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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>George Arthur, Convict Church, convict, crenellation, Gothic, Gothic Revival, Henry Laing, lancet window, Thomas Lempriere, pointed arch, Point Puer, Port Arthur, spire, steeple, Tas, Tasmania, tower. </text>
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                <text>&lt;p&gt;The foundation stone for the Convict Church at the former penal settlement of Port Arthur, Tasmania, was laid by Lieutenant Governor George Arthur (1784-1854) in 1836. The church was possibly designed by the Deputy Commissariat Officer Thomas Lempiere (1796-1852) and convict architect Henry Laing (1803-1842). It was built with convict labour, with some of the decorative stonework and pews done by the boys at the nearby Point Puer Juvenile Establishment. The church opened in 1837 and was never consecrated as it was used by different denominations for the compulsory Sunday services. It could accommodate one thousand people. The former steeple on top of the tower blew down in 1876, and the church was gutted by fire in 1884. Since then it has been a picturesque ruin, similar to many actual medieval churches in Europe. The church is in the Gothic Revival style, with a tower with crenellation, pointed arch windows and doorways, lancet windows, and numerous spires.&lt;/p&gt;&#13;
&lt;p&gt;For the church tower see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1136"&gt;http://ausmed.arts.uwa.edu.au/items/show/1136&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>&lt;p&gt;Stocatta School of Defence was established in Sydney, New South Wales, in 1998. The school teaches swordsmanship based on historical texts written between the thirteenth and nineteenth centuries. Weapons taught include Highland broadsword, English and German long sword, quarterstaff (a long wooden pole), rapier, sword and shield, and sword&lt;br /&gt;and buckler (a small round shield). There are classes available for both children and adults. &amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Their website is available at http://sydney.stoccata.org/&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Convict Church tower, Port Arthur, Tasmania </text>
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                <text>George Arthur, Convict Church, convict, crenellation, Gothic, Gothic Revival, Henry Laing, lancet window, Thomas Lempiere, pointed arch, Port Arthur, spire, steeple, Tas, Tasmania, tower. </text>
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                <text>&lt;p&gt;The foundation stone for the Convict Church at the former penal settlement of Port Arthur, Tasmania, was laid by Lieutenant Governor George Arthur (1784-1854) in 1836. The church was possibly designed by the Deputy Commissariat Officer Thomas Lempiere (1796-1852) and convict architect Henry Laing (1803-1842). It was built with convict labour. &amp;nbsp;The church opened in 1837 and was never consecrated as it was used by different denominations during the compulsory Sunday services. It could accommodate one thousand people. The former steeple on top of the tower blew down in 1876, and the church was gutted by fire in 1884. Since then it has been a picturesque ruin, similar to many actual medieval churches in Europe. The church is in the Gothic Revival style and features a prominent tower with crenellation, pointed arch doorways, lancet windows, and corner spires.&lt;/p&gt;&#13;
&lt;p&gt;For the rest of the church see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1134"&gt;http://ausmed.arts.uwa.edu.au/items/show/1134&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>October 7, 2012</text>
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        <name>George Arthur</name>
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        <name>Henry Laing</name>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.abc.net.au/compass/s3510122.htm"&gt;http://www.abc.net.au/compass/s3510122.htm&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>â€˜Tasmanian Gothicâ€™, Compass, ABC TV</text>
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                <text>ABC, alter cloths, Australian Broadcasting Corporation, baptismal font, Wendy Boynton, Catholic, chalice linen, church, Colebrook, Compass, cross, Geraldine Doogue, Gothic, Gothic Revival, headstone, monstrance, Oatlands, Augustus Welby Northmore Pugin, Pugin, Richmond, rood screen, Tas, Tasmania, Tasmanian Gothic, television, transcript, vestment, website, Bishop Willson, Robert William Willson.</text>
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                <text>&lt;p&gt;&amp;lsquo;Tasmanian Gothic&amp;rsquo; was an episode of the Australian Broadcasting Corporation&amp;rsquo;s Compass television programme presented by Geraldine Doogue. The story was researched by Wendy Boynton and aired on June 24, 2012 to celebrate the 200&lt;sup&gt;th&lt;/sup&gt; anniversary of the birth of English architect and designer Augustus Welby Northmore Pugin (1812-1852), one of the main&amp;nbsp;instigators of the Gothic Revival. Although he never visited Australia some consider the best examples of Pugin&amp;rsquo;s work to be in Tasmania, in part due to their preservation. When his friend Robert William Willson (1794-1866) was chosen as Tasmania&amp;rsquo;s first Catholic Bishop, Pugin provided him with the materials necessary to establish his diocese. These items, including scale models for three churches, were taken by Willson by ship from England to Hobart in 1844. Pugin artefacts in Tasmania include alter cloths, baptismal fonts, chalice linens, crosses, rood screens, headstones, vestments, and a monstrance (a vessel to hold the communion host, first used in the medieval period), the churches at Oatlands and Colebrook, and elements of the church at Richmond. The programme also deals with Pugin&amp;rsquo;s lasting legacy, including the enduring notion that Gothic style architecture is the most appropriate for ecclesiastical architecture. &amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For the episode transcript see &lt;a href="http://www.abc.net.au/compass/s3510122.htm"&gt;http://www.abc.net.au/compass/s3510122.htm&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Pugin churches see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1104"&gt;http://ausmed.arts.uwa.edu.au/items/show/1104&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/951"&gt;http://ausmed.arts.uwa.edu.au/items/show/951&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1117"&gt;http://ausmed.arts.uwa.edu.au/items/show/1117&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1119"&gt;http://ausmed.arts.uwa.edu.au/items/show/1119&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Australian Broadcasting Corporation</text>
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                <text>June 24, 2012</text>
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                <text>Boynton, Wendy (researcher)</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28857">
                <text>Australian Broadcasting Corporation</text>
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            <description>A related resource</description>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1104"&gt;http://ausmed.arts.uwa.edu.au/items/show/1104&lt;/a&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/951"&gt;http://ausmed.arts.uwa.edu.au/items/show/951&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1117"&gt;http://ausmed.arts.uwa.edu.au/items/show/1117&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1119"&gt;http://ausmed.arts.uwa.edu.au/items/show/1119&lt;/a&gt;&lt;/p&gt;</text>
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        <name>cross</name>
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        <name>Geraldine Doogue</name>
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        <name>Gothic</name>
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        <name>Gothic Revival</name>
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        <name>Robert William Willson.</name>
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        <name>Tas</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Maryâ€™s Cathedral exterior, Hobart, Tasmania</text>
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                <text>Blind arcading, buttress, Catholic, finial, Gothic, Gothic Revival, Hobart, Henry Hunter, lancet window, Daniel Murphy, niche, rose window, St Maryâ€™s Cathedral, Tas, Tasmania, tower, tracery, William Wardell, Robert William Willson, Bishop Willson.</text>
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                <text>&lt;p&gt;The building of St Mary&amp;rsquo;s Catholic Cathedral, Hobart, Tasmania, was instigated by Tasmania&amp;rsquo;s first Catholic bishop, Robert William Willson (1794-1866). The building was designed by William Wardell and built between 1860 and 1866, supervised by Henry Hunter (1832-1892). It was opened by Willson's successor Bishop Daniel Murphy(1815-1907). However the building was found to be faulty and had to be largely dismantled and rebuilt to a modified design by Hunter&amp;nbsp;between 1876 and 1881. The sandstone building is in the Gothic Revival style with blind arcading, buttresses, a rose window, niches, pointed arch doorways and windows (with tracery), pointed finials, lancet windows. The tower of the original cathedral did not survive the redesign. The extension to the right of the cathedral was added in 2010.&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1140"&gt;http://ausmed.arts.uwa.edu.au/items/show/1140&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Norman font see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1133"&gt;http://ausmed.arts.uwa.edu.au/items/show/1133&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1140"&gt;http://ausmed.arts.uwa.edu.au/items/show/1140&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;The well preserved Guard Tower at Port Arthur, Tasmania, was a central part of the penal colony&amp;rsquo;s Military Complex. The tower was built in 1836 during the rule of Commandant Charles O&amp;rsquo;Hara Booth (1800-1851). It was built with convict labour, and the stones were shaped by the boys at the nearby Point Puer Juvenile Establishment. The guard tower is in a prominent elevated position and resembles a medieval castle tower with its crenelated parapet.&lt;/p&gt;&#13;
&lt;p&gt;For the Military Complex see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1142"&gt;http://ausmed.arts.uwa.edu.au/items/show/1142&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1142"&gt;http://ausmed.arts.uwa.edu.au/items/show/1142&lt;/a&gt;</text>
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                <text>&lt;p&gt;The building of St Mary&amp;rsquo;s Catholic Cathedral, Hobart, Tasmania, was instigated by Tasmania&amp;rsquo;s first Catholic bishop, Robert William Willson (1794-1866). The building was designed by William Wardell and built between 1860 and 1866, supervised by Henry Hunter (1832-1892). It was opened by Willson's successor Bishop Daniel Murphy (1815-1907). However the building was found to be faulty and had to be largely dismantled and rebuilt to a modified design by Hunter between 1876 and 1881. The building is in the Gothic Revival style. The interior includes pointed arch windows and columns supporting pointed arch openings within the nave. A survival from the original cathedral is the Hardman window. The stained glass window was made by the Hardman Studio run by John Hardman in Birmingham, England. It is based on Gothic windows of the fourteenth century and features five lancet windows and tracery. It is a memorial to Bishop William and his Vicar-General William Hall (1807-1866). Below the window is the tabernacle. It is made from the remains of the high alter carved by Byron Malloy that was installed at the re-opening of the cathedral in 1881.&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1138"&gt;http://ausmed.arts.uwa.edu.au/items/show/1138&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Norman font see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1133"&gt;http://ausmed.arts.uwa.edu.au/items/show/1133&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1138"&gt;http://ausmed.arts.uwa.edu.au/items/show/1138&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1133"&gt;http://ausmed.arts.uwa.edu.au/items/show/1133&lt;/a&gt;&lt;/p&gt;</text>
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        <name>William Wardell</name>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Maryâ€™s College, Hobart, Tasmania</text>
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                <text>Buttress, Catholic, education, Gothic, Gothic Revival, Hobart, Henry Hunter, lancet window, St Maryâ€™s Cathedral, St Maryâ€™s College, Daniel Murphy, niche, lancet windows, pointed arch, Presentation Sisters, school, Tas, Tasmania, tower, tracery.</text>
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                <text>St Maryâ€™s College is a day school for girls is located beside St Maryâ€™s Catholic Cathedral in Hobart, Tasmania. The opening of the college was instigated by Bishop Daniel Murphy (1815-1907) in 1866 when he invited his sister Mother Superior Francis Murphy and four other Presentation Sisters to Hobart from Ireland. The school opened in February 1868. The original convent and school rooms were designed by architect Henry Hunter (1832-1892) and are still in use. The school is still administered by the Presentation Sisters. The large convent building (photograph one and two) includes Gothic features such as the pointed arch doorway, buttresses, pointed arch windows with tracery on the third storey, and three lancet windows in the tower. The smaller school building (photograph three) is in the Gothic Revival style and includes corner buttresses and groups of three lancet windows.    </text>
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            <name>Creator</name>
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                <text>McLeod, Shane</text>
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                <text>October 6, 2012</text>
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            <name>Rights</name>
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