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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>An image of Stella Maris College in Geraldton. The purpose-built college for the Geraldton Presentation Sisters was completed in 1912, after the foundation stone had been laid by Bishop William Kelly in 1911. The building was designed by Mother Brigid who had entered the convent in 1895. The style of the brick building is primarily colonial but has a grand Gothic-style stone entrance featuring a niche, four turrets and crenellation. The left-hand side of the building also features crenellation. The logo above the entrance is an interesting mix of Australian and medieval images, including an emu and kangaroo, along with an Irish harp and a medieval round tower most commonly found in Irish churchyards.&#13;
&#13;
Further information is available in Ruth Marchant James, From Cork to Capricorn: A History of the Presentation Sisters in Western Australia, 1891-1991 (Congregation of the Presentation Sisters of Western Australia, 1996) and The Call and the Vision: the Presentation Sisters, 100 Years in Western Australia, 1891-1991 (Congregation of the Presentation Sisters of Western Australia, 1991).</text>
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                <text>The Priest House is in the small rural Western Australian town of Mullewa was designed by Monsignor John Cyril Hawes as his personal accommodation. The stone house was built in 1929-1930 after the adjacent church of Our Lady of Mt Carmel and Sts Peter and Paul was completed. Priest House is notable for its Romanesque-style veranda with semi-circular arches. The house is now the Priest House Museum dedicated to Monsignor Hawes.&#13;
&#13;
For more on the architecture of Monsignor Hawes see John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956 (University of Western Australia Press, Nedlands, 2000).</text>
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                <text>The Priestâ€™s Lodge in the small rural Western Australian town of Morawa was built to the design of Monsignor John Cyril Hawes as accommodation for visiting priests. The diminutive stone building was completed in 1933 and features Gothic pointed arches in keeping with the adjacent Church of the Holy Cross, also designed by Hawes.&#13;
&#13;
For more on the architecture of Monsignor Hawes see John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956 (University of Western Australia Press, Nedlands, 2000).</text>
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                <text>Alan Lechte - horsebreeder, colt, horse-racing, â€œMedieval Knightâ€, Melbourne, Messrs. William Inglis and Sonâ€™s, racehorse, racehorse lineage, racehorse names, racehorse sale, yearling</text>
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                <text>In this article concerning the sale of a yearling racehorse in Melbourne, the sire is identified as a horse named â€œMedieval Knightâ€. The colt was offered for sale by Alan Lechte in Messrs William Inglis and Sonâ€™s yearling catalogue in 1939. When bidding reached 300 guineas, Mr Inglis informed buyers that the breeder expected a price of 1000 guineas, or he was prepared to race the horse himself.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;The Pugin Foundation is a not for profit organisation based in Victoria. Their website is devoted to the works of English architect August Welby Northmore Pugin (1812-1852). The website has a particular focus on the Pugin-designed churches built in Australia, examples of which survive in New South Wales, Queensland, and Tasmania. The list of surviving churches include links to essays on most the churches. Pugin was instrumental in establishing the Gothic Revival movement in architecture. Although he never visited Australia, the churches were constructed after detailed drawings, and sometimes scale models, were sent from England.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.puginfoundation.org/" target="_self"&gt;http://www.puginfoundation.org/&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;This wooden pulpit was removed from the former Christ Church Congregational Church in Launceston, Tasmania, in 2002 (having originally been in another church building) and is now on display in the Queen Victoria Museum and Art Gallery in Launceston. The pulpit was made by Alexander Kidd, a foundational member of the new Congregational Church established in Launceston by John West (1809-1873) in 1839. West had emigrated from England as a missionary preacher the previous year. The pulpit&amp;rsquo;s pedestal and octagonal shape were added by Alexander Kidd (Jnr) in 1906. The pulpit is in the Gothic Revival style with the carved pointed arches and columns reminiscent of the architectural features of Gothic churches built in Europe between the twelfth and sixteenth centuries.&lt;/p&gt;&#13;
&lt;p&gt;For John West see &lt;a href="http://adb.anu.edu.au/biography/west-john-2784"&gt;http://adb.anu.edu.au/biography/west-john-2784&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Christ Church Congregational Church see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1045"&gt;http://ausmed.arts.uwa.edu.au/items/show/1045&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>URL</name>
          <description/>
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              <text>&lt;p&gt;To view this image,&lt;/p&gt;&#13;
&lt;p&gt;1. go to: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"&gt; &lt;span style="color: #0000ff;"&gt;http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
2. search by artist or title.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Queen Guenever as a nun</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Abbess, Almesbury, art, Arthur, Arthurian, Aubrey Beardsley (1872-1898), convent, death, Guenever, Guinevere, illustration, J.M. Dent &amp; Sons, Le Morte dâ€™Arthur, nun, nunnery, penance, queen, SA, South Australia, Thomas Malory</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="19656">
                <text>This work was gifted to the Art Gallery of South Australia in 1960 by Mrs R.A. Haste. It is a line-block reproduction on paper depicting a scene from Thomas Maloryâ€™s fifteenth-century canonical Arthurian text Le Morte dâ€™Arthur. Upon hearing of Arthurâ€™s death in the final book, his queen Guinevere goes with five ladies to a nunnery at Almesbury. Here she leads a virtuous and penitential life of fasting and prayers, dressed in white and black, until her own death years later. The work was created by Aubrey Beardsley for a nineteenth-century illustrated edition of Le Morte dâ€™Arthur, which was issued in 12 parts between 1893 and 1984 by London publisher J.M. Dent &amp; Sons. </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="19657">
                <text>Beardsley, Aubrey</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="19658">
                <text>Art Gallery of South Australia</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19659">
                <text>c. 1893</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19660">
                <text>Art Gallery of South Australia</text>
              </elementText>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19661">
                <text>line-block reproduction on paper, 20.8 x 16.0 cm;&#13;
Hyperlink</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="19662">
                <text>English</text>
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        <name>Abbess</name>
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        <name>Almesbury</name>
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        <name>art</name>
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        <name>Arthur</name>
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        <name>Arthurian</name>
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      <tag tagId="4557">
        <name>Aubrey Beardsley (1872-1898)</name>
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        <name>convent</name>
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        <name>death</name>
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      <tag tagId="4590">
        <name>Guenever</name>
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        <name>Guinevere</name>
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        <name>illustration</name>
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        <name>J.M. Dent &amp; Sons</name>
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        <name>Le Morte dâ€™Arthur</name>
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        <name>nun</name>
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        <name>nunnery</name>
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      <tag tagId="4592">
        <name>penance</name>
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      <tag tagId="679">
        <name>queen</name>
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      <tag tagId="887">
        <name>SA</name>
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        <name>South Australia</name>
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        <name>Thomas Malory</name>
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="34460">
                  <text>Medievalism on the Page</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
                </elementText>
              </elementTextContainer>
            </element>
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    <itemType itemTypeId="11">
      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="5549">
              <text>Poem;&#13;
Word doc.</text>
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        </element>
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          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="13310">
              <text>&lt;p&gt;&lt;a href="http://www.ironbarkresources.com/henrylawson/QueenHildaOfVirland.html"&gt;http://www.ironbarkresources.com/henrylawson/QueenHildaOfVirland.html&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Queen Hilda of Virland, poem by Henry Lawson</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Henry Lawson, bush poem, poem, poetry, poet, bush poet, bush poetry, Australian, Australian nationalism, nationalism, Australian Nationalism Movement, bush, Australian poetry, Queen Hilda of Virland, Jules Verne</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Henry Lawson (1867-1922), one of Australia's most famous poets, and a symbol for the Australian Nationalism Movement, wrote this poem in 1910 (MS). The meaning is unclear but Lawson writes of a mythical kingdom of Virland. It could be an allegory of the English queen and Commonwealth. In Jules Verne's 'Journey to the Centre of the Earth' there was a girl from Virland. Virland was also the ancient name for northern Estonia. In 'The Old Squire' is a poem titled 'Sir William Rode to Virland'.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13303">
                <text>Lawson, Henry</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="13304">
                <text>The Bulletin, vol.29 no.1476, 28 May 1908  </text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="13305">
                <text>The Bulletin</text>
              </elementText>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13306">
                <text>28 May 1908</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13307">
                <text>Public domain</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="13308">
                <text>Poem; Hyperlink</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13309">
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        <name>Australian</name>
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        <name>Australian Nationalism</name>
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      <tag tagId="1592">
        <name>Australian Nationalism Movement</name>
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        <name>Australian poetry</name>
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        <name>bush</name>
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        <name>bush poem</name>
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        <name>bush poet</name>
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        <name>bush poetry</name>
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      <tag tagId="1578">
        <name>Henry Lawson</name>
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      <tag tagId="1620">
        <name>Jules Verne</name>
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      <tag tagId="477">
        <name>nationalism</name>
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        <name>poem</name>
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        <name>poet</name>
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        <name>poetry</name>
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      <tag tagId="1619">
        <name>Queen Hilda of Virland</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
