116 8 1266 https://ausmed.arts.uwa.edu.au/files/original/f60f50154249bc85a1aee91c431df182.jpg 2e6b89e515a1124d88c40a2a133b9e0e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 600 Width 800 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Augustineâ€™s Church, Melbourne, Victoria Subject The topic of the resource St Augustine, St Augustineâ€™s Church, buttress, Catholic, crenel, finial, Gothic, Gothic Revival, T.A. Kelly, Melbourne, parapet, pointed arch, Reid and Stewart, tower, tracery, Vic, Victoria Description An account of the resource St Augustineâ€™s Catholic church is in Melbourneâ€™s CBD. It was designed by T.A. Kelly and built by Reid and Stewart. The bluestone church was completed in 1870, with an extension to the tower made in 1936 and the sacristy was added in 1965. The church was built in the Gothic Revival style and features prominent pointed arches highlighted by white stucco, window tracery, buttresses, and a square tower topped by a crenelated parapet and corner pointed finials. St Augustineâ€™s is named after one of two early medieval saints. St Augustine of Hippo (354-430) was a bishop in Algeria and is considered a Father of the Church due to the influence of his theological teachings. St Augustine of Canterbury (?-604) was amissionary sent by Pope Gregory the Great in 595 to the convert the Anglo-Saxon king Ã†thelberht of Kent. Augustine was successful and became the first Archbishop in Anglo-Saxon England, establishing himself in Canterbury. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource February 2013 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG buttress Catholic crenel finial Gothic Gothic Revival Melbourne parapet pointed arch Reid and Stewart St Augustine St Augustineâ€™s Church T.A. Kelly tower tracery Vic Victoria https://ausmed.arts.uwa.edu.au/files/original/c028ba30c92002f7c6af6afc0a07ee73.JPG eca71f4436c754ce086e00f24479ffe6 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Barnabas Church, Scottsdale, Tasmania Subject The topic of the resource Anglican, apse, Church of England, Gothic, Gothic Revival, porch, St Barnabas Church, Scottsdale, spire, Tas, Tasmania. Description An account of the resource St Barnabas Church is in the town of Scottsdale, Tasmania. The weatherboard building was built as a Church of England (now Anglican) church in 1892. The church is in the Gothic Revival style with a steeply pitched roof, porch, small spire, and an apse. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 3, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Anglican Apse Church of England Gothic Gothic Revival porch Scottsdale spire St Barnabas Church Tas Tasmania. https://ausmed.arts.uwa.edu.au/files/original/p1012306_94e24bfac3.jpg 826e72cb0e7bee61448c45e5824dc122 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 480 https://ausmed.arts.uwa.edu.au/files/original/p1012303_a2f4c38578.jpg 0fd789eb23821b005dd3dc78effb17fa Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 480 Width 541 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Benedict and St Scholastica Altarpiece, New Norcia New Chapel. Subject The topic of the resource Altar, altarpiece, Benedictine monks, Benedictines, chapel, Catholic church, cross, monastery, monasticism, monks, New Norcia, nuns, Order of St Benedict, St Benedict of Nursia, St Scholastica Description An account of the resource This altarpiece from the New Chapel at New Norcia contains the figures of St Benedict and his sister St Scholastica. The Benedictine community at New Norcia follow the Rule of St Benedict, a book of precepts or guidelines for monastic living created by St Benedict of Nursia in the sixth century. St Benedict established a famous Benedictine monastery at Monte Cassino, while St Scholastica was the Abbess of a nunnery in nearby Plombariola. About New Norcia: New Norcia is a monastic town located 132 km north of Perth in Western Australia. The town is owned and run by a community of Benedictine monks and houses one of only three Benedictine monasteries (for men) in Australia. At its height the monastery housed approximately 80 monks, but currently there are only seven in residence. The Benedictines are part of a religious order within the Catholic Church known as the Order of St Benedict (OSB). Benedictines live in small, largely autonomous communities and base their way of life on the Rule of St Benedict, which prioritises a balance of prayer and work and calls for promises of stability, obedience and a conversion of life. The first Benedictine community was established in the sixth-century in Italy by St Benedict of Nursia (c.480-547). Originally intended as a mission to evangelise and educate the indigenous peoples of the Victoria Plains, the site at New Norcia was founded in 1847 by two Spanish Benedictine missionaries, Dom José Benito Serra and Dom Rosendo Salvado. Serra’s involvement in the missionary activities at new Norcia decreased following his appointment as Co-adjutor Bishop of Perth in 1849, while Salvado (1814-1900) committed himself wholly to developing the mission and leading the monastic community. He subsequently became the key figure in the first 50 years of New Norcia’s history. He made numerous fundraising trips to Europe, which provided him with the means to purchase books, vestments, artwork and equipment for the community and also to oversee the construction of new buildings. He died in Rome in 1900 and his body was returned to New Norcia. Under Salvado’s successor, Bishop Fulgentius Torres (1861-1914), New Norcia became more like a traditional monastic settlement. An increased focus on education and artistic pursuits led to the establishment of two schools and improvements to many of the town’s buildings. For more information on New Norcia, see the New Norcia Benedictine Community website: <a href="http://newnorcia.wa.edu.au/" target="_blank">http://newnorcia.wa.edu.au/</a>.   Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 7 January 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Altar altarpiece Benedictine monks Benedictines Catholic Church chapel cross monastery monasticism monks New Norcia nuns Order of St Benedict St Benedict of Nursia St Scholastica https://ausmed.arts.uwa.edu.au/files/original/67f36e774da20f272a69621721fac6bc.JPG e7655eda4b55a6a45e4c47a0cc843e4f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Davidâ€™s Cathedral baptismal font, Hobart, Tasmania Subject The topic of the resource Anglican, baptismal font, blind arcading, George Frederick Bodley, font, Gothic, Gothic Revival, Hobart, pointed arch, St Davidâ€™s Cathedral, Tas, Tasmania, tracery. Description An account of the resource The baptismal font in St David’s Cathedral, Hobart, was made by local craftsmen to the design of English architect George Frederick Bodley (1827-1907). The cathedral was designed in 1865 by Bodley. Like the cathedral, the baptismal font is in the Gothic Revival style, particularly the blind arcading design of the font’s base featuring tracery and pointed arches. For the cathedral tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a> For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a>   Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph Anglican baptismal font blind window font George Frederick Bodley Gothic Gothic Revival Hobart pointed arch St Davidâ€™s Cathedral Tas Tasmania tracery. https://ausmed.arts.uwa.edu.au/files/original/14319166c8fb33e1460ff1a48a20e547.JPG b127307708c86bcfcf5929bc6a20f09d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/772aab56ed096abd1bdd373f2cb88c9b.JPG d31d3bd7cbeee0bbc844d3f7ac4edad9 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Davidâ€™s Cathedral Cloisters, Hobart, Tasmania Subject The topic of the resource Anglican, blind arcading, George Frederick Bodley, buttress, Cloisters, crenellation, Gothic, Gothic Revival, Hobart, lancet window, parapet, St Davidâ€™s Cathedral, stained glass, Tas, Tasmania, tracery, Alan Cameron Walker. Description An account of the resource St David’s Anglican Cathedral, Hobart, was designed by English architect George Frederick Bodley (1827-1907) in 1865 in the Gothic Revival style, with further revisions in 1891. As the foundation stone for the Cloisters and Tower were not laid until 1892 they are likely to have been part of those revisions.However, Hobart architect Alan Cameron Walker (1864-1931) was also involved in their design. They were completed and consecrated in 1936. The Cloisters building links the cathedral to the tower and are topped by a crenelated parapet. The also feature buttresses, and lancet windows with blind arcading, tracery and stained glass.      For the artefacts inside the cloisters see <a href="http://ausmed.arts.uwa.edu.au/items/show/1160">http://ausmed.arts.uwa.edu.au/items/show/1160</a> For the cathedral tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a> For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1160">http://ausmed.arts.uwa.edu.au/items/show/1160</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Alan Cameron Walker Anglican blind arcading buttress Cloisters crenellation George Frederick Bodley Gothic Gothic Revival Hobart lancet window parapet St Davidâ€™s Cathedral stained glass Tas Tasmania tracery. https://ausmed.arts.uwa.edu.au/files/original/eb88bf09a7fbf2864c0137b8de3fc2e8.JPG 82b72a74b7f44ca152d74f4031b671e3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Davidâ€™s Cathedral entrance, Hobart, Tasmania Subject The topic of the resource Anglican, arcade, George Frederick Bodley, buttress, Gothic, Gothic Revival, Hobart, Henry Hunter, lancet windows, leadlight window, pointed arch, Brooke Robinson, St Davidâ€™s Cathedral, stained glass, Tas, Tasmania, tracery, turret. Description An account of the resource The main entrance to St David’s Cathedral is on Murray Street, Hobart. The cathedral was designed by English architect George Frederick Bodley (1827-1907) in 1865 in the Gothic Revival style. The foundation stone was laid in 1868 by Prince Alfred, the Duke of Edinburgh, and the nave was consecrated in 1874. The work was supervised by Henry Hunter (1832-1892). The pointed-arch doorway is entered through an arcade consisting of three pointed-arch entrances. The large west window above the entrance includes tracery, five lancet windows, and leadlight made in Melbourne by Brooke Robinson and installed in 1965. The entrance is flanked by two additional pointed-arch windows featuring three lancet windows each, as well as buttressed turrets. George Bodley was a well-known architect working in the Gothic Revival style, and in particular he was influenced by late medieval architecture from England and northern Europe. His best known work is perhaps Magdalen College, Oxford. For the cathedral tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a> For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold; mso-ansi-language: EN-AU; mso-bidi-language: AR-SA;"><a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a> <span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold; mso-ansi-language: EN-AU; mso-bidi-language: AR-SA;"><a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph Anglican arcade Brooke Robinson buttress George Frederick Bodley Gothic Gothic Revival Henry Hunter Hobart lancet windows leadlight window pointed arch St Davidâ€™s Cathedral stained glass Tas Tasmania tracery turret. https://ausmed.arts.uwa.edu.au/files/original/806d59e37f5b147278bba99f45855bdc.JPG 3b45939a28c599b748c2fb6e0b20bb82 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/25b3b8bbd5f08081bbb3e88229eeedc0.JPG 1081b42e1e7da94275b24b778698aade Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/18855818769e1c58ed09d81eefe0cb77.JPG 0b338cbb72b2e1751c775493189adf62 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Davidâ€™s Cathedral interior, Hobart, Tasmania Subject The topic of the resource Prince Alfred, altar, Anglican, George Frederick Bodley, column, font, Gothic, Gothic Revival, Hobart, Henry Hunter, pointed arch, rood screen, St Davidâ€™s Cathedral, stained glass, Tas, Tasmania, tracery, vaulted ceiling. Description An account of the resource St Davidâ€™s Anglican Cathedral, Hobart was designed by English architect George Frederick Bodley (1827-1907) in 1865 in the Gothic Revival style. The foundation stone was laid in 1868 by Prince Alfred, the Duke of Edinburgh, and the nave was consecrated in 1874. The work was supervised by Henry Hunter (1832-1892). The photographs show the nave, aisles, and sanctuary of the cathedral, as well as a small internal pointed arch door and doorway (photograph three), demonstrating that the Gothic style was carried through to utilitarian features. Photographs one and two show the elevation of the cathedral achieved with columns supporting pointed arches with molding, and the vaulted ceiling. Also visible is the large stained glass east window with stone tracery above the high altar, and numerous smaller stained glass windows. Other fatures of note in photographs one and two are the Bodley designed stone font and timber rood screen, the latter being installed in 1916. George Bodley was a well-known architect working in the Gothic Revival style, and in particular he was influenced by late medieval architecture from England and northern Europe. His best known work is perhaps Magdalen College, Oxford. For more on St David's Cathedral see the 'Relation' section. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1149">http://ausmed.arts.uwa.edu.au/items/show/1149</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1160">http://ausmed.arts.uwa.edu.au/items/show/1160</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1163">http://ausmed.arts.uwa.edu.au/items/show/1163</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1179">http://ausmed.arts.uwa.edu.au/items/show/1179</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1166">http://ausmed.arts.uwa.edu.au/items/show/1166</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1155">http://ausmed.arts.uwa.edu.au/items/show/1155</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1168">http://ausmed.arts.uwa.edu.au/items/show/1168</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1184">http://ausmed.arts.uwa.edu.au/items/show/1184</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1174">http://ausmed.arts.uwa.edu.au/items/show/1174</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1171">http://ausmed.arts.uwa.edu.au/items/show/1171</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1190">http://ausmed.arts.uwa.edu.au/items/show/1190</a>           Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph Altar Anglican column font George Frederick Bodley Gothic Gothic Revival Henry Hunter Hobart pointed arch Prince Alfred rood screen St Davidâ€™s Cathedral stained glass Tas Tasmania tracery vaulted ceiling. https://ausmed.arts.uwa.edu.au/files/original/869d8b74245b8d5451007ab33d135d59.JPG 1e827c28a97916a563bdd80955f7fc12 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/04ec37c03f6318673515b13a56677159.JPG 82b72a74b7f44ca152d74f4031b671e3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Davidâ€™s Cathedral tower, Hobart, Tasmania Subject The topic of the resource Anglican, George Frederick Bodley, buttress, crenellation, gargoyle, Gothic, Gothic Revival, Hobart, lancet window, parapet, pointed arch, St Davidâ€™s Cathedral, spire, Tas, Tasmania, tower, tracery, turret, Alan Cameron Walker. Description An account of the resource The square bell tower of St David’s Cathedral, Hobart, was completed in 1936 after the foundation stone had been laid in 1892. The cathedral was designed in 1865 by English architect George Frederick Bodley (1827-1907), and the tower may have been part of his revisions in 1891. However, Hobart architect Alan Cameron Walker (1864-1931) was also involved in the design. The stone tower is in the Gothic Revival style and includes a crenelated parapet, lancet windows, a corner turret topped by a spire, buttresses, a pointed arch doorway, window tracery, and gargoyles. George Bodley was a well known architect working in the Gothic Revival style, and in particular he was influenced by late medieval architecture from England and northern Europe. His best known work is perhaps Magdalen College, Oxford.  For the Bodley font see <a href="http://ausmed.arts.uwa.edu.au/items/show/1149">http://ausmed.arts.uwa.edu.au/items/show/1149</a> For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1149">http://ausmed.arts.uwa.edu.au/items/show/1149</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Alan Cameron Walker Anglican buttress crenellation gargoyle George Frederick Bodley Gothic Gothic Revival Hobart lancet window parapet pointed arch spire St Davidâ€™s Cathedral Tas Tasmania tower tracery turret.