au/items/show/1147</a>   Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 8, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1146">http://ausmed.arts.uwa.edu.au/items/show/1146</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1147">http://ausmed.arts.uwa.edu.au/items/show/1147</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican Bothwell Celtic Celtic cross convict George Arthur Gothic Gothic Revival John Lee Archer lancet window pointed arch Presbyterian St Lukeâ€™s Church stained glass Tas Tasmania Uniting Church. https://ausmed.arts.uwa.edu.au/files/original/eb88bf09a7fbf2864c0137b8de3fc2e8.JPG 82b72a74b7f44ca152d74f4031b671e3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Davidâ€™s Cathedral entrance, Hobart, Tasmania Subject The topic of the resource Anglican, arcade, George Frederick Bodley, buttress, Gothic, Gothic Revival, Hobart, Henry Hunter, lancet windows, leadlight window, pointed arch, Brooke Robinson, St Davidâ€™s Cathedral, stained glass, Tas, Tasmania, tracery, turret. Description An account of the resource The main entrance to St David’s Cathedral is on Murray Street, Hobart. The cathedral was designed by English architect George Frederick Bodley (1827-1907) in 1865 in the Gothic Revival style. The foundation stone was laid in 1868 by Prince Alfred, the Duke of Edinburgh, and the nave was consecrated in 1874. The work was supervised by Henry Hunter (1832-1892). The pointed-arch doorway is entered through an arcade consisting of three pointed-arch entrances. The large west window above the entrance includes tracery, five lancet windows, and leadlight made in Melbourne by Brooke Robinson and installed in 1965. The entrance is flanked by two additional pointed-arch windows featuring three lancet windows each, as well as buttressed turrets. George Bodley was a well-known architect working in the Gothic Revival style, and in particular he was influenced by late medieval architecture from England and northern Europe. His best known work is perhaps Magdalen College, Oxford. For the cathedral tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a> For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold; mso-ansi-language: EN-AU; mso-bidi-language: AR-SA;"><a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a> <span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold; mso-ansi-language: EN-AU; mso-bidi-language: AR-SA;"><a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph Anglican arcade Brooke Robinson buttress George Frederick Bodley Gothic Gothic Revival Henry Hunter Hobart lancet windows leadlight window pointed arch St Davidâ€™s Cathedral stained glass Tas Tasmania tracery turret. https://ausmed.arts.uwa.edu.au/files/original/be252767c971b48aa96ee8f1ef283d13.pdf 8a6d64e1875c1f5b1a2d6da951f4bc1d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://nla.gov.au/nla.news-article51597233" target="_self">http://nla.gov.au/nla.news-article51597233</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘The New Renaissance’, Australian Women’s Weekly, 6 April 1955 Subject The topic of the resource Art, art appreciation, Art Prize, Australian Womenâ€™s Weekly, canvas, Henri Matisse (1869-1954), leisured, Leonardo da Vinci (1452-1519), magazine, Michelangelo di Lodovico Buonarroti Simoni (1475-1564), â€˜new renaissanceâ€™, patronage, populace, privileged, prize, Renaissance, Rembrandt Harmenszoon van Rijn (1606-1669), rich. Description An account of the resource This article from The Australian Women’s Weekly in 1955 posits contemporary Australian society as being at the precipice of a ‘New Renaissance’ in terms of widening access to and public interest in fine art. Pinpointing Ancient Greece and the Renaissance in Europe as rare periods in history when art was appreciated not only by the rich and privileged but by a large proportion of the population, the article suggests that evidence of a growing and widespread interest in art is noticeable in art school attendance and patronage trends. As a result, ‘Housewives and shop-assistants, politicians and plumbers are now among those able to tell a Matisse from a Michelangelo and to live more fully because of that ability’. The article’s overall purpose is to advertise a £2000 Art Prize offered by The Australian Women’s Weekly, so it is in the magazine’s interest to draw links between the flourishing of art in the Renaissance and the potential for contemporary interest in art to enrich society. Creator An entity primarily responsible for making the resource Anon Source A related resource from which the described resource is derived TROVE: National Library of Australia, <a href="http://nla.gov.au/nla.news-article51597233" target="_self">http://nla.gov.au/nla.news-article51597233</a> Publisher An entity responsible for making the resource available The Australian Women’s Weekly Date A point or period of time associated with an event in the lifecycle of the resource 6 April 1955, p.2 Rights Information about rights held in and over the resource Copyright Expired Format The file format, physical medium, or dimensions of the resource Newspaper Article â€˜new renaissanceâ€™ art art appreciation Art Prize Australian Womenâ€™s Weekly canvas Henri Matisse (1869-1954) leisured Leonardo da Vinci (1452-1519) magazine Michelangelo di Lodovico Buonarroti Simoni (1475-1564) patronage populace privileged prize Rembrandt Harmenszoon van Rijn (1606-1669) Renaissance rich https://ausmed.arts.uwa.edu.au/files/original/bf928ef8ea821acedfe5cbe9cc85ed2b.jpg 7a8c5bda4ea3a13d8c0ebe074af850a7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Michael and All Angels Anglican Church porch, Bothwell, Tasmania Subject The topic of the resource Anglican, Bothwell, Gothic, Gothic Revival, Thomas Lewis, Alexander North, pointed arch, porch, Presbyterian, St Lukeâ€™s Church, St Michael and All Angels Church, Tas, Tasmania. Description An account of the resource St Michael and All Angels Anglican Church is in the small town of Bothwell in Tasmania. It was built from 1887 and consecrated in 1891 after disputes between the towns Anglican and Presbyterian congregations made the continued sharing of St Lukeâ€™s (1830) impossible. St Michael and All Angels was designed by Launceston architect Alexander North and built of local stone by stonemason Thomas Lewis. The church is entered through a small porch featuring stone seats. Both doorways have pointed Gothic arches. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 8, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Alexander North Anglican Bothwell Gothic Gothic Revival pointed arch porch Presbyterian St Lukeâ€™s Church St Michael and All Angels Church Tas Tasmania. Thomas Lewis