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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>'Romance'</text>
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                <text>Alice Werner (1859-1935), castle, chivalry, â€˜Creeve Roeâ€™, Gothic medievalism, knight, L. D. (1859-1935), Lucia Di Valle Rojana (1859-1935), melancholia, poetry, romance, tournament, Victor Daley (1858-1905)</text>
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                <text>The long-vanished past is briefly reconfigured in this sad and poignant poem. It allows us a fleeting glimpse of what has (or may have) been, even though we find ourselves standing in the waking world â€œUnder blue skies in a fair land.â€ True Romance, it suggests, has gone the way of stately knights in armour, beautiful â€˜maidens forlorn,â€™ castles, and all the accoutrements and trappings of the chivalric medieval past. In gothic literary fashion the buildings, mores and customs have all crumbled, decayed, and vanished, and the poem â€œlament[s] the irredeemable loss of this world, which â€˜Ages ago [...] faded out and diedâ€™â€ (Louise D'Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910 Turnhout, Brepols, 2011, p.139). While these verses do convey sadness and melancholia, Australia was a new land, at least in terms of European settlement and influence, and so it can be concluded, as Louise Dâ€™Arcens suggests, that that, â€œthis melancholy poem is not coupled with any attempt to reanimate the spirit of nostalgia in the presentâ€ (Dâ€™Arcens, p.139). </text>
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                <text>L. D.  (Alice Werner aka Lucia Di Valle Rojana)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>The Bulletin</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>The Bulletin</text>
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                <text>15 August 1885 (p. 22)</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Public Domain</text>
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        <name>â€˜Creeve Roeâ€™</name>
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        <name>Victor Daley (1858-1905)</name>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.history.com/shows/full-metal-jousting/bios/rod-walker"&gt;http://www.history.com/shows/full-metal-jousting/bios/rod-walker&lt;/a&gt;</text>
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                <text>Full Metal Jousting: Rod Walker</text>
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                <text>Armour, Bathurst, combat, Full Metal Jousting, helmet, History.com, International Jousting Association, jousting, knight, lance, New South Wales, NSW, shield, television, Rod Walker</text>
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                <text>This online biography of Rod Walker appears on the History.com website for the television show Full Metal Jousting. Rod, a founding member of the International Jousting Association, is one of the coaches on the show. The show is a televised jousting tournament over a number of weeks in which contestants compete for a cash prize. As their medieval counterparts did, the jousters/knights ride horses wearing armour and helmets, and carrying a lance and shield with which to combat the other contestant. Jousting is described as â€˜the most dangerous collision sport in historyâ€™. Full Metal Jousting premiered on April 15, 2012.&#13;
&#13;
Rod Walker is from the New South Wales city of Bathurst where he runs the jousting company Full Tilt and performs at local events. </text>
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                <text>The History Channel</text>
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                <text>The History Channel</text>
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                <text>History.com</text>
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                <text>April 15, 2012</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>History.com</text>
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        <name>History.com</name>
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        <name>International Jousting Association</name>
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        <name>jousting</name>
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        <name>knight</name>
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        <name>Rod Walker</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <description>A name given to the resource</description>
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                <text>â€˜The Towersâ€™ building, Hobart</text>
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            <description>The topic of the resource</description>
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                <text>Arched windows, James Blackburn, convict, crenellation, domestic architecture, Hobart, Newtown, Tas, Tasmania, tower, â€˜The Towersâ€™, turret</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;&amp;lsquo;The Towers&amp;rsquo; building is in the Hobart suburb of Newtown and lends its name to Tower Road. It was designed by English-born convict architect James Blackburn in c. 1845 as a grand domestic building built around an internal courtyard. The weatherboard house features a prominent three-storey stone tower with an additional level provided by a turret. The tower and turret are both crenellated and feature rounded arched windows. The rooms inside the tower feature marble fireplaces.&lt;/p&gt;&#13;
&lt;p&gt;For more on James Blackburn see: &lt;a href="http://adb.anu.edu.au/biography/blackburn-james-1789" target="_blank"&gt;http://adb.anu.edu.au/biography/blackburn-james-1789&lt;/a&gt;&amp;nbsp;&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Dorey, Margaret</text>
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            <name>Date</name>
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                <text>7 April 2012</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21701">
                <text>No Copyright</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Digital Photograph; JPEG</text>
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        <name>â€˜The Towersâ€™</name>
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        <name>arched windows</name>
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        <name>convict</name>
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        <name>crenellation</name>
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        <name>domestic architecture</name>
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        <name>Hobart</name>
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        <name>James Blackburn</name>
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        <name>Newtown</name>
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        <name>Tas</name>
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        <name>Tasmania</name>
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        <name>tower</name>
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        <name>turret</name>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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            <description>An account of the resource</description>
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                <text>Medieval Education: Medieval and Ancient Programs for Schools are run by Multisensory Education Pty. Ltd., who is based in Melbourne. The group offer educational programs for schools in Victoria. They have a comprehensive array of Medieval Activity Days, featuring Archery, Blacksmithing, Brass Rubbing, Crime and Punishment, The Role of Dance, Education and Games, Fashion and Dress, Heraldry, Medieval Japan, The Muslim World, Three Cultures â€“ Medieval Muslims, Japanese and Latins, The Tournament, Trade and Travel, The Troubadours, Warfare, and Weapons and Armour. The list of activities includes both passive and active sessions and is designed to enhance student interest in the medieval era with an emphasis on education.</text>
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                <text>Multisensory Education Pty. Ltd.</text>
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                <text>Multisensory Education Pty. Ltd.</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21710">
                <text>Multisensory Education Pty. Ltd.</text>
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                <text>Hyperlink</text>
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            <description>A language of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <description>The topic of the resource</description>
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                <text>Arcade, arch, architecture, blind tracery, buttress, church, church building, Church of Scotland, Decorated gothic style, freestone, gothic architecture, gothic revival, lancet arch, lancet window, masonry, neo-gothic, Presbyterian church, Protestantism, quoin, Reed &amp; Barnes, sandstone, spire, stained glass, tower, tracery, VIC, Victoria, Victorian Gothic</text>
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            <description>An account of the resource</description>
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                <text>A view of Scotâ€™s Church located on Collins Street in central Melbourne. The church was built in a decorated Gothic Revival style to the design of architectural firm Reed &amp; Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scotâ€™s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Characteristic neo-gothic features of Scotâ€™s Churchâ€™s exterior include its 120ft spire, which for a number of years was the highest point in Melbourneâ€™s townscape, its stone tracery, decorative quoins, buttresses, pinnacles and lancet windows. The church also boasts a number of stained glass windows by well-known artists such as Ferguson &amp; Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich.</text>
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            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21723">
                <text>McEwan, Joanne</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>April 2011</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21725">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21726">
                <text>Digital Photograph; JPEG</text>
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        <name>arch</name>
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        <name>Church</name>
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        <name>freestone</name>
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        <name>gothic architecture</name>
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        <name>Gothic Revival</name>
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        <name>lancet arch</name>
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        <name>lancet window</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Kryal Castle, castle, crenelation, drawbridge, gate, Kryal Castle, moat, porticullis, Keith Ryall, tourism, tower, towers, battlements, leisure, recreation, re-creation, entertainment, functions, Ballarat, Melbourne, VIC, Victoria</text>
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                <text>An image of a tower at Kryal Castle. A tourist attraction located 8km from Ballarat in Victoria, Kryal Castle was built in 1972 (opened in 1974) by Keith Ryall.&#13;
&#13;
Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can also be hired for weddings, conferences, functions, and special events.&#13;
&#13;
Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. </text>
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                <text>Jeffrey, N.</text>
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                <text>Image used with the permission of N. Jeffrey.</text>
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        <name>Melbourne</name>
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        <name>moat</name>
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        <name>porticullis</name>
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        <name>re-creation</name>
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      <tag tagId="168">
        <name>recreation</name>
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      <tag tagId="1054">
        <name>tourism</name>
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        <name>tower</name>
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      <tag tagId="1074">
        <name>towers</name>
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      <tag tagId="2984">
        <name>Vic</name>
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        <name>Victoria</name>
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  <item itemId="902" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
                </elementText>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      </elementSetContainer>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="21749">
              <text>&lt;a href="http://www.sthuberts.com.au/history/who" target="_blank"&gt;&lt;span style="color: #0000ff; font-family: Calibri; font-size: small;"&gt;http://www.sthuberts.com.au/history/who&lt;/span&gt;&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21742">
                <text>St Hubertâ€™s Vineyard, Coldstream, Victoria</text>
              </elementText>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21743">
                <text>Antlers, Austrasia, Coldstream, cross, emblem, Franks, Hubert de Castella, hunters, Neustria, patron saint, Pepin of Heristal, saint, St Hubert, stag, symbolism, Victoria, VIC, vineyard, vision, winery, Yarra Valley</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21744">
                <text>St Hubertâ€™s vineyard in Coldstream, Victoria, was founded by Hubert de Castella in 1862. It is named after St Hubert, the â€˜Apostle of Ardennesâ€™ and patron saint of hunters. Born c.656, Hubert was the eldest son of Bertrand, Duke of Aquitaine. He was a prominent member at the Court of Neustria in his youth and later (after fleeing to the Eastern Frankish territories) at Pepin of Heristalâ€™s Court in Austrasia. He is believed to have increasingly prioritised hunting over religious observance, which culminated sometime soon after his marriage (682) in a vision of a stag carrying a shining cross between his antlers. The stag told him to transform his ways or he would go to hell. Henceforth, he distributed his wealth amongst the poor, renounced his dukedom, was ordained as a priest, founded a number of monasteries and engaged in missionary work until his death in c.727. In homage to this legend, the St Hubertâ€™s Vineyard emblem features a stag and a cross. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21745">
                <text>St. Hubert's</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21746">
                <text>2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21747">
                <text>St. Hubert's</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21748">
                <text>Hyperlink</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    <tagContainer>
      <tag tagId="4877">
        <name>Antlers</name>
      </tag>
      <tag tagId="4878">
        <name>Austrasia</name>
      </tag>
      <tag tagId="4879">
        <name>Coldstream</name>
      </tag>
      <tag tagId="132">
        <name>cross</name>
      </tag>
      <tag tagId="740">
        <name>emblem</name>
      </tag>
      <tag tagId="4107">
        <name>Franks</name>
      </tag>
      <tag tagId="4880">
        <name>Hubert de Castella</name>
      </tag>
      <tag tagId="4881">
        <name>hunters</name>
      </tag>
      <tag tagId="4882">
        <name>Neustria</name>
      </tag>
      <tag tagId="3796">
        <name>patron saint</name>
      </tag>
      <tag tagId="4883">
        <name>Pepin of Heristal</name>
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      <tag tagId="1767">
        <name>saint</name>
      </tag>
      <tag tagId="4884">
        <name>St Hubert</name>
      </tag>
      <tag tagId="4885">
        <name>stag</name>
      </tag>
      <tag tagId="4013">
        <name>symbolism</name>
      </tag>
      <tag tagId="2984">
        <name>Vic</name>
      </tag>
      <tag tagId="890">
        <name>Victoria</name>
      </tag>
      <tag tagId="1146">
        <name>vineyard</name>
      </tag>
      <tag tagId="4057">
        <name>vision</name>
      </tag>
      <tag tagId="1144">
        <name>winery</name>
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      <tag tagId="4886">
        <name>Yarra Valley</name>
      </tag>
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  </item>
  <item itemId="903" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34460">
                  <text>Medievalism on the Page</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
                </elementText>
              </elementTextContainer>
            </element>
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    <itemType itemTypeId="11">
      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="21984">
              <text>Journal (Microfilm)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="22276">
              <text>&lt;div dir="ltr"&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/admin/items/show/903" target="_blank"&gt;http://ausmed.arts.uwa.edu.au/admin/items/show/903&lt;/a&gt;&lt;/div&gt;</text>
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        </element>
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    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22266">
                <text>â€˜Lightâ€™ Verses</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22267">
                <text>adversary, knight, lampoon, lance, Macquarie Lighthouse, NSW Politics, Port Jackson, satire, Sir Henry Parkes, Sir John Robertson, Sydney Harbour, The Bulletin, verse</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="22268">
                <text>This poem is an example of the satirical verses published by The Bulletin to ridicule the perceived â€œopportunistic and self-servingâ€ collaborative association between former political opponents (aka â€˜rivalsâ€™), Sir Henry Parkes, and Sir John Robertson aka â€˜the Knight of Clovellyâ€™ (Louise D'Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout, Brepols, 2011, pp.147-48). The occasion that warranted lampooning here was the inauguration of the new Macquarie lighthouse (South Head, Port Jackson). The poemâ€™s backdrop is that of two â€˜worthyâ€™ knights. Formerly bitter adversaries, they now seem â€˜reconciledâ€™ and working together for the common good, albeit at considerable expense to public funding, and to general good will, while stretching the city of Sydneyâ€™s patience to the limits.</text>
              </elementText>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22269">
                <text>Anon.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="22270">
                <text>The Bulletin</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="22271">
                <text>The Bulletin</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22272">
                <text>13 March 1880 (p. 3)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22273">
                <text>Public Domain</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22274">
                <text>Journal (Microfilm)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22275">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
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        <name>adversary</name>
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      <tag tagId="96">
        <name>knight</name>
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      <tag tagId="4888">
        <name>lampoon</name>
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      <tag tagId="2092">
        <name>lance</name>
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      <tag tagId="4889">
        <name>Macquarie Lighthouse</name>
      </tag>
      <tag tagId="4759">
        <name>NSW politics</name>
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      <tag tagId="4890">
        <name>Port Jackson</name>
      </tag>
      <tag tagId="1656">
        <name>satire</name>
      </tag>
      <tag tagId="4891">
        <name>Sir Henry Parkes</name>
      </tag>
      <tag tagId="4892">
        <name>Sir John Robertson</name>
      </tag>
      <tag tagId="4893">
        <name>Sydney Harbour</name>
      </tag>
      <tag tagId="4894">
        <name>The Bulletin</name>
      </tag>
      <tag tagId="4895">
        <name>verse</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
