121 8 1266 https://ausmed.arts.uwa.edu.au/files/original/bfd1136202794b03ee2c6f9085551f2f.JPG 52564462e7cdc950fdb01a72e58b89d0 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/e7e0357024bdd0a7f53ed1e041cb64f0.JPG 007d8f8e595501e641ae4267bd5161f2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Maryâ€™s Cathedral exterior, Hobart, Tasmania Subject The topic of the resource Blind arcading, buttress, Catholic, finial, Gothic, Gothic Revival, Hobart, Henry Hunter, lancet window, Daniel Murphy, niche, rose window, St Maryâ€™s Cathedral, Tas, Tasmania, tower, tracery, William Wardell, Robert William Willson, Bishop Willson. Description An account of the resource The building of St Mary’s Catholic Cathedral, Hobart, Tasmania, was instigated by Tasmania’s first Catholic bishop, Robert William Willson (1794-1866). The building was designed by William Wardell and built between 1860 and 1866, supervised by Henry Hunter (1832-1892). It was opened by Willson's successor Bishop Daniel Murphy(1815-1907). However the building was found to be faulty and had to be largely dismantled and rebuilt to a modified design by Hunter between 1876 and 1881. The sandstone building is in the Gothic Revival style with blind arcading, buttresses, a rose window, niches, pointed arch doorways and windows (with tracery), pointed finials, lancet windows. The tower of the original cathedral did not survive the redesign. The extension to the right of the cathedral was added in 2010. For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1140">http://ausmed.arts.uwa.edu.au/items/show/1140</a> For the Norman font see <a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a>   Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1140">http://ausmed.arts.uwa.edu.au/items/show/1140</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Bishop Willson. blind arcading buttress Catholic Daniel Murphy finial Gothic Gothic Revival Henry Hunter Hobart lancet window niche Robert William Willson rose window St Maryâ€™s Cathedral Tas Tasmania tower tracery William Wardell https://ausmed.arts.uwa.edu.au/files/original/8b61ef7242ab2cebbb6229f05e58b4c0.JPG 71682468f0de1c0ec285bebba21643e3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/191ba9176ebd6dd0c2a80dd0cf47aabf.JPG e3477f47718a56addc824d8b868e8f90 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guard Tower, Port Arthur, Tasmania Subject The topic of the resource Castle, Charles Oâ€™Hara Booth, convict, crenellation, Guard Tower, Military Complex, parapet, Point Puer, Port Arthur, Tas, Tasmania, tower. Description An account of the resource The well preserved Guard Tower at Port Arthur, Tasmania, was a central part of the penal colony’s Military Complex. The tower was built in 1836 during the rule of Commandant Charles O’Hara Booth (1800-1851). It was built with convict labour, and the stones were shaped by the boys at the nearby Point Puer Juvenile Establishment. The guard tower is in a prominent elevated position and resembles a medieval castle tower with its crenelated parapet. For the Military Complex see <a href="http://ausmed.arts.uwa.edu.au/items/show/1142">http://ausmed.arts.uwa.edu.au/items/show/1142</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 7, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1142">http://ausmed.arts.uwa.edu.au/items/show/1142</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph castle Charles Oâ€™Hara Booth convict crenellation Guard Tower Military Complex parapet Point Puer Port Arthur Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/729e3bb60add624f743ad69cf9e3db5d.JPG 89fcaae902cc004ba48e45242d88bb19 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Maryâ€™s Cathedral interior, Hobart, Tasmania Subject The topic of the resource Catholic, Gothic, Gothic Revival, William Hall, John Hardman, Hardman Studio, high alter, Hobart, Henry Hunter, lancet window, St Maryâ€™s Cathedral, Byron Malloy, tabernacle, Tas, Tasmania, tower, tracery, William Wardell, Robert William Willson, Bishop Willson. Description An account of the resource The building of St Mary’s Catholic Cathedral, Hobart, Tasmania, was instigated by Tasmania’s first Catholic bishop, Robert William Willson (1794-1866). The building was designed by William Wardell and built between 1860 and 1866, supervised by Henry Hunter (1832-1892). It was opened by Willson's successor Bishop Daniel Murphy (1815-1907). However the building was found to be faulty and had to be largely dismantled and rebuilt to a modified design by Hunter between 1876 and 1881. The building is in the Gothic Revival style. The interior includes pointed arch windows and columns supporting pointed arch openings within the nave. A survival from the original cathedral is the Hardman window. The stained glass window was made by the Hardman Studio run by John Hardman in Birmingham, England. It is based on Gothic windows of the fourteenth century and features five lancet windows and tracery. It is a memorial to Bishop William and his Vicar-General William Hall (1807-1866). Below the window is the tabernacle. It is made from the remains of the high alter carved by Byron Malloy that was installed at the re-opening of the cathedral in 1881. For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1138">http://ausmed.arts.uwa.edu.au/items/show/1138</a> For the Norman font see <a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1138">http://ausmed.arts.uwa.edu.au/items/show/1138</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph Bishop Willson. Byron Malloy Catholic Gothic Gothic Revival Hardman Studio Henry Hunter high alter Hobart John Hardman lancet window Robert William Willson St Maryâ€™s Cathedral tabernacle Tas Tasmania tower tracery William Hall William Wardell https://ausmed.arts.uwa.edu.au/files/original/9bed9650818579aa372a53aa6987b697.JPG 31c8531d170e3089a7bf621cfbfd19f1 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/6b76f5b06f615d46c6c43eeadc105172.JPG a37313413d29ee2053497fc7de0a9e38 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/eb1940bb626e208704c0678ec91b3d58.JPG 1d8410e485a90026911b25ff48834c29 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Maryâ€™s College, Hobart, Tasmania Subject The topic of the resource Buttress, Catholic, education, Gothic, Gothic Revival, Hobart, Henry Hunter, lancet window, St Maryâ€™s Cathedral, St Maryâ€™s College, Daniel Murphy, niche, lancet windows, pointed arch, Presentation Sisters, school, Tas, Tasmania, tower, tracery. Description An account of the resource St Maryâ€™s College is a day school for girls is located beside St Maryâ€™s Catholic Cathedral in Hobart, Tasmania. The opening of the college was instigated by Bishop Daniel Murphy (1815-1907) in 1866 when he invited his sister Mother Superior Francis Murphy and four other Presentation Sisters to Hobart from Ireland. The school opened in February 1868. The original convent and school rooms were designed by architect Henry Hunter (1832-1892) and are still in use. The school is still administered by the Presentation Sisters. The large convent building (photograph one and two) includes Gothic features such as the pointed arch doorway, buttresses, pointed arch windows with tracery on the third storey, and three lancet windows in the tower. The smaller school building (photograph three) is in the Gothic Revival style and includes corner buttresses and groups of three lancet windows. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph buttress Catholic Daniel Murphy education Gothic Gothic Revival Henry Hunter Hobart lancet window lancet windows niche pointed arch Presentation Sisters school St Maryâ€™s Cathedral St Maryâ€™s College Tas Tasmania tower tracery. https://ausmed.arts.uwa.edu.au/files/original/57898b6e12b67098982ebc41811ff890.JPG f434767cd9fd534dfdb1b94eea357abc Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/56b896ae51d90848e2233539138b3d5b.JPG a516869bdd36b02e751de20f9daa7d93 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/0e8b3522f845fd4d7d01c60f68abb56d.JPG 360f8c8fdf71b345390155db82c56fbd Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Military Complex, Port Arthur, Tasmania Subject The topic of the resource Castle, Charles Oâ€™Hara Booth, convict, crenellation, Guard Tower, Military Complex, parapet, Point Puer, Port Arthur, Tas, Tasmania, tower. Description An account of the resource The Military Complex at the penal colony of Port Arthur, Tasmania, is situated in a prominent position overlooking the harbour. It is the third military complex on the site and was built in 1847, with the central tower built in 1836. Both were built during the rule of Commandant Charles O’Hara Booth (1800-1851) and they are situated next to the Commandant’s House which was built for him. The complex was built with convict labour, and the stones of the central tower were shaped by the boys at the nearby Point Puer Juvenile Establishment. No doubt in part due to practical considerations, the Military Complex resembles a medieval castle, with the central round Guard Tower flanked by two smaller round towers, all of which are topped by crenelated parapets. The towers are separated by a strong stone wall. For the Guard Tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1139">http://ausmed.arts.uwa.edu.au/items/show/1139</a> For a smaller round tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1144">http://ausmed.arts.uwa.edu.au/items/show/1144</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 7, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1139">http://ausmed.arts.uwa.edu.au/items/show/1139</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1144">http://ausmed.arts.uwa.edu.au/items/show/1144</a> Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph castle Charles Oâ€™Hara Booth convict crenellation Guard Tower Military Complex parapet Point Puer Port Arthur Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/2e59fd45accaf3a182fc7e3c1329e638.JPG cc56d16aaa4706227fb048e25bc33013 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) Methodist Church, Westbury, Tasmania Subject The topic of the resource Bellcote, buttress, Crouch and Wilson, Gothic, Gothic Revival, lancet window, Methodist, Methodist Church, pointed arch, Tas, Tasmania, tracery, Uniting Church, Westbury. Description An account of the resource The current Uniting Church in the small Tasmanian town of Westbury was built as a Methodist Church. Building commenced in 1865 and it was completed in March 1867. It was designed by the Melbourne architectual firm (Thomas) Crouch and (Ralph) Wilson. The brick and pressed cement building is in the Gothic Revival style and based on late thirteenth century English churches. It features pointed arch doorway and windows, window tracery on the large window above the entrance, buttresses, a bellcote, and lancet windows. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 20, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph bellcote buttress Crouch and Wilson Gothic Gothic Revival Methodist Methodist Church pointed arch Tas Tasmania tracery Uniting Church. Westbury https://ausmed.arts.uwa.edu.au/files/original/5c3546402527a17e89b74da451e7980c.JPG 4e8c4a3194809c4182fcc9ac5f5ee6cf Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Round tower, Port Arthur, Tasmania Subject The topic of the resource Castle, Charles Oâ€™Hara Booth, convict, crenellation, Guard Tower, Military Complex, parapet, Port Arthur, round tower, Tas, Tasmania, tower. Description An account of the resource This small round tower is part of the Military Complex at the penal colony of Port Arthur, Tasmania. The complex is situated in a prominent position overlooking the harbour. It is the third military complex on the site and was built in 1847, with the central tower built in 1836. Both were built during the rule of Commandant Charles O’Hara Booth (1800-1851) and they are situated next to the Commandant’s House which he had built. The complex was built with convict labour. No doubt in part due to practical considerations, the Military Complex resembles a medieval castle, with the central round Guard Tower flanked by two smaller round towers, all of which are topped by crenelated parapets. The towers are separated by a strong stone wall. As can be seen in this photograph, the towers were made to be used. The small round tower was entered from the rear and was large enough to accommodate a guard who would be able to look out over the harbour and shoot down on anyone approaching. The crenellation would provide some protection. For the Military Complex see <a href="http://ausmed.arts.uwa.edu.au/items/show/1142">http://ausmed.arts.uwa.edu.au/items/show/1142</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 7, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1142">http://ausmed.arts.uwa.edu.au/items/show/1142</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph castle Charles Oâ€™Hara Booth convict crenellation Guard Tower Military Complex parapet Port Arthur round tower Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/869d8b74245b8d5451007ab33d135d59.JPG 1e827c28a97916a563bdd80955f7fc12 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/04ec37c03f6318673515b13a56677159.JPG 82b72a74b7f44ca152d74f4031b671e3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Davidâ€™s Cathedral tower, Hobart, Tasmania Subject The topic of the resource Anglican, George Frederick Bodley, buttress, crenellation, gargoyle, Gothic, Gothic Revival, Hobart, lancet window, parapet, pointed arch, St Davidâ€™s Cathedral, spire, Tas, Tasmania, tower, tracery, turret, Alan Cameron Walker. Description An account of the resource The square bell tower of St David’s Cathedral, Hobart, was completed in 1936 after the foundation stone had been laid in 1892. The cathedral was designed in 1865 by English architect George Frederick Bodley (1827-1907), and the tower may have been part of his revisions in 1891. However, Hobart architect Alan Cameron Walker (1864-1931) was also involved in the design. The stone tower is in the Gothic Revival style and includes a crenelated parapet, lancet windows, a corner turret topped by a spire, buttresses, a pointed arch doorway, window tracery, and gargoyles. George Bodley was a well known architect working in the Gothic Revival style, and in particular he was influenced by late medieval architecture from England and northern Europe. His best known work is perhaps Magdalen College, Oxford.  For the Bodley font see <a href="http://ausmed.arts.uwa.edu.au/items/show/1149">http://ausmed.arts.uwa.edu.au/items/show/1149</a> For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1149">http://ausmed.arts.uwa.edu.au/items/show/1149</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Alan Cameron Walker Anglican buttress crenellation gargoyle George Frederick Bodley Gothic Gothic Revival Hobart lancet window parapet pointed arch spire St Davidâ€™s Cathedral Tas Tasmania tower tracery turret.