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                <text>This photograph shows the exterior of the Lands Titles building found in Queenâ€™s Square, Sydney. The building was designed by government architect Walter Liberty Vernon and was completed in 1908 as the Registrar-Generalâ€™s Department. The building is in the Gothic Revival style and features crenellation, turrets, arched windows, blind arcading, gargoyles, and two lions holding shields and halberds above the entrance.</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>This display at the 2012 PMRG/CMEMS â€˜Receptions: Medieval and Early Modern Cultural Appropriationsâ€™ conference (Perth, August 2012) celebrated the 30th anniversary of the Perth Medieval and Renaissance Group. The display showed many of the posters created for past PMRG events, including lectures, quiz nights, and medieval and renaissance themed banquets and performances, as well as other items such as t-shirts and tea-towels. Since its establishment in 1982, members of PMRG have participated in a number of medieval re-enactments, including medieval dancing, stagings of medieval mystery plays and the recreation of medieval artworks in an annual Christmas party tableau. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Andrewâ€™s Presbyterian Church porch, Manly, Sydney.</text>
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                <text>Arched windows, bell tower, blind arcade, gargoyle, Manly, New South Wales, NSW, porch, Presbyterian Church, Romanesque, Romanesque Revival, saints, saint, St Andrewâ€™s Presbyterian Church, semi-circular arch, John Sulman, Sydney, tower, Saint Andrew, St. Andrew, St Andrew</text>
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                <text>This photograph shows the porch of St Andrewâ€™s Presbyterian Church on Raglan Road in the Sydney suburb of Manly. The building was designed by John Sulman in the Romanesque revival style and was completed in 1890. The porch has a decorated semi-circular arch supported by columns with decorated capitals. The church is entered through a semi-circular arched door in a semi-circular arched doorway. </text>
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                <text>5 February 2012</text>
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        <name>gargoyle</name>
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        <name>John Sulman</name>
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        <name>Manly</name>
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        <name>New South Wales</name>
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      <tag tagId="338">
        <name>NSW</name>
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        <name>porch</name>
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        <name>Presbyterian Church</name>
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        <name>Romanesque</name>
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        <name>St Andrew</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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                <text>St Andrewâ€™s Presbyterian Church, Manly, Sydney.</text>
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                <text>Arched windows, bell tower, blind arcade, gargoyle, Manly, New South Wales, NSW, Presbyterian Church, Romanesque, Romanesque Revival, St Andrewâ€™s Presbyterian Church, semi-circular arch, John Sulman, Sydney, tower, saints, saint, St. Andrew, Saint Andrew, St Andrew</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This image shows St Andrewâ€™s Presbyterian Church on Raglan Road in the Sydney suburb of Manly. The building was designed by John Sulman in the Romanesque style and was completed in 1890. The carved white sandstone building features a prominent bell tower with gargoyles, semi-circular arched windows and blind arcading, and a porch with an arched entrance.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="32376">
                <text>McLeod, Shane</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>5 February 2012</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="32378">
                <text>No Copyright</text>
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        <name>blind arcade</name>
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      <tag tagId="205">
        <name>gargoyle</name>
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      <tag tagId="5152">
        <name>John Sulman</name>
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      <tag tagId="4043">
        <name>Manly</name>
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      <tag tagId="106">
        <name>New South Wales</name>
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      <tag tagId="338">
        <name>NSW</name>
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      <tag tagId="1083">
        <name>Presbyterian Church</name>
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        <name>Romanesque</name>
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      <tag tagId="115">
        <name>Saint Andrew</name>
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        <name>saints</name>
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        <name>St Andrew</name>
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        <name>St Andrewâ€™s Presbyterian Church</name>
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        <name>St. Andrew</name>
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        <name>Sydney</name>
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        <name>tower</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="24585">
              <text>Digital Photograph;JPEG</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>â€˜Game of Thronesâ€™ inspired chalk board </text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24579">
                <text>Advertising, The Burger Bistro, chalk board, chalk drawing, drawing, fantasy, Game of Thrones, George R.R. Martin, Perth, sign, sword, television, throne, tv, WA, warrior, Western Australia.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="24580">
                <text>This chalk board drawing advertises The Burger Bistro in Shafto Lane in central Perth. The drawing is based on posters and the dvd cover for Season One of the television series â€˜Game of Thronesâ€™, based on the fantasy book series A Song of Ice and Fire by George R.R. Martin. The chalk drawing shows Lord Eddard Stark, played by actor Sean Bean, sitting on a throne and holding a sword. The character has the appearance of a medieval warrior.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24581">
                <text>McLeod, Shane</text>
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            <name>Date</name>
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                <text>August 22, 2012</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24583">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24584">
                <text>Digital Photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    <tagContainer>
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        <name>advertising</name>
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      <tag tagId="3471">
        <name>chalk board</name>
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      <tag tagId="5154">
        <name>chalk drawing</name>
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      <tag tagId="3503">
        <name>drawing</name>
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      <tag tagId="2122">
        <name>fantasy</name>
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      <tag tagId="5155">
        <name>Game of Thrones</name>
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        <name>George R.R. Martin</name>
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        <name>sign</name>
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        <name>The Burger Bistro</name>
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        <name>throne</name>
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        <name>tv</name>
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        <name>WA</name>
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        <name>warrior</name>
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      <tag tagId="4600">
        <name>Western Australia.</name>
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  <item itemId="1016" public="1" featured="1">
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        <src>https://ausmed.arts.uwa.edu.au/files/original/4e74dcc6880fa8684441c60007a05317.JPG</src>
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              <element elementId="74">
                <name>Bit Depth</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="24732">
                    <text>8</text>
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              <element elementId="75">
                <name>Channels</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Medievalism in the Classroom</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34457">
                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="24761">
              <text>Digital Photograph;JPEG</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Louise Dâ€™Arcens, â€˜Comic Medievalismâ€™ presentation</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24755">
                <text>â€˜Comic Medievalismâ€™, â€˜Comic Medievalism: Why and How the Middle Ages make us Laughâ€™, conference, Louise Dâ€™Arcens, humour, Perth, plenary, presentation, â€˜Receptionsâ€™, University of Western Australia, University of Wollongong, WA, Western Australia.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>This photograph was taken during the early part of a plenary paper by Louise Dâ€™Arcens of the University of Wollongong titled â€˜Comic Medievalism: Why and How the Middle Ages make us Laughâ€™. The paper was presented at the PMRG/CMEMS conference â€˜Receptions: Medieval and Early Modern Cultural Appropriationsâ€™ held at the University of Western Australia in August. Louise's paper, which is part of ongoing research, investigated a number of twentieth century examples of medievalism used for comic purposes. It was one of a number of papers on the theme of medievalism presented during the conference.</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24757">
                <text>McLeod, Shane</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24758">
                <text>August 18, 2012</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24759">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24760">
                <text>Digital Photograph</text>
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            </elementTextContainer>
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        <name>â€˜Comic Medievalism: Why and How the Middle Ages make us Laughâ€™</name>
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        <name>plenary</name>
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                <text>This memorial commemorating troops from Northern Tasmania who participated in the Boer War, referred to as the 'War in South Africa' on the monument, was erected in 1904. It can be found in City Park in the city of Launceston and was made by the local stonemason Sylvanus Wilmot. The memorial is inspired by medieval ecclesiastical Gothic architecture, and features a pointed arched â€˜windowâ€™, blind arcading, and statues. There are four niches that in a Gothic church would usually contain statues of saints, but here they instead contain statues of soldiers. The statue of a woman on top of the memorial holds a wreath and a kite, or Norman, shield. The heraldic shield features a lion in the passant position. </text>
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                <text>&lt;p&gt;St George&amp;rsquo;s Anglican Chapel is the chapel of St George&amp;rsquo;s College, a residential college for students attending The University of Western Australia in Perth. The foundation stone of the chapel was laid in 1928 by Archbishop Riley and the chapel was designed by Sir Talbot Hobbs. Unusually, the red brick chapel is built north-south rather than east-west like most churches. St George&amp;rsquo;s Chapel is built in the Gothic Revival style, and features side buttresses, pointed-arched windows and entrance, crenelated parapets at the top of the two towers, and lancet windows and&amp;nbsp; tracery on the large stained glass window above the entrance. The chapel is topped by a stone ring-headed, or Celtic, cross, a style popular in much of Britain and Ireland during the medieval period.&lt;/p&gt;&#13;
&lt;p&gt;For St George&amp;rsquo;s College see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/83"&gt;http://ausmed.arts.uwa.edu.au/items/show/83&lt;/a&gt;&lt;/p&gt;</text>
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