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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Rescue of an Austrian Nazi: Medieval Incident Re-enacted</text>
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                <text>anthem, Austria, Blondel, capture, cell, chivalry, chivalric legend, confinement, deception, dupe, DÃ¼rnstein Castle, Eleanor of Aquitaine (c.1122-1204), escape, folklore, Franz Hofer (1902-1975), imprisonment, legend, Leopold V of Austria (1157-1194), medieval folklore, minstrel, Nazi, page, prison, ransom, Richard Coeur de Lion, Richard I (1157-1199), Richard the Lionheart, ruse, song, Third Crusade (1189-1192), troubadour, Tunsbruck gaol</text>
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                <text>In this report from Munich in 1933, an â€˜amusing storyâ€™ about the escape of Nazi leader Franz Hofer from an Austrian prison is recounted for WA readers. Not long before his escape in August 1933, Hofer said, he heard one of the Austrian warders singing the Nazi anthem with the additional line â€œBondage will only last a short time nowâ€. This he correctly interpreted as a sign that he would soon be rescued. The article likens the incident to a legend concerning the imprisonment of Richard the Lionheart in the twelfth century. In 1192, Richard I of England was captured by Leopold V of Austria on his return from the Third Crusade. He was held for a significant ransom, which Richardâ€™s mother - Eleanor of Aquitaine - raised. Richard was eventually released and returned to England in 1194. A popular chivalric legend emerged that a faithful troubadour named Blondel travelled from castle to castle after Richard was captured singing a song that would be recognisable only to him, in order to discover the place of Richardâ€™s imprisonment.   </text>
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                <text>National Library of Australia &lt;a href="http://nla.gov.au/nla.news-article33326172" target="_blank"&gt;http://nla.gov.au/nla.news-article33326172&lt;/a&gt;</text>
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                <text>The West Australian </text>
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                <text>9 October 1933, p. 9.</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article49605228" target="_self"&gt;http://nla.gov.au/nla.news-article49605228&lt;/a&gt;</text>
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                <text>Roaming Tiger, &lt;em&gt;The West Australian&lt;/em&gt;, 12 December 1953</text>
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                <text>Aesop, Androcles, animals, anthropomorphism, coat of arms, circus, courage, emblem, fables, folklore, gratitude, honour, lion, loyalty, medieval romance, Narrandera, New South Wales, NSW, popular culture, Reynard the Fox, Red Riding Hood, Remus, she-wolf, stories, story-tellers, symbolism, tiger, wolf.</text>
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                <text>This interest piece from &lt;em&gt;The West Australian&lt;/em&gt; in 1953 discusses the symbolic use of animals in roman legends and medieval fables, and their anthropomorphic investment with human characteristics. Using an incident in New South Wales where a circus tiger wandered into a neighbouring house and licked a sleeping child as their impetus, the author claims that animal stories have been popular since the days of Aesop. Amongst other examples, they note that in medieval stories about Reynard the Fox, he was usually depicted as a genial, roguish hero, and that the writers of medieval romances regularly employed the lion to symbolise courage and honour.</text>
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                <text>C. R. Collins </text>
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                <text>National library of Australia: &lt;a href="http://nla.gov.au/nla.news-article49605228" target="_self"&gt;http://nla.gov.au/nla.news-article49605228&lt;/a&gt;</text>
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                <text>12 December 1953, p.33</text>
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                <text>Copyright Expired</text>
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              <text>&lt;span style="line-height: 115%; font-size: 10pt;" lang="EN-AU"&gt;&lt;a href="http://www.robindahood.com.au/" target="_blank"&gt;http://www.robindahood.com.au&lt;/a&gt;.&lt;/span&gt;</text>
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                <text>Robin Da Hood</text>
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                <text>advertisement, advertisements, archery, banner, banners, barons, lute, maidens, Merry Men, mobile phone, pigeon racing, Robin Hood, Sherwood, telecommunications, telephone, Virgin Mobile Australia</text>
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                <text>An online advertisement by Virgin Mobile Australia. The advert plays on the popular image of Robin Hood, complete with images of archery, a lute being played, and a group of Merry Men. Robin Hood is now Robin da Hood, wearing a red (the colour associated with Virgin) hooded tracksuit top and red tights, riding a red dragster bike, and dancing with scantily clad â€˜maidensâ€™. He promises to deliver a fair deal for Australians who have suffered injustice at the hands of telecommunications barons. The interactive advert includes an exploration of Sherwood (a suburb of Brisbane rather than the forest near Nottingham), and information on a pigeon race that will be held there on August 16, 2011. The text of the advert is written in mock Ye Olde English, and is presented on red medieval shaped banners.</text>
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                <text>6 July 2011</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Virgin Mobile Australia</text>
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        <name>Barons</name>
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      <tag tagId="631">
        <name>Lute</name>
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      <tag tagId="3066">
        <name>maidens</name>
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      <tag tagId="3067">
        <name>Merry Men</name>
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      <tag tagId="3068">
        <name>mobile phone</name>
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      <tag tagId="3069">
        <name>pigeon racing</name>
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      <tag tagId="3070">
        <name>Robin Hood</name>
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      <tag tagId="3071">
        <name>Sherwood</name>
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      <tag tagId="3072">
        <name>telecommunications</name>
      </tag>
      <tag tagId="3073">
        <name>telephone</name>
      </tag>
      <tag tagId="3074">
        <name>Virgin Mobile Australia</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <description>A name given to the resource</description>
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                <text>Bow, bow and arrow, Robert Cantle, drawing, Morning Bulletin, outlaw, Qld, Queensland, Robin Hood, Rockhampton.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;This drawing of Robin Hood appeared on page 14 of the Rockhampton, Queensland, newspaper the &lt;em&gt;Morning Bulletin&lt;/em&gt; on August 9, 1935. The drawing by Robert Cantle appears in the &amp;lsquo;Children&amp;rsquo;s Corner&amp;rsquo; section of the newspaper and depicts the popular medieval English outlaw in action with a bow and arrow.&lt;/p&gt;&#13;
&lt;p&gt;The&amp;nbsp;full newspaper page&amp;nbsp;can be viewed&lt;br /&gt;at &lt;a href="http://nla.gov.au/nla.news-article54788762"&gt;http://nla.gov.au/nla.news-article54788762&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="26193">
                <text>Cantle, Robert</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morning Bulletin</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>August 9, 1935</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26196">
                <text>Public Domain; National Library of Australia</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>Newspaper article</text>
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        <name>drawing</name>
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        <name>Morning Bulletin</name>
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        <name>Qld</name>
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        <name>Queensland</name>
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        <name>Robert Cantle</name>
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        <name>Robin Hood</name>
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        <name>Rockhampton.</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <description>A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ).</description>
      <elementContainer>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website.</description>
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              <text>&lt;a href="http://www.rognvaldslith.com/"&gt;http://www.rognvaldslith.com/&lt;/a&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Rognvaldâ€™s Lith: Lismore Medieval Re-enactment Society </text>
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            <description>The topic of the resource</description>
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                <text>Anglo-Saxon, archery, art, axe, Byzantine Empire, chain mail, combat, costume, education, gripping-beast, helmet, javelin, Lismore, living history, New South Wales, Norman, NSW, performance, re-enactment, Rognvald Ingvarson, Rognvaldâ€™s Lith, Rognvaldâ€™s Lith: Lismore Medieval Re-enactment Society, rune, runestone, Rus, school, serpent, shield, spear, stave, Sweden, sword, Uppsala, Varangian Guard, Viking, website.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>&lt;p&gt;Rognvald&amp;rsquo;s Lith: Lismore Medieval Re-enactment Society is a re-enactment group founded in 2003 and based in Lismore, New South Wales. The group concentrate on the period 700-1200 and such peoples as Anglo-Saxons, Normans, Rus, and Vikings. Combat and weapon training with swords, spears, axes, staves, shields, javelins, archery, chain mail, and helmets is carried out. Rognvald&amp;rsquo;s Lith (Rognvald&amp;rsquo;s troop) do public performances, including educational performances for schools.&lt;/p&gt;&#13;
&lt;p&gt;The group is named after Rognvald Ingvarson, a commander of the Varangian Guard (who fought for the Byzantine Empire) from Sweden. The club&amp;rsquo;s banner is based on the serpent design of a eleventh-century runic inscription in Uppsala that Rognvald had made. Their website includes photographs of the runestone, as well as other designs based on Viking Art, including the &amp;lsquo;gripping-beast&amp;rsquo; motif.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.rognvaldslith.com/"&gt;http://www.rognvaldslith.com/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Rognvaldâ€™s Lith</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31607">
                <text> Copyright Rognvald's Lith</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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        <name>runestone</name>
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        <name>shield</name>
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        <name>spear</name>
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        <name>stave</name>
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        <name>Sweden</name>
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      <tag tagId="363">
        <name>sword</name>
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                <name>Bit Depth</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="18219">
              <text>Digital Photograph; JPEG</text>
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        </element>
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    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Romanesque Arched Doorway, Former Magistrateâ€™s Court, Melbourne</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18213">
                <text>arch, architecture, building, columns, Court of Petty Sessions, George B H Austin, hood moulding, law, law courts, magistrate, Magistrateâ€™s Court, masonry, Melbourne, neo-romanesque, Norman Revival, Public Works Department, RMIT, Romanesque architecture, rounded arches, semi-circular arches, stonework, Supreme Court, Swanson Brothers, university, university buildings, Victoria</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18214">
                <text>An image of the entrance doorway to the former Magistrateâ€™s Court Building in Melbourneâ€™s CBD, on the corner of La Trobe Street and Russell Street. The Former Magistrateâ€™s Court Building is a three-storey building of French Romanesque design. As is common of neo-romanesque or Norman Revival architecture, the entrance is strongly modelled; the already large doorway is amplified by archivolts, in this case a band of five semi-circular arches, column jambs and decorative hood moulding.  &#13;
&#13;
The Former Magistrateâ€™s Court building was designed by Department of Public Works architect George H B Austin and built by the Swanson Brothers. It replaced a two-storey brick building on the site that previously housed the Supreme Court and then the Court of Petty Sessions. Construction of the new building began in 1911 and was completed in 1914. The Court of Petty Sessions, later renamed the Melbourne Magistrateâ€™s court, operated from the building from 1914 until 1995. It is now owned by the Royal Melbourne Institute of Technology (RMIT) and is used for lectures.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18215">
                <text>McEwan, Joanne</text>
              </elementText>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18216">
                <text>6 May 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18217">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18218">
                <text>Digital Photograph; JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
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        <name>arch</name>
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        <name>architecture</name>
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      <tag tagId="433">
        <name>building</name>
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      <tag tagId="2674">
        <name>columns</name>
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      <tag tagId="4117">
        <name>Court of Petty Sessions</name>
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      <tag tagId="4118">
        <name>George B H Austin</name>
      </tag>
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                <text>St Francis Xavier Church in Geraldton, Western Australia, designed by Monsignor John Cyril Hawes, has a mixture of Romanesque and Spanish mission style architecture. The first stone was laid in 1916, but following the death of Bishop Kelly the cathedral was not completed until 1938 due to a lack of funds and lack of enthusiasm from Kellyâ€™s replacement, Bishop Ryan.&#13;
&#13;
The cathedral is an interesting mix of styles. The twin towers at the front are similar to the Spanish mission style architecture (eg. The Mission Church of Santa Barbara in California), the central doorway is French Romanesque, the dome has echoes of Brunelleschiâ€™s cupola in Florence, and the cone-roofed tower at the rear is similar to those found on French Renaissance chÃ¢teaux. The interior features Romanesque columns, timbered ceiling, and zebra striping on the walls and arches.&#13;
&#13;
For more information on Monsignor John Cyril Hawes, see A. G. Evans, 'Hawes, John Cyril (1876-1956)', Australian Dictionary of Biography, Volume 9, Melbourne University Press, 1983, pp.229-230; John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956, (University of Western Australia Press, Perth, 2001).</text>
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&#13;
About the Mitchell Building:&#13;
&#13;
The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Buildingâ€™s other neo-gothic features include its steeply gabled roof, rows of twin lancet windows, decorative stone tracery and the entrance porch. </text>
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