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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A side view of St. Mary's Catholic Church in Leederville, Western Australia. Designed by the architect E. Hamilton and built under the supervision of E.T. Russell, the foundation stone of the church was laid by Archbishop P.J. Clune on the 6th of May 1923. &#13;
&#13;
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&#13;
About St. Patrick's Catholic Church, York:&#13;
&#13;
The Church's foundation stone was laid on St. Patrick's Day in 1875, with the building being completed in 1886. Its design is typical of the Gothic revival style with its spire and lancet windows. This style of architecture was particularly popular in England, Australia, and other British colonies throughout the eighteenth and nineteenth centuries.&#13;
&#13;
It was designed and built under the supervision of ex-convict Joseph Nunan, who was commissioned by the resident priest of the time, Father Patrick Gibney, to build a larger church to accommodate an increasing congregation.    </text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>In SIMS Medieval, the latest instalment of the virtual reality SIMS computer game series, players control a number of different heroes and characters ranging from kings and queens to knights, merchants, priests and blacksmiths. They send these characters on quests to earn points, and use these points to build a medieval kingdom. They can then â€˜negotiate treaties, conduct trade or declare war on surrounding kingdomsâ€™.</text>
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                <text>&lt;p&gt;St. Joseph&amp;rsquo;s Roman Catholic Church in Subiaco,  Western Australia was designed  by architect Edgar L. B. Henderson and  built by C. W. Arnot between  1933 and 1937. It is constructed from red  brick and pressed cement in an  inter-war gothic style common of the  1920s and 1930s. It exhibits many  features common to gothic  architecture, including pointed gothic arches,  lancet windows,  elaborate bar tracery in the stained glass windows and  blind tracery on  the tympana of the doorways, and a large tower and  spire.&lt;/p&gt;&#13;
&lt;div class="element-text"&gt;&#13;
&lt;p&gt;The windows of St Joseph&amp;rsquo;s are a mixture of the early gothic  style  single (or standalone), lancet windows, collections of two or  three  single windows positioned side by side, and also the later gothic  trend  of enclosing multiple lancet windows beneath one arch and  separating  them with mullions to form larger windows and allow for more  light to  enter the church.&lt;/p&gt;&#13;
&lt;p&gt;In 2001, the church and presbytery were placed on the Heritage list for WA.&lt;/p&gt;&#13;
For a timeline of the church's history, see &lt;a href="http://www.stjosephssubiaco.org.au/our-parish/history/"&gt;http://www.stjosephssubiaco.org.au/our-parish&lt;/a&gt;&lt;/div&gt;</text>
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                <text>14 February 2011</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;To view this image,&lt;/p&gt;&#13;
&lt;p&gt;1.&amp;nbsp; go to: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"&gt;http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp&lt;/a&gt;&lt;/p&gt;&#13;
&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;2.&amp;nbsp;&amp;nbsp; search by artist or title. &lt;br /&gt;&lt;/span&gt;</text>
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                <text>This photograph, taken by Julia Margaret Cameron in 1874, is held by the Art Gallery of South Australia. It depicts Sir Galahad, one of the Knights of the Round Table in Arthurian legend, and a nun. The illegitimate son of Lancelot and Elaine of Corbenic, Galahad was raised in a convent under the care of the Abbess, his Great Aunt. He was one of only 3 Knights to see the Holy Grail, and is renowned in legend for his gallantry, his piety and his purity. He was a popular character in the Victorian revival of Arthurian myth, and these qualities were emphasised in Alfred Lord Tennysonâ€™s 1842 poem â€˜Sir Galahadâ€™. This particular photograph appeared as Plate IX in Alfred Lord Tennysonâ€™s Idylls of the King and Other Poems, a collection of 12 narrative poems retelling the King Arthur legend published between 1856 and 1885. Tennysonâ€™s version was based primarily on two well-known medieval texts: Sir Thomas Maloryâ€™s Le Morte dâ€™Arthur and the Mabinogion. </text>
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                <text>1874</text>
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              <elementText elementTextId="20521">
                <text>Art Gallery of South Australia</text>
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                <text>Albumen-silver photograph, 33.4 x 27.2 cm;&#13;
Hyperlink</text>
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        <name>Alfred Lord Tennyson (1809-1892)</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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PDF.</text>
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                <text>Sir John Monash knighted by King George V in France</text>
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                <text>knight, knighthood, Knighthood Ceremony, dubbing, King George V, Sir John Monash, World War 1, France, Bertangles Chateau, Military Costume, Order of the Bath, Military Honours, Orders of Knighthood </text>
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                <text>&lt;span&gt;General Sir John Monash was created Knight Commander of the Order of the Bath on 1 Jan 1918, and Knight Grand Cross of St Michael and St George on 1 Jan 1919. He is seen receiving his knighthood as Knight Commander of the Order of the Bath on 1&lt;/span&gt;&lt;span&gt;2 August 1918&lt;/span&gt;&lt;span&gt;;&amp;nbsp; the ceremony is held on steps outside a large building and is being observed by a small group of other army officers. &lt;/span&gt;The location is &lt;span&gt;France: Picardie, Somme, Bertangles.&lt;/span&gt;&lt;br /&gt; John Monash GCMG, KCB (1865-1931) was born in West Melbourne and died in&lt;span&gt; 1931 in Melbourne.&lt;br /&gt; &lt;/span&gt; Of Prussian Jewish heritage, he participated in the landing at Anzac Cover Gallipoli and assumed command of the Australian Corps in May 1918. &lt;br /&gt; &lt;br /&gt; The motto of the Order of the Bath is &lt;span&gt;&lt;span style="font-style: italic;"&gt;Tria Juncta in uno (&lt;/span&gt;Three joined in one) &lt;/span&gt;&lt;br /&gt; The motto of the Order of St Michael and St George is &lt;span&gt;&lt;span style="font-style: italic;"&gt;Auspicium Melioris Aev&lt;/span&gt;i (Token of a better age)&lt;br /&gt; &lt;br /&gt; Entry on Australian War Memorial website:&lt;br /&gt; &lt;/span&gt;&lt;span&gt;'His Majesty King George V, knighting Lieutenant General Sir John Monash, Australian Corps Commander, at the Corps Headquarters in the Chateau, when General Monash was invested as a Knight Commander of the Bath. The ordnance shown in the background is captured material brought back from the vicinity of Warfusee-Abancourt; it was captured on 8 August by Australian troops. When General Monash took leave of His Majesty, Major General M. W. O'Keeffe KCMG CB, DMS, Fourth Army, who is standing on the right showing three rows of ribbons, was invested with the KCMG. Second from the right is Brigadier General R. A. Carruthers CB CMG, Deputy Assistant and Quartermaster General, Australian Corps.'&lt;br /&gt; &lt;/span&gt;&#13;
&lt;div&gt;&#13;
&lt;div&gt;&lt;cite&gt;&lt;strong&gt;Permalink:&lt;/strong&gt; &lt;a href="http://cas.awm.gov.au/item/E02964" target="_blank"&gt;http://cas.awm.gov.au/item/E02964&lt;/a&gt;&lt;/cite&gt;&lt;/div&gt;&#13;
&lt;/div&gt;</text>
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                <text>12 August 1918</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Copyright expired - public domain</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14436">
                <text>Sir Kaark the Crow</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14437">
                <text>Animal, Australian fauna, banquet, baron, cartoon, child, children, children's entertainment, chivalry, comic, comics, crow, damsel, dream, entertainment, feast, gallantry, knight, knighthood, Lady in Distress, magic, New South Wales, NSW, prince, Prince Gallant, Sir Kaark, spell </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14438">
                <text>In this children's comic strip from the Sydney Morning Herald, the medieval themes of chivalry and gallantry are combined with anglicised Australian animal icons. In the comic, a dream is depicted in which Kaark the Crow imagines himself as a medieval knight. He manages to distract the evil Baron from attacking Prince Gallant using a spell, and a medieval style banquet is thrown in celebration. The other characters in the dream include a generically named â€˜Lady in Distressâ€™, which was a common motif in chivalric tales. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14439">
                <text>Cunningham, Walter, and Neville, Ken</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="14440">
                <text>National Library of Australia: &lt;a href="http://nla.gov.au/nla.news-article18047893" target="_blank"&gt;http://nla.gov.au/nla.news-article18047893&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="14441">
                <text>The Sydney Morning Herald</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14442">
                <text>6 August 1947</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14443">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14444">
                <text>comic</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
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      <tag tagId="3497">
        <name>animal</name>
      </tag>
      <tag tagId="1163">
        <name>Australian fauna</name>
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      <tag tagId="1444">
        <name>Banquet</name>
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      <tag tagId="3665">
        <name>baron</name>
      </tag>
      <tag tagId="84">
        <name>cartoon</name>
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      <tag tagId="339">
        <name>child</name>
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      <tag tagId="85">
        <name>children</name>
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      <tag tagId="341">
        <name>children's entertainment</name>
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      <tag tagId="138">
        <name>chivalry</name>
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      <tag tagId="87">
        <name>comic</name>
      </tag>
      <tag tagId="1162">
        <name>comics</name>
      </tag>
      <tag tagId="3669">
        <name>crow</name>
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      <tag tagId="3667">
        <name>damsel</name>
      </tag>
      <tag tagId="3671">
        <name>dream</name>
      </tag>
      <tag tagId="344">
        <name>entertainment</name>
      </tag>
      <tag tagId="224">
        <name>feast</name>
      </tag>
      <tag tagId="3666">
        <name>gallantry</name>
      </tag>
      <tag tagId="96">
        <name>knight</name>
      </tag>
      <tag tagId="139">
        <name>knighthood</name>
      </tag>
      <tag tagId="3496">
        <name>koala</name>
      </tag>
      <tag tagId="3668">
        <name>Lady in Distress</name>
      </tag>
      <tag tagId="3441">
        <name>magic</name>
      </tag>
      <tag tagId="106">
        <name>New South Wales</name>
      </tag>
      <tag tagId="109">
        <name>newspaper</name>
      </tag>
      <tag tagId="338">
        <name>NSW</name>
      </tag>
      <tag tagId="554">
        <name>prince</name>
      </tag>
      <tag tagId="3670">
        <name>Prince Gallant</name>
      </tag>
      <tag tagId="118">
        <name>Sir Kaark</name>
      </tag>
      <tag tagId="3672">
        <name>spell</name>
      </tag>
      <tag tagId="122">
        <name>Sydney</name>
      </tag>
      <tag tagId="121">
        <name>Sydney Morning Herald</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
