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                <text>Two interior photographs of St Patrick&amp;rsquo;s Cathedral in Melbourne. Features include stained glass windows, including the Great Window installed in 1867 (photograph 3), a vaulted ribbed ceiling, window tracery, and internal arches featuring sculptures of human heads. St Patrick&amp;rsquo;s Catholic Cathedral was designed by English-born architect William Wardell and incorporated parts of an earlier church on the site. Although the foundation stone was laid in 1858, the cathedral was not consecrated until 1897, and was only completed in 1939. The bluestone building was built in the Gothic Revival style and is based on English churches of c. 1350-1500. The cathedral website is available at &lt;a href="http://www.stpatrickscathedral.org.au/" target="_self"&gt;http://www.stpatrickscathedral.org.au/&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This derelict castle building in the Perth suburb of Dog Swamp used to be part of The Land of Make Believe display centre. It was created by the brick and roofing tile company Wunderlich and featured small buildings based on fairytales. The castle was known as Old King Coleâ€™s Castle, named after the figure in the British folk song/nursery rhyme. The small brick castle is reached by crossing a moat and has an arched entrance, crenellation, a tower, and balistraria (arrowslits).</text>
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                <text>McEwan, Joanne</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>2xDigital photograph</text>
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        <name>The Land of Make Believe</name>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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                <text>â€˜The Rule of the Manyâ€™, The Bulletin, 15 November 1890.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Democracy, feudalism, inequality, natural law, merit, poem, privilege, wealth, workers rights</text>
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                <text>This poem provides a vigorous denunciation of â€œthe English caste systemâ€ and â€œcelebrates the decay of feudalism,â€ at least in the Australian rural locale (Louise D'Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout: Brepols, 2011, p. 143). It praises â€œmuscle and brainâ€ (merit) while condemning the undeserving ruling classes, who it refers to as â€œPampered idlersâ€. The point of the exercise is demonstrated in the lines: â€œKing, prince and lord are a useless load and must by that law abide! / No Parliament can alter that fact, / Or the march of mankind stay.â€ The law that this section of the poem acknowledges is simply the law of Nature, for no law of man can usurp natural law. Underpinning everything else is the firm belief that the â€˜fruits of the earthâ€™ (its wealth and resources) are made not just for a select and powerful minority, but for everyone equally. The inescapable conclusion of the poem is that with the removal of the medieval â€˜baggageâ€™ of the past, i.e. feudalism, nostalgia, overlordship and the monarchy, the earth will return to an extended period of serenity and  harmony under the sure-handed guidance of â€œthe Peopleâ€.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22233">
                <text>A. X. C. (Unknown)</text>
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            <name>Source</name>
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                <text>The Bulletin</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="22235">
                <text>The Bulletin</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>15 November 1890 (p. 17)</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Public Domain</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22238">
                <text>Journal (Microfilm)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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                <text>English</text>
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        <name>inequality</name>
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        <name>wealth</name>
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        <name>workers rights</name>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Water Tower, Evandale, Tasmania</text>
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            <description>The topic of the resource</description>
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                <text>Crenellation, Evandale, Robert Gould, parapet, Tas, Tasmania, tower, water tower</text>
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            <description>An account of the resource</description>
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                <text>The Water Tower in the Tasmanian town of Evandale was part of the Evandale Water Supply Scheme designed by Robert Gould. The 12 metre high tower opened in 1896 and was in operation until 1968. The brick water tower has the appearance of a fortified medieval tower with a parapet and crenellation, as well as false windows. </text>
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                <text>McLeod, Shane</text>
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                <text>July 29, 2012</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22696">
                <text>No Copyright</text>
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          <element elementId="42">
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            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>Robert Gould</name>
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        <name>tower</name>
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        <name>water tower</name>
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              <description>A name given to the resource</description>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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          <elementTextContainer>
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              <text>Journal (microfilm)</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>â€˜Melbournianaâ€™, The Bulletin, 23 February 1895</text>
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          <element elementId="49">
            <name>Subject</name>
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                <text>â€˜pedigree hunting,â€™ armor, armour, civic administrator, Edmund Gerald Fitzgibbon 1825-1905, genealogy, lineage, knight, medieval ancestry, Melbourne, Melbourne &amp; Metropolitan Board of Works, Victorian politics, White Knight of Kerry</text>
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                <text>&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Calibri;"&gt;This is another cheeky comment from &lt;em&gt;Bulletin&lt;/em&gt; cartoonist Tom Durkin, directed at the reputedly self-important chairman of the Melbourne &amp;amp; Metropolitan Board of Works, E. G. Fitzgibbon. In the cartoon Fitzgibbon is throwing a temper tantrum over the amount of money that should be allocated to the chairman (i.e. himself). The so-called &amp;lsquo;White Knight of Kerry&amp;rsquo; is depicted, as Louise D&amp;rsquo;Arcens suggests, as &amp;ldquo;a pompous undersized figure, absurd in his full suit of armour&amp;rdquo; (Louise D'Arcens,&lt;em&gt; Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, &lt;/em&gt; Turnhout: Brepols, 2011, p.24). Additionally, Durkin&amp;rsquo;s reference to &amp;ldquo;Councillor Gibbon&amp;rdquo; implies that FitzGibbon is really plain Edmund Gibbon, and that he has &amp;lsquo;taken on airs and graces&amp;rsquo; by adding Fitz (an Anglo-Norman prefix meaning &amp;lsquo;son of&amp;rsquo;) to bolster his reputation and his claim to medieval ancestry. Fitzgibbon served in his role as chairman of the Board of Works for fourteen years until his death. For more information about him, see Bernard Barrett, 'FitzGibbon, Edmund Gerald (1825&amp;ndash;1905)', Australian Dictionary of Biography, &lt;a href="http://adb.anu.edu.au/biography/fitzgibbon-edmund-gerald-3530/text5439" target="_blank"&gt;http://adb.anu.edu.au/biography/fitzgibbon-edmund-gerald-3530/text5439&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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            <name>Source</name>
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                <text>The Bulletin</text>
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            <name>Publisher</name>
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            <elementTextContainer>
              <elementText elementTextId="22297">
                <text>The Bulletin</text>
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          <element elementId="40">
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                <text>23 February 1895, (p. 12).</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22299">
                <text>Public Domain</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22300">
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        <name>â€˜pedigree hunting</name>
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      <tag tagId="4941">
        <name>â€™ armor</name>
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      <tag tagId="153">
        <name>Armour</name>
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      <tag tagId="4942">
        <name>civic administrator</name>
      </tag>
      <tag tagId="4943">
        <name>Edmund Gerald Fitzgibbon 1825-1905</name>
      </tag>
      <tag tagId="4944">
        <name>genealogy</name>
      </tag>
      <tag tagId="96">
        <name>knight</name>
      </tag>
      <tag tagId="4945">
        <name>lineage</name>
      </tag>
      <tag tagId="4946">
        <name>medieval ancestry</name>
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        <name>Melbourne</name>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22914">
                <text>St Maryâ€™s Cathedral, Sydney</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22915">
                <text>Basilica, Catholic, Gothic, Gothic Revival, Hennessy, Hennessy and Co, minor basilica, New South Wales, NSW, pointed arched windows, rose window, spire, stained glass, Sydney, tower, tracery, William Wardell</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22916">
                <text>&lt;p&gt;The present St Mary&amp;rsquo;s Catholic Cathedral was designed by English architect William Wardell, with minor changes made by local architects Hennessy, Hennessy and Co. Although the foundation stone was laid in 1868, the cathedral was not completed until 2000 when the spires originally planned by Wardell were finally built. The sandstone building is the largest church in Australia and is unusual in being orientated north-south rather than east-west. In 1930 the cathedral was granted the title of minor basilica by Pope Pius XI. It is in Gothic style with pointed arched windows, spires, towers, stained glass, tracery, and rose windows.&lt;/p&gt;&#13;
&lt;p&gt;For more on the cathedral see &lt;a href="http://www.stmaryscathedral.org.au/" target="_blank"&gt;http://www.stmaryscathedral.org.au/&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22917">
                <text>McLeod, Shane</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22918">
                <text>February 4, 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22919">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22920">
                <text>Digital Photograph; JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
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    <tagContainer>
      <tag tagId="1235">
        <name>Basilica</name>
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      <tag tagId="66">
        <name>Catholic</name>
      </tag>
      <tag tagId="70">
        <name>Gothic</name>
      </tag>
      <tag tagId="72">
        <name>Gothic Revival</name>
      </tag>
      <tag tagId="2167">
        <name>Hennessy</name>
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      <tag tagId="4663">
        <name>Hennessy and Co</name>
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      <tag tagId="1239">
        <name>minor basilica</name>
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      <tag tagId="106">
        <name>New South Wales</name>
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      <tag tagId="338">
        <name>NSW</name>
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      <tag tagId="4692">
        <name>pointed arched windows</name>
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      <tag tagId="908">
        <name>rose window</name>
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      <tag tagId="1087">
        <name>spire</name>
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      <tag tagId="693">
        <name>stained glass</name>
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      <tag tagId="122">
        <name>Sydney</name>
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      <tag tagId="270">
        <name>tower</name>
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      <tag tagId="1094">
        <name>tracery</name>
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      <tag tagId="4548">
        <name>William Wardell</name>
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  </item>
  <item itemId="927" public="1" featured="0">
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        <src>https://ausmed.arts.uwa.edu.au/files/original/b937582c181e389e73f57e1c1178604c.jpg</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Medievalism on the Page</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="22332">
              <text>Journal (microfilm)</text>
            </elementText>
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    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>â€˜An I.O.G.T. Idyllâ€™</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Crusades, doggerel, idyll, I.O.G.T., drunkenness, military order, Order of Knights Templar, Order of the Temple, sobriety, Soldiers of Christ, templar, templar knights, temperance, temperance society, The International Order of Good Templars</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This amusing temperance â€˜dittyâ€™ describes the adventures of â€œa burly Templar chiefâ€ whose carefree night of drinking turns out to be more than he expected or bargained for. The I.O.G.T. was a temperance society (The International Order of Good Templars). There were people from all walks of life and religious persuasions involved in the temperance movement in 1880s Australia, Britain, America and Sweden. Presumably the I.O.G.T. hierarchy viewed themselves as crusader knights fighting the â€œGood Fight,â€ and clearly a good fight was one that ended well for â€˜true believersâ€™ and badly for their foes (i.e. â€˜winebibbersâ€™, â€˜publicansâ€™ and â€˜sinners). However, it should be noted that the Order of Knights Templar, a powerful military order and charitable organisation in the Middle Ages, was never actually forbidden the use of wine, and occasionally instances of over-indulgence were recorded (See Dominic Selwood, Knights of the Cloister: Templars and Hospitallers in central-southern Occitania c.1100-c.1300, Woodbridge, Boydell, 2001, p.205). This oversight reveals the mindset of those who supported the adoption of quasi-medieval terminology and ceremony in the nineteenth-century, without fully appreciating the history and behaviour of those whose names they had chosen to adopt.</text>
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                <text>Anon.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="22326">
                <text>The Bulletin</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>The Bulletin</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>11 November 1882 (p. 8)</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22329">
                <text>Public Domain</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22330">
                <text>Journal (Microfilm)</text>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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        <name>Crusades</name>
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        <name>doggerel</name>
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        <name>drunkenness</name>
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      <tag tagId="4952">
        <name>I.O.G.T.</name>
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      <tag tagId="4951">
        <name>idyll</name>
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        <name>Military Order</name>
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      <tag tagId="4954">
        <name>Order of Knights Templar</name>
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      <tag tagId="4074">
        <name>Order of the Temple</name>
      </tag>
      <tag tagId="4955">
        <name>sobriety</name>
      </tag>
      <tag tagId="4077">
        <name>Soldiers of Christ</name>
      </tag>
      <tag tagId="4957">
        <name>temperance</name>
      </tag>
      <tag tagId="4958">
        <name>temperance society</name>
      </tag>
      <tag tagId="4956">
        <name>templar</name>
      </tag>
      <tag tagId="3466">
        <name>templar knights</name>
      </tag>
      <tag tagId="4959">
        <name>The International Order of Good Templars</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
