119 8 1266 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.sthuberts.com.au/history/who" target="_blank">http://www.sthuberts.com.au/history/who</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Hubertâ€™s Vineyard, Coldstream, Victoria Subject The topic of the resource Antlers, Austrasia, Coldstream, cross, emblem, Franks, Hubert de Castella, hunters, Neustria, patron saint, Pepin of Heristal, saint, St Hubert, stag, symbolism, Victoria, VIC, vineyard, vision, winery, Yarra Valley Description An account of the resource St Hubertâ€™s vineyard in Coldstream, Victoria, was founded by Hubert de Castella in 1862. It is named after St Hubert, the â€˜Apostle of Ardennesâ€™ and patron saint of hunters. Born c.656, Hubert was the eldest son of Bertrand, Duke of Aquitaine. He was a prominent member at the Court of Neustria in his youth and later (after fleeing to the Eastern Frankish territories) at Pepin of Heristalâ€™s Court in Austrasia. He is believed to have increasingly prioritised hunting over religious observance, which culminated sometime soon after his marriage (682) in a vision of a stag carrying a shining cross between his antlers. The stag told him to transform his ways or he would go to hell. Henceforth, he distributed his wealth amongst the poor, renounced his dukedom, was ordained as a priest, founded a number of monasteries and engaged in missionary work until his death in c.727. In homage to this legend, the St Hubertâ€™s Vineyard emblem features a stag and a cross. Creator An entity primarily responsible for making the resource St. Hubert's Date A point or period of time associated with an event in the lifecycle of the resource 2012 Rights Information about rights held in and over the resource St. Hubert's Format The file format, physical medium, or dimensions of the resource Hyperlink Antlers Austrasia Coldstream cross emblem Franks Hubert de Castella hunters Neustria patron saint Pepin of Heristal saint St Hubert stag symbolism Vic Victoria vineyard vision winery Yarra Valley https://ausmed.arts.uwa.edu.au/files/original/16f5d7e0c7f6cc019a852adf57573f2f.jpg 402e94eb307ba6424187ae4601a8d5df Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 610 Width 813 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Ildephonsusâ€™ Chapel Interior, New Norcia Subject The topic of the resource Altar, altarpiece, Art, artwork, Benedictine monks, Benedictines, boarding school, Byzantine style, Catholic church, Catholic college, Catholic education, chapel, De virginitate sanctae mariae, hagiography, interior, Marist Brothers, Mary, monastery, monasticism, monks, New Norcia, Order of St Benedict, painting, saint, Spanish influence, Spanish mission, St Benedict of Nursia, St Ildephonsus, St Ildephonsusâ€™ College, vestment, Virgin Mary, virginity, WA, Western Australia Description An account of the resource A view of the chapel interior at St Ildephonsus’ College in New Norcia. St Ildephonsus was a seventh-century monk at the Benedictine monastery of Agli near Toledo. From 657 until his death in 667, he served as the Archbishop of Toledo. One of his works, De Virginitate Sanctae Mariae, is a treatise defending the perpetual virginity of Mary. The painting above the altarpiece in the New Norcia chapel depicts the hagiographical legend in which Mary appeared before Ildephonsus and presented him with a priestly vestment as a reward for honouring her. About New Norcia: New Norcia is a monastic town located 132 km north of Perth in Western Australia. The town is owned and run by a community of Benedictine monks and houses one of only three Benedictine monasteries (for men) in Australia. At its height the monastery housed approximately 80 monks, but currently there are only seven in residence. The Benedictines are part of a religious order within the Catholic Church known as the Order of St Benedict (OSB). Benedictines live in small, largely autonomous communities and base their way of life on the Rule of St Benedict, which prioritises a balance of prayer and work and calls for promises of stability, obedience and a conversion of life. The first Benedictine community was established in the sixth-century in Italy by St Benedict of Nursia (c.480-547). Originally intended as a mission to evangelise and educate the indigenous peoples of the Victoria Plains, the site at New Norcia was founded in 1847 by two Spanish Benedictine missionaries, Dom José Benito Serra and Dom Rosendo Salvado. Serra’s involvement in the missionary activities at new Norcia decreased following his appointment as Co-adjutor Bishop of Perth in 1849, while Salvado (1814-1900) committed himself wholly to developing the mission and leading the monastic community. He subsequently became the key figure in the first 50 years of New Norcia’s history. He made numerous fundraising trips to Europe, which provided him with the means to purchase books, vestments, artwork and equipment for the community and also to oversee the construction of new buildings. He died in Rome in 1900 and his body was returned to New Norcia. Under Salvado’s successor, Bishop Fulgentius Torres (1861-1914), New Norcia became more like a traditional monastic settlement. An increased focus on education and artistic pursuits led to the establishment of two schools and improvements to many of the town’s buildings. St Ildephonsus opened in 1913 as a boarding school for boys. It was staffed by Marist Brothers until 1965, when the Benedictines took over. The school closed in 1991 and is now used primarily as a venue for school camps. For more information on New Norcia, see the New Norcia Benedictine Community website: <a href="http://newnorcia.wa.edu.au/" target="_blank">http://newnorcia.wa.edu.au/</a>. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 7 January 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Altar altarpiece art artwork Benedictine monks Benedictines boarding school Byzantine style Catholic Church Catholic college Catholic education chapel De virginitate sanctae mariae hagiography interior Marist Brothers Mary monastery monasticism monks New Norcia Order of St Benedict painting saint Spanish influence Spanish mission St Benedict of Nursia St Ildephonsus St Ildephonsusâ€™ College vestment Virgin Mary virginity WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/e539ef246c65a06deaecae27baf6000d.JPG aca85fa40a18e6c442d391c31e8361e7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 804 IPTC Array a:2:{s:7:"caption";s:31:"OLYMPUS DIGITAL CAMERA ";s:11:"object_name";s:31:"OLYMPUS DIGITAL CAMERA ";} IPTC String caption:OLYMPUS DIGITAL CAMERA object_name:OLYMPUS DIGITAL CAMERA Width 603 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Ildephonsusâ€™ Chapel, New Norcia - Interior Subject The topic of the resource Altar, altarpiece, Art, artwork, Benedictine monks, Benedictines, boarding school, Byzantine style, Catholic church, Catholic college, Catholic education, chapel, De virginitate sanctae mariae, hagiography, interior, Marist Brothers, Mary, monastery, monasticism, monks, New Norcia, Order of St Benedict, painting, saint, Spanish influence, Spanish mission, St Benedict of Nursia, St Ildephonsus, St Ildephonsusâ€™ College, vestment, Virgin Mary, virginity, WA, Western Australia Description An account of the resource A view of the chapel interior at St Ildephonsus’ College in New Norcia. St Ildephonsus was a seventh-century monk at the Benedictine monastery of Agli near Toledo. From 657 until his death in 667, he served as the Archbishop of Toledo. One of his works, De Virginitate Sanctae Mariae, is a treatise defending the perpetual virginity of Mary. The painting above the altarpiece in the New Norcia chapel depicts the hagiographical legend in which Mary appeared before Ildephonsus and presented him with a priestly vestment as a reward for honouring her. About New Norcia: New Norcia is a monastic town located 132 km north of Perth in Western Australia. The town is owned and run by a community of Benedictine monks and houses one of only three Benedictine monasteries (for men) in Australia. At its height the monastery housed approximately 80 monks, but currently there are only seven in residence. The Benedictines are part of a religious order within the Catholic Church known as the Order of St Benedict (OSB). Benedictines live in small, largely autonomous communities and base their way of life on the Rule of St Benedict, which prioritises a balance of prayer and work and calls for promises of stability, obedience and a conversion of life. The first Benedictine community was established in the sixth-century in Italy by St Benedict of Nursia (c.480-547). Originally intended as a mission to evangelise and educate the indigenous peoples of the Victoria Plains, the site at New Norcia was founded in 1847 by two Spanish Benedictine missionaries, Dom José Benito Serra and Dom Rosendo Salvado. Serra’s involvement in the missionary activities at new Norcia decreased following his appointment as Co-adjutor Bishop of Perth in 1849, while Salvado (1814-1900) committed himself wholly to developing the mission and leading the monastic community. He subsequently became the key figure in the first 50 years of New Norcia’s history. He made numerous fundraising trips to Europe, which provided him with the means to purchase books, vestments, artwork and equipment for the community and also to oversee the construction of new buildings. He died in Rome in 1900 and his body was returned to New Norcia. Under Salvado’s successor, Bishop Fulgentius Torres (1861-1914), New Norcia became more like a traditional monastic settlement. An increased focus on education and artistic pursuits led to the establishment of two schools and improvements to many of the town’s buildings. St Ildephonsus opened in 1913 as a boarding school for boys. It was staffed by Marist Brothers until 1965, when the Benedictines took over. The school closed in 1991 and is now used primarily as a venue for school camps. For more information on New Norcia, see the New Norcia Benedictine Community website: <a href="http://newnorcia.wa.edu.au/" target="_blank">http://newnorcia.wa.edu.au/</a>. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 7 January 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Altar altarpiece art artwork Benedictine monks Benedictines boarding school Byzantine style Catholic Church Catholic college Catholic education chapel De virginitate sanctae mariae hagiography interior Marist Brothers Mary monastery monasticism monks New Norcia Order of St Benedict painting saint Spanish influence Spanish mission St Benedict of Nursia St Ildephonsus St Ildephonsusâ€™ College vestment Virgin Mary virginity WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/p1012337_cd64394cad.jpg c3dc6a895ebc92648eee8f5081be53ea Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 351 Width 640 https://ausmed.arts.uwa.edu.au/files/original/p1012339_79d401372b.jpg b7c503f8e00cad619e15ef0c6c6643c1 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 480 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Ildephonsusâ€™ College, New Norcia Subject The topic of the resource Architecture, Benedictine monks, Benedictines, Bishop Fulgentius Torres, boarding school, Byzantine style, Catholic church, Catholic college, Catholic education, Marist Brothers, monastery, monasticism, monks, New Norcia, Order of St Benedict, Spanish influence, Spanish mission, St Benedict of Nursia, St Ildephonsusâ€™ College Description An account of the resource St Ildephonsus College, New Norcia. St Ildephonsus opened in 1913 as a boarding school for boys. It was staffed by Marist Brothers until 1965, when the Benedictines took over. The school closed in 1991 and is now used primarily as a venue for school camps. About New Norcia: New Norcia is a monastic town located 132 km north of Perth in Western Australia. The town is owned and run by a community of Benedictine monks and houses one of only three Benedictine monasteries (for men) in Australia. At its height the monastery housed approximately 80 monks, but currently there are only seven in residence. The Benedictines are part of a religious order within the Catholic Church known as the Order of St Benedict (OSB). Benedictines live in small, largely autonomous communities and base their way of life on the Rule of St Benedict, which prioritises a balance of prayer and work and calls for promises of stability, obedience and a conversion of life. The first Benedictine community was established in the sixth-century in Italy by St Benedict of Nursia (c.480-547). Originally intended as a mission to evangelise and educate the indigenous peoples of the Victoria Plains, the site at New Norcia was founded in 1847 by two Spanish Benedictine missionaries, Dom José Benito Serra and Dom Rosendo Salvado. Serra’s involvement in the missionary activities at new Norcia decreased following his appointment as Co-adjutor Bishop of Perth in 1849, while Salvado (1814-1900) committed himself wholly to developing the mission and leading the monastic community. He subsequently became the key figure in the first 50 years of New Norcia’s history. He made numerous fundraising trips to Europe, which provided him with the means to purchase books, vestments, artwork and equipment for the community and also to oversee the construction of new buildings. He died in Rome in 1900 and his body was returned to New Norcia. Under Salvado’s successor, Bishop Fulgentius Torres (1861-1914), New Norcia became more like a traditional monastic settlement. An increased focus on education and artistic pursuits led to the establishment of two schools and improvements to many of the town’s buildings. For more information on New Norcia, see the New Norcia Benedictine Community website: <a href="http://newnorcia.wa.edu.au/" target="_blank">http://newnorcia.wa.edu.au/</a>. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 7 January 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph architecture Benedictine monks Benedictines Bishop Fulgentius Torres boarding school Byzantine style Catholic Church Catholic college Catholic education Marist Brothers monastery monasticism monks New Norcia Order of St Benedict Spanish influence Spanish mission St Benedict of Nursia St Ildephonsusâ€™ College https://ausmed.arts.uwa.edu.au/files/original/fd7b7487e547f9431449e801ab9b34c7.JPG a74d3272a644e331a4bce1f791b136a0 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/d0af7df4569e8ef87650b35685a8ac11.JPG d255f1baa7c59cf261b1e647aea1633f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/de4e3aa166a93ff7686e68928d2eeb63.JPG 5edfa6488cf875f04353d64af8246715 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St James of Jerusalem Church, Colebrook, Tasmania Subject The topic of the resource Anglican, bellcote, Colebrook, Gothic, Gothic Revival, Jerusalem, lancet windows, pointed arch, St James of Jerusalem Church, Tas, Tasmania. Description An account of the resource St James of Jerusalem Anglican Church is in the village of Colebrook, Tasmania. The sandstone building was built in 1884 in the Gothic Revival style with pointed arch doorways, a bellcote, and lancet windows. Jerusalem is the former name of Colebrook. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 5, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph Anglican bellcote Colebrook Gothic Gothic Revival Jerusalem lancet windows pointed arch St James of Jerusalem Church Tas Tasmania. https://ausmed.arts.uwa.edu.au/files/original/a95de8ef999f67b31d45fca5cdd46801.JPG 79dff599d567fff5122f69e9c4c79027 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/f2df53f96ede6fde697439e630885576.JPG 404698b929bd2457b0283ed6fecf20c3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/d81c864e73fe6828c12dd7812f07c959.JPG d757e2014f52fbb3a517e70e29aa5e9c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St John the Evangelistâ€™s Church exterior, Richmond, Tasmania Subject The topic of the resource Brian Andrews, buttress, Catholic, Rod Cooper, Henry Edmund Goodridge, Gothic, Gothic Revival, lancet windows, Alexander North, John Bede Polding, pointed arch, porch, Augustus Welby Northmore Pugin, Pugin, Richmond, St John the Evangelistâ€™s Church, spire, Tas, Tasmania, Frederick Thomas, tracery, turret, Robert William Willson, Bishop Willson. Description An account of the resource St John the Evangelist’s Church is in the village of Richmond, Tasmania, and is the oldest continuously used Catholic church in Australia. The present building is an amalgam of two designs. The earliest building was designed by the English (Bath) architect Henry Edmund Goodbridge (1800-1863) after John Bede Polding (1794-1877), Australia’s first Catholic bishop, obtained plans for several churches from Goodbridge before sailing to Australia in 1835. Polding laid the foundation stone in 1835 and the church was completed in 1837. The nave of the present building is from the original church. In 1859 additions were completed under the supervision of architect Frederick Thomas (1817-1885) from a detailed scale model made by the English architect Augustus Welby Northmore Pugin (1812-1852) in 1843. The model was made for Pugin’s friend Robert William Willson (1794-1866) who was the first Catholic Bishop in Tasmania. From Pugin’s design come the chancel (including the rear window with tracery), sacristy and spire. The building is in the Gothic Revival style with pointed arch doorways, buttresses, tracery, spire, stair turret, and lancet windows. The present spire is the third and a scaled down version of Pugin's original designed by architect Rod Cooper and added in 1972. The cross on top of the spire is all that remains of the second spire, designed by Alexander North (1858-1945) in 1893. Augustus Welby Northmore Pugin (1812-1852) played a central role in establishing the Gothic Revival style and is best remembered for his work on the Houses of Parliament in London, and the interior of the Palace of Westminster. For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1119" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1119</a>  For an essay on the church by Brian Andrews see <a href="http://www.puginfoundation.org/assets/Richmond_Essay.pdf" target="_self">http://www.puginfoundation.org/assets/Richmond_Essay.pdf</a> Creator An entity primarily responsible for making the resource McLeod, Shane (Essay by Brian Andrews) Date A point or period of time associated with an event in the lifecycle of the resource October 5, 2012 Rights Information about rights held in and over the resource No Copyright (Essay copyright Brian Andrews; Pugin Foundation) Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1119" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1119</a> Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph Alexander North Augustus Welby Northmore Pugin Bishop Willson. Brian Andrews buttress Catholic Frederick Thomas Gothic Gothic Revival Henry Edmund Goodridge John Bede Polding lancet windows pointed arch porch Pugin Richmond Robert William Willson Rod Cooper spire St John the Evangelistâ€™s Church Tas Tasmania tracery turret https://ausmed.arts.uwa.edu.au/files/original/e10ac942225a34cd7a483155cd0613b0.JPG 11ab1b1a7f3871ec046da41f9c0d2f81 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/3eef2bea0ce8b91b0b67e08767c67596.JPG e2418c843c4645b1479c983f21361822 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St John the Evangelistâ€™s Church interior, Richmond, Tasmania Subject The topic of the resource Brian Andrews, baptismal font, Catholic, font, Henry Edmund Goodridge, Gothic, Gothic Revival, lancet windows, John Bede Polding, pointed arch, Augustus Welby Northmore Pugin, Pugin, Richmond, St John the Evangelistâ€™s Church, Tas, Tasmania, Frederick Thomas, tiles, tracery, Robert William Willson, Bishop Willson. Description An account of the resource St John the Evangelist’s Church is in the village of Richmond, Tasmania, and is the oldest continuously used Catholic church in Australia. The present building is an amalgam of two designs. The earliest building was designed by the English (Bath) architect Henry Edmund Goodbridge (1800-1863) after John Bede Polding (1794-1877), Australia’s first Catholic bishop, obtained plans for several churches from Goodbridge before sailing to Australia in 1835. Polding laid the foundation stone in 1835 and the church was completed in 1837. The nave of the present building is from the original church. In 1859 additions were completed under the supervision of architect Frederick Thomas (1817-1885) from a parts of a detailed scale model made by the English architect Augustus Welby Northmore Pugin (1812-1852) in 1843. The model was made for Pugin’s friend Robert William Willson (1794-1866) who was the first Catholic Bishop in Tasmania. From Pugin’s design come the chancel (including the rear stained glass window with tracery seen in photograph two), sacristy and spire. Thomas designed the communion rails as the rood screen in Pugin’s model was too large for the building, as well as the pointed chancel arch. The interior also includes a font designed by Pugin in 1843. It was carved in England and brought to Tasmania by Bishop Wilson, and sits atop a platform of simple medieval-style tiles.   Augustus Welby Northmore Pugin (1812-1852) played a central role in establishing the Gothic Revival style and is best remembered for his work on the Houses of Parliament in London, and the interior of the Palace of Westminster. For the exterior see <a href="http://ausmed.arts.uwa.edu.au/admin/items/show/1117" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1117</a> For an essay on the church by Brian Andrews see <a href="http://www.puginfoundation.org/assets/Richmond_Essay.pdf" target="_self">http://www.puginfoundation.org/assets/Richmond_Essay.pdf</a> Creator An entity primarily responsible for making the resource McLeod, Shane (essay by Brian Andrews) Date A point or period of time associated with an event in the lifecycle of the resource October 5, 2012 Rights Information about rights held in and over the resource No Copyright (essay copyright Brian Andrews and the Pugin Foundation) Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/admin/items/show/1117">http://ausmed.arts.uwa.edu.au/items/show/1117</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Augustus Welby Northmore Pugin baptismal font Bishop Willson. Brian Andrews Catholic font Frederick Thomas Gothic Gothic Revival Henry Edmund Goodridge John Bede Polding lancet windows pointed arch Pugin Richmond Robert William Willson St John the Evangelistâ€™s Church Tas Tasmania tiles tracery https://ausmed.arts.uwa.edu.au/files/original/b01e4e5e4d8188c02ee0a084d617c297.jpg fe4a91149c8fa519380e6c5c6394ab9a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 600 Width 400 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Johnâ€™s Anglican Church, Kirribilli, Sydney, New South Wales Subject The topic of the resource Anglican, Edmund Thomas Blacket, buttress, Church by the Bridge, Church of St John the Baptist, St Johnâ€™s Anglican Church, Kirribilli, New South Wales, NSW, porch, Romanesque, Romanesque Revival, semi-circular arch, spire, Sydney, tower Description An account of the resource The Church of St John the Baptist, also known as St Johnâ€™s Anglican Church is in the Sydney, New South Wales, suburb of Kirribilli. It was originally built as a church school and was designed by Edmund Thomas Blacket (1817-1883). It was built in 1884, with the vestry and sanctuary added in 1900 and the parish hall (now a kindergarten) in 1909. Due to its position close to one end of Sydney Harbour Bridge St Johnâ€™s is also known as the Church by the Bridge and an evangelical group of that name meet at the church. The Church of St John the Baptist is in the Romanesque Revival style and features semi-circular arched windows and doorways, a circular window, buttresses, a porch, and a copper overlaid bell tower topped by a spire. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 18 December 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican buttress Church by the Bridge Church of St John the Baptist Edmund Thomas Blacket Kirribilli New South Wales NSW porch Romanesque Romanesque Revival semi-circular arch spire St Johnâ€™s Anglican Church Sydney tower