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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Maryâ€™s Church of England, Kempton, Tasmania </text>
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                <text>Anglican, James Blackburn, buttress, Church of England, Gothic, Gothic Revival, Kempton, lancet window, pointed arch, Romanesque, St Maryâ€™s Church of England, semi-circular arch, Tas, Tasmania, tower.</text>
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                <text>St Maryâ€™s Church of England (now Anglican) is in the small Tasmanian town of Kempton. The foundation stone for the sandstone church was laid in 1839 and it opened in 1844. It is thought that the church was designed by the convict architect James Blackburn (1803-1854). The church is in the Gothic Revival style and features lancet windows (the small ones at the front are concreted up), including groups of three lancet windows at the buildingâ€™s east and west, buttresses, and a pointed arch door and doorway. The square tower is unfinished, resulting in the bell being housed in a smaller structure on its top. Surprisingly, this addition has three Romanesque semi-circular arches on each side rather than the Gothic pointed arches used elsewhere on the building.</text>
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                <text>McLeod, Shane</text>
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                <text>November 21, 2012</text>
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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;a href="http://www.youtube.com/watch?v=Dcqd9j3EhZY&amp;amp;feature=relmfu"&gt;http://www.youtube.com/watch?v=Dcqd9j3EhZY&amp;amp;feature=relmfu&lt;/a&gt;</text>
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                <text>'Performance of excerpt from Aucassin et Nicolette' </text>
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                <text>Aucassin and Nicolette, Aucassin et Nicolette, Alana Bennett, Belinda Bennett, Centre for Medieval and Early Modern Studies, chantefable, costume, education, film, hurdy gurdy, Eugene Mason, MEMS, Minervaâ€™s Tower, music, performance, Perth, University of Western Australia, UWA, WA, website, Western Australia, YouTube.</text>
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                <text>&lt;p&gt;This performance of an excerpt from Aucassin et Nicolette was performed by Alana Bennett on November 1, 2012 as part of her MEMS (Medieval and Early Modern Studies) Honours dissertation at the University of Western Australia. The four minute film made by Belinda Bennett was uploaded to YouTube on November 1, 2012. Alana (a member of the medieval band Minerva&amp;rsquo;s Tower) plays a hurdy gurdy and wears medieval clothing. Aucassin et Nicolette is an anonymous twelfth or thirteenth century French chantefable (sung story) which combines prose and verse.&lt;/p&gt;&#13;
&lt;p&gt;For the performance see &lt;a href="http://www.youtube.com/watch?v=Dcqd9j3EhZY&amp;amp;feature=relmfu"&gt;http://www.youtube.com/watch?v=Dcqd9j3EhZY&amp;amp;feature=relmfu&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;An English translation of Aucassin et Nicolette by Eugene Mason is available at &lt;a href="http://www.yorku.ca/inpar/aucassin_mason.pdf"&gt;http://www.yorku.ca/inpar/aucassin_mason.pdf&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Alana Bennett</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>(Former) St Matthewâ€™s Presbyterian Church entrance, Glenorchy, Hobart, Tasmania</text>
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                <text>James Blackburn, blind arcading, columns, convict, John Franklin, Glenorchy, Hobart, Kirk and Fisher, Neo-Norman, Presbyterian, Romanesque, Romanesque Revival, semi-circular arch, Tas, Tasmania.</text>
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                <text>&lt;p&gt;The former St Matthew&amp;rsquo;s Presbyterian Church is in the suburb of Glenorchy in Hobart, Tasmania. It was designed by the convict architect James Blackburn (1803-1854) in 1839. The foundation stone was laid by Governor Sir John Franklin (1786-1847) in 1839 and the church was built by the Hobart company Kirk and Fisher and completed in 1841. The church is in the Romanesque Revival style and is one of the earliest remaining Romanesque Revival buildings in Australia. The style is evident in the entrance to the church featuring a semi-circular arched doorway and door, and on the blind arcading above the doorway. The doorway also decorated columns and decorated molding on the doorway arch.&lt;/p&gt;&#13;
&lt;p&gt;Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.&lt;/p&gt;&#13;
&lt;p&gt;For more of the building see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1211"&gt;http://ausmed.arts.uwa.edu.au/items/show/1211&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>No Copyright</text>
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                <text>&lt;p&gt;This sculpture of St George and the Dragon is at the top of the 1886 malt kiln of Boag&amp;rsquo;s Brewery in the northern Tasmanian city of Launceston. St George is depicted as a medieval knight wearing armour and a helmet with an open visor and a feather plume. He rides a horse and carries a sword. His horse is trampling a winged dragon.&lt;/p&gt;&#13;
&lt;p&gt;For the malt kiln see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1216"&gt;http://ausmed.arts.uwa.edu.au/items/show/1216&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For other depictions of St George by Boag&amp;rsquo;s Brewery see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/989"&gt;http://ausmed.arts.uwa.edu.au/items/show/989&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/886"&gt;http://ausmed.arts.uwa.edu.au/items/show/886&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/884"&gt;http://ausmed.arts.uwa.edu.au/items/show/884&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/989"&gt;http://ausmed.arts.uwa.edu.au/items/show/989&lt;/a&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/886"&gt;http://ausmed.arts.uwa.edu.au/items/show/886&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/884"&gt;http://ausmed.arts.uwa.edu.au/items/show/884&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1216"&gt;http://ausmed.arts.uwa.edu.au/items/show/1216&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>(Former) St Matthewâ€™s Presbyterian Church, Glenorchy, Hobart, Tasmania</text>
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                <text>James Blackburn, blind arcading, buttress, cemetery, columns, convict, John Franklin, Glenorchy, Hobart, Kirk and Fisher, Neo-Norman, Presbyterian, Romanesque, Romanesque Revival, semi-circular arch, Tas, Tasmania, tower, tracery.</text>
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                <text>&lt;p&gt;St Matthew&amp;rsquo;s Presbyterian Church is in the suburb of Glenorchy in Hobart, Tasmania. It was designed by the convict architect James Blackburn (1803-1854) in 1839. The foundation stone was laid by Governor Sir John Franklin (1786-1847) in 1839 and the church was built by the firm Kirk and Fisher and completed in 1841. The church is in the Romanesque Revival style and is one of the earliest remaining Romanesque Revival buildings in Australia. The style is evident in the use of semi-circular arches on the windows, doorway, and the blind arcading above the doorway. The building also has buttresses, a large square corner tower, and three smaller octagonal corner towers. The church is unusual in having its cemetery at the front of the building.&lt;/p&gt;&#13;
&lt;p&gt;Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.&lt;/p&gt;&#13;
&lt;p&gt;For a close up photograph of the entrance see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1213"&gt;http://ausmed.arts.uwa.edu.au/items/show/1213&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1213"&gt;http://ausmed.arts.uwa.edu.au/items/show/1213&lt;/a&gt;</text>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.freewebs.com/coffsmedguild/"&gt;http://www.freewebs.com/coffsmedguild/&lt;/a&gt;&lt;/span&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Korffs Haven Medieval Guild </text>
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            <description>The topic of the resource</description>
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                <text>Anglo-Norman, Anglo-Saxon, archery, chain mail, Coffs Harbour, combat, cooking, costume, craft, Crusades, Crusader, dyeing, embroidery, feast, felting, food, games, helmet, Highlanders, Korffs Haven Medieval Guild, leatherwork, living history, New South Wales, Norman, NSW, performance, re-enactment, sewing, shield, slingshot, spear, stave, sword, Viking, website, woodwork.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="31401">
                <text>&lt;p&gt;Korffs Haven Medieval Guild are a re-enactment group based in Coffs Harbour, or Korffs Haven, in New South Wales. The group concentrate on the period 1066-1166 and such peoples as Anglo-Saxons, Anglo-Normans, Crusaders, Highlanders (of Scotland), and Vikings. Combat and weapon training with swords, spears, staves, shields, slingshots, archery, chain mail, and helmets is carried out. Other medieval activities are also re-created, including cooking, clothes-making, feasting, games, and craft (woodwork, leatherwork, felting, embroidery, dyeing, sewing etc.). The group&amp;rsquo;s website features a useful section on making medieval clothes, including patterns.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.freewebs.com/coffsmedguild/"&gt;http://www.freewebs.com/coffsmedguild/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Korffs Haven Medieval Guild</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2007</text>
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            </elementTextContainer>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31404">
                <text>Â©2007 Korffs Haven Medieval Guild</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31405">
                <text>Website</text>
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      <tag tagId="2238">
        <name>combat</name>
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        <name>cooking</name>
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      <tag tagId="1409">
        <name>costume</name>
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      <tag tagId="576">
        <name>craft</name>
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      <tag tagId="134">
        <name>Crusader</name>
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      <tag tagId="135">
        <name>Crusades</name>
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        <name>dyeing</name>
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        <name>embroidery</name>
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        <name>feast</name>
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        <name>felting</name>
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        <name>food</name>
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        <name>games</name>
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        <name>Korffs Haven Medieval Guild</name>
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        <name>New South Wales</name>
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        <name>NSW</name>
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        <name>performance</name>
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        <name>re-enactment</name>
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        <name>sewing</name>
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      <tag tagId="723">
        <name>shield</name>
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        <name>slingshot</name>
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        <name>spear</name>
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        <name>stave</name>
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      <tag tagId="363">
        <name>sword</name>
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        <name>viking</name>
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      <tag tagId="2662">
        <name>website</name>
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      <tag tagId="5976">
        <name>woodwork.</name>
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  <item itemId="1209" public="1" featured="0">
    <fileContainer>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/a8ce5800fd6e0de5a95e7143e3a7a654.pdf</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article4384619" target="_self"&gt;http://nla.gov.au/nla.news-article4384619&lt;/a&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Medieval Anatomy, &lt;em&gt;The Argus&lt;/em&gt;, 15 August 1931</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31390">
                <text>Adrenal glands, adrenaline, Andreas Vesalius (1514-1564), anatomists, anatomy, animal spirit, blood, brain, British Medical Association, circulation, digestion, dissection, examinations, liver, medicine, medieval anatomy, natural spirit, physicians, Professor Buckmaster, Professor Osborne, Professor Wright, Renaissance medicine, surgeons, The Royal College of Surgeons, vapour, vital spirit, William Harvey (1578-1657). </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31391">
                <text>Despite recognising that Flemish physician Andreas Vesalius (1514-1564) was one of the most progressive anatomists of his day, this article from &lt;em&gt;The Argus&lt;/em&gt; in 1931 incorrectly labels his views as those of &amp;lsquo;medieval anatomy&amp;rsquo;. The article describes a light-hearted lecture delivered to members of the British Medical Association in which Professor Wright, one of two prestigious visitors from the Royal College of Surgeons, adopted the role of Vesalius. In this role he proceeded to outline how the internal functions of the human body were understood prior to William Harvey&amp;rsquo;s discoveries concerning the circulatory system in the seventeenth century. However this model, which consists of three spirits (animal spirit, natural spirit and vital spirit) that are transported around the body by the blood and altered by heat and various secretions, is specific to the sixteenth century rather than the medieval period. This is because bodily dissection was heavily forbidden by the Catholic Church in the medieval period, and so anatomical discussions were limited. The use of &amp;lsquo;medieval&amp;rsquo; here refers rather to an early twentieth-century attitude that the theory was primitive and reactionary within a linear narrative of medical advancement. This is evident in the explanation offered by Professor Wright that &amp;ldquo;it emphasised to a modern audience the remarkable advances which had been made in 350 years&amp;rdquo;, and &amp;ldquo;should teach the harm that could be done by adhering slavishly to conceptions which might be false&amp;rdquo;.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31392">
                <text>Anon</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="31393">
                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article4384619" target="_self"&gt;http://nla.gov.au/nla.news-article4384619&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="31394">
                <text>&lt;em&gt;The Argus&lt;/em&gt;</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>15 August 1931, p.21</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31396">
                <text>Copyright Expired</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31397">
                <text>Newspaper Article</text>
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        <name>Adrenal glands</name>
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        <name>adrenaline</name>
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        <name>anatomists</name>
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      <tag tagId="302">
        <name>anatomy</name>
      </tag>
      <tag tagId="5949">
        <name>Andreas Vesalius (1514-1564)</name>
      </tag>
      <tag tagId="5951">
        <name>animal spirit</name>
      </tag>
      <tag tagId="5952">
        <name>blood</name>
      </tag>
      <tag tagId="5953">
        <name>brain</name>
      </tag>
      <tag tagId="5144">
        <name>British Medical Association</name>
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      <tag tagId="5954">
        <name>circulation</name>
      </tag>
      <tag tagId="5955">
        <name>digestion</name>
      </tag>
      <tag tagId="5956">
        <name>dissection</name>
      </tag>
      <tag tagId="5957">
        <name>examinations</name>
      </tag>
      <tag tagId="5958">
        <name>liver</name>
      </tag>
      <tag tagId="1334">
        <name>medicine</name>
      </tag>
      <tag tagId="5959">
        <name>medieval anatomy</name>
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        <name>natural spirit</name>
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      <tag tagId="4161">
        <name>physicians</name>
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        <name>Professor Buckmaster</name>
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        <name>Professor Osborne</name>
      </tag>
      <tag tagId="5963">
        <name>Professor Wright</name>
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        <name>Renaissance medicine</name>
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        <name>surgeons</name>
      </tag>
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        <name>The Royal College of Surgeons</name>
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        <name>vapour</name>
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        <name>vital spirit</name>
      </tag>
      <tag tagId="5968">
        <name>William Harvey (1578-1657)</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/5d18f538d2e0f5b2987f17fea032b7f6.JPG</src>
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            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
            <elementContainer>
              <element elementId="74">
                <name>Bit Depth</name>
                <description/>
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                    <text>8</text>
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              <element elementId="75">
                <name>Channels</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="31363">
                    <text>3</text>
                  </elementText>
                </elementTextContainer>
              </element>
              <element elementId="73">
                <name>Height</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="31366">
                    <text>2592</text>
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              <element elementId="72">
                <name>Width</name>
                <description/>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Medievalism on the Streets</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              </elementTextContainer>
            </element>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="31378">
              <text>Digital Photograph; JPEG</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Wilmot Arms sign, Kempton, Tasmania </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31372">
                <text>Advertising, coat of arms, crest, eagle, family crest, helmet, heraldry, Kempton, shield, sign, Tas, Tasmania, website, Wilmot Arms.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31373">
                <text>&lt;p&gt;The Wilmot Arms Inn is a B&amp;amp;B in a former coaching inn built in 1844 in the small Tasmanian town of Kempton. The business uses the Wilmot coat of arms, or family crest, in their advertising. The family crest consists of a late medieval helmet with an eagle crest above a square shield containing three scallop shells and three eagle heads.&lt;/p&gt;&#13;
&lt;p&gt;The Wilmot surname evolved from the personal name William and is first attested in England in the thirteenth century.&lt;/p&gt;&#13;
&lt;p&gt;The coat of arms is also featured on their website: http://www.wilmotarms.com.au/&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31374">
                <text>McLeod, Shane</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31375">
                <text>November 21, 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31376">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31377">
                <text>Digital Photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="902">
        <name>advertising</name>
      </tag>
      <tag tagId="738">
        <name>coat of arms</name>
      </tag>
      <tag tagId="739">
        <name>crest</name>
      </tag>
      <tag tagId="4376">
        <name>eagle</name>
      </tag>
      <tag tagId="5944">
        <name>family crest</name>
      </tag>
      <tag tagId="1555">
        <name>helmet</name>
      </tag>
      <tag tagId="362">
        <name>heraldry</name>
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      <tag tagId="5945">
        <name>Kempton</name>
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      <tag tagId="723">
        <name>shield</name>
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      <tag tagId="3976">
        <name>sign</name>
      </tag>
      <tag tagId="3222">
        <name>Tas</name>
      </tag>
      <tag tagId="643">
        <name>Tasmania</name>
      </tag>
      <tag tagId="2662">
        <name>website</name>
      </tag>
      <tag tagId="5946">
        <name>Wilmot Arms.</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
