106 8 1266 https://ausmed.arts.uwa.edu.au/files/original/e34605a41dd7d9f420d276c9b17a567d.jpg b2c87bddb7ba751908534a40a5aff54c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 427 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rose Tympanum, St Patrick’s Basilica, Fremantle, Western Australia Subject The topic of the resource arch, architect, architecture, basilica, blind tracery, Catholic, Catholic Church, church, church building, Federation Gothic Style, Fremantle, gothic architecture, gothic revival, lancet arch, masonry, Michael Cavanagh, minor basilica, missionaries, neo-gothic, Oblates of Mary Immaculate, oblates, presbytery, Sydney freestone, Thomas Ryan OMI, tracery, tympanum, Vatican, Western Australia Description An account of the resource A close-up view of the decorative blind tracery in the shape of a rose on the tympanum of the Basilica of St Patrick’s main entrance doorway. Ornate and detailed tracery was a common feature of gothic architecture. About St Patrick’s Basilica: St Patrick’s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. It was designed by Adelaide architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. The church was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who had arrived in Fremantle in 1894 as missionaries. It was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. The Vatican issued St Patrick’s with the status of a minor basilica in 1994. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 04 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arch architect architecture Basilica blind tracery Catholic Catholic Church Church church building Federation Gothic Style Fremantle gothic architecture Gothic Revival lancet arch masonry Michael Cavanagh minor basilica missionaries neo-Gothic oblates Oblates of Mary Immaculate presbytery Sydney freestone Thomas Ryan OMI tracery tympanum Vatican Western Australia https://ausmed.arts.uwa.edu.au/files/original/06b5a0b25fcbd62b9e6850d67d9c21df.jpg 742ee442815fcff7ee0fd4ba06c577ec Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 865 Width 824 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rose Window, St John the Evangelist Anglican, Fremantle, Western Australia Subject The topic of the resource Anglican, Anglican Church, architect, architecture, church, church architecture, church building, Evangelicalism, Fremantle, gothic architecture, J. J. Harwood & Son, King’s Square, limestone, gothic, gothic building, gothic revival, neo-gothic, rose window, stained glass window, stone tracery, W. Smith, Western Australia, window Description An account of the resource A view of the rose window on the western façade of St John the Evangelist Anglican Church in Fremantle, Western Australia. Rose windows were popular decorative features in Romanesque and especially Gothic church architecture by the thirteenth century in England and Europe. Located in King’s Square in the centre of Fremantle, St John the Evangelist Anglican Church is a neo-gothic limestone church that was designed by W. Smith and constructed by J. J. Harwood and Son. The foundation stone was laid in 1878 and the building was consecrated in 1882. The church replaced an older building that had served the Anglican congregation in Fremantle since 1843. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Anglican Anglican church architect architecture Church church architecture church building Evangelicalism Fremantle Gothic gothic architecture Gothic building Gothic Revival J. J. Harwood & Son King’s Square limestone neo-Gothic rose window stained glass window stone tracery W. Smith Western Australia window https://ausmed.arts.uwa.edu.au/files/original/1efd50a75a5f40f2c4db0ed1238d2e11.jpg 263a26f3ac6f1f24372f7848a5cf63e1 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 276 Width 279 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rose Window, St Peter’s Cathedral, Adelaide. Subject The topic of the resource Adelaide, Anglican, Anglicanism, architecture, Augustus Short (1802-1883), cathedral, church, church building, Church of St Jean-Baptiste de Belleville (1854), diocese of Adelaide, ecclesiastical building, Edward John Woods (1839-1916), gothic, gothic revival architecture, neo-gothic, North Adelaide, rose window, SA, South Australia, St Peter, St Peter’s Cathedral, stone, tracery, Victorian Gothic style, William Butterfield (1814-1900) Description An account of the resource <p>&nbsp;A close-up image of the rose window on the front facade of St Peter&rsquo;s Cathedral in Adelaide, South Australia. The front of the Cathedral is believed to have been modelled on the church of St Jean-Baptiste de Belleville in Paris, while the lower half of the facade - especially the three large doorways, the rose window and the twin lancet windows on either side - are also strongly reminiscent of Notre Dame in Paris. Rose windows were popular decorative features of Romanesque and especially Gothic architecture in England and Europe by the thirteenth century.</p> <p>About St Peter&rsquo;s Cathedral:</p> <p>St Peter&rsquo;s is an Anglican Cathedral located in North Adelaide. Plans for the Victorian Gothic style Cathedral, designed by English architect William Butterfield, were brought to South Australia by the first bishop of the Anglican diocese of Adelaide, Augustus Short, in 1848. They were enlarged and implemented by local architect Edward John Woods. The foundation stone of the Cathedral was laid on St Peter&rsquo;s Day (29 June) in 1869, and building proceeded in five stages. The first section was completed in 1877, when the Cathedral officially opened for services. The nave was completed in 1901, the towers in 1902, the Lady Chapel in 1904 and the front steps in 1911. Restoration work on the Cathedral began in the 1990s. For more information, see: <a href="http://www.stpeters-cathedral.org.au/web/arch" target="_blank"><span style="color: #0000ff;">http://www.stpeters-cathedral.org.au/web/arch</span></a>.&nbsp;</p> Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide Anglican Anglicanism architecture Augustus Short (1802-1883) Cathedral Church church building Church of St Jean-Baptiste de Belleville (1854) diocese of Adelaide ecclesiastical building Edward John Woods (1839-1916) Gothic gothic revival architecture neo-Gothic North Adelaide rose window SA South Australia St Peter St Peter’s Cathedral stone tracery Victorian Gothic style William Butterfield (1814-1900) https://ausmed.arts.uwa.edu.au/files/original/uwa_winthrop-hall_reduced-f_1847c24267.jpg e90affc986bdcfc5f6563b9374353445 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 427 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rose Window, Winthrop Hall, the University of Western Australia Subject The topic of the resource architecture, architect, Assisi, thirteenth century, Rodney Alsop, Basilica of San Francesco, Crawley, dais, great hall, Italian influence, organ, Romanesque style, rose window, Sir John Winthrop Hackett (1848-1916), The University of Western Australia, Western Australia, UWA, WA, window, window tracery, Winthrop Hall Description An account of the resource <p class="MsoNormal">A view of the large rose window on the eastern wall of Winthrop Hall at The University of Western Australia. Inside the hall, the rose window is a focal point above the dais. Rose windows were popular decorative features of Romanesque and especially Gothic architecture in England and Europe by the thirteenth century.</p> <p class="MsoNormal"><strong>About Winthrop Hall:</strong></p> Winthrop Hall was designed by Melbourne architect Rodney Alsop. It was built in a Romanesque style, typified by its rounded arches, columns, arcading, sturdy walls (they are 9ft thick) and large square tower. The architect described the style as <span lang="EN">being of Italian ancestry, but notably &ldquo;anglicised and adapted to the local conditions&rdquo; (See <em>Western Mail</em>, 21 April 1932, pp.14: </span><a href="http://nla.gov.au/nla.news-article38891565" target="_blank"><span lang="EN">http://nla.gov.au/nla.news-article38891565</span></a><span lang="EN">). </span>Winthrop Hall, Hackett Hall to its east, and the Great Gate and the Arts and Administration Building to its west were designed and built together as a group of University Buildings. They were funded by a bequest from The University of Western Australia&rsquo;s first Chancellor, Sir John Winthrop Hackett (1848-1916), and were officially opened at a ceremony on 13 April 1932. Based on photographs taken by Rodney Alsop, Winthrop Hall&rsquo;s architect, in Italy in 1925, the design for the rose window is likely to be based on one at the Basilica of San Francesco in Assisi. (See R. J. Ferguson, <em>Crawley Campus: The Planning and Architecture of the University of Western Australia, </em>University of Western Australia Press, Perth, 1993, p.41).The Basilica of San Francesco was built between 1228 and 1253. For an image of its rose window, visit: <a href="http://www.therosewindow.com/index-rose2.htm" target="_blank">http://www.therosewindow.com/index-rose2.htm</a> Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 28 January 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG architecture Assisi Basilica of San Francesco Crawley dais gothic architecture Gothic Revival Great Hall Italian influence neo-Gothic organ Rodney Alsop Romanesque style rose window Sir John Winthrop Hackett (1848-1916) The University of Western Australia UWA WA Western Australia window window tracery Winthrop Hall https://ausmed.arts.uwa.edu.au/files/original/54865f0eed8a2635475e7ba7cda10b8d.jpg 9a44dc5f54d98385c2cda498d879d515 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 526 Width 480 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rose Window, Winthrop Hall, the University of Western Australia Subject The topic of the resource architecture, architect, Assisi, thirteenth century, Rodney Alsop, Basilica of San Francesco, Crawley, dais, great hall, Italian influence, organ, Romanesque style, rose window, Sir John Winthrop Hackett (1848-1916), The University of Western Australia, Western Australia, UWA, WA, window, window tracery, Winthrop Hall Description An account of the resource <div class="element-text"> <p>A view of the large rose window on the eastern wall of Winthrop Hall at The University of Western Australia. Inside the hall, the rose window is a focal point above the dais. Rose windows were popular decorative features of Romanesque and especially Gothic architecture in England and Europe by the thirteenth century.</p> <p><strong>About Winthrop Hall:</strong></p> Winthrop Hall was designed by Melbourne architect Rodney Alsop. It was built in a Romanesque style, typified by its rounded arches, columns, arcading, sturdy walls (they are 9ft thick) and large square tower. The architect described the style as being of Italian ancestry, but notably &ldquo;anglicised and adapted to the local conditions&rdquo; (See <em>Western Mail</em>, 21 April 1932, pp.14: <a href="http://nla.gov.au/nla.news-article38891565" target="_blank">http://nla.gov.au/nla.news-article38891565</a>). Winthrop Hall, Hackett Hall to its east, and the Great Gate and the Arts and Administration Building to its west were designed and built together as a group of University Buildings. They were funded by a bequest from The University of Western Australia&rsquo;s first Chancellor, Sir John Winthrop Hackett (1848-1916), and were officially opened at a ceremony on 13 April 1932. Based on photographs taken by Rodney Alsop, Winthrop Hall&rsquo;s architect, in Italy in 1925, the design for the rose window is likely to be based on one at the Basilica of San Francesco in Assisi. (See R. J. Ferguson, <em>Crawley Campus: The Planning and Architecture of the University of Western Australia, </em>University of Western Australia Press, Perth, 1993, p.41).The Basilica of San Francesco was built between 1228 and 1253. For an image of its rose window, visit: <a href="http://www.therosewindow.com/index-rose2.htm" target="_blank">http://www.therosewindow.com/index-rose2.htm</a></div> Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 28 January 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG architect architecture Assisi Basilica of San Francesco Crawley dais Great Hall Italian influence organ Rodney Alsop Romanesque style rose window Sir John Winthrop Hackett (1848-1916) The University of Western Australia thirteenth century UWA WA Western Australia window window tracery Winthrop Hall https://ausmed.arts.uwa.edu.au/files/original/d58d6dc9af1c51c8f89b7d2d701d41ce.pdf bf2e5609aba0a7dd7a37950a5087041c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data <p>Newspaper Article</p> <p><a href="http://nla.gov.au/nla.news-article50059249" target="_blank"><span style="font-size: 10pt;">http://nla.gov.au/nla.news-article50059249</span></a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rothenburg Subject The topic of the resource Adolf Hitler, Hitler, Adolf Hitler (1889-1945), architecture, art, Bavaria, Bayreuth, burgher, Burgomaster Nusch, cathedral, church, commander-in-chief Tilly, “Der Meistertrunk”, Dinkelsbuhl, education, engraving, festival, Friedrich Schiller (1759-1805), Germany, German folklore, gothic architecture, ‘heroic past’, historical plays, Johann Wolfgang von Goethe (1749-1832), journeyman, Master, medieval city, medieval craft, medieval housing, medieval town, merchant, Nazi parades, Nuremburg, pageant, Peasants’ Revolt (1525), Rathaus (Town Hall), religion, Roder gate, Rothenburg, school pilgrimages, St James, St Marcus Tower, Thirty Years’ War (1618-1648), Tillman Riemenschneider (1460-1531), tradition, Wagner festival, walled town, Whitsuntide Description An account of the resource In this article, John T. McMahon discusses a visit to Rothenburg in 1936, which he describes as “the finest surviving example of a medieval city with its walls, gates and towers”. After giving a brief history of Rothenburg’s medieval past, its conversion to Protestantism after the Peasants’ Revolt in 1525 and its involvement in the Thirty Years’ War, he recounts a folkloric tale about Burgomaster Nusch saving the town from being plundered in 1621, by plying the Catholic Commander-in-Chief Tilly and his Imperial soldiers with large quantities of wine and himself accepting a challenge to drink the contents of a very large goblet. This tale, McMahon suggests, began the tradition of performing the historical festival play, “Der Meistertrunk”, in the Rathaus (Town Hall) every Whitsuntide. He then moves on to discuss what he coins as “Hitler’s Historical Programme”. In Nazi Germany, he suggests, there is a renewed interest in German folklore, a “renaissance of interest in the heroic stories of the German people”. As well as the festival play in Rothenburg, he cites school pilgrimages to the homes of Goethe and Schiller, the founding of museums, and parades in historically significant locations such as Nuremburg as examples of this trend. He commends the “far-reaching educative influence of such a treatment of history”, suggesting that “we could, with profit, do much more of that form of pageantry in school entertainments and occasional celebrations”. He concludes, however, by taking issue with Hitler’s stance on religion. Not only were the church steeples and shrines he saw in Bavaria evidence of the continued importance of religious faith in the “simple God-fearing lives of peasant farmers”, he argues, the continuing legacy of gothic churches such as St James (built in 1373) and ecclesiastical artwork such as Riemenschneider’s 1478 “Last Supper” could simply not be overlooked. Creator An entity primarily responsible for making the resource McMahon, John T. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The Western Mail Date A point or period of time associated with an event in the lifecycle of the resource 5 November 1936, p. 36. Rights Information about rights held in and over the resource The Western Mail Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English ‘heroic past’ “Der Meistertrunk” Adolf Hitler Adolf Hitler (1889-1945) architecture art Bavaria Bayreuth burgher Burgomaster Nusch Cathedral Church commander-in-chief Tilly Dinkelsbuhl education engraving festival Friedrich Schiller (1759-1805) German folklore Germany gothic architecture historical plays Hitler Johann Wolfgang von Goethe (1749-1832) journeyman Master medieval city medieval craft medieval housing medieval town merchant Nazi parades Nuremburg pageant Peasants’ Revolt (1525) Rathaus (Town Hall) religion Roder gate Rothenburg school pilgrimages St James St Marcus Tower Thirty Years’ War (1618-1648) Tillman Riemenschneider (1460-1531) tradition Wagner festival walled town Whitsuntide https://ausmed.arts.uwa.edu.au/files/original/5c3546402527a17e89b74da451e7980c.JPG 4e8c4a3194809c4182fcc9ac5f5ee6cf Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Round tower, Port Arthur, Tasmania Subject The topic of the resource Castle, Charles O’Hara Booth, convict, crenellation, Guard Tower, Military Complex, parapet, Port Arthur, round tower, Tas, Tasmania, tower. Description An account of the resource <p><span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-bidi-font-weight: bold;">This small round tower is part of the Military Complex at the penal colony of Port Arthur, Tasmania. The complex is situated in a prominent position overlooking the harbour. It is the third military complex on the site and was built in 1847, with the central tower built in 1836. Both were built during the rule of Commandant Charles O&rsquo;Hara Booth (1800-1851) and they are situated next to the Commandant&rsquo;s House which he had built. The complex was<br />built with convict labour. No doubt in part due to practical considerations, the Military Complex resembles a medieval castle, with the central round Guard Tower flanked by two smaller round towers, all of which are topped by<br />crenelated parapets. The towers are separated by a strong stone wall. As can be seen in this photograph, the towers were made to be used. The small round tower was entered from the rear and was large enough to accommodate a guard who would be able to look out over the harbour and shoot down on anyone approaching. The crenellation would provide some protection.</span></p> <p><span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-bidi-font-weight: bold;">For the Military Complex see <a href="http://ausmed.arts.uwa.edu.au/items/show/1142">http://ausmed.arts.uwa.edu.au/items/show/1142</a></span></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 7, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1142">http://ausmed.arts.uwa.edu.au/items/show/1142</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph castle Charles O’Hara Booth convict crenellation Guard Tower Military Complex parapet Port Arthur round tower Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/5c775e62ed9c582fe74885b6faa7bba8.jpg 9da874d6bc671148a6b88d3523bd72d0 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 444 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Royal Clock, Queen Victoria Building, Sydney Subject The topic of the resource castle, coat of arms, crenellation, Neil Glasser, George McRae, New South Wales, NSW, Queen Victoria Building, QVB, retail, Romanesque, shop, Sydney, royal, Thwaites and Reed, tower, clock, royal clock Description An account of the resource <p>The Queen Victoria Building was designed in Romanesque style by George McRae and completed in 1898. The Royal Clock is one of two large clocks suspended from the top level of the building. Above the clock face is a miniature castle with towers and crenellation, and featuring the Royal coat of arms. The clock was designed by Neil Glasser and made by Thwaites and Reed of Hastings, England. It features six scenes about English royalty, including King John signing the Magna Carta in 1215.</p> For more on the building see <a href="http://www.qvb.com.au" target="_blank">http://www.qvb.com.au</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 6 February 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG castle clock coat of arms crenellation George McRae Neil Glasser New South Wales NSW Queen Victoria Building QVB retail Romanesque royal Royal Clock shop Sydney Thwaites and Reed tower