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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>An image of the entrance porch to the Mitchell Building at The University of Adelaide. Large lancet openings surrounded by decorative hood moulding lead from all three sides to entrance, which consists of a wooden door topped with a rose window and accompanied on either side by a slender lancet window. Extensive blind tracery can be seen around the lancet archways and along the roofline, where an arcade of lancet arches also forms a parapet.&#13;
&#13;
About the Mitchell Building:&#13;
&#13;
The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Buildingâ€™s other neo-gothic features include its steeply gabled roof, lancet windows, decorative stone tracery and the roof fleche/spire.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>arched windows, Cardinal Cerretti Chapel, Catholic, chapel, flying buttress, Gothic, Gothic Revival, Hennessy, Hennessy and Co, International College of Management, Manly, New South Wales, NSW, school, Seminary, St Patrickâ€™s Seminary, Sydney</text>
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                <text>&lt;p&gt;Cardinal Cerretti Chapel is part of St Patrick&amp;rsquo;s Seminary on Darley Street in the Sydney suburb of Manly. The chapel opened in 1935 and was designed by Hennessy, Hennessy and Co. It is in Gothic style and features pointed arched windows and flying buttresses at the rear of the building. The Seminary closed in 1995 due to a lack of students (seminarians) and it is now the International College of Management. Cardinal Cerretti Chapel is still available for weddings. The photograph shows the flying buttresses at the rear of the building.&lt;/p&gt;&#13;
&lt;p&gt;The chapel is named after Cardinal Cerretti, the first Apostolic Delegate (diplomatic representative of the Vatican) in Australia.&lt;/p&gt;&#13;
&lt;p&gt;For more on the chapel see &lt;a href="http://www.sydneycatholic.org/works/cerretti/history.shtml" target="_blank"&gt;http://www.sydneycatholic.org/works/cerretti/history.shtml&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The 1865 Building: Brunswick Uniting Church, Melbourne, Victoria</text>
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                <text>A view of original church building at the Brunswick Uniting Church, located on Sydney Road in Brunswick, Melbourne. The Brunswick Uniting Church is unusual because two churches stand on the same site. They are of distinctly different appearance but boast similar neo-gothic features, namely the spires and the contrast between a dark building material and the light dressings that frame the pointed lancet windows. The first church, featured here, was constructed in 1865 to the neo-gothic design of well-known architect Charles Webb. It is a bluestone structure with a cream brick spire and cream window dressings. The second church was added in 1885. Designed by architect Evander McIver, it is a brown brick structure with cream dressings and bold, decorative quoins on the corners and buttresses. Both structures were originally built as Presbyterian churches. </text>
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                <text>McEwan, Susan</text>
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            <description>Information about rights held in and over the resource</description>
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            </elementTextContainer>
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        <name>Charles Webb (1821-1898)</name>
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        <name>Church</name>
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      <tag tagId="1189">
        <name>church building</name>
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      <tag tagId="4668">
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      <tag tagId="4669">
        <name>Evander McIver</name>
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      <tag tagId="1076">
        <name>gable</name>
      </tag>
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        <name>gothic architecture</name>
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        <name>lancet window</name>
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        <name>spire</name>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <description>A name given to the resource</description>
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                <text>Reredos, St Andrewâ€™s Cathedral, Sydney</text>
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            <description>An account of the resource</description>
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                <text>St Andrewâ€™s Cathedral on George Street in central Sydney was consecrated in 1868, making it the oldest cathedral in Australia. The Anglican cathedral is in the Gothic Revival style and was designed by the English architect Edmund Blacket. This photograph shows a panel of the alabaster reredos found inside the cathedral and is of interest from a medievalism perspective for depicting the soldiers at the feet of Christ as armoured medieval knights. The reredos was made by the sculptor Earp in 1887.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>McLeod, Shane</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>6 February 2012</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20252">
                <text>No Copyright</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20253">
                <text>Digital Photograph; JPEG</text>
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        <name>Alabaster</name>
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      <tag tagId="4604">
        <name>Edmund Blacket</name>
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      <tag tagId="70">
        <name>Gothic</name>
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      <tag tagId="72">
        <name>Gothic Revival</name>
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      <tag tagId="96">
        <name>knight</name>
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        <name>New South Wales</name>
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      <tag tagId="338">
        <name>NSW</name>
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      <tag tagId="4673">
        <name>reredos</name>
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                  <text>Medievalism at the Foundations</text>
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              <elementTextContainer>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>FaÃ§ade of The Great Synagogue, Sydney</text>
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            <description>The topic of the resource</description>
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                <text>&lt;p&gt;The Great Synagogue on Elizabeth Street in central Sydney opened in 1878, when it was described as a mix of Romanesque, Gothic, Byzantine, and Moorish motifs (according to the official website &amp;ndash; link provided below). The architectural style has also been described as Transitional French Gothic. The synagogue was designed by Sydney architect Thomas Rowe. These two photographs show aspects of the elaborately carved fa&amp;ccedil;ade: two domed towers, rounded arched windows and doorways, and a large wheel window. &amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For more on the Great Synagogue see &lt;a href="http://www.greatsynagogue.org.au/Home.aspx" target="_blank"&gt;http://www.greatsynagogue.org.au/Home.aspx&lt;/a&gt;</text>
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                <text>McLeod, Shane</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20273">
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              </elementText>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="20274">
                <text>Digital Photograph; JPEG</text>
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                    <text>691</text>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Jousting at Kryal Castle</text>
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          <element elementId="49">
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            <description>The topic of the resource</description>
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                <text>joust, jousting, jouster, lists, horse, lance, Kryal Castle, castle, crenelation, drawbridge, gate, Kryal Castle, moat, porticullis, Keith Ryall, tourism, tower, battlements, leisure, recreation, re-creation, entertainment, functions, Ballarat, Melbourne, VIC, Victoria, sport, games, medieval sport</text>
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                <text>An image of a person jousting at Kryal Castle in Ballarat. Jousting was a popular medieval and Renaissance sport from the thirteenth century, and is often associated with the chivalric ideal.&#13;
&#13;
About Kryal Castle:&#13;
&#13;
Located 8km from Ballarat in Victoria, Kryal Castle is a local tourist attraction. Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can be hired for weddings, conferences, functions, and special events. It was built in 1972 and opened in 1974 by Keith Ryall. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. &#13;
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                <text>Jeffrey, N.</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2010</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20337">
                <text>Image used with permission of N. Jeffrey</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20338">
                <text>Digital Photograph; JPEG</text>
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        <name>Ballarat</name>
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        <name>battlements</name>
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        <name>crenelation</name>
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                <text>&lt;p&gt;Ballarat Clarendon College in the Victorian city of Ballarat was established in 1974 through the amalgamation of Ballarat College (est. 1864) and Clarendon Presbyterian Ladies&amp;rsquo; College (est. 1876). The school is now associated with the Uniting Church. The building in the photograph is the main entrance to the college on Sturt Street. The red brick building is in Gothic style and features pointed arch entrances, a central tower with crenellation, and the college coat of arms. &amp;nbsp;&lt;/p&gt;&#13;
For the college website see &lt;a href="http://www.clarendon.vic.edu.au/" target="_blank"&gt;http://www.clarendon.vic.edu.au/&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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&lt;p&gt;The Great Synagogue on Elizabeth Street in central Sydney opened in 1878, when it was described as a mix of Romanesque, Gothic, Byzantine, and Moorish motifs (according to the official website &amp;ndash; link provided below). The architectural style has also been described as Transitional French Gothic. The synagogue was designed by Sydney architect Thomas Rowe. These two photographs show aspects of the elaborately carved fa&amp;ccedil;ade: two domed towers, rounded arched windows and doorways, and a large wheel window. &amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For more on the Great Synagogue see &lt;a href="http://www.greatsynagogue.org.au/Home.aspx" target="_blank"&gt;http://www.greatsynagogue.org.au/Home.aspx&lt;/a&gt;&lt;/div&gt;&#13;
&lt;h3&gt;&amp;nbsp;&lt;/h3&gt;</text>
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