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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Castle, Charles Oâ€™Hara Booth, convict, crenellation, Guard Tower, Military Complex, parapet, Point Puer, Port Arthur, Tas, Tasmania, tower. </text>
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                <text>&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-bidi-font-weight: bold;"&gt;The Military Complex at the penal colony of Port Arthur, Tasmania, is situated in a prominent position overlooking the harbour. It is the third&lt;br /&gt;military complex on the site and was built in 1847, with the central tower built in 1836. Both were built during the rule of Commandant Charles O&amp;rsquo;Hara Booth (1800-1851) and they are situated next to the Commandant&amp;rsquo;s House which&amp;nbsp;was built for him. The complex was built with convict labour, and the stones of the central tower were shaped by the boys at the nearby Point Puer Juvenile Establishment. No doubt in part due to practical considerations, the Military Complex resembles a medieval castle, with the central round Guard Tower&amp;nbsp;flanked by two smaller round towers, all of which are topped by crenelated parapets. The towers are separated by a strong stone wall.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-bidi-font-weight: bold;"&gt;For the&amp;nbsp;Guard Tower see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1139"&gt;http://ausmed.arts.uwa.edu.au/items/show/1139&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-bidi-font-weight: bold;"&gt;For a smaller round tower see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1144"&gt;http://ausmed.arts.uwa.edu.au/items/show/1144&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1144"&gt;http://ausmed.arts.uwa.edu.au/items/show/1144&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>(Former) Methodist Church, Westbury, Tasmania</text>
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                <text>Bellcote, buttress, Crouch and Wilson, Gothic, Gothic Revival, lancet window, Methodist, Methodist Church, pointed arch, Tas, Tasmania, tracery, Uniting Church, Westbury.</text>
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                <text>The current Uniting Church in the small Tasmanian town of Westbury was built as a Methodist Church. Building commenced in 1865 and it was completed in March 1867. It was designed by the Melbourne architectual firm (Thomas) Crouch and (Ralph) Wilson. The brick and pressed cement building is in the Gothic Revival style and based on late thirteenth century English churches. It features pointed arch doorway and windows, window tracery on the large window above the entrance, buttresses, a bellcote, and lancet windows.</text>
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                <text>&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-bidi-font-weight: bold;"&gt;This small round tower is part of the Military Complex at the penal colony of Port Arthur, Tasmania. The complex is situated in a prominent position overlooking the harbour. It is the third military complex on the site and was built in 1847, with the central tower built in 1836. Both were built during the rule of Commandant Charles O&amp;rsquo;Hara Booth (1800-1851) and they are situated next to the Commandant&amp;rsquo;s House which he had built. The complex was&lt;br /&gt;built with convict labour. No doubt in part due to practical considerations, the Military Complex resembles a medieval castle, with the central round Guard Tower flanked by two smaller round towers, all of which are topped by&lt;br /&gt;crenelated parapets. The towers are separated by a strong stone wall. As can be seen in this photograph, the towers were made to be used. The small round tower was entered from the rear and was large enough to accommodate a guard who would be able to look out over the harbour and shoot down on anyone approaching. The crenellation would provide some protection.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-bidi-font-weight: bold;"&gt;For the Military Complex see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1142"&gt;http://ausmed.arts.uwa.edu.au/items/show/1142&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Anglican, George Frederick Bodley, buttress, crenellation, gargoyle, Gothic, Gothic Revival, Hobart, lancet window, parapet, pointed arch, St Davidâ€™s Cathedral, spire, Tas, Tasmania, tower, tracery, turret, Alan Cameron Walker.</text>
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                <text>&lt;p&gt;The square bell tower of St David&amp;rsquo;s Cathedral, Hobart, was completed in 1936 after the foundation stone had been laid in 1892. The cathedral was designed in 1865 by English architect George Frederick Bodley (1827-1907), and the tower may have been part of his revisions in 1891. However, Hobart architect Alan Cameron Walker (1864-1931) was also involved in the design. The stone tower is in the Gothic Revival style and includes a crenelated parapet, lancet windows, a corner turret topped by a spire, buttresses, a pointed arch doorway, window tracery, and gargoyles.&lt;/p&gt;&#13;
&lt;p&gt;George Bodley was a well known architect working in the Gothic Revival style, and&amp;nbsp;in particular he was influenced by late medieval architecture from England and northern Europe. His best known work is perhaps Magdalen College, Oxford.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For the Bodley font see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1149"&gt;http://ausmed.arts.uwa.edu.au/items/show/1149&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Anglican, John Lee Archer, George Arthur, Bothwell, buttress, crenellation, Gothic, Gothic Revival, parapet, pointed arch, Presbyterian, Romanesque, St Lukeâ€™s Church, Tas, Tasmania, tower, Uniting Church.</text>
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                <text>&lt;p&gt;St Luke&amp;rsquo;s Church is in the small town of Bothwell in Tasmania. Built by the government, St Luke&amp;rsquo;s originally held combined services for Anglicans and Presbyterians, before the Anglicans built their own church in 1891. It is now a Uniting Church. It was designed in 1828 by John Lee Archer (1791-1852) and was opened in 1830. Apparently the building was supposed to have Romanesque semi-circular windows but Lieutenant Governor George Arthur (1784-1854) directed Archer to change them to the Gothic style as he considered rounded windows unchristian (!). The church is in the Gothic Revival style with pointed arch doorways and windows, and corner buttresses. The central tower is topped by a crenellated parapet.&lt;/p&gt;&#13;
&lt;p&gt;For the Celtic heads on the entrance doorway see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1147"&gt;http://ausmed.arts.uwa.edu.au/items/show/1147&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1154"&gt;http://ausmed.arts.uwa.edu.au/items/show/1154&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1154"&gt;http://ausmed.arts.uwa.edu.au/items/show/1154&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Anglican, John Lee Archer, George Arthur, Bothwell, Celtic, convict, Gothic, Gothic Revival, Daniel Herbert, parapet, pointed arch, Presbyterian, sculpture, St Lukeâ€™s Church, Tas, Tasmania, Uniting Church.</text>
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                <text>&lt;p&gt;St Luke&amp;rsquo;s Church is in the small town of Bothwell in Tasmania. Built by the government under the direction of Lieutenant Governor George Arthur (1784-1854), St Luke&amp;rsquo;s originally held combined services for Anglicans and Presbyterians, before the Anglicans built their own church in 1891. It is now a Uniting Church. It was designed in 1828 by John Lee Archer (1791-1852) and was opened in 1830. The pointed arch molding around the doorway ends in two heads reputedly carved by the convict sculptor Daniel Herbert (1802-1868). The heads possibly depict a Celtic god and goddess.&lt;/p&gt;&#13;
&lt;p&gt;For the church exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1146"&gt;http://ausmed.arts.uwa.edu.au/items/show/1146&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1146"&gt;http://ausmed.arts.uwa.edu.au/items/show/1146&lt;/a&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Advertisement, armour, Burnie, Burnie-Wynyard Medieval Festival, combat, dance, Discover Tasmania, dragon, entertainment, festival, jousting, knights, lance, melee, The Order of the Dragonâ€™s Realm Inc, poster, shield, swordsmanship, Tas, Tasmania, website, Wynyard.</text>
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                <text>&lt;p&gt;This advertisement for the Burnie-Wynyard Medieval Festival appears on the Discover Tasmania website.&lt;br /&gt;The festival was presented by The Order of the Dragon&amp;rsquo;s Realm Inc and was the first open combat swordsmanship and jousting competition held in Tasmania, with both single and melee combat events. The family friendly event was held in Wynyard on September 14-16, 2012, and also featured dancing and birds or prey. The poster depicts a flying fire-breathing dragon attacking a knight in armour holding a lance and shield and riding a horse.&lt;/p&gt;&#13;
&lt;p&gt;For the advertisement see&lt;br /&gt;http://www.discovertasmania.com/event/burniewynyardmedievalfestival&lt;/p&gt;&#13;
&lt;p&gt;For an ABC news report on the event see http://ausmed.arts.uwa.edu.au/items/show/1055&lt;/p&gt;</text>
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                <text>St Davidâ€™s Cathedral baptismal font, Hobart, Tasmania</text>
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                <text>&lt;p&gt;The baptismal font in St David&amp;rsquo;s Cathedral, Hobart, was made by local craftsmen to the design of English architect George Frederick Bodley (1827-1907). The cathedral was designed in 1865 by Bodley. Like the cathedral, the baptismal font is in the Gothic Revival style, particularly the blind arcading design of the font&amp;rsquo;s base featuring tracery and pointed arches.&lt;/p&gt;&#13;
&lt;p&gt;For the cathedral tower see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1145"&gt;http://ausmed.arts.uwa.edu.au/items/show/1145&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>McLeod, Shane</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="30911">
                <text>October 6, 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30912">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="30913">
                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1145"&gt;http://ausmed.arts.uwa.edu.au/items/show/1145&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30914">
                <text>Digital Photograph</text>
              </elementText>
            </elementTextContainer>
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      <tag tagId="80">
        <name>Anglican</name>
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      <tag tagId="5661">
        <name>baptismal font</name>
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      <tag tagId="5011">
        <name>blind window</name>
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      <tag tagId="2213">
        <name>font</name>
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      <tag tagId="5735">
        <name>George Frederick Bodley</name>
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      <tag tagId="70">
        <name>Gothic</name>
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      <tag tagId="72">
        <name>Gothic Revival</name>
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        <name>Hobart</name>
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        <name>pointed arch</name>
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        <name>St Davidâ€™s Cathedral</name>
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      <tag tagId="3222">
        <name>Tas</name>
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      <tag tagId="643">
        <name>Tasmania</name>
      </tag>
      <tag tagId="5385">
        <name>tracery.</name>
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