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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Church of St John the Evangelist, Albany</text>
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                <text>Albany, Anglo-Saxon, bell tower, church, The Church of St John the Evangelist, crenellation, Gothic, pointed arch, tower, WA, Western Australia</text>
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                <text>The Church of St John the Evangelist is located in the city of Albany on the southern coast of Western Australia. Construction of the stone church began in 1840 and it was the first WA church to be consecrated (October 26, 1848). The proportions of the building and its relatively low bell tower suggests an inspiration from Anglo-Saxon churches (as noted in the Church welcome pamphlet), but the narrow pointed arched windows and arched entrance are Gothic (which is post-Anglo-Saxon) in style. The bell tower also features crenellation.</text>
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                <text>McLeod, Shane</text>
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                <text>13 April 2012</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Patrickâ€™s Seminary, Manly, Sydney.</text>
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                <text>Arched windows, Catholic, crenellation, Gothic, Gothic Revival, International College of Management, Manly, New South Wales, Norman tower, NSW, Romanesque, school, Seminary, Sherin and Shennessy, St Patrickâ€™s Seminary, Sydney, tower</text>
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                <text>St Patrickâ€™s Seminary on Darley Street in the Sydney suburb of Manly was designed by Sherin and Shennessy and it opened as a Catholic seminary in 1889. The four-storey stone building is in Gothic style with a high Norman (Romanesque) tower with semi-circular windows. Gothic features include pointed arched windows and crenellation. The Seminary closed in 1995 due to a lack of students (seminarians) and is now the International College of Management.</text>
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                <text>McLeod, Shane</text>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>Journal (Microfilm)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>â€˜Dam(n)pier as Mephistophelesâ€™</text>
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                <text>Alfred Dampier (1848-1908), cartoon, Christopher Marlowe (1564-1593), devil, Dr Faustus (c. 1590), Faust (I &amp; II), Goethe (1749-1832), â€˜Mephistoâ€™, Mephistopheles, Phil May (1864-1903), The Bulletin</text>
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            <description>An account of the resource</description>
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                <text>â€˜Dam(n)pier as Mephistopheles,â€™ is The Bulletin cartoonist Phil Mayâ€™s humorous pun on actor and theatrical entrepreneur Alfred Dampierâ€™s name (See Louise D'Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout: Brepols, 2011, p.164). Alfred Dampier first appeared as Mephisto in Faust in 1873 at the Royal theatre, Melbourne. While reasonably successful in his chosen profession (his acting career spanned thirty years), he was generally considered â€œsound rather than brilliantâ€ by his critics (See, for example: John Rickard, 'Dampier, Alfred (1848â€“1908)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/dampier-alfred-3360/text5067, accessed 12 June 2012.) Phil May acknowledges Dampierâ€™s competence and durability, albeit with a mischievous gleam in the eye and a knowing flourish of his pen. The literary origins of the legend of Dr Faust date back to the 1580s, and may be based upon a real person who died c. 1540-41 (J. W. Smeed, Faust in Literature, London: Oxford University Press, 1973, pp.1-2).</text>
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                <text>May, Phil</text>
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                <text>The Bulletin</text>
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                <text>The Bulletin</text>
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                <text>23 October 1886 (p. 7)</text>
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                <text>Public Domain</text>
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            <name>Format</name>
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              <elementText elementTextId="21957">
                <text>Journal (Microfilm)</text>
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                <text>English</text>
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        <name>â€˜Mephistoâ€™</name>
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        <name>Christopher Marlowe (1564-1593)</name>
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&#13;
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                <text>Perth Boyâ€™s School is in the central Perth CBD and was designed in the Gothic style by William Sandford, with the plans drawn by Richard Roach Jewell. The building opened in 1854, with extensions in the 1860s. Conservation and interpretation works were carried out by the National Trust in 2011-2012. Although it was the first purpose-built school in Perth, it closely resembles a Gothic church, which resulted in ventilation and lighting problems in its use as a school. Gothic features of the limestone building include lancet windows, a porch with a small bell tower and pointed-arched entrance, and a very steeply pitched roof. The building also originally had a spire. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Catholic, England, gargoyle, Gothic, Gothic Revival, lancet windows, Melbourne, minor basilica, porch, St Patrickâ€™s Cathedral, sculpture, spire, stained glass, tower, tracery, turret, vaulted ceiling, Vic, Victoria, William Wardell.</text>
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                <text>&lt;p&gt;St Patrick&amp;rsquo;s Catholic Cathedral was designed by English-born architect William Wardell and incorporated parts of an earlier church on the site. Although the foundation stone was laid in 1858, the cathedral was not consecrated until 1897, and was only completed in 1939. The bluestone building was built in the Gothic Revival style and is based on English churches of c. 1350-1500. External Gothic features include prominent towers, turrets, spires, gargoyles, and lancet windows with tracery.&amp;nbsp;St Patrick&amp;rsquo;s was made a minor basilica by Pope Paul VI in 1974.&lt;/p&gt;&#13;
&lt;p&gt;The cathedral website is available at &lt;a href="http://www.stpatrickscathedral.org.au/"&gt;http://www.stpatrickscathedral.org.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;These interior photographs of Wesley Church show some of the stained glass windows. The window featuring a warrior in full armour and wearing a crown is particularly inspired by the medieval era. The warrior, St George, carries a sword and shield with a cross motif, and the head of a dead dragon lies at his feet. Below them is a castle featuring crenellation. The&amp;nbsp;window is a memorial for someone killed in action in France during World War I, which makes the depiction of a warrior saint an appropriate image.&amp;nbsp;Wesley Church in the central Perth CBD was designed in the Gothic style by Richard Roach Jewell for the local Methodist congregation and it opened in 1870.&lt;/p&gt;&#13;
&lt;p&gt;For Wesley Church see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/916"&gt;http://ausmed.arts.uwa.edu.au/items/show/916&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/916"&gt;http://ausmed.arts.uwa.edu.au/items/show/916&lt;/a&gt;</text>
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      <tag tagId="4600">
        <name>Western Australia.</name>
      </tag>
      <tag tagId="1523">
        <name>World War I</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
