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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This photograph is of the Church of the Immaculate Conception, also known as the Children&amp;rsquo;s Chapel and Loreto Chapel. The building is part of Loreto College in the rural Victorian town of Ballarat. The chapel was built between 1898 and 1902 and was designed by W.B. Tappin of the firm Reed, Smart and Tappin. The stone building is in Gothic style and features pointed arched windows, crenellation, and two distinctive towers with arrow slits.&#13;
&lt;p&gt;Loreto College was founded by the Catholic Loreto Sisters in 1875. The Loreto Order was founded in England in 1609.&lt;/p&gt;&#13;
&lt;p&gt;For the college website see &lt;a href="http://www.loreto.vic.edu.au/index.php" target="_blank"&gt;http://www.loreto.vic.edu.au/index.php&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A view of a traceried gothic window at Scotâ€™s Church on Collins Street in central Melbourne. Above the window, an arcade of lancet arches lines the gable. A number of other slender lancet windows and examples of decorative blind tracery are visible.&#13;
&#13;
Scotâ€™s Church was built in a decorated Gothic Revival style to the design of architectural firm Reed &amp; Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scotâ€™s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Other characteristic neo-gothic features of Scotâ€™s Church include its 120ft spire, which for a number of years was the highest point in Melbourneâ€™s townscape, its decorative quoins, buttresses, and pinnacles. The church also boasts a number of stained glass windows by well-known artists such as Ferguson &amp; Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich.</text>
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                <text>McEwan, Joanne</text>
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                <text>The church of Our Lady of Mt Carmel and Sts Peter and Paul is in the small rural Western Australian town of Mullewa. The church was built between 1920 and 1927 to the design of Monsignor John Cyril Hawes, who was the priest at Mullewa. His design for the church changed following a study tour to France, Spain and Italy in 1923, and Hawes stated that the style was inspired by twelfth-century churches found in southern France. The exterior of the church is in Romanesque style with possible Byzantine influence on the two domes. It features a bell tower (campanile), semi-circular arched windows, columns, and bas-relief sculpture. &#13;
&#13;
For more on the architecture of Monsignor Hawes see John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956 (University of Western Australia Press, Nedlands, 2000).</text>
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                <text>Munro, Tony</text>
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            <description>Information about rights held in and over the resource</description>
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        <name>Byzantine</name>
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        <name>John Cyril Hawes</name>
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        <name>Monsignor Hawes</name>
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        <name>Mullewa</name>
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              <name>Title</name>
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                  <text>Medievalism on the Page</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="22585">
              <text>Journal (Microfilm)</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>â€˜Gratuitous Pugnacityâ€™, The Bulletin, 3 March 1888.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Colonies, debt, Federation, free trade, government, internal debts, knight, Knight Henry, Phil May (1864-1903), Sir Henry Parkes, NSW Politics</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;span style="font-family: Calibri; font-size: small;"&gt;Cartoonist Phil May here encapsulates the main problems of a premature pitch by NSW for Australian Federation. The doughty knight (Sir Henry) is ready to do battle with &amp;lsquo;all and sundry,&amp;rsquo; for he needs to pay off (or perhaps unload the responsibility of) his debts. The symbols of his fiscal carelessness are daubed on his surcoat and shield. This was a sticking point in the Federation debate, where the difficult question &amp;ldquo;Who would take responsibility for the unequal debts and liabilities of the [other] colonies?&amp;rdquo; frequently arose (See Beverley Kingston, &lt;em&gt;The Oxford History of Australia: Glad, Confident Morning 1860-1900&lt;/em&gt;, vol. 3, Oxford: OUP, 1993, p. 56). Indeed, this question was still being debated at the 1910 elections (See, for example: &lt;/span&gt;&lt;a href="http://nla.gov.au/nla.news-article15142572" target="_blank"&gt;&lt;span style="color: #0000ff; font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article15142572&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Calibri;"&gt;). While Sir Henry is keen to push forward, the female figure in the cartoon - &amp;lsquo;That State House&amp;rsquo; - wears mourning black and remains unconvinced, for it is she who will have to find the money and manage things should the need arise. The State House in question is most likely the Senate, the then much debated Upper House of the projected Federal Parliament (See R. C. Baker, &lt;em&gt; Federation&lt;/em&gt;, Adelaide: Scrymgour &amp;amp; Sons, 1897, p. 4).&lt;/span&gt;&lt;/span&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22579">
                <text>May, Phil</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>The Bulletin</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="22581">
                <text>The Bulletin</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22582">
                <text>3 March 1888 (p. 13)</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22583">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22584">
                <text>Journal (Microfilm)</text>
              </elementText>
            </elementTextContainer>
          </element>
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        <name>federation</name>
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      <tag tagId="4983">
        <name>free trade</name>
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      <tag tagId="846">
        <name>government</name>
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        <name>internal debts</name>
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        <name>knight</name>
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        <name>Knight Henry</name>
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        <name>NSW politics</name>
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        <name>Phil May (1864-1903)</name>
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        <name>Sir Henry Parkes</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="22833">
              <text>Digital Photograph; JPEG</text>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Government House Guardhouse, Sydney</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Arched window, Gothic, Gothic Revival, Government House, Greenway Building, guardhouse, Mortimer Lewis, New South Wales, NSW, Royal Botanic Gardens, stables, Sydney, Sydney Conservatorium of Music, tower</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;This photograph shows the guardhouse that was originally part of the entrance to Government House in the Royal Botanic Gardens, Sydney. The building was completed in 1848 and is thought to have been built by the Colonial Architect Mortimer Lewis. The guardhouse was in the Gothic Revival style and resembles a small castle with its tower and arched windows. The building was originally on Macquarie Street but was moved back in 1915 when the Sydney Conservatorium of Music moved into the former stables (Greenway Building) to provide public access.&lt;/p&gt;&#13;
&lt;p&gt;For more on the guardhouse see &lt;a href="http://collection.hht.net.au/firsthhtpictures/picturerecord.jsp?recno=39021" target="_blank"&gt;http://collection.hht.net.au/firsthhtpictures/picturerecord.jsp?recno=39021&lt;/a&gt; &amp;nbsp;&lt;/p&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22829">
                <text>McLeod, Shane</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>February 4, 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22831">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22832">
                <text>Digital Photograph; JPEG</text>
              </elementText>
            </elementTextContainer>
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        <name>arched window</name>
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        <name>Gothic</name>
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        <name>Gothic Revival</name>
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        <name>Government House</name>
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        <name>Greenway Building</name>
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        <name>guardhouse</name>
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        <name>Mortimer Lewis</name>
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        <name>NSW</name>
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        <name>Royal Botanic Gardens</name>
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        <name>stables</name>
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        <name>Sydney</name>
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        <name>Sydney Conservatorium of Music</name>
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        <name>tower</name>
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                    <text>640</text>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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                <text>This photograph is of the Church of the Immaculate Conception, also known as the Children&amp;rsquo;s Chapel and Loreto Chapel. The building is part of Loreto College in the rural Victorian town of Ballarat. The chapel was built between 1898 and 1902 and was designed by W.B. Tappin of the firm Reed, Smart and Tappin. The stone building is in Gothic style and features pointed arched windows, crenellation, and two distinctive towers with arrow slits.&#13;
&lt;p&gt;Loreto College was founded by the Catholic Loreto Sisters in 1875. The Loreto Order was founded in England in 1609.&lt;/p&gt;&#13;
&lt;p&gt;For the college website see &lt;a href="http://www.loreto.vic.edu.au/index.php" target="_blank"&gt;http://www.loreto.vic.edu.au/index.php&lt;/a&gt;&lt;/p&gt;</text>
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                <text>A view of a traceried gothic window at Scotâ€™s Church on Collins Street in central Melbourne. Above the window, an arcade of lancet arches lines the gable. A number of other slender lancet windows and examples of decorative blind tracery are visible.&#13;
&#13;
Scotâ€™s Church was built in a decorated Gothic Revival style to the design of architectural firm Reed &amp; Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scotâ€™s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Other characteristic neo-gothic features of Scotâ€™s Church include its 120ft spire, which for a number of years was the highest point in Melbourneâ€™s townscape, its decorative quoins, buttresses, and pinnacles. The church also boasts a number of stained glass windows by well-known artists such as Ferguson &amp; Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich.</text>
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                <text>&lt;p&gt;St Finn Barr&amp;rsquo;s Primary School was established as a Catholic parish school in 1894 by the Presentation Sisters, who remained involved with the school until 1993. The school is located on Invermay Road in the Launceston suburb of Invermay. The main school building, now the administrative building, is in the Romanesque Revival architectural style. It was designed by Thomas Tandy in 1926. The side wings of the building feature semi-circular arched windows, a shape also employed for the three entrances in the centre of the building. &lt;/p&gt;&#13;
&lt;p&gt;St Finbarr was the Bishop of Cork, Ireland, in the early seventh century. &lt;/p&gt;&#13;
The school&amp;rsquo;s website can be found at: &lt;a href="http://stfinnbarrs.tas.edu.au/"&gt;http://stfinnbarrs.tas.edu.au/&lt;/a&gt;</text>
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