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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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&lt;p&gt;The Queen Victoria Building was designed in Romanesque style by George McRae and completed in 1898. The Royal Clock is one of two large clocks suspended from the top level of the building. Above the clock face is a miniature castle with towers and crenellation, and featuring the Royal coat of arms. The clock was designed by Neil Glasser and made by Thwaites and Reed of Hastings, England. It features six scenes about English royalty, including King John signing the Magna Carta in 1215.&lt;/p&gt;&#13;
For more on the building see &lt;a href="http://www.qvb.com.au" target="_blank"&gt;http://www.qvb.com.au&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Royal Engineers Building on Macquarrie Street in Hobart was built in 1846-7 and was the headquarters of the Royal Engineers Regiment until 1876. The two-storey stone building was built in the late medieval Tudor style and features two-storey bay windows, arched windows, gables, and stone carvings. Unfortunately stone carvings in the gables were lost during a renovation in 1979, at which time a portico was also destroyed. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Image of the Royal Exhibition Building and Carlton Gardens in Melbourne, Victoria. The Royal Exhibition Building was designed by architect Joseph Reed and completed in 1880. The round-arched architectural style of the design combines elements from Byzantine, Romanesque, Lombardic and Italian Renaissance buildings (â€˜Rundbogenstilâ€™). The dome specifically was modelled on Brunelleschiâ€™s fifteenth-century design for the dome of the Florence Cathedral. Conservation and restoration of the building was completed in 1994, and the Royal Exhibition Building received National and World Heritage listing in 2004.&#13;
&#13;
The Royal Exhibition Building hosted two major world fairs in the late nineteenth century: the Melbourne International Exhibition in 1880 (for which purpose it was constructed), and then the Melbourne Centennial International Exhibition in 1888. The Great Hall was also used for the opening of the first Commonwealth Parliament of Australia in 1901.</text>
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                <text>McEwan, Joanne</text>
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                <text>Photograph of the Royal Exhibition Building and Carlton Gardens in Melbourne, Victoria. The Royal Exhibition Building was designed by architect Joseph Reed and completed in 1880. The round-arched architectural style of the design combines elements from Byzantine, Romanesque, Lombardic and Italian Renaissance buildings (â€˜Rundbogenstilâ€™). The dome specifically was modelled on Brunelleschiâ€™s fifteenth-century design for the dome of the Florence Cathedral. Conservation and restoration of the building was completed in 1994, and the Royal Exhibition Building received National and World Heritage listing in 2004.&#13;
&#13;
The Royal Exhibition Building hosted two major world fairs in the late nineteenth century: the Melbourne International Exhibition in 1880 (for which purpose it was constructed), and then the Melbourne Centennial International Exhibition in 1888. The Great Hall was also used for the opening of the first Commonwealth Parliament of Australia in 1901.&#13;
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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            <description>The topic of the resource</description>
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                <text>A photograph of a royal, medievalist scene. Sitting in the centre is Keith Ryal, the creator of Kryal Castle near Ballarat.&#13;
&#13;
About Kryal Castle:&#13;
&#13;
Kryal Castle is a tourist attraction located 8km from Ballarat in Victoria. Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can also be hired for weddings, conferences, functions, and special events. It was built in 1972 and opened in 1974 by Keith Ryall. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. </text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Image used with the permission of N. Jeffrey</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;Rusland NGV Garrison are a Viking re-enactment group which formed in 1991. They are part of the larger New Varangian Guard group. Rusland recreate the Varangian Guard, the bodyguard of the Byzantine Emperors and their cultural and military lifestyle c. 950-1204. The group place an emphasis on training, where members use such weapons as spear, sword, saex, and axe.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://nvg-rusland.com/"&gt;http://nvg-rusland.com/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the New Varangian Guard see &lt;a href="http://ausmed.arts.uwa.edu.au/admin/items/show/540"&gt;http://ausmed.arts.uwa.edu.au/admin/items/show/540&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <description>Title, URL, Description or annotation.</description>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="13164">
              <text>Report</text>
            </elementText>
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          <name>URL</name>
          <description/>
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              <text>&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;&lt;a href="http://nla.gov.au/nla.news-article47270284"&gt;http://nla.gov.au/nla.news-article47270284&lt;/a&gt;&lt;/strong&gt;&lt;strong&gt;&lt;/strong&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>SA Register 1888 Thurs 26 April Carnival of King Labour</text>
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                <text>King Labour, Eight Hours Day celebration Melbourne, tinsmithsâ€™ armour, trade processions, streets celebrations, medieval guilds, references to Ivanhoe, Richard Coeur de Lion, Don Quixote, battle-axes, Friendly Societiesâ€™ Gardens, carnival, carnivalesque, labour, worker, work, labourer, class</text>
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            <name>Description</name>
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                <text>Report on the Eight Hours Day procession in Melbourne in 1888. The article describes the vivid and essentially working-class flavour of the skilled trades procession and after-picnic in Melbourne. The tinsmithsâ€™ knightly armour invokes literary and historical figures of the past. The novel Ivanhoe was set in the twelfth century but was written by Sir Walter Scott in the early nineteenth century; Don Quixote by Miguel de Cervantes is a seventeenth-century novel. Richard the Lionheart or Richard I of England was a twelfth-century warrior king. The authorâ€™s idea about what constitutes â€˜the medievalâ€™ is heavily mediated by popular fictions and depictions of their time.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>E.D.C. South Australian Register</text>
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                <text>&lt;p class="MsoNormal" style="line-height: normal;"&gt;National Library of Australia&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal;"&gt;&lt;strong&gt;&lt;span&gt;&lt;a href="http://nla.gov.au/nla.news-article47270284"&gt;http://nla.gov.au/nla.news-article47270284&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;</text>
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            <name>Date</name>
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                <text>26 April 1888</text>
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              <elementText elementTextId="16259">
                <text>Public Domain</text>
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          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="16260">
                <text>Report; Hyperlink</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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        <name>battle-axes</name>
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        <name>carnival</name>
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        <name>carnivalesque</name>
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        <name>class</name>
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      <tag tagId="1836">
        <name>Don Quixote</name>
      </tag>
      <tag tagId="1829">
        <name>Eight Hours Day celebration Melbourne</name>
      </tag>
      <tag tagId="1838">
        <name>Friendly Societiesâ€™ Gardens</name>
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        <name>King Labour</name>
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        <name>labour</name>
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        <name>labourer</name>
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        <name>medieval guilds</name>
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        <name>references to Ivanhoe</name>
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        <name>Richard Coeur de Lion</name>
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        <name>streets celebrations</name>
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      <tag tagId="1830">
        <name>tinsmithsâ€™ armour</name>
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        <name>trade processions</name>
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        <name>work</name>
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        <name>worker</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/fbea00bf0d72734533ed3b9af08de480.jpg</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="23850">
              <text>Digital Photograph; JPEG</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Saint Andrew's Cathedral, Sydney - George Street Entrance</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Anglican, Arched windows, Edmund Blacket, crenellation, gargoyle, Gothic, Gothic Revival, New South Wales, NSW, stained glass, Sydney, tower, tracery, saint, saints, Saint Andrew, St. Andrew, St Andrew</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>St Andrewâ€™s Cathedral on George Street in central Sydney was consecrated in 1868, making it the oldest cathedral in Australia. The Anglican cathedral was designed by the English architect Edmund Blacket, who later became the colonial architect to New South Wales. The building is in the Gothic revival style, and features gargoyles, pointed arched windows, stained glass, crenellation, towers, and tracery. Unusually, due to the ease of access from George Street, the Cathedral is now entered through the less grand east end and the interior has been reorientated accordingly. This photograph shows the new entrance.</text>
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            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23846">
                <text>McLeod, Shane</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>February 6, 2012</text>
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            </elementTextContainer>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23848">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23849">
                <text>Digital Photograph; JPEG</text>
              </elementText>
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        <name>Anglican</name>
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        <name>Edmund Blacket</name>
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        <name>gargoyle</name>
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        <name>Gothic</name>
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        <name>Gothic Revival</name>
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        <name>New South Wales</name>
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        <name>NSW</name>
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        <name>saint</name>
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        <name>Saint Andrew</name>
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        <name>St Andrew</name>
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        <name>St. Andrew</name>
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        <name>stained glass</name>
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        <name>Sydney</name>
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        <name>tower</name>
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        <name>tracery</name>
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