122 8 1266 https://ausmed.arts.uwa.edu.au/files/original/bfd1136202794b03ee2c6f9085551f2f.JPG 52564462e7cdc950fdb01a72e58b89d0 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/e7e0357024bdd0a7f53ed1e041cb64f0.JPG 007d8f8e595501e641ae4267bd5161f2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Mary’s Cathedral exterior, Hobart, Tasmania Subject The topic of the resource Blind arcading, buttress, Catholic, finial, Gothic, Gothic Revival, Hobart, Henry Hunter, lancet window, Daniel Murphy, niche, rose window, St Mary’s Cathedral, Tas, Tasmania, tower, tracery, William Wardell, Robert William Willson, Bishop Willson. Description An account of the resource <p>The building of St Mary&rsquo;s Catholic Cathedral, Hobart, Tasmania, was instigated by Tasmania&rsquo;s first Catholic bishop, Robert William Willson (1794-1866). The building was designed by William Wardell and built between 1860 and 1866, supervised by Henry Hunter (1832-1892). It was opened by Willson's successor Bishop Daniel Murphy(1815-1907). However the building was found to be faulty and had to be largely dismantled and rebuilt to a modified design by Hunter&nbsp;between 1876 and 1881. The sandstone building is in the Gothic Revival style with blind arcading, buttresses, a rose window, niches, pointed arch doorways and windows (with tracery), pointed finials, lancet windows. The tower of the original cathedral did not survive the redesign. The extension to the right of the cathedral was added in 2010.</p> <p>For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1140">http://ausmed.arts.uwa.edu.au/items/show/1140</a></p> <p>For the Norman font see <a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a></p> <p>&nbsp;</p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a></p> <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1140">http://ausmed.arts.uwa.edu.au/items/show/1140</a></p> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Bishop Willson. blind arcading buttress Catholic Daniel Murphy finial Gothic Gothic Revival Henry Hunter Hobart lancet window niche Robert William Willson rose window St Mary’s Cathedral Tas Tasmania tower tracery William Wardell https://ausmed.arts.uwa.edu.au/files/original/729e3bb60add624f743ad69cf9e3db5d.JPG 89fcaae902cc004ba48e45242d88bb19 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Mary’s Cathedral interior, Hobart, Tasmania Subject The topic of the resource Catholic, Gothic, Gothic Revival, William Hall, John Hardman, Hardman Studio, high alter, Hobart, Henry Hunter, lancet window, St Mary’s Cathedral, Byron Malloy, tabernacle, Tas, Tasmania, tower, tracery, William Wardell, Robert William Willson, Bishop Willson. Description An account of the resource <p>The building of St Mary&rsquo;s Catholic Cathedral, Hobart, Tasmania, was instigated by Tasmania&rsquo;s first Catholic bishop, Robert William Willson (1794-1866). The building was designed by William Wardell and built between 1860 and 1866, supervised by Henry Hunter (1832-1892). It was opened by Willson's successor Bishop Daniel Murphy (1815-1907). However the building was found to be faulty and had to be largely dismantled and rebuilt to a modified design by Hunter between 1876 and 1881. The building is in the Gothic Revival style. The interior includes pointed arch windows and columns supporting pointed arch openings within the nave. A survival from the original cathedral is the Hardman window. The stained glass window was made by the Hardman Studio run by John Hardman in Birmingham, England. It is based on Gothic windows of the fourteenth century and features five lancet windows and tracery. It is a memorial to Bishop William and his Vicar-General William Hall (1807-1866). Below the window is the tabernacle. It is made from the remains of the high alter carved by Byron Malloy that was installed at the re-opening of the cathedral in 1881.</p> <p>For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1138">http://ausmed.arts.uwa.edu.au/items/show/1138</a></p> <p>For the Norman font see <a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1138">http://ausmed.arts.uwa.edu.au/items/show/1138</a></p> <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a></p> Format The file format, physical medium, or dimensions of the resource Digital Photograph Bishop Willson. Byron Malloy Catholic Gothic Gothic Revival Hardman Studio Henry Hunter high alter Hobart John Hardman lancet window Robert William Willson St Mary’s Cathedral tabernacle Tas Tasmania tower tracery William Hall William Wardell https://ausmed.arts.uwa.edu.au/files/original/e10af5eb5071dac18e3dde48c6aa65cf.jpg 5d6e9bc5259ecf5dc0f9871523812614 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 622 Width 933 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Mary’s Cathedral, Sydney Subject The topic of the resource Basilica, Catholic, Gothic, Gothic Revival, Hennessy, Hennessy and Co, minor basilica, New South Wales, NSW, pointed arched windows, rose window, spire, stained glass, Sydney, tower, tracery, William Wardell, saint, Mary, St. Mary, St Mary, Saint Mary Description An account of the resource <p>The present St Mary&rsquo;s Catholic Cathedral was designed by English architect William Wardell, with minor changes made by local architects Hennessy, Hennessy and Co. Although the foundation stone was laid in 1868, the cathedral was not completed until 2000 when the spires originally planned by Wardell were finally built. The sandstone building is the largest church in Australia and is unusual in being orientated north-south rather than east-west. In 1930 the cathedral was granted the title of minor basilica by Pope Pius XI. It is in Gothic style with pointed arched windows, spires, towers, stained glass, tracery, and rose windows.</p> For more on the cathedral see <a href="http://www.stmaryscathedral.org.au/" target="_blank">http://www.stmaryscathedral.org.au/</a> Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Basilica Catholic Gothic Gothic Revival Hennessy Hennessy and Co Mary minor basilica New South Wales NSW pointed arched windows rose window saint Saint Mary spire St Mary St. Mary stained glass Sydney tower tracery William Wardell https://ausmed.arts.uwa.edu.au/files/original/9a1ca66a6f9de5d01302917439fde346.jpg 9c42137182e0ebb39fc7bb2f5928bcbf Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 653 Width 980 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Mary’s Cathedral, Sydney Subject The topic of the resource Basilica, Catholic, Gothic, Gothic Revival, Hennessy, Hennessy and Co, minor basilica, New South Wales, NSW, pointed arched windows, rose window, spire, stained glass, Sydney, tower, tracery, William Wardell Description An account of the resource <p>The present St Mary&rsquo;s Catholic Cathedral was designed by English architect William Wardell, with minor changes made by local architects Hennessy, Hennessy and Co. Although the foundation stone was laid in 1868, the cathedral was not completed until 2000 when the spires originally planned by Wardell were finally built. The sandstone building is the largest church in Australia and is unusual in being orientated north-south rather than east-west. In 1930 the cathedral was granted the title of minor basilica by Pope Pius XI. It is in Gothic style with pointed arched windows, spires, towers, stained glass, tracery, and rose windows.</p> <p>For more on the cathedral see <a href="http://www.stmaryscathedral.org.au/" target="_blank">http://www.stmaryscathedral.org.au/</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource February 4, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Basilica Catholic Gothic Gothic Revival Hennessy Hennessy and Co minor basilica New South Wales NSW pointed arched windows rose window spire stained glass Sydney tower tracery William Wardell https://ausmed.arts.uwa.edu.au/files/original/59d38462a86e5658dbbc3792c5089b8a.jpg 66594dc521f39d9fc643b7e6f9004c2e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1045 Width 697 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Mary’s Cathedral, Sydney Subject The topic of the resource Basilica, Catholic, Gothic, Gothic Revival, Hennessy, Hennessy and Co, minor basilica, New South Wales, NSW, pointed arched windows, rose window, spire, stained glass, Sydney, tower, tracery, William Wardell Description An account of the resource <p>This photograph shows the entrance to St Mary's Cathedral in Sydney, including twin towers topped with spires, a rose window, lancet windows with tracery,&nbsp;and a grand pointed-arch entrance. The cathedral is in the&nbsp;Gothic architectural style.</p> <p>The present St Mary&rsquo;s Catholic Cathedral was designed by English architect William Wardell, with minor changes made by local architects Hennessy, Hennessy and Co. Although the foundation stone was laid in 1868, the cathedral was not completed until 2000 when the spires originally planned by Wardell were finally built. The sandstone building is the largest church in Australia and is unusual in being orientated north-south rather than east-west. In 1930 the cathedral was granted the title of minor basilica by Pope Pius XI.</p> For more on the cathedral see <a href="http://www.stmaryscathedral.org.au/" target="_blank">http://www.stmaryscathedral.org.au/</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource February 4, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Basilica Catholic Gothic Gothic Revival Hennessy Hennessy and Co minor basilica New South Wales NSW pointed arched windows rose window spire stained glass Sydney tower tracery William Wardell https://ausmed.arts.uwa.edu.au/files/original/c20eaaa45ada3f5b2a006e49da54db48.jpg c3b268b5912a021991a42a355419e800 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 648 Width 972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Mary’s Cathedral, Sydney, New South Wales Subject The topic of the resource Basilica, Catholic, Gothic, Gothic Revival, Hennessy, Hennessy and Co, minor basilica, New South Wales, NSW, pointed arched windows, rose window, spire, stained glass, Sydney, tower, tracery, William Wardell Description An account of the resource <p>The present St Mary&rsquo;s Catholic Cathedral was designed by English architect William Wardell, with minor changes made by local architects Hennessy, Hennessy and Co. Although the foundation stone was laid in 1868, the cathedral was not completed until 2000 when the spires originally planned by Wardell were finally built. The sandstone building is the largest church in Australia and is unusual in being orientated north-south rather than east-west. In 1930 the cathedral was granted the title of minor basilica by Pope Pius XI. It is in Gothic style with pointed arched windows, spires, towers, stained glass, tracery, and rose windows.</p> For more on the cathedral see <a href="http://www.stmaryscathedral.org.au/" target="_blank">http://www.stmaryscathedral.org.au/</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource February 4, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Basilica Catholic Gothic Gothic Revival Hennessy Hennessy and Co minor basilica New South Wales NSW pointed arched windows rose window spire stained glass Sydney tower tracery William Wardell https://ausmed.arts.uwa.edu.au/files/original/4cf5ff44cd6c020fa1650690c2a33f78.JPG bb52a9de6b74f475a9e8b2e354b6daca Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/70e183479a614aa2bff806e54ebb34d3.JPG 39f6e721ece0f6f645715590958f9aa3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Mary’s Church of England, Kempton, Tasmania Subject The topic of the resource Anglican, James Blackburn, buttress, Church of England, Gothic, Gothic Revival, Kempton, lancet window, pointed arch, Romanesque, St Mary’s Church of England, semi-circular arch, Tas, Tasmania, tower. Description An account of the resource St Mary’s Church of England (now Anglican) is in the small Tasmanian town of Kempton. The foundation stone for the sandstone church was laid in 1839 and it opened in 1844. It is thought that the church was designed by the convict architect James Blackburn (1803-1854). The church is in the Gothic Revival style and features lancet windows (the small ones at the front are concreted up), including groups of three lancet windows at the building’s east and west, buttresses, and a pointed arch door and doorway. The square tower is unfinished, resulting in the bell being housed in a smaller structure on its top. Surprisingly, this addition has three Romanesque semi-circular arches on each side rather than the Gothic pointed arches used elsewhere on the building. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican buttress Church of England Gothic Gothic Revival James Blackburn Kempton lancet window pointed arch Romanesque semi-circular arch St Mary’s Church of England Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/9bed9650818579aa372a53aa6987b697.JPG 31c8531d170e3089a7bf621cfbfd19f1 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/6b76f5b06f615d46c6c43eeadc105172.JPG a37313413d29ee2053497fc7de0a9e38 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/eb1940bb626e208704c0678ec91b3d58.JPG 1d8410e485a90026911b25ff48834c29 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Mary’s College, Hobart, Tasmania Subject The topic of the resource Buttress, Catholic, education, Gothic, Gothic Revival, Hobart, Henry Hunter, lancet window, St Mary’s Cathedral, St Mary’s College, Daniel Murphy, niche, lancet windows, pointed arch, Presentation Sisters, school, Tas, Tasmania, tower, tracery. Description An account of the resource St Mary’s College is a day school for girls is located beside St Mary’s Catholic Cathedral in Hobart, Tasmania. The opening of the college was instigated by Bishop Daniel Murphy (1815-1907) in 1866 when he invited his sister Mother Superior Francis Murphy and four other Presentation Sisters to Hobart from Ireland. The school opened in February 1868. The original convent and school rooms were designed by architect Henry Hunter (1832-1892) and are still in use. The school is still administered by the Presentation Sisters. The large convent building (photograph one and two) includes Gothic features such as the pointed arch doorway, buttresses, pointed arch windows with tracery on the third storey, and three lancet windows in the tower. The smaller school building (photograph three) is in the Gothic Revival style and includes corner buttresses and groups of three lancet windows. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph buttress Catholic Daniel Murphy education Gothic Gothic Revival Henry Hunter Hobart lancet window lancet windows niche pointed arch Presentation Sisters school St Mary’s Cathedral St Mary’s College Tas Tasmania tower tracery.