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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;This photograph shows the entrance to St Mary's Cathedral in Sydney, including twin towers topped with spires, a rose window, lancet windows with tracery,&amp;nbsp;and a grand pointed-arch entrance. The cathedral is in the&amp;nbsp;Gothic architectural style.&lt;/p&gt;&#13;
&lt;p&gt;The present St Mary&amp;rsquo;s Catholic Cathedral was designed by English architect William Wardell, with minor changes made by local architects Hennessy, Hennessy and Co. Although the foundation stone was laid in 1868, the cathedral was not completed until 2000 when the spires originally planned by Wardell were finally built. The sandstone building is the largest church in Australia and is unusual in being orientated north-south rather than east-west. In 1930 the cathedral was granted the title of minor basilica by Pope Pius XI.&lt;/p&gt;&#13;
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                <text>&lt;p&gt;The present St Mary&amp;rsquo;s Catholic Cathedral was designed by English architect William Wardell, with minor changes made by local architects Hennessy, Hennessy and Co. Although the foundation stone was laid in 1868, the cathedral was not completed until 2000 when the spires originally planned by Wardell were finally built. The sandstone building is the largest church in Australia and is unusual in being orientated north-south rather than east-west. In 1930 the cathedral was granted the title of minor basilica by Pope Pius XI. It is in Gothic style with pointed arched windows, spires, towers, stained glass, tracery, and rose windows.&lt;/p&gt;&#13;
For more on the cathedral see &lt;a href="http://www.stmaryscathedral.org.au/" target="_blank"&gt;http://www.stmaryscathedral.org.au/&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;This photograph shows the guardhouse that was originally part of the entrance to Government House in the Royal Botanic Gardens, Sydney. The building was completed in 1848 and is thought to have been built by the Colonial Architect Mortimer Lewis. The guardhouse was in the Gothic Revival style and resembles a small castle with its tower and arched windows. The building was originally on Macquarie Street but was moved back in 1915 when the Sydney Conservatorium of Music moved into the former stables (Greenway Building) to provide public access.&lt;/p&gt;&#13;
&lt;p&gt;For more on the guardhouse see &lt;a href="http://collection.hht.net.au/firsthhtpictures/picturerecord.jsp?recno=39021" target="_blank"&gt;http://collection.hht.net.au/firsthhtpictures/picturerecord.jsp?recno=39021&lt;/a&gt; &amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;St Finn Barr&amp;rsquo;s Primary School was established as a Catholic parish school in 1894 by the Presentation Sisters, who remained involved with the school until 1993. The school is located on Invermay Road in the Launceston suburb of Invermay. The main school building, now the administrative building, is in the Romanesque Revival architectural style. It was designed by Thomas Tandy in 1926. The side wings of the building feature semi-circular arched windows, a shape also employed for the three entrances in the centre of the building. &lt;/p&gt;&#13;
&lt;p&gt;St Finbarr was the Bishop of Cork, Ireland, in the early seventh century. &lt;/p&gt;&#13;
The school&amp;rsquo;s website can be found at: &lt;a href="http://stfinnbarrs.tas.edu.au/"&gt;http://stfinnbarrs.tas.edu.au/&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;The Great Synagogue on Elizabeth Street in central Sydney opened in 1878, when it was described as a mix of Romanesque, Gothic, Byzantine, and Moorish motifs (according to the official website &amp;ndash; link provided below). The architectural style has also been described as Transitional French Gothic. The synagogue was designed by Sydney architect Thomas Rowe. These two photographs show the much less elaborate rear of the building with Romanesque rounded-arch windows on Castlereagh Street. This section of the synagogue housed a school and Beadle&amp;rsquo;s (caretaker) residence, but only the fa&amp;ccedil;ade at the rear is original. &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For more on the Great Synagogue see &lt;a href="http://www.greatsynagogue.org.au/Home.aspx" target="_blank"&gt;http://www.greatsynagogue.org.au/Home.aspx&lt;/a&gt;</text>
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                <text>&lt;p&gt;The Great Synagogue on Elizabeth Street in central Sydney opened in 1878, when it was described as a mix of Romanesque, Gothic, Byzantine, and Moorish motifs (according to the official website &amp;ndash; link provided below). The architectural style has also been described as Transitional French Gothic. The synagogue was designed by Sydney architect Thomas Rowe. These two photographs show the much less elaborate rear of the building with Romanesque rounded-arch windows on Castlereagh Street. This section of the synagogue housed a school and Beadle&amp;rsquo;s (caretaker) residence, but only the fa&amp;ccedil;ade at the rear is original. &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For more on the Great Synagogue see &lt;a href="http://www.greatsynagogue.org.au/Home.aspx" target="_blank"&gt;http://www.greatsynagogue.org.au/Home.aspx&lt;/a&gt;</text>
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                <text>This fortified house can be found on the road between Launceston and Lillydale in northern Tasmania. The single level stone fortifications are attached to a farmhouse and include round towers linked by a wall, all of which have a crenelated parapet. The towers contain water tanks. </text>
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&#13;
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