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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&amp;lsquo;Viking Song&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 25 August 1910</text>
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                <text>anvil, Australian Navy, David McKee Wright (1869-1928), forge, National Defence, national pride, Norse mythology, Odin, politics, Thor, Thorâ€™s Hammer, Vikings. </text>
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                <text>&lt;p&gt;David McKee Wright draws inspiration from the journeys of the Vikings across the North Sea in this poetic martial &amp;lsquo;ditty&amp;rsquo; that brims with national pride:&lt;/p&gt;&#13;
&lt;p&gt;Australia with her bright hair glowing&lt;br /&gt;Has her eye on the furrows of the deep &lt;br /&gt;[...] &lt;br /&gt;Clang, clang, clang on the anvil &lt;br /&gt;There are steel ships wanted on the sea!&lt;/p&gt;&#13;
&lt;p&gt;The reason for Wright&amp;rsquo;s show of enthusiasm was doubtless the creation of the Australian Navy in 1909. Billy Hughes told the &lt;em&gt;Sydney Morning Herald&lt;/em&gt; in 1910 that &amp;ldquo;Mr Deakin had taken Mr Watson&amp;rsquo;s scheme [c. 1905] and adorned it with that magnificent eloquence of his till it shone [...] But it was a thing in the clouds [...] The Fisher Government transformed it into iron and steel and guns&amp;rdquo; (See The &lt;em&gt;Sydney Morning Herald&lt;/em&gt;, Wednesday, 16 February 1910, pp. 9-10. &lt;a href="http://nla.gov.au/nla.news-article15133137" target="_self"&gt;http://nla.gov.au/nla.news-article15133137&lt;/a&gt;). When the fleet eventually arrived off Australian shores in October 1913, it was welcomed &amp;ldquo;By very large and demonstrative crowds [...] and fervently patriotic speeches were made at the welcoming banquet&amp;rdquo; (F. K. Crowley, &lt;em&gt;A New History of Australia&lt;/em&gt;, Richmond, William Heinemann, 1984, p.294). During the Federal electioneering of February 1910, the fleet featured large in the overall proceedings. The Deakin-Cook Fusion Party lost the 1910 election, but Australia still got its navy, and balladeers and patriots sang its praises.&lt;/p&gt;</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                <text>25 August 1910, p.3</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Fortress Risk Insurance Services, Launceston, Tasmania</text>
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                <text>&lt;p&gt;Fortress Risk Insurance Services are based in the Tasmanian city of Launceston and were established in 2011. The logo for the company, as seen in the photograph, is the outline of part of a medieval fortress. It gives the appearance of a castle tower with a crenelated parapet.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.fortressrisk.com.au/" target="_self"&gt;http://www.fortressrisk.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p&gt;&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html"&gt;http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Article, beer, commercial, dragon, La Trobe Journal, Andrew Lynch, Perth, poetry, rugby, St George, St George Illawarra Dragons, St Georgeâ€™s Cathedral, stained glass windows, statue, â€˜â€˜Thingless Namesâ€™? The St George Legend in Australiaâ€™, The University of Western Australia. </text>
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                <text>&lt;p&gt;&amp;lsquo;&amp;lsquo;Thingless Names&amp;rsquo;? The St George Legend in Australia&amp;rsquo; is an article by Andrew Lynch from The University of Western Australia. It appeared in the La Trobe Journal (No. 81, pp. 40-52) in Autumn 2008. The article briefly considers the impact of medievalism in Australia during the nineteenth century before focussing in particular on the many uses of the figure of St George, with or without the dragon, which can be found throughout Australia. A wide range of examples, including statues, stained glass windows, street names, poetry, beer commercials, St George Illawarra Dragons rugby club, are used, and there is a particular focus on St George&amp;rsquo;s Cathedral in Perth. &amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For the article see &lt;a href="http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_self"&gt;http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Lynch, Andrew</text>
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                <text>La Trobe Journal</text>
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                <text>Autumn 2008</text>
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                <text>Andrew Lynch; La Trobe Journal; State Library of Victoria</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p&gt;&lt;a href="http://nla.gov.au/nla.news-article26636364"&gt;http://nla.gov.au/nla.news-article26636364&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>â€˜Tasmaniaâ€™s Historic Towersâ€™.</text>
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                <text>Article, Evandale Water Tower, folly, Hobart, The Mercury, newspaper, Panshanger Pigeon Tower, M.S.R. Sharland, Tas, Tasmania, â€˜Tasmaniaâ€™s Historic Towersâ€™, tower.</text>
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                <text>&lt;p&gt;The 1949 article &amp;lsquo;Tasmania&amp;rsquo;s Historic Towers&amp;rsquo; by M.S.R. Sharland appeared in the Hobart, Tasmania, based newspaper The Mercury. The article discusses a number of stand-alone towers in Tasmania, including two medieval-styled examples, the pigeon tower on Panshanger Estate and the water tower at Evandale. The author bemoans the functionalism of modern architecture and is glad that earlier builders created structures of beauty, even if they may seem to be a &amp;lsquo;folly&amp;rsquo;.&lt;/p&gt;&#13;
&lt;p&gt;The article is available at &lt;a href="http://nla.gov.au/nla.news-article26636364"&gt;http://nla.gov.au/nla.news-article26636364&lt;/a&gt; &lt;/p&gt;&#13;
&lt;p&gt;For the Evandale Water Tower see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/924"&gt;http://ausmed.arts.uwa.edu.au/items/show/924&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Pigeon Tower see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1039" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1039&lt;/a&gt;&lt;/p&gt;</text>
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                <text>The Mercury</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/924" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/924&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1039" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1039&lt;/a&gt;&lt;/p&gt;&#13;
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Pigeon Tower, near Cressy, Tasmania</text>
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            <description>The topic of the resource</description>
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                <text>Joseph Archer, arrow slits, blind windows, Burlington Farming Pty Ltd, crenellation, Cressy, dovecote, folly, Panshanger Estate, parapet, pigeon tower, William Charles Piguenit, Tas, Tasmania, tower.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;This pigeon tower, or dovecote, is located on the banks of Macquarie River on a property owned by Burlington Farming Pty Ltd near the northern Tasmanian town of Cressy. The tower was originally part of the adjoining Panshanger Estate and was built in the 1830s under the directions of the original owner Joseph Archer (1795-1853). The building is approximately fifteen metres high and provided pigeons and chickens for the Estate. A cottage for the tower keeper originally stood nearby. Despite its intended function, the circular tower has the appearance of a fortified medieval tower featuring a crenelated parapet, blind semi-circular arched windows, and the openings for the pigeons have the external appearance of arrow slits. The attractive tower was in part made to be viewed from the Archer home, and it features in paintings by William Charles Piguenit (1836-1914). It is still intact, including brick fowl nesting boxes on the ground floor, and the timber floors and ceiling have recently been restored.&lt;/p&gt;&#13;
&lt;p&gt;For a 1949 article discussing the tower see &lt;a href="http://nla.gov.au/nla.news-article26636364"&gt;http://nla.gov.au/nla.news-article26636364&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>August 4, 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>By permission of Burlington Farming Pty Ltd</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <name>Local URL</name>
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              <text>&lt;p&gt;&lt;a href="http://www.newcastleknights.com.au/"&gt;http://www.newcastleknights.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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                <text>Blackletter, Gothic script, Helmet, knight, logo, National Rugby League, New South Wales, Newcastle, Newcastle Knights, NRL, NSW, plume, rugby, rugby league, visor.</text>
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;The Newcastle Knights are a team in Australasia&amp;rsquo;s National Rugby League based in the New South Wales city of Newcastle. They joined the competition in 1988. The logo for the club is a side profile of the helmet of a medieval knight. The helmet includes a visor and a red plume (feather). The link to the medieval period is also evoked by the word &amp;lsquo;Knight&amp;rsquo; being written in Blackletter, or Gothic, script.&lt;/p&gt;&#13;
&lt;p&gt;The logo can be found on the club&amp;rsquo;s website: &lt;a href="http://www.newcastleknights.com.au/"&gt;http://www.newcastleknights.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="25603">
              <text>Digital Photograph; JPEG</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>59 Cameron Street, Launceston, Tasmania</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>Cameron Street, Gothic, Gothic Revival, lancet window, Launceston, Launceston Equitable Building Society, pointed arch, spire, Frederick Strange, Tas, Tasmania.  </text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This building at 59 Cameron Street in the Tasmanian city of Launceston was formally occupied by the landscape artist Frederick Strange (1807-1873) in the mid nineteenth century, and later became the headquarters of the Launceston Equitable Building Society. The three-storey red brick and stucco building includes Gothic elements, most obviously in the use of pointed arches on the windows and entrance, including two lancet windows on the top storey, as well as the corner spires.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>McLeod, Shane</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>August 31, 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>No copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25602">
                <text>Digital photograph</text>
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        <name>Cameron Street</name>
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        <name>Frederick Strange</name>
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        <name>Gothic</name>
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      <tag tagId="72">
        <name>Gothic Revival</name>
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      <tag tagId="1115">
        <name>lancet window</name>
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      <tag tagId="2972">
        <name>Launceston</name>
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        <name>Launceston Equitable Building Society</name>
      </tag>
      <tag tagId="4650">
        <name>pointed arch</name>
      </tag>
      <tag tagId="1087">
        <name>spire</name>
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      <tag tagId="3222">
        <name>Tas</name>
      </tag>
      <tag tagId="4809">
        <name>Tasmania.</name>
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    </tagContainer>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/ff213f6ebc3bd7de983c59dc033c532d.JPG</src>
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            <name>Omeka Image File</name>
            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
            <elementContainer>
              <element elementId="74">
                <name>Bit Depth</name>
                <description/>
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                    <text>8</text>
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                <name>Channels</name>
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                  <elementText elementTextId="25605">
                    <text>3</text>
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              <element elementId="73">
                <name>Height</name>
                <description/>
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                  <elementText elementTextId="25608">
                    <text>2592</text>
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                <name>Width</name>
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                    <text>1944</text>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/3277cb0d982ee543321df94892bb9543.JPG</src>
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          <elementSet elementSetId="5">
            <name>Omeka Image File</name>
            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
            <elementContainer>
              <element elementId="74">
                <name>Bit Depth</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="25610">
                    <text>8</text>
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                <name>Channels</name>
                <description/>
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                    <text>3</text>
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                <name>Height</name>
                <description/>
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                    <text>1944</text>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="25623">
              <text>Digital Photograph; JPEG</text>
            </elementText>
          </elementTextContainer>
        </element>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25616">
                <text>The Card Castle, Launceston, Tasmania</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25617">
                <text>Advertising, The Card Castle, castle, crenellation, draw-bridge, Launceston, moat, Old Brisbane Arcade, parapet, pointed arch, shop, sign, Tas, Tasmania, tower.  </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="25618">
                <text>The Card Castle is a card and gift shop in the Old Brisbane Arcade in the Tasmanian city of Launceston. The two signs for the store feature a castle. Whilst one provides merely the outline of a castle wall and tower with crenelated parapets, the other sign features a much more detailed castle image. The castle is surrounded by a moat and entered over a draw-bridge. It has extensive crenellation, two corner towers, and pointed arch windows. </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>McLeod, Shane</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>September 8, 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25621">
                <text>The Card Castle</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="25622">
                <text>2xDigital photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
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      <tag tagId="902">
        <name>advertising</name>
      </tag>
      <tag tagId="662">
        <name>castle</name>
      </tag>
      <tag tagId="972">
        <name>crenellation</name>
      </tag>
      <tag tagId="5332">
        <name>draw-bridge</name>
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      <tag tagId="2972">
        <name>Launceston</name>
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      <tag tagId="3965">
        <name>moat</name>
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      <tag tagId="5333">
        <name>Old Brisbane Arcade</name>
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      <tag tagId="981">
        <name>parapet</name>
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      <tag tagId="4650">
        <name>pointed arch</name>
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      <tag tagId="3385">
        <name>shop</name>
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      <tag tagId="3976">
        <name>sign</name>
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      <tag tagId="3222">
        <name>Tas</name>
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      <tag tagId="643">
        <name>Tasmania</name>
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      <tag tagId="5331">
        <name>The Card Castle</name>
      </tag>
      <tag tagId="4831">
        <name>tower.</name>
      </tag>
    </tagContainer>
  </item>
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