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                <text>Cameron Street, Gothic, Gothic Revival, lancet window, Launceston, Launceston Equitable Building Society, pointed arch, spire, Frederick Strange, Tas, Tasmania.  </text>
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                <text>This building at 59 Cameron Street in the Tasmanian city of Launceston was formally occupied by the landscape artist Frederick Strange (1807-1873) in the mid nineteenth century, and later became the headquarters of the Launceston Equitable Building Society. The three-storey red brick and stucco building includes Gothic elements, most obviously in the use of pointed arches on the windows and entrance, including two lancet windows on the top storey, as well as the corner spires.</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>The Card Castle is a card and gift shop in the Old Brisbane Arcade in the Tasmanian city of Launceston. The two signs for the store feature a castle. Whilst one provides merely the outline of a castle wall and tower with crenelated parapets, the other sign features a much more detailed castle image. The castle is surrounded by a moat and entered over a draw-bridge. It has extensive crenellation, two corner towers, and pointed arch windows. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Crenellation, half-timbered building, hotel, Launceston, Little John, Old Brisbane Arcade, outlaw, Neil Pitt, Robin Hood, Robin Hood and Little John Hotel, shopping, Tas, Tasmania.  </text>
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                <text>The three-level Old Brisbane Arcade was developed by Neil Pitt and can be found in the centre of the Tasmanian city of Launceston. The interior of the arcade includes a half-timbered building effect, whilst at the exterior of the rear courtyard there is some crenellation. Half-timbered buildings were common in medieval northern Europe from the twelfth century. These medieval features may be a nod towards the arcade being behind the faÃ§ade of what was at one time the Robin Hood and Little John Hotel, named after the popular medieval English outlaws. The hotel had been built in 1824 and was named the Robin Hood and Little John for a few years in the mid-nineteenth century, before finally becoming the Brisbane Hotel. </text>
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