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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://cas.awm.gov.au/item/REL/00793"&gt;http://cas.awm.gov.au/item/REL/00793&lt;/a&gt;</text>
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                <text>Souvenir Shield: Private C.E. Urry, 1 Battalion, AIF</text>
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                <text>heraldry, badge, badges, Gallipoli, World War, First World War, World War I, Lonepine, C.E. Urry, shield, armourer, aluminium, Turkey, Anzac Cove, Western Front, coat-of arms</text>
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                <text>&lt;p&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-family: Helvetica,Arial,sans-serif;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;REL/00793 Front and reverse&lt;/span&gt;&lt;br /&gt; &lt;span&gt;&lt;span&gt; &lt;span&gt;&lt;br /&gt; Entry on Australian War Memorial website:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;Small aluminium shield. Engraved on the obverse is, '528 PRIVATE C E URRY 25TH APRIL GALLIPOLI HMS SCOURGE 5TH JUNE GERMAN OFFICERS TRENCH 6TH AUGUST LONE PINE EVACUATED 20TH DEC 19TH APRIL LAVENTIE 28TH MARCH FRANCE'. Engraved on the reverse is, '526 C E URRY 6TH AUGUST LONE PINE DARDENELLES'.&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;br /&gt;Summary:&lt;br /&gt;Associated with the service of Private Charles Edward Urry, 1 Battalion, AIF. Born in 1897 in Sydney, Charles Urry was nineteen years old and working as a carpenter when he enlisted in the AIF on 17 August 1914. At the time he was also a member of the Militia (33 Infantry Regiment). 526 Private C E Urry embarked aboard HMAT Afric from Sydney on 18 October 1914 with 1 Battalion B Company . After seeing action on Gallipoli and at the Somme, Private Urry was killed in action near Ypres, Belgium on 11 September 1916. &lt;br /&gt;&lt;br /&gt; This shield was carried by Private Urry during his service. It is believed that just prior to embarkation in Australia, several B Company men had these shields made up by the Battalion armourer. Each soldier engraved his service number and name into the shield and added 'battle honours' as the war progressed. The shield was sent to his mother after his death, as part of his personal effects. Private Urry's brother, 6169 Private Alfred Thomas Urry served with 19 Battalion, AIF during the war. He returned to Australia in 1919.&amp;nbsp;&lt;/span&gt;&lt;br /&gt; &lt;span&gt;&lt;span&gt;&lt;cite&gt;&lt;strong&gt;Permalink:&lt;/strong&gt; &lt;a href="http://cas.awm.gov.au/item/REL39640" target="_blank"&gt;http://cas.awm.gov.au/item/REL/00793&lt;/a&gt;&lt;/cite&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;cite&gt;&lt;br /&gt; This poignant unofficial insignia of war indicates both a sense of identity amongst B company and a 'coat-of-arms' for lower-ranked soldiers: a working man's heraldic shield, if you will. The company conscripted their armourer to make these aluminium badges to be taken on campaign. Urry engraved his with combat locations and dates, as well as 'german officers', 'HMS Scourge', 'evacuated'. They sit in striking contrast to the glorious, gold, sophisticated badges of the company commanders. See General Sir John Monash, for example. &lt;br /&gt; HH&lt;/cite&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>1914-1916</text>
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REL/00793</text>
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              <text>&lt;a href="http://www.smh.com.au/news/western-australia/spanish-flavours-in-the-bush/2005/11/09/1131407687134.html"&gt;http://www.smh.com.au/news/western-australia/spanish-flavours-in-the-bush/2005/11/09/1131407687134.html &lt;/a&gt;</text>
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                <text>New Norcia, monastery, St. Gertrude, Saint Gertrude, St. Gertrude's College, Western Australia, Benedictine, Gothic Revival, architecture, missionary, Bishop Rosendo Salvado, Bishop Fulgentius Torres, Monastic town, monasticism, rural</text>
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                <text>A correspondent from Tourism Western Australia writes about the monastic town of New Norcia for The Sydney Morning Herald.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.smh.com.au/news/western-australia/spanish-flavours-in-the-bush/2005/11/09/1131407687134.html"&gt;http://www.smh.com.au/news/western-australia/spanish-flavours-in-the-bush/2005/11/09/1131407687134.html &lt;/a&gt;</text>
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                <text>The Sydney Morning Herald&lt;br /&gt;&lt;a href="http://www.smh.com.au/news/western-australia/spanish-flavours-in-the-bush/2005/11/09/1131407687134.html"&gt;http://www.smh.com.au/news/western-australia/spanish-flavours-in-the-bush/2005/11/09/1131407687134.html &lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St. Mary, St Mary, Saint Mary, Mary, saint, saints, architecture, architect, church, churches, Catholic, Catholicism, Christian, Christianity, religion, religious, Gothic, Gothic revival, building, Parish, Leederville, Perth, Western Australia, WA, Aaronmore, Sisters of Mercy, Father Maloney, E. Hamilton, E.T. Russell, Archbishop Clune, spires, spire, lancet window, lancet windows, windows, window, arch, arches&#13;
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                <text>An image of the spire of St. Mary's Catholic Church in Leederville, near Perth, Western Australia. Designed by the architect E. Hamilton and built under the supervision of E.T. Russell, the foundation stone of the church was laid by Archbishop P.J. Clune on the 6th of May 1923. &#13;
&#13;
St. Mary's embodies features that are typical of the Gothic Revival style of architecture, which became prominent from the 1840s in the United Kingdom, Australia, and other British colonies. As an architectural style, it is based on the close examination of medieval structures, and a concern with 'authenticity' of design. It is often seen to be symbolic of conservative values such as, continuity, stability, religious authority and tradition. The spire, vaulted ceilings, lancet windows and ornate stonework of this building are features which are typical of the Gothic Revival style.</text>
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                <text>&lt;p&gt;St Andrew&amp;rsquo;s Church of England (Anglican) is opposite the Village Green in the small Tasmanian town of Westbury. The foundation stone was laid in 1836 by Lieutenant George Arthur (1784-1854) and the sandstone brick church was first used in 1841. The nave was designed by the convict architect James Blackburn (1803-1854) in 1840-02.&amp;nbsp;The church&amp;nbsp;was finally consecrated in 1851 by Tasmania&amp;rsquo;s first Bishop, Francis Russell Nixon (1803-1879). The tower was added in 1859 under the supervision of architect William Henry Clayton (1823-1877). The sanctuary and chancel were completed in 1888 and consecrated in 1890. St Andrew&amp;rsquo;s is in the Gothic Revival style and features buttresses, lancet windows, a porch, tracery in the east window, and pointed arch doorways. The tower is topped by a crenelated parapet and originally had pinnacles but these were removed following serious storm damage in 1877.&lt;/p&gt;&#13;
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                <text>Anglican, James Blackburn, carving, Church of England, convict, Gothic, Gothic Revival, memorial, Ellen Nora Payne, pointed arch, pulpit, rood screen, St Andrewâ€™s Anglican Church, stained glass, Tas, Tasmania, tracery, Westbury, woodcarver.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;The interior of St Andrew&amp;rsquo;s Church of England (Anglican) in the small Tasmanian town of Westbury continues the Gothic Revival style of its exterior. &amp;nbsp;The nave was designed by the convict architect James Blackburn (1803-1854) in 1840-02. Of particular note are the various carvings by Tasmanian woodcarver Ellen Nora Payne (1865-1962) of Hobart, who had been born in the Westbury district. These include the pulpit which was carved in London sometime between 1901 and 1906, and the &amp;lsquo;Seven Sisters&amp;rsquo; rood, or chancel, screen completed in 1938 as a memorial to her seven dead sisters. The screen features a recreation of tracery common in Gothic windows. Other Gothic features are the large pointed arch east window with tracery made up of three lancet windows with stained glass, lancet windows in the north and south walls, and the internal pointed-arch doors and doorways.&lt;/p&gt;&#13;
&lt;p&gt;For more of the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1186"&gt;http://ausmed.arts.uwa.edu.au/items/show/1186&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1197"&gt;http://ausmed.arts.uwa.edu.au/items/show/1197&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1178"&gt;http://ausmed.arts.uwa.edu.au/items/show/1178&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="31437">
                <text>McLeod, Shane</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="31438">
                <text>October 20, 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31439">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="31440">
                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1186"&gt;http://ausmed.arts.uwa.edu.au/items/show/1186&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1178"&gt;http://ausmed.arts.uwa.edu.au/items/show/1178&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1197"&gt;http://ausmed.arts.uwa.edu.au/items/show/1197&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="31441">
                <text>2xDigital Photograph</text>
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        <name>Anglican</name>
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        <name>carving</name>
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        <name>Church of England</name>
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        <name>convict</name>
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        <name>Ellen Nora Payne</name>
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        <name>Gothic</name>
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      <tag tagId="72">
        <name>Gothic Revival</name>
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        <name>James Blackburn</name>
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        <name>memorial</name>
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        <name>pointed arch</name>
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        <name>pulpit</name>
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        <name>rood screen</name>
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        <name>St Andrewâ€™s Anglican Church</name>
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        <name>stained glass</name>
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        <name>Tas</name>
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        <name>Tasmania</name>
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      <tag tagId="1094">
        <name>tracery</name>
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        <name>Westbury</name>
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        <name>woodcarver.</name>
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