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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Newspaper Article&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article50058351" target="_blank"&gt;http://nla.gov.au/nla.news-article50058351&lt;/a&gt;</text>
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                <text>Coronation Fashions</text>
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                <text>This article from the Western Mail points to the mounting anticipation  regarding dress regulations in the lead-up to King Edward VIII&amp;rsquo;s  coronation, which was expected to take place in May 1937. Questions had  clearly started to circulate about whether traditional ceremonial robes  and coronets would remain the standard of attire, or whether a simpler  form of State dress would be adopted. The article speculates that the  regulations, which would be announced by the Earl Marshal, would likely  differ from those issued twenty-five years earlier for the coronation of  George V in 1911, where ceremonial robes were worn over full court  dress and peeresses wore both coronets and tiaras. In particular, the  robes and kirtles of the peeresses are singled out as garments whose  &amp;lsquo;fate is in the balance&amp;rsquo;, as well as quantities of ermine, which had  already been acquired in a number of cases with the expectation that it  would be used to line ceremonial robes. The article adds that there was  medieval precedent for varying the coronation robes should Edward VIII  choose to do so, as coronets had only been standard attire for barons  and baronesses since the coronation of Charles II in 1661, and robes  since James II&amp;rsquo;s coronation in 1685.&lt;br /&gt; &lt;br /&gt; In fact, this coronation never took place. It was scheduled for the 12  May 1937, but Edward VIII abdicated the throne on 11 December 1936 in  order to marry Mrs Wallis Simpson. He is one of very few English  monarchs not to have been crowned at Westminster Abbey since 1066. His  brother George VI replaced him on the throne, and ruled as the King of  Britain, Ireland and British dominions beyond the seas from 1936-1952.  For more on Edward VIII and his abdication, see H. C. G. Matthew,  &amp;lsquo;Edward VIII [later Prince Edward, duke of Windsor] (1894&amp;ndash;1972)&amp;rsquo;, Oxford  Dictionary of National Biography, Oxford University Press, 2004; online  edn, May 2009 [&lt;a href="http://www.oxforddnb.com/view/article/31061" target="_blank"&gt;http://www.oxforddnb.com/view/article/31061&lt;/a&gt;, accessed 13 Dec 2010].</text>
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                <text>3 September, 1936, p. 38.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The King of Spain</text>
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                <text>This article from the Western Mail relates news from London regarding the end of the Spanish regency in 1902 when Alfonso XIII assumed his full powers as Spainâ€™s king at age 16. The article begins by informing readers that on 18 May 1902, the day before the regency ceased, the Duke of Connaught invested Alfonso XIII with the Order of the Garter on behalf of the British king, Edward VII. It then provides details about some of the traditional rituals and ceremonies that had followed in connection with the new kingâ€™s coronation, including his taking of oaths and the singing of a Te Deum hymn followed by â€˜a magnificent medieval processionâ€™.</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Heiress Marries Prince</text>
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                <text>In this article from the Western Mail, news from Paris informs readers about a cheering crowd of 3000 people, mostly women, who mobbed Miss Barbara Hutton, the American Woolworthsâ€™ heiress, and Russian Prince Alexis Mdivani as they left the church after their wedding in June 1933. Huttonâ€™s wedding gown is described as a pearl-coloured satin dress with a medieval design and a train.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>1 negative : acetate, b&amp;amp;w.&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.pic-an23162725"&gt;http://nla.gov.au/nla.pic-an23162725&lt;/a&gt;&lt;a href="http://nla.gov.au/nla.pic-an13997268"&gt;&lt;/a&gt;</text>
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                <text>Interior looking towards High Altar [St Mary's Cathedral, Perth, Western Australia]</text>
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                <text>Image of interior of St. Mary's Cathedral in Western Australia.&#13;
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St Maryâ€™s Roman Catholic Cathedral is a neo-gothic cathedral located in Perth, WA.  It was constructed in four stages between 1865 and 2009. Building of the original brick portion of the cathedral commenced in 1863 but stalled due to lack of funds. It was completed in 1865 when an evening procession of all the Catholic clergy in Perth was held, and the building was blessed and named the Cathedral of the Immaculate Conception. Additions and alterations between 1897 and 1905 emphasised the gothic character of the Cathedral. These included the addition of a steeple, pinnacles, gargoyles and crenellation to the bell tower, and the addition of a porch, an aedicule housing a statute of the Virgin Mary and extra lancet windows to the western end.  Following the elevation of Perth to an Archdiocese in 1913, Archbishop Clune began a series of appeals to replace the Cathedral with a grander structure. Well-known WA architect Michael Cavanagh was appointed and produced plans for a completely new limestone Cathedral of Academic Gothic design. Due to financial constraints, however, it was decided to utilise the existing building, which subsequently became the nave, and add only new transepts and a sanctuary. These were completed in 1930 and the Cathedral retained this structure until 2006, when Archbishop Hickey ordered renovations to complete Cavanaghâ€™s grand design. &#13;
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                <text>Included on this page from the Western Mail in 1935 is a photograph of three women, identified as the Petter sisters, dressed as â€˜medieval angelsâ€™ at a Halloween Ball in London.</text>
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                <text>A girl in a sixteenth century inspired dress and cap demonstrating the art of finger braiding at the Society for Creative Anachronism's College Challenge tournament. The event was held at the University of Western Australia and featured participants from St. Basil (UWA) and St. Lazarus (Murdoch University).&lt;br /&gt; &lt;br /&gt; About the Society for Creative Anachronism and the Kingdom of Lochac  (the Australian and New Zealand regional branch of the SCA):  &lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Society for Creative Anachronism&lt;/strong&gt; is an international organisation which focuses on the study and  're-creation' of Medieval and Early Modern cultures and their histories  before the seventeenth century. As the prime example of a 'living  history' group, members of the SCA aim to re-create the past through  applying elements of historical knowledge to a practical engagement with  Medieval and Early Modern crafts, martial arts, science, metalwork and  cooking (for example). The Society was created by graduates of the  University of Berkley in California in the 1960s and has since branched  out to include 19 kingdoms, with over 30,000 members in locations across  the globe.&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Kingdom of Lochac&lt;/strong&gt; is the regional branch of the Society for Creative Anachronism for individuals living in Australia and New Zealand. &lt;br /&gt; &lt;br /&gt; Information regarding &lt;strong&gt;the College of St. Basil the Great &lt;/strong&gt;can be found at &lt;a href="http://lochac.sca.org/basil/index.php?page=home"&gt;http://lochac.sca.org/basil/index.php?page=home&lt;/a&gt;</text>
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2635">
                <text>Cord-making at the SCA College Challenge - St. Basil vs. St. Lazarus</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2636">
                <text>Society for Creative Anachronism, SCA, Kingdom of Lochac, recreation, re-creation, tourney, tournament, Saint Basil, Saint Lazarus, medieval women, fashion, art, craft, finger braiding, medieval craft, cord, cord-making, Murdoch University, University of Western Australia, UWA</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2637">
                <text>Two girls in twelfth and thirteenth century dress making cord on lucets at the Society for Creative Anachronism's College Challenge between St. Basil (UWA) and St. Lazarus (Murdoch University). The event was held on the UWA campus on the 19th December 2010.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt; About the Society for Creative Anachronism and the Kingdom of Lochac  (the Australian and New Zealand regional branch of the SCA):  &lt;br /&gt; &lt;br /&gt;&lt;br /&gt; &lt;strong&gt;The Society for Creative Anachronism&lt;/strong&gt; is an international organisation which focuses on the study and  're-creation' of Medieval and Early Modern cultures and their histories  before the seventeenth century. As the prime example of a 'living  history' group, members of the SCA aim to re-create the past through  applying elements of historical knowledge to a practical engagement with  Medieval and Early Modern crafts, martial arts, science, metalwork and  cooking (for example). The Society was created by graduates of the  University of Berkley in California in the 1960s and has since branched  out to include 19 kingdoms, with over 30,000 members in locations across  the globe.&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Kingdom of Lochac&lt;/strong&gt; is the regional branch of the Society for Creative Anachronism for individuals living in Australia and New Zealand. &lt;br /&gt; &lt;br /&gt; Information regarding &lt;strong&gt;the College of St. Basil the Great &lt;/strong&gt;can be found at &lt;a href="http://lochac.sca.org/basil/index.php?page=home"&gt;http://lochac.sca.org/basil/index.php?page=home&lt;/a&gt;</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2638">
                <text>McEwan, Joanne</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="2639">
                <text>McEwan, Joanne</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2640">
                <text>19/12/2010</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2641">
                <text>The Society for Creative Anachronism</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2642">
                <text>Image made available with the permission of the participants</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="575">
        <name>art</name>
      </tag>
      <tag tagId="579">
        <name>cord</name>
      </tag>
      <tag tagId="580">
        <name>cord-making</name>
      </tag>
      <tag tagId="576">
        <name>craft</name>
      </tag>
      <tag tagId="92">
        <name>fashion</name>
      </tag>
      <tag tagId="577">
        <name>finger braiding</name>
      </tag>
      <tag tagId="718">
        <name>Kingdom of Lochac</name>
      </tag>
      <tag tagId="578">
        <name>medieval craft</name>
      </tag>
      <tag tagId="574">
        <name>medieval women</name>
      </tag>
      <tag tagId="581">
        <name>Murdoch University</name>
      </tag>
      <tag tagId="569">
        <name>re-creation</name>
      </tag>
      <tag tagId="168">
        <name>recreation</name>
      </tag>
      <tag tagId="572">
        <name>Saint Basil</name>
      </tag>
      <tag tagId="573">
        <name>Saint Lazarus</name>
      </tag>
      <tag tagId="167">
        <name>SCA</name>
      </tag>
      <tag tagId="568">
        <name>Society for Creative Anachronism</name>
      </tag>
      <tag tagId="571">
        <name>tournament</name>
      </tag>
      <tag tagId="570">
        <name>tourney</name>
      </tag>
      <tag tagId="582">
        <name>University of Western Australia</name>
      </tag>
      <tag tagId="583">
        <name>UWA</name>
      </tag>
    </tagContainer>
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  <item itemId="110" public="1" featured="0">
    <fileContainer>
      <file fileId="183">
        <src>https://ausmed.arts.uwa.edu.au/files/original/666dcc7d69bc8d025cc07fcc60b35c31.pdf</src>
        <authentication>b1202baa4bbe18241ecb398c771ddc65</authentication>
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      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2228">
              <text>Newspaper article accessible via the National Libary of Australia website:&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article38394332" target="_blank"&gt;http://nla.gov.au/nla.news-article38394332&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="3285">
              <text>Newspaper article accessible via the National Libary of Australia website:&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article38394332" target="_blank"&gt;http://nla.gov.au/nla.news-article38394332&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3276">
                <text>Celotex</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3277">
                <text>Aztecs, building, Building materials, Celotex, Eskimos, Esquimos, housing, insulation, McLean Bros. and Rigg Ltd, medieval building, strength, warmth</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3278">
                <text>This advertisement for a new building material, Celotex, highlights its dual properties of strength and insulation as a selling point. Drawing comparisons to past societies, the article suggests while the Aztecs and the Eskimos had built for insulation, medieval builders had turned their attention to strength. Unlike in these examples where building had focused on either insulation or strength, the advertisement promises that Celotex would enable modern builders to incorporate the benefits of both traditions, by offering the means to construct houses that would stay cool in summer, preserve warmth in winter and that were also notable for their structural strength and durability. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3279">
                <text>Anon.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3280">
                <text>National Library of Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="3281">
                <text>The Western Mail</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3282">
                <text>17 January 1935, p. 16.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3283">
                <text>Western Mail, copyright expired</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3284">
                <text>Newspaper Article</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="584">
        <name>Aztecs</name>
      </tag>
      <tag tagId="433">
        <name>building</name>
      </tag>
      <tag tagId="585">
        <name>Building materials</name>
      </tag>
      <tag tagId="586">
        <name>Celotex</name>
      </tag>
      <tag tagId="587">
        <name>Eskimos</name>
      </tag>
      <tag tagId="588">
        <name>Esquimos</name>
      </tag>
      <tag tagId="589">
        <name>housing</name>
      </tag>
      <tag tagId="590">
        <name>insulation</name>
      </tag>
      <tag tagId="591">
        <name>McLean Bros. and Rigg Ltd</name>
      </tag>
      <tag tagId="592">
        <name>medieval building</name>
      </tag>
      <tag tagId="593">
        <name>strength</name>
      </tag>
      <tag tagId="594">
        <name>warmth</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
