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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Arched windows, Art Deco, Harold Boas, Chicago, Commercial Gothic, crenellation, buttresses, Robert Gledden, Gledden Building, Gothic, New York, parapet, Perth, tower, Tribune Building, University of Western Australia, UWA, WA, Western Australia.</text>
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                <text>&lt;p&gt;The Gledden Building is in the Perth CBD and was designed by architect Harold Boas. It was built in 1937 and 1938, and is named after Robert Gledden who had gifted the land that the building is on to The University of Western Australia in 1927. The building is in the Art Deco style, and was inspired by New York skyscrapers and the Tribune Building in Chicago. The style of the building has also been termed &amp;lsquo;Commercial Gothic&amp;rsquo; and the upwards trajectory of the building is similar to that found in Gothic churches. Medievalist features include a parapet and a nod towards crenellation at the top of the building, whilst the two-storey corner tower includes semi-circular arched windows in the top storey and buttresses.&lt;/p&gt;&#13;
&lt;p&gt;For another Commercial Gothic building see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/868"&gt;http://ausmed.arts.uwa.edu.au/items/show/868&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/868"&gt;http://ausmed.arts.uwa.edu.au/items/show/868&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.themercury.com.au/article/2012/06/17/337741_tasmania-news.html"&gt;http://www.themercury.com.au/article/2012/06/17/337741_tasmania-news.html&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>â€˜The bride woreâ€¦ a swordâ€™</text>
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                <text>&lt;p&gt;The article &amp;lsquo;The bride wore&amp;hellip; a sword&amp;rsquo; by reporter Hannah Martin appeared in the online version of the Tasmanian newspaper The Mercury. The article reports on a medieval &amp;lsquo;Celtic&amp;rsquo;-style wedding of two members of the Society of Creative Anachronism. The Hobart couple were married at Port Arthur wearing specially made medieval costumes and brandishing a sword each. The also wore torcs, or neck-rings, an item occasionally found in the medieval period but more common earlier. Many of the guests also wore medieval costumes.&lt;/p&gt;&#13;
&lt;p&gt;For the article, including photographs, see &lt;a href="http://www.themercury.com.au/article/2012/06/17/337741_tasmania-news.html"&gt;http://www.themercury.com.au/article/2012/06/17/337741_tasmania-news.html&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Bonnet Hill, Caretakers house, crenellation, domestic architecture, fortified house, Gothic, Hobart, Joseph Moir, parapet, Tas, Tasmania, tower.</text>
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                <text>The Caretakers House (for the nearby shot tower) in the Hobart suburb of Bonnet Hill, Tasmania, has the appearance of a medieval fortified house. It was originally built for Joseph Moir from 1855 as a domestic dwelling. The two-storey stone building features a parapet and crenellation at the front of the house, which resembles a tower, as well as another tower with crenellation built on top of the house.</text>
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                <text>Dorey, Margaret</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Royal Engineers Building on Macquarrie Street in Hobart was built in 1846-7 and was the headquarters of the Royal Engineers Regiment until 1876. The two-storey stone building was built in the late medieval Tudor style and features two-storey bay windows, arched windows, gables, and stone carvings. Unfortunately stone carvings in the gables were lost during a renovation in 1979, at which time a portico was also destroyed. </text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21547">
                <text>No Copyright</text>
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            <elementTextContainer>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <description>A name given to the resource</description>
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                <text>The New Church, Perth, Western Australia</text>
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                <text>The New Church on Adelaide Terrace in the Perth CBD was designed by Richard Spinney and consecrated on February 25, 1940. The small stone church was built in the Inter-War Gothic style and features a bell tower, buttresses, a small porch, and leadlighting. It is no longer in use and will soon have high-rise apartments built immediately behind it.&#13;
&#13;
The New Church are a Christian group whose beliefs are based on the writings of the Swedish theologian Emanuel Swedenborg (1688-1772).&#13;
</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>McLeod, Shane</text>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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            <name>Title</name>
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            <description>The topic of the resource</description>
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                <text>&lt;p&gt;The McLaren Vale, South Australia, company Maxwell Wines produce three varieties of Maxwell Mead. Their website explains that although mead was first drunk much earlier than the medieval period, it has a particularly strong association with Scandinavian culture during the Viking Age (c. 790-1000), where the Mead of Poetry is a mythical drink that allows one to become a poet. Mead is also drunk by the Danish warriors in the Anglo-Saxon epic poem &lt;em&gt;Beowulf&lt;/em&gt;. The website also claims that the term &amp;lsquo;honeymoon&amp;rsquo; comes from a newlywed couple being given mead as an aphrodisiac in the hope of conceiving a child (this etymology is difficult to prove).&lt;/p&gt;&#13;
&lt;p&gt;The label of Maxwell Mead features a medieval king standing in front of a stained glass window and holding a sword.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.maxwellwines.com.au/maxwell-mead/"&gt;http://www.maxwellwines.com.au/maxwell-mead/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Maxwell Wines</text>
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            <description>Information about rights held in and over the resource</description>
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