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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Saint Andrew's Cathedral, Sydney - George Street Entrance</text>
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                <text>St Andrewâ€™s Cathedral on George Street in central Sydney was consecrated in 1868, making it the oldest cathedral in Australia. The Anglican cathedral was designed by the English architect Edmund Blacket, who later became the colonial architect to New South Wales. The building is in the Gothic revival style, and features gargoyles, pointed arched windows, stained glass, crenellation, towers, and tracery. Unusually, due to the ease of access from George Street, the Cathedral is now entered through the less grand east end and the interior has been reorientated accordingly. This photograph shows the new entrance.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Uniting Church interior, Ross, Tasmania</text>
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                <text>&lt;p&gt;The Uniting Church in the Tasmanian town of Ross was built as the Wesley Church in 1885. The building is in the Gothic Revival style and features lancet windows, a pointed arch entrance, buttresses, clock moldings, and a tower topped by a spire. The interior has a vaulted ceiling with&amp;nbsp;oregon pine&amp;nbsp;beams.&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/960" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/960&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/960" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/960&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>The northern Tasmanian town of Sheffield is known as the â€˜Town of Muralsâ€™ due to the large number of publicly displayed artworks in its streets, especially on walls. Although the majority of the artworks are about Tasmanian, especially local, history, this particular example shows a warrior whose appearance suggests that he is from the Highlands of Scotland. He wears a tartan kilt with a sporran and is armed with a sword and a round shield. He may have been deemed a suitable subject for the town as it is close to a region known as the Highlands of Tasmania, and it is possibly Cradle Mountain and Lake St Clair pictured behind the warrior. </text>
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                <text>This photograph shows the exterior of the Lands Titles building found in Queenâ€™s Square, Sydney. The building was designed by government architect Walter Liberty Vernon and was completed in 1908 as the Registrar-Generalâ€™s Department. The building is in the Gothic Revival style and features crenellation, turrets, arched windows, blind arcading, gargoyles, and two lions holding shields and halberds above the entrance.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>British Medical Association House, Sydney.</text>
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                <text>&lt;p&gt;British Medical Association House is located on Macquarie Street, Sydney. The building was completed in 1930 and was designed by Australian architects Joseph Charles Fowell and Kenneth McConnel. The building is in the Art Deco style and features six large armoured knights holding shields bearing the BMA emblem on the upper floors. Looking down over the entrance to BMA House are six sculptures resembling gargoyles (unlike real gargoyles these sculptures are not functional).&lt;/p&gt;&#13;
For more images of the building see &lt;a href="http://www.wellbeingatmacquarie.com.au/gallery.htm" target="_blank"&gt;http://www.wellbeingatmacquarie.com.au/gallery.htm&lt;/a&gt;</text>
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