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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>photograph : gelatin silver ; image 27.7 x 18.6 cm., sheet 40.3 x 30.2 cm.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.pic-an24144918"&gt;http://nla.gov.au/nla.pic-an24144918&lt;/a&gt;</text>
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                <text>The Blessing of Fleet the Procession, Fremantle</text>
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                <text>&lt;p&gt;&lt;span style="font-family: tahoma; font-size: x-small;"&gt;A photograph of members of the WA Portuguese Community congregated outside St Patrick's Basilica in Fremantle during the 'Blessing of the Fleet' celebrations in 1979. The Blessing of the Fleet takes place in Fremantle, Western Australia, on the second last Sunday in October. It was first held in 1948 and incorporates a&amp;nbsp;procession in which two Madonna statues are carried&amp;nbsp;from the Basilica to Fishing Boat Harbour.&amp;nbsp;The event relates to one held in the port of Molfetta in Italy, which traditionally dates back to the twelfth century when crusaders returning from Palestine brought paintings of the Madonna to the port. Immigrant fishermen from Molfetta brought the tradition to&amp;nbsp;Fremantle and in 1954 a second Madonna statue was added to the procession by immigrants from the Sicilian port of Capo d'Orlando.&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;div dir="ltr"&gt;&lt;span style="font-family: tahoma; font-size: x-small;"&gt;For more on the Blessing of the Fleet see &lt;a href="http://www.boatingwa.com.au/documents/blessing_of_the_fleet.htm" target="_blank"&gt;http://www.boatingwa.com.au/documents/blessing_of_the_fleet.htm&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;</text>
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                <text>National Library of Australia</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Blue Place, Kempton, Tasmania </text>
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                <text>The Blue Place, Gothic, Gothic Revival, James Hadden, hall, Kempton, lancet window, pointed arch, Presbyterian, Presbyterian Church, Tas, Tasmania.</text>
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                <text>The Blue Place is a community hall housed in a former Presbyterian Church in the small Tasmanian town of Kempton. The timber church was built in 1886 on land donated by James Hadden (d. 1911), whose mother Jane had been a Presbyterian convict transported from Scotland. The church is in the Gothic Revival style and features lancet windows, a pointed arch door and doorway, and decorated timber at the front of the building.</text>
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                <text>McLeod, Shane</text>
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                <text>November 21, 2012</text>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>The Card Castle, Launceston, Tasmania</text>
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                <text>Advertising, The Card Castle, castle, crenellation, draw-bridge, Launceston, moat, Old Brisbane Arcade, parapet, pointed arch, shop, sign, Tas, Tasmania, tower.  </text>
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                <text>The Card Castle is a card and gift shop in the Old Brisbane Arcade in the Tasmanian city of Launceston. The two signs for the store feature a castle. Whilst one provides merely the outline of a castle wall and tower with crenelated parapets, the other sign features a much more detailed castle image. The castle is surrounded by a moat and entered over a draw-bridge. It has extensive crenellation, two corner towers, and pointed arch windows. </text>
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St Maryâ€™s Roman Catholic Cathedral is a neo-gothic cathedral located in Perth, WA.  It was constructed in four stages between 1865 and 2009. Building of the original brick portion of the cathedral commenced in 1863 but stalled due to lack of funds. It was completed in 1865 when an evening procession of all the Catholic clergy in Perth was held, and the building was blessed and named the Cathedral of the Immaculate Conception. Additions and alterations between 1897 and 1905 emphasised the gothic character of the Cathedral. These included the addition of a steeple, pinnacles, gargoyles and crenellation to the bell tower, and the addition of a porch, an aedicule housing a statute of the Virgin Mary and extra lancet windows to the western end.  Following the elevation of Perth to an Archdiocese in 1913, Archbishop Clune began a series of appeals to replace the Cathedral with a grander structure. Well-known WA architect Michael Cavanagh was appointed and produced plans for a completely new limestone Cathedral of Academic Gothic design. Due to financial constraints, however, it was decided to utilise the existing building, which subsequently became the nave, and add only new transepts and a sanctuary. These were completed in 1930 and the Cathedral retained this structure until 2006, when Archbishop Hickey ordered renovations to complete Cavanaghâ€™s grand design. &#13;
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