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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The former St Maryâ€™s Hospital is on the corner of Davey Street and Salamanca Place, at the rear of Parliament House, in Hobart, Tasmania. Designed by William Porden Kay (1809-1870), it was built as a private sixty bed hospital for Dr Edward Samuel Pickard Bedford (1809-1876), with the foundation stone being laid in 1847. After the hospital closed in 1862 the building was used by the Lands and Survey Department and then the Health Department. The building has a crenelated parapet above the second storey, and another above the pointed arch entrance.    </text>
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            <name>Creator</name>
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                <text>McLeod, Shane</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Digital Photograph; JPEG</text>
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            <description>A name given to the resource</description>
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                <text>John Eardley Wilmot monument, Hobart, Tasmania</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Blind arcading, cemetery, cenotaph, Gothic, Hobart, William Porden Kay, Lieutenant-Governor, mausoleum, monument, pointed arch, St Davidâ€™s Park, Tas, Tasmania, Van Diemen's Land, John Eardley Wilmot.</text>
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                <text>A monument to Sir John Eardley Wilmot (1783-1847) is situated in St Davidâ€™s Park (previously a cemetery), Hobart. Wilmot was Lieutenant-Governor of Van Diemenâ€™s Land (ie. Tasmania) between 1843 and 1847 and died of an undiagnosed illness after being removed from office. The multi-tiered cenotaph, sometimes referred to as a mausoleum, was raised by public subscription in 1850 and placed over his remains. It was designed by William Porden Kay (1809-1870). It is in the Gothic style and features the pointed arches, blind arcading, and elaborate stonework often associated with ecclesiastical architecture.     </text>
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            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>McLeod, Shane</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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          <element elementId="42">
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        <name>Hobart</name>
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        <name>John Eardley Wilmot.</name>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="27736">
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>Kodak House is in the Elizabeth Street mall in central Hobart. The top of the narrow five storey building has two narrow â€˜towersâ€™ on each end with a crenelated parapet running between them. In the centre is a shield bearing a â€˜Kâ€™. The upper storeys have bay windows, a common feature of Gothic Revival architecture, although they are more commonly found in domestic buildings. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>McLeod, Shane</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27734">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="27735">
                <text>Digital Photograph</text>
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        <name>commercial architecture</name>
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        <name>Hobart</name>
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        <name>shield</name>
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        <name>Tas</name>
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        <name>Tasmania</name>
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        <name>tower.</name>
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                <name>Bit Depth</name>
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                <text>&lt;p&gt;St Luke the Physician&amp;rsquo;s Anglican Church is in the town of Richmond, Tasmania. The sandstone building was designed by architect John Lee Archer and built by convict labour. It was completed in 1836 and consecrated by Bishop Broughton in 1838. The clock came from St David&amp;rsquo;s Church in Hobart and was added to the tower in 1922. The building is primarily in the Romanesque style with semi-circular windows and entrance doorway, although the pointed arch stained glass window with tracery in the chancel is Gothic in style. Other medieval inspired features are the central tower and the two small solid towers at the rear, all with crenellation.&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1124" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1124&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;This monument to William Bedford (1781-1852) is situated in St David&amp;rsquo;s Park (previously a cemetery), Hobart. Bedford was arrived in Hobart in 1823 and became the senior chaplain of St David&amp;rsquo;s Church, the main Church of England church in the colony. The cenotaph was raised by public subscription in 1853 and placed over his remains. It is in the Gothic style and features delicate pointed arches and the elaborate stonework often associated with ecclesiastical architecture.&lt;/p&gt;&#13;
&lt;p&gt;For more on William Bedford see: &lt;a href="http://adb.anu.edu.au/biography/bedford-william-1760"&gt;http://adb.anu.edu.au/biography/bedford-william-1760&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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