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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The â€˜Caxton Windowâ€™</text>
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                <text>books, education, John Ashwin &amp; Co., John Radecki, Margaret of Burgundy, Mitchell Reading Room, New South Wales, NSW, patronage, print, printing, printing press, Recuyell of the Historyes of Troye (1474), stained glass, State Library of NSW, Sydney, William Caxton (c.1422-1492), window</text>
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                <text>An image of the â€˜Caxton Windowâ€™ located in the Mitchell Reading Room at the State Library of New South Wales. This stained glass window was created in a neo-medieval figurative style by John Radecki of Ashwin and Co., Sydney in 1941. It shows Englishman William Caxton presenting a copy of the Recuyell of the Historyes of Troye (1474) to his patron Margaret of Burgundy. The Caxton theme is an effective means of commemorating a momentous achievement in the history of English literature, namely the ready dissemination of cultural values and the arts via the printed page. Caxton later set up a printing press in Westminster in 1476, initially using type that he brought over from Bruges. This didactic window is superbly executed, and the significance of books and learning is highly appropriate for a library reading room. Regrettably the windowâ€™s finer details are not easily discernible from ground level. The placement of this window in the Mitchell reading room, which houses the early Australiana collection, provides a bridge between the two continents (Europe and Australia). </text>
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                <text>Urry, David</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.abbeymuseum.com.au/"&gt;www.abbeymuseum.com.au/&lt;/a&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Abbey Museum of Art &amp; Archaeology, Brisbane</text>
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            <description>The topic of the resource</description>
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                <text>Abbey, Abbey Medieval Festival, Abbey Museum, Abbey Museum of Art and Archaeology, art, archaeology, costume, festivals, festival, recreation, re-creation, re-enactment, QLD, Queensland, Brisbane, education, children, school, interactive, learning, experience</text>
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                <text>The Abbey Museum of Art &amp; Archaeology, located in Brisbane, Queensland, aims to provide an understanding of the human past through dynamic interpretation and historical re-enactment. They provide displays and offer a diversity of events and activities (such as the Abbey Medieval Festival) to educate and inspire interest in history. </text>
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                <text>The Abbey Museum of Art &amp; Archaeology</text>
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                <text>Accessed 2012</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>The Abbey Museum of Art &amp; Archaeology, 2012.</text>
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              <name>Title</name>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://www.abbotsfordconvent.com.au/history-heritage/buildings/convent" target="_self"&gt;http://www.abbotsfordconvent.com.au/history-heritage/buildings/convent&lt;/a&gt;</text>
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                <text>The Abbotsford Convent, Abbotsford, Victoria</text>
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                <text>Abbotsford, Abbotsford Convent, architecture, Caen, convent, Convent of The Good Shepherd, Federation Gothic, French medieval architecture, gable, Gothic architecture, industrial school, lancet arch, Magdalen Asylum, Melbourne, neo-Gothic, pebble-dash, reformatory, Sisters of the Good Shepherd, spire, VIC, Victoria. </text>
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                <text>&lt;p&gt;The Abbotsford Convent, located in the inner city Melbourne suburb of Abbotsford, operated as a convent, reformatory and Magdalen Asylum from 1863 until the mid-1970s. The convent was run by the Sisters of the Good Shepherd, a Catholic religious order who, in addition to taking standard vows of poverty, chastity and obedience, also sought to save souls. Eleven buildings of varying design stand on the 6.8 hectare site, of which the Convent building is particularly notable for the medieval French influence of its architecture. Constructed in 1900 to the design of Reed Smart and Tappin, the building is based on the gothic design of the Order&amp;rsquo;s mother house in Caen, and features steep gables, a western spire and a pebble-dash finish with contrasting red brickwork. The Convent now functions as an arts and cultural precinct.&lt;/p&gt;&#13;
&lt;p&gt;For more information, see The Abbotsford Convent website: &lt;a href="http://www.abbotsfordconvent.com.au/" target="_self"&gt;http://www.abbotsfordconvent.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>The Abbotsford Convent Website: &lt;a href="http://www.abbotsfordconvent.com.au/" target="_self"&gt;http://www.abbotsfordconvent.com.au/&lt;/a&gt;&lt;br /&gt;</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2010</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>The Abbotsford Convent</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Hyperlink</text>
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        <name>Caen</name>
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        <name>convent</name>
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        <name>Convent of The Good Shepherd</name>
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        <name>Federation Gothic</name>
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        <name>French medieval architecture</name>
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        <name>lancet arch</name>
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        <name>Magdalen Asylum</name>
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        <name>Melbourne</name>
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        <name>neo-Gothic</name>
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        <name>Sisters of the Good Shepherd</name>
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                <text>&lt;p&gt;Image depicting two women of the Ancient Order of Foresters wearing elaborate headdresses at a parade in 1929.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;About the Ancient Order of Foresters:&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;The Ancient Order of Foresters originated in England in the mid-eighteenth century, with the first recorded Foresters meeting being held in Leeds in 1834. The Ancient Order of Foresters established its first branch (court) in Australia in Victoria in 1849.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;The Foresters are a non-profit &lt;span class="spelle"&gt;organisation&lt;/span&gt;. The principles of the society are founded on a desire to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. Consequently, the Foresters played a particularly active role in the lives of members and their families during the Depression and both World Wars.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Membership growth was significant during and up to the mid 1940's. At this stage the society had nearly one hundred courts located throughout Victoria, and had representation in all states of Australia. During this period funds raised by Foresters contributed to the construction of approximately twenty Foresters halls throughout the state. These facilities were &lt;span class="spelle"&gt;utilised&lt;/span&gt; for meetings and community purposes and halls were used as refuges in times of trauma such as bushfires and floods.&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;Image depicting men of the Ancient Order of Foresters parading on horses in their ceremonial dress at a parade in 1929.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;About the Ancient Order of Foresters:&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;The Ancient Order of Foresters originated in England in the mid-eighteenth century, with the first recorded Foresters meeting being held in Leeds in 1834. The Ancient Order of Foresters established its first branch (court) in Australia in Victoria in 1849.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;The Foresters are a non-profit &lt;span class="spelle"&gt;organisation&lt;/span&gt;. The principles of the society are founded on a desire to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. Consequently, the Foresters played a particularly active role in the lives of members and their families during the Depression and both World Wars.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Membership growth was significant during and up to the mid 1940's. At this stage the society had nearly one hundred courts located throughout Victoria, and had representation in all states of Australia. During this period funds raised by Foresters contributed to the construction of approximately twenty Foresters halls throughout the state. These facilities were &lt;span class="spelle"&gt;utilised&lt;/span&gt; for meetings and community purposes and halls were used as refuges in times of trauma such as bushfires and floods.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;In the post Second World War period membership began to decline as the social circumstances improved due to the growth of the economy and an abundance of work and improvement in the provision of government benefits. Although the importance of such groups as the Ancient Order of Foresters has declined in recent years, the society through a core of loyal and dedicated &lt;span class="grame"&gt;members,&lt;/span&gt; has never wavered from its original objectives and mission to "serve the community and deserving groups by involvement in social activities and fund raising for charities." &lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;Images of children belonging to the Ancient Order of Foresters riding billycart floats at a NSW parade.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;About the Ancient Order of Foresters:&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;The Ancient Order of Foresters originated in England in the mid-eighteenth century, with the first recorded Foresters meeting being held in Leeds in 1834. The Ancient Order of Foresters established its first branch (court) in Australia in Victoria in 1849.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;The Foresters are a non-profit &lt;span class="spelle"&gt;organisation&lt;/span&gt;. The principles of the society are founded on a desire to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. Consequently, the Foresters played a particularly active role in the lives of members and their families during the Depression and both World Wars.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Membership growth was significant during and up to the mid 1940's. At this stage the society had nearly one hundred courts located throughout Victoria, and had representation in all states of Australia. During this period funds raised by Foresters contributed to the construction of approximately twenty Foresters halls throughout the state. These facilities were &lt;span class="spelle"&gt;utilised&lt;/span&gt; for meetings and community purposes and halls were used as refuges in times of trauma such as bushfires and floods.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;In the post Second World War period membership began to decline as the social circumstances improved due to the growth of the economy and an abundance of work and improvement in the provision of government benefits. Although the importance of such groups as the Ancient Order of Foresters has declined in recent years, the society through a core of loyal and dedicated &lt;span class="grame"&gt;members,&lt;/span&gt; has never wavered from its original objectives and mission to "serve the community and deserving groups by involvement in social activities and fund raising for charities." &lt;/span&gt;&lt;/p&gt;&#13;
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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&#13;
As of September 2012, ALHF has 83 member groups of living history and historical reenactment societies and clubs. Member groups focus on different historical periods and locations from the Ancient Greeks through to Australians in the Second World War. There are over 1,500 individual members across Australia.&#13;
&#13;
Aside from organising public liability insurance, ALHF also acts to represent membersâ€™ interests in areas such as legislation that affects reenactment activities, and to foster communication and cooperation amongst individuals and groups in the Australian living history community."&#13;
&#13;
(Description sourced from the ALHF website link provided).&#13;
&#13;
The ALHF offers advice and guidance to members, event organisers and the public on such things as performance and display safety, and the presentation of historical accuracy in our activities." </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Bethany Church of God, North Perth - Rose Window</text>
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                <text>Jerusalem, Saint Lazarus of Bethany, Saint Martha of Bethany, St Mary of Bethany, saints, saint, church, churches, Christianity, Christian, religion, religious, worship, Perth, WA, Western Australia, J. Hine, architect, architecture, window, windows, rose window, stained glass, stained-glass</text>
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                <text>An image of a rose window at Bethany Church of God on Raglan Road in North Perth. The Church, designed by architect J. Hine, was originally built in 1913, and has received further renovations in 1935 and in more recent years. </text>
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                <text>Carter, Bree</text>
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            <name>Date</name>
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                <text>28 July 2011</text>
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          <element elementId="47">
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                <text>&lt;p&gt;Carter, Bree, &amp;ldquo;Bethany Church of God, North Perth,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, &lt;a href="../../../items/show/511"&gt;http://ausmed.arts.uwa.edu.au/items/show/511&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, &amp;ldquo;Bethany Church of God, North Perth, Western Australia ,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, &lt;a href="../../../items/show/510"&gt;http://ausmed.arts.uwa.edu.au/items/show/510&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, &amp;ldquo;Arched Windows, Bethany Church of God, North Perth,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, &lt;a href="../../../items/show/509"&gt;http://ausmed.arts.uwa.edu.au/items/show/509&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt; Carter, Bree, &amp;ldquo;Bethany Church of God, Raglan Road, North Perth,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, &lt;a href="../../../items/show/507"&gt;http://ausmed.arts.uwa.edu.au/items/show/507&lt;/a&gt;&lt;/p&gt;</text>
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