122 8 1266 https://ausmed.arts.uwa.edu.au/files/original/b282767e254642b64f0949ef2b8cd805.JPG 74881713a34f2e996b1e14dedab45134 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph;JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Game of Thronesâ€™ inspired chalk board Subject The topic of the resource Advertising, The Burger Bistro, chalk board, chalk drawing, drawing, fantasy, Game of Thrones, George R.R. Martin, Perth, sign, sword, television, throne, tv, WA, warrior, Western Australia. Description An account of the resource This chalk board drawing advertises The Burger Bistro in Shafto Lane in central Perth. The drawing is based on posters and the dvd cover for Season One of the television series â€˜Game of Thronesâ€™, based on the fantasy book series A Song of Ice and Fire by George R.R. Martin. The chalk drawing shows Lord Eddard Stark, played by actor Sean Bean, sitting on a throne and holding a sword. The character has the appearance of a medieval warrior. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource August 22, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph advertising chalk board chalk drawing drawing fantasy Game of Thrones George R.R. Martin Perth sign sword television The Burger Bistro throne tv WA warrior Western Australia. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Website A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ). Local URL The URL of the local directory containing all assets of the website. <span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"><a href="http://www.sirwalter.com.au/">http://www.sirwalter.com.au/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sir Walter Buffalo Lawn Subject The topic of the resource Advertising, armour, helmet, joust, jousting, knight, lance, lawn, logo, shield, Sir Walter Buffalo Lawn, tournament, website. Description An account of the resource The variety of Buffalo Lawn known as Sir Walter was developed in 1996. The logo for the associated company features a medieval knight wearing a helmet and armour riding a horse. The knight carries a lance and a shield, and the appearance of the horse and rider suggests that they are taking part in a jousting tournament. The shield is divided into four squares and carries the title ‘SIR W’ in two of the squares, whilst the remaining two squares have patterns suggesting grass. For the website see<a href="http://www.sirwalter.com.au/"> http://www.sirwalter.com.au/</a>. Creator An entity primarily responsible for making the resource Sir Walter Buffalo Lawn Date A point or period of time associated with an event in the lifecycle of the resource 1996 Rights Information about rights held in and over the resource Sir Walter Buffalo Lawn Format The file format, physical medium, or dimensions of the resource Website advertising Armour helmet joust jousting knight lance lawn logo shield Sir Walter Buffalo Lawn tournament website. https://ausmed.arts.uwa.edu.au/files/original/bb5e63d32858184396039dae640d53d9.jpg d7fb9512ada579b7157dc0e69b9be903 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3499 Width 752 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Rivals’, The Bulletin, 14 July 1900 Subject The topic of the resource absent lovers, Boer War, chivalry, courtly love, Creeve Roe, favour, gift, heroism, Isabel, knight, maiden, marriage, romance, Sir Comfort, Sir Valour, soldier, valour, veldt, Victor Daley (1858-1905). Description An account of the resource ‘Rivals’ is an interesting attempt by medievalist writer Victor Daley to transform what must have been a fairly commonplace incident at that time into something more than it seems. The poem describes a young man, Sir Valour, taking leave of his sweetheart (“My Lady Fair”), and going off to fight in the Boer War. The leave-taking is transformed into a medieval tale, a deliberately romantic historicization of the present (Louise D’Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout, Brepols, 2011, p.110), whereby the couple pledge true love and the lady presents him with a token of her favour, before he sets out for foreign lands. In her knight’s protracted absence, Sir Comfort, an older and much wealthier man, slyly wins the favours of “Sweet Isabel,” and marries her. This turnaround is presumably hastened by the giving of a number of beautiful and very costly items: “Some simple rubies, strings of pearls / And diamonds for [her] hair.” Here Creeve Roe contrasts the stark unpleasant realities of the war with quasi-medieval ‘courtly’ values. The final scene, when the young man dies “in lands remote,” with Isabel’s name upon his lips, is one of shattered dreams and misplaced expectations. Creator An entity primarily responsible for making the resource Creeve Roe (Victor Daley) Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 14 July 1900, p.32 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal Article (Microfilm) absent lovers Boer War chivalry Courtly Love Creeve Roe favour gift heroism Isabel knight maiden marriage romance Sir Comfort Sir Valour soldier valour veldt Victor Daley (1858-1905) https://ausmed.arts.uwa.edu.au/files/original/189182de69727ceacddc399d623bb6df.bmp adf34cff50778ff8e267bccd6e282308 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Holyrood’, The Bulletin, 12 November 1903 Subject The topic of the resource Battle of Flodden (9 September 1513), Bonnie Prince Charlie, bush ballads, Corridor of Kings, Edinburgh, David Riccio, David Rizzio, Flodden Field, Holyrood Abbey, Holyrood Palace, Jacobite Uprising, James IV (1473-1513), Lord Darnley, lute, Mary Queen of Scots, monarchy, nostalgia, royal residence, Scotland, the Forty Five, Will H. Ogilvie (1869-1963). Description An account of the resource As a young man, William H. (‘Will’) Ogilvie spent 12 years in outback Australia, ‘horse-breaking, droving, mustering and camping out on the vast plains’ before returning home to Scotland in 1901 (See Clement Semmler, 'Ogilvie, William Henry (Will) (1869–1963)', Australian Dictionary of Biography, http://adb.anu.edu.au/biography/ogilvie-william-henry-will-7890). He was a prolific writer and much of his poetry and verse appeared in The Bulletin. This poem is set in Holyrood palace, the principal residence of Scottish royals from the fifteenth century. The poet’s reference to ‘ancient tower and archway’ hints at the older provenance of the site, where Holyrood Abbey had stood since 1128. In the poem, the reader is taken on a journey “down the storied halls” while the lives of persons and events of note are recounted. The Scots massacred by the English at Flodden Field are remembered, including James IV - the last of the medieval kings in the ‘Corridor of Kings’ - who ruled Scotland from 1488 until his death at the Battle of Flodden in 1513. The verses also reference Mary Queen of Scots, who resided at Holyrood from 1561-1567; her Secretary David Rizzio (also Riccio), who was violently stabbed to death by Lord Darnley in 1566; and ‘Bonnie’ Prince Charlie (“a rebel prince”) and the 1745 Jacobite Uprising. Ogilvie’s nostalgic poem appeared in The Bulletin in November 1903, after first being printed in The Scotsman. Creator An entity primarily responsible for making the resource Will H. Ogilvie Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 12 November 1903 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) Battle of Flodden (9 September 1513) Bonnie Prince Charlie bush ballads Corridor of Kings David Riccio David Rizzio Edinburgh Flodden Field Holyrood Abbey Holyrood Palace Jacobite Uprising James IV (1473-1513) Lord Darnley Lute Mary Queen of Scots monarchy nostalgia royal residence Scotland the Forty Five Will H. Ogilvie (1869-1963) https://ausmed.arts.uwa.edu.au/files/original/5374e6eab04f9ddcd31e7d77e18d5f13.jpg 2152b77e462dfc8f304eb7c3602fa17f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3431 Width 1632 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Chivalry’, The Bulletin, 15 September 1904 Subject The topic of the resource chivalry, Creeve Roe, death of chivalry, debate, Petrarch, romance, â€˜Romanceâ€™, sonnet, tradition, Victor Daley (1858-1905). Description An account of the resource At the time Victor Daley composed this poem, a debate had erupted over whether chivalry and romance, at least within the Australian context, were dead. That was certainly the argument put forward in an earlier poem, ‘Romance’ by L. D., which was published in The Bulletin in 1885. In December 1902 Victor Daley wrote his own explanation (See Louise D’Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout, Brepols, 2011, p.139), beginning: “They say that fair Romance is dead, and in her cold grave lying low.” Nearly two years later, in September 1904 and writing under the pseudonym Creeve Roe, Daley penned this more credible hypothesis for the continued survival of chivalry and romance. Although in this later poem the medieval content is limited to a fleeting reference to the elaborate sonnets of Petrarch (d. 1374) and the veneer of archaic-sounding expressions, it is prefaced with an explanation that ties it to the debate over the death of chivalry and romance. In Daley’s previous poem ‘Romance’ (1902), we find more explicit Arthurian references to “Gold Gudrun, and Guinevere,” and “Merlin wise,” and “Castle Perilous, beyond the dark Enchanted Wood.” While Daley’s poem ‘Romance’ underlines the continued existence of romantic sensibilities despite the fact that, as a rapidly developing country, Australia was dominated by Mammon and Machinery (See D’Arcens, p.139), the light-hearted Creeve Roe poem offers a more practical and mischievous solution. The surest way, says the poet, for the continuance of chivalrous behaviour in an Australian setting, is for women to live up to the impossible standards imposed on them by tradition and the whimsy of men. Creator An entity primarily responsible for making the resource Creeve Roe (Victor Daley) Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 15 September 1904, p.15 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) â€˜Romanceâ€™ chivalry Creeve Roe death of chivalry debate Petrarch romance sonnet Victor Daley (1858-1905) https://ausmed.arts.uwa.edu.au/files/original/601b08ca78e01a5dab5005ce22bc97b0.jpg c3e86d64e42a281cc480b8791f865d52 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3505 Width 2082 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘A Ro-Me-Owe and Jew-Liet Revival (New Reading)’, The Bulletin, 17 November 1904 Subject The topic of the resource Balcony scene, Bulletin cartoons, economy, Her Majesty’s Theatre, I.O.U., James C. Williamson (1845-1913), Livingston Hopkins aka ‘Hop’ (1846-1927), loan, Miss Tittell Brune (1875-1974), New South Wales, NSW State loans, Romeo and Juliet, satire, Sir Joseph Carruthers (1856-1932), state politics, Sydney Morning Herald, William Shakespeare (c.1564-1616), usury. Description An account of the resource ‘Hop’ produced this Bulletin cartoon at a time when J. C. Williamson’s theatre company was staging William Shakespeare’s ‘Romeo and Juliet’ at Her Majesty’s Theatre in Sydney. The popular young American actress Miss Tittell Brune was in the starring role, with Mr R. A. Greenaway as Romeo and Mr Roy Redgrave (patriarch of the famous English acting family) as Mercutio (See The Sydney Morning Herald, Nov 12, 1904, p. 2. <a href="http://trove.nla.gov.au/ndp/del/page/1329960?" target="_blank">http://trove.nla.gov.au/ndp/del/page/1329960?</a>) Judging from reviews written at the time, Miss Brune’s “charming” balcony performance was hugely successful (See, for example, The Sydney Morning Herald, Nov 16, 1904, p. 2. <a href="http://trove.nla.gov.au/ndp/del/page/1330003?" target="_blank">http://trove.nla.gov.au/ndp/del/page/1330003?</a>). So, Hop’s cartoon was not only timely but also bound to raise a laugh or a smile of recognition from Sydney theatre-goers. The NSW government was barely into its fifth month of office, and Sir Joseph Carruthers − who was both premier and treasurer − had inherited the difficult task of dealing with accumulated State debts. The Sydney Morning Herald calculated that NSW owed around £4,310,000, to be paid-off over thirty years (The Sydney Morning Herald, October 10, 1904, p. 6. <a href="http://trove.nla.gov.au/ndp/del/page/1329596?" target="_blank">http://trove.nla.gov.au/ndp/del/page/1329596?</a>). Subsequently, Hop depicts premier Carruthers fawning and gesticulating to a bored and stereotypically Jewish financier. In the background, three spheres suspended in the night sky represent usury. Hop’s critique of the NSW economy is clearly designed to keep the matter firmly under continuous (and sceptical) public scrutiny. Creator An entity primarily responsible for making the resource Livingston Hopkins (â€˜Hopâ€™) Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 17 November 1904, Cover Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) Balcony scene Bulletin cartoons economy Her Majestyâ€™s Theatre I.O.U. James C. Williamson (1845-1913) Livingston Hopkins aka â€˜Hopâ€™ (1846-1927) loan Miss Tittell Brune (1875-1974) New South Wales NSW State loans Romeo and Juliet satire Sir Joseph Carruthers (1856-1932) state politics Sydney Morning Herald usury William Shakespeare (c.1564-1616) https://ausmed.arts.uwa.edu.au/files/original/eafeb3cf9c0800d5cdf8fff9f073ce2e.jpg cbe925ec00a56c53004a423779944d21 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3503 Width 868 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘My Lady of the Lake’, The Bulletin, 15 December 1904 Subject The topic of the resource Adam Lindsay Gordon (1833-1870), Alfred Lord Tennyson (1809-1892), Algernon Charles Swinburne (1837-1909), Arthurian myth, Charles Crawford, Ex-Voto, Geoffrey Chaucer (c.1343-1400), Joyous Garde, Nixon Waterman (1859-1944), Sir Walter Scott (1771-1832), The Girl Who Loved Him So, The Lady of Shallot, The Lady of the Lake, The Parliament of Fowls, Victorian medievalism, Victorian poetry. Description An account of the resource This light-hearted poem by Charles Crawford is packed with poetic allusion, and with classical, medieval, and medievalist references. We find mention of several beautiful women from classical antiquity: Queen Semiramis, Eurydice, Judith, Cytheris, and Helen of Troy. However, this is similar to a listing that renowned medieval author Geoffrey Chaucer provides in The Parliament of Fowls. There is also a barely altered line from Adam Lindsay Gordon’s medievalist poem Joyous Garde, which Crawford renders: “And mute and still I stood, until” (as opposed to Gordon’s “And I stood watching [...] still and mute”). They amount to much the same thing: the fascinated and enraptured male gaze. Additionally, there is half a line from a poem by American writer and columnist Nixon Waterman, and Charles Swinburne is represented through use of the descriptive phrase “[That in] my veins like wine.” Yet, this poem is not some wistful legend revived by Sir Walter Scott or Lord Tennyson as the title would suggest. It is an Australian poem (for we hear “The bell-bird’s call”) and a pragmatic worldly poem, which rather pokes fun at nostalgic Romantic styles: But shame on it, to think a bit Of muslin skirt, Combined with witchery and wit, And Venus modelled into it [...] Should get beneath a fellow’s guard, And hit him straight and hit him hard. Creator An entity primarily responsible for making the resource Charles Crawford Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 15 December 1904, p.39 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) Adam Lindsay Gordon (1833-1870) Alfred Lord Tennyson (1809-1892) Algernon Charles Swinburne (1837-1909) Arthurian myth Charles Crawford Ex-Voto Geoffrey Chaucer (c.1343-1400) Joyous Garde Nixon Waterman (1859-1944) Sir Walter Scott (1771-1832) The Girl Who Loved Him So The Lady of Shallot The Lady of the Lake The Parliament of Fowls Victorian medievalism Victorian poetry https://ausmed.arts.uwa.edu.au/files/original/4e74dcc6880fa8684441c60007a05317.JPG 3c85d2898d879c5e0827066eb8cfeee7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism in the Classroom Description An account of the resource This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph;JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Louise Dâ€™Arcens, â€˜Comic Medievalismâ€™ presentation Subject The topic of the resource â€˜Comic Medievalismâ€™, â€˜Comic Medievalism: Why and How the Middle Ages make us Laughâ€™, conference, Louise Dâ€™Arcens, humour, Perth, plenary, presentation, â€˜Receptionsâ€™, University of Western Australia, University of Wollongong, WA, Western Australia. Description An account of the resource This photograph was taken during the early part of a plenary paper by Louise Dâ€™Arcens of the University of Wollongong titled â€˜Comic Medievalism: Why and How the Middle Ages make us Laughâ€™. The paper was presented at the PMRG/CMEMS conference â€˜Receptions: Medieval and Early Modern Cultural Appropriationsâ€™ held at the University of Western Australia in August. Louise's paper, which is part of ongoing research, investigated a number of twentieth century examples of medievalism used for comic purposes. It was one of a number of papers on the theme of medievalism presented during the conference. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource August 18, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph â€˜Comic Medievalism: Why and How the Middle Ages make us Laughâ€™ â€˜Comic Medievalismâ€™ â€˜Receptionsâ€™ conference humour Louise Dâ€™Arcens Perth plenary presentation University of Western Australia University of Wollongong. WA Western Australia