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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;The Great Synagogue on Elizabeth Street in central Sydney opened in 1878, when it was described as a mix of Romanesque, Gothic, Byzantine, and Moorish motifs (according to the official website &amp;ndash; link provided below). The architectural style has also been described as Transitional French Gothic. The synagogue was designed by Sydney architect Thomas Rowe. These two photographs show the much less elaborate rear of the building with Romanesque rounded-arch windows on Castlereagh Street. This section of the synagogue housed a school and Beadle&amp;rsquo;s (caretaker) residence, but only the fa&amp;ccedil;ade at the rear is original. &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For more on the Great Synagogue see &lt;a href="http://www.greatsynagogue.org.au/Home.aspx" target="_blank"&gt;http://www.greatsynagogue.org.au/Home.aspx&lt;/a&gt;</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>â€˜Lays of Contemporary Chivalryâ€™</text>
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                <text>chivalry, doggerel, knight, knighthood, lampoon, satire, peerage, popular anti-medievalism, social pretention</text>
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                <text>These light-hearted verses describe the endeavours of a motley band of â€˜gallantsâ€™ with dubious social origins, who jostle and vie for the hand of Lady Podophylline Musa Miggs, daughter of the Baron of Potts Point, in Sydney. These are but two of the made-up names of the various â€˜aristocraticâ€™ protagonists and suitors. Others are: Lord Golfo McGuff, Sir Perryman Pym, and the Marquis of Manganese. Add to these the two front-runners, Sir Peblar de Bart, and Sir Jago Phipp, and the tale gets underway with a smirk. It is clear from the outset that, â€œIt is difficult to grasp the point of the [...] rather silly narrativeâ€ (Louise D'Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout: Brepols, 2011, p.145). Indeed, there is little more than lunacy (or moon sickness) contained within the poemâ€™s doggerel verses. Even keeping track of the events leading to the outcome requires perspicacity. This is popular medievalism run amok in the Antipodes: a satirical commentary on these not so â€˜gentle-bornâ€™ knights, a fair maiden, and her father â€˜the baron,â€™ along with a veritable fortune or dowry comprised almost entirely of chickens and pigs! The maiden finally succumbs to the blandishments of a coachman, while the others jettison their chances through various foolhardy intrigues and disappear to places obscure.</text>
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                <text>16 May 1885 (p. 22).</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;The Great Synagogue on Elizabeth Street in central Sydney opened in 1878, when it was described as a mix of Romanesque, Gothic, Byzantine, and Moorish motifs (according to the official website &amp;ndash; link provided below). The architectural style has also been described as Transitional French Gothic. The synagogue was designed by Sydney architect Thomas Rowe. These two photographs show the much less elaborate rear of the building with Romanesque rounded-arch windows on Castlereagh Street. This section of the synagogue housed a school and Beadle&amp;rsquo;s (caretaker) residence, but only the fa&amp;ccedil;ade at the rear is original. &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For more on the Great Synagogue see &lt;a href="http://www.greatsynagogue.org.au/Home.aspx" target="_blank"&gt;http://www.greatsynagogue.org.au/Home.aspx&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This fortified house can be found on the road between Launceston and Lillydale in northern Tasmania. The single level stone fortifications are attached to a farmhouse and include round towers linked by a wall, all of which have a crenelated parapet. The towers contain water tanks. </text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;A 2012 television advertisement for Suncorp Banking features a bank lender briefly appearing to a couple as their hero, a medieval knight wearing plate armour. He is literally a knight in shining armour as a halo appears around his upper body, and the knight speaks to them using such antiquated terms as &amp;lsquo;Hurrah!&amp;rsquo;. The advertisement suggests knights fulfill the role of recognizable heroes amongst the Australian public.&lt;/p&gt;&#13;
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://travelling-foodies.blogspot.com.au/2012/06/robin-hood-of-regional-tourism.html"&gt;http://travelling-foodies.blogspot.com.au/2012/06/robin-hood-of-regional-tourism.html&lt;/a&gt;</text>
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                <text>&lt;p&gt;The Travelling-Foodies blog includes an entry made on June 15, 2012, titled &amp;lsquo;Robin Hood of Regional Tourism!&amp;rsquo;. The entry reports that the Tourism Channel were providing free websites for small regional towns, helping them to promote their attractions to tourists. One of the founders of the Tourism Channel, Nicholas Parkinson-Bates, is quoted as saying &amp;lsquo;We like to think of ourselves as the Robin Hood of tourism&amp;rsquo;. The quote refers to the free help being provided to poorer towns, and how it is similar to the legend of Robin Hood taking from the rich to help the poor. &lt;/p&gt;&#13;
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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                <text>St Paulâ€™s Church, Oatlands, Tasmania</text>
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                <text>Brian Andrews, bellcote, blind window, buttress, Catholic, Gothic, Gothic Revival, lancet window, medieval village, Oatlands, St Paulâ€™s Church, pointed arch, porch, Augustus Welby Northmore Pugin, Pugin, Frederick Thomas, Tas, Tasmania, tracery, Bishop Robert William Willson. </text>
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                <text>&lt;p&gt;St Paul&amp;rsquo;s Church is a small stone Catholic church in the Tasmanian town of Oatlands. The church was designed by the English architect Augustus Welby Northmore Pugin in 1843 and constructed in 1850-1. It opened on February 25, 1851. The church was constructed from a detailed model brought to Tasmania by the first Catholic bishop of Tasmania, Robert William Willson, who was a friend of Pugin&amp;rsquo;s. Hobart architect Frederick Thomas supervised the construction. The building is in the Gothic Revival style and features lancet windows with tracery, a pointed arch entrance, buttresses, a porch, and a bellcote. It represents Pugin&amp;rsquo;s idea of a medieval village church. &lt;/p&gt;&#13;
&lt;p&gt;Augustus Welby Northmore Pugin (1812-1852) played a central role in establishing the Gothic Revival style and is best remembered for his work on the Houses of Parliament in London, and the interior of the Palace of Westminster. &amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Further information on St Paul&amp;rsquo;s, including an essay&lt;br /&gt;by Brian Andrews, can be found at: &lt;a href="http://www.puginfoundation.org/"&gt;http://www.puginfoundation.org/&lt;/a&gt;&lt;/p&gt;</text>
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            <elementTextContainer>
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                <text>McLeod, Shane</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>August 3, 2012</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-ansi-language: EN-AU; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.abc.net.au/stateline/tas/content/2006/s2509772.htm"&gt;http://www.abc.net.au/stateline/tas/content/2006/s2509772.htm&lt;/a&gt;&lt;/span&gt;</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Medieval Instruments</text>
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                <text>ABC, Rowan Dix, dulcimer, hammered dulcimer, Harlequin, instrument, Graeme McCormack, Medieval Instruments, moraharpa, Pelverata, Renaissance, Stateline Tasmania, Tas, Tasmania, television, tv, Harry Wass. </text>
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                <text>&lt;p&gt;The ABC TV programme Stateline Tasmania featured a report in 2009 titled &amp;lsquo;Medieval Instruments&amp;rsquo;. Reporter Rowan Dix interviewed Harry Wass and Graeme McCormack, two instrument makers based in the southern Tasmanian region of Pelverata. They specialise in wooden instruments from the eleventh century and into the Renaissance. The report specifically mentions the late-medieval instruments the hammered dulcimer and the moraharpa. The pair also plays in the medieval-influenced band Harlequin.&lt;/p&gt;&#13;
&lt;p&gt;A transcript of the report can be found at: &lt;a href="http://www.abc.net.au/stateline/tas/content/2006/s2509772.htm"&gt;http://www.abc.net.au/stateline/tas/content/2006/s2509772.htm&lt;/a&gt;&lt;/p&gt;</text>
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              <elementText elementTextId="28534">
                <text>Dix, Rowan</text>
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          <element elementId="40">
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>March 6, 2009</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28536">
                <text>Rowan Dix, Stateline Tasmania, ABC TV</text>
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          </element>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Weblink</text>
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        <name>Graeme McCormack</name>
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        <name>hammered dulcimer</name>
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        <name>Harlequin</name>
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        <name>Harry Wass.</name>
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      <tag tagId="5025">
        <name>Medieval Instruments</name>
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        <name>moraharpa</name>
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        <name>Pelverata</name>
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        <name>Renaissance</name>
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        <name>Rowan Dix</name>
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        <name>Tas</name>
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        <name>television</name>
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        <name>tv</name>
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