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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="https://sites.google.com/site/harlequintas/home"&gt;https://sites.google.com/site/harlequintas/home&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Alfonso 10th, Cantigas de Santa Maria, Galician Portuguese, hammered dulcimer, Harlequin, hurdy gurdy, instrument, moraharpa, percussion, performance, re-enactment, shawm, Spain, Tas, Tasmania, vielle, vocal, Harry Wass, whistle. </text>
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                <text>&lt;p&gt;Formed in 2005, Harlequin is a four-piece band from Tasmania who play medieval music taken from medieval manuscripts. As well as vocal and percussion a number of medieval instruments are played, including hammered dulcimer, hurdy gurdy, moraharpa, shawm, vielle, and whistle. Many of the instruments are made by band member Harry Wass. Much of the band&amp;rsquo;s repertoire is drawn from the 13&lt;sup&gt;th&lt;/sup&gt; century manuscript &lt;em&gt;Cantigas de Santa Maria &lt;/em&gt;which contains 400 songs. The manuscript came from the court of Alfonso 10&lt;sup&gt;th&lt;/sup&gt; of Spain and the songs are sung in the medieval language Galician Portuguese.&lt;/p&gt;&#13;
&lt;p&gt;More about the band, including upcoming performances and cds, can be found at: &lt;a href="https://sites.google.com/site/harlequintas/home"&gt;https://sites.google.com/site/harlequintas/home&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/952" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/952&lt;/a&gt;</text>
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                <text>Armour, battlement, castle, crenellation, domestic architecture, helmet, house, knight, Perth, Tas, Tasmania. </text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/754" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/754&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/720" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/720&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/952" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/952&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/738" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/738&lt;/a&gt;.&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Werburghâ€™s Chapel is located on a farm close to the Western Australian town of Mount Barker. The chapel was built on the property of George Egerton-Warburton and was consecrated in 1874. The building was made of local materials and is in the Gothic Revival style, featuring a pointed arch entrance and a bell tower with a spire.&#13;
&#13;
St Werburgh (c. 659-c. 699) was the daughter of King Wulfhere of Mercia, a kingdom in Anglo-Saxon England. Werburgh became a nun and founded or reformed a number of nunneries in central England. </text>
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                <text>St Andrewâ€™s Cathedral on George Street in central Sydney was consecrated in 1868, making it the oldest cathedral in Australia. The Anglican cathedral was designed by the English architect Edmund Blacket, who later became the colonial architect to New South Wales. The building is in the Gothic revival style, and features gargoyles, pointed arched windows, stained glass, crenellation, towers, and tracery. Unusually, due to the ease of access from George Street, the Cathedral is now entered through the east end and the interior has been reorientated accordingly. This photograph shows the internal arches and vaulted ceiling of the cathedral.</text>
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                <text>&lt;p&gt;Holy Trinity Anglican Church is in the northern Tasmanian city of Launceston. The church was designed by local architect Alexander North (1858-1945)&amp;nbsp;and consecrated in 1902. The brick building is in the Gothic Revival&amp;nbsp;style and features numerous relief sculptures around the exterior of the church. These include foliage, grotesque winged creatures, and a lion holding a heraldic shield.&lt;/p&gt;&#13;
&lt;p&gt;The church website is at: &lt;a href="http://www.holytrinitylaunceston.org/" target="_blank"&gt;http://www.holytrinitylaunceston.org/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For other external photographs see&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/978" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/978&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/975" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/975&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/969" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/969&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/975" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/975&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/969" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/969&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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