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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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&#13;
â€˜The Australian Jubilee Peerage: A Detailed Scheme for the Institution of Various Long-Needed Australian Orders of Nobilityâ€™, The Bulletin, 25 June 1887</text>
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                <text>â€˜pedigree hunting,â€™ Australian politics, Britain, heraldry, honours, Jubilee, knight, knighthood, Livingston York Hopkins (1846-1927), Melbourne, nobility, peerage, politics, political figures, Queen Victoria, social mobility, Victoria, VIC, White Knight of Kerry</text>
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                <text>This full-page illustration by the Bulletinâ€™s American-born cartoonist Livingston Hopkins (aka â€˜Hopâ€™), pokes fun at some of Australiaâ€™s prominent political figures. The 25 June 1887 issue of the Bulletin reviewed Queen Victoriaâ€™s Golden Jubilee, and Hopâ€™s cartoon â€œlampooned the jubilee peerages that had been bestowedâ€ on the distant British outpost (Louise D'Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout: Brepols, 2011, p.21). It seems that Australians from all backgrounds and social milieu desired these honours from the British monarch: a search for long-forgotten (aka â€˜illustriousâ€™) forbears was relentlessly pursued by public figures, and the claiming of heraldic devices (if obtainable) was de rigueur. As a result, Burkeâ€™s Peerage was forced to devote two volumes in 1891 and 1895 to â€œColonial Gentryâ€ (D'Arcens, p.24). Hopâ€™s cartoon offered Bulletin readers a tongue-in-cheek selection of new honours, including â€˜The Order of P.G.â€™ to be â€œconferred only upon the old and true colonial aristocracyâ€ (Bulletin,p .18). â€œP.G.â€ is a reference to â€œthe convict inmates of Pinchgut, the notoriously punitive prison-island in Sydney Cove (better known today as Fort Denison)â€. It also serves as a timely reminder to those with â€˜blinkeredâ€™ memories â€œof the decidedly ignoble originsâ€ of many of the Colonyâ€™s original European settlers (Dâ€™Arcens, p.23). </text>
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                <text>25 June 1887 (p. 18).</text>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>'Are We Medieval?' &lt;em&gt;The Worker&lt;/em&gt;, 2 January 1904</text>
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                <text>Criticism, democracy, economy, guild, industrialisation, labour, legislation, medieval guilds, McKenzie, politics, Professor Thorold Rogers, progress,  trade, trade bosses, trade guilds, trade unionism, wages, workers, working conditions. </text>
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                <text>This article from Brisbane publication &lt;em&gt;The Worker&lt;/em&gt; rebukes derisive comments published by a London journalist mocking Australia&amp;rsquo;s legislation concerning workers as a reversion to medieval trade laws. Responding to McKenzie&amp;rsquo;s quip that &amp;lsquo;Under the guise of the most advanced democracy you are reverting to regulations which strongly resemble the rigid conditions and strict trade laws of medieval life&amp;rsquo;, the author of the article cites research arguing that medieval workers were comparatively better off than modern workers, and suggests that the old trade guilds only failed when they started admitting the bosses into their membership. With a swipe at the British economy and working conditions, the author concludes that Australian workers will not be frightened by medievalism if it means better conditions and more pay: &amp;lsquo;We who go back 2000 years for our religion have no need to be ashamed of reverting a few centuries to pick up an economic hint or two. We go backwards sometimes to progress&amp;rsquo;.</text>
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                <text>Cintra</text>
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                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article71036792" target="_self"&gt;http://nla.gov.au/nla.news-article71036792&lt;/a&gt;</text>
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                <text>&lt;em&gt;The Worker&lt;/em&gt;</text>
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                <text>2 January 1904, p.3</text>
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                <text>Copyright Expired</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://users.tpg.com.au/gpost/nemas08/index.html%20"&gt;http://users.tpg.com.au/gpost/nemas08/index.html &lt;/a&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;</text>
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                <text>'Close Combat'</text>
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                <text>Armidale, armor, armour, battle, beading, blacksmithing, blacksmith, brewing, chain mail, chainmail, combat, helmet, kettle hats, medieval crafts, medieval fair, NEMAS, New England Medieval Arts Society, New South Wales, Norman style helmet, NSW, pottery, re-enactment, reenactment, shield, spinning, sword, tanning, war, warfare, weaving, woodworking</text>
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                <text>This is one of several â€˜battleâ€™ images from the NEMAS Easter Gathering in Armidale, NSW, in 2008. A number of medieval re-creation enthusiasts are engaged in close combat. They are armed with swords and what look to be mostly kite shields, and wear an assortment of different early medieval helmet styles. These include Norman style helmets with nasal bars and kettle hats. &#13;
The Gathering is a biannual assembly of re-enactment societies from Australasia traditionally hosted by the New England Medieval Arts Society Inc (or NEMAS). At these gatherings, members aim to recreate medieval arts and craft such as woodworking, blacksmithing, tanning, spinning and weaving, as well as arms and armour construction. The photo gallery depicts scenes of daily life: market stalls, people sitting around campfires, even a King and his attendants, as well as recreated battles. &#13;
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown photographer at event</text>
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                <text>2008</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Â© NEMAS 2011</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>Armour</name>
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        <name>beading</name>
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        <name>kettle hats</name>
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        <name>medieval crafts</name>
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        <name>medieval fair</name>
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      <tag tagId="3983">
        <name>NEMAS</name>
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        <name>New England Medieval Arts Society</name>
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      <tag tagId="106">
        <name>New South Wales</name>
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      <tag tagId="4115">
        <name>Norman style helmet</name>
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      <tag tagId="338">
        <name>NSW</name>
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        <name>pottery</name>
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        <name>sword</name>
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                  <text>Medievalism in the Classroom</text>
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34457">
                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>URL</name>
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              <text>&lt;span style="font-size: 10pt;" lang="EN-AU"&gt;&lt;a href="http://courses.utas.edu.au/portal/page?_pageid=53,33239&amp;amp;_dad=portal&amp;amp;_schema=PORTAL&amp;amp;P_UNIT_CODE=HEA370&amp;amp;P_YEAR=2011&amp;amp;P_CONTEXT=NEW" target="_blank"&gt;http://courses.utas.edu.au/portal/page?_pageid=53,33239&amp;amp;_dad=portal&amp;amp;_schema=PORTAL&amp;amp;P_UNIT_CODE=HEA370&amp;amp;P_YEAR=2011&amp;amp;P_CONTEXT=NEW&lt;/a&gt;&lt;/span&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>'Fictions of History' Unit</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>literature, Hobart, Ivanhoe, medievalism literature, Rosemary Gaby, Tasmania, university, universities, historiography, fiction, fictional, University of Tasmania, UTAS, Walter Scott</text>
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            <description>An account of the resource</description>
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                <text>Undergraduate unit â€˜Fictions of Historyâ€™ offered at the Hobart campus of The University of Tasmania (Coordinator: Dr Rosemary Gaby). The unit investigates how the past is represented in literature and includes Sir Walter Scottâ€™s novel set in the medieval period, Ivanhoe.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="8459">
                <text>Gaby, Rosemary </text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>University of Tasmania</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>University of Tasmania</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8462">
                <text>15 June 2011</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8463">
                <text>Rosemary Gaby</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8464">
                <text>Weblink</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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        <name>fiction</name>
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        <name>historiography</name>
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        <name>Hobart</name>
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        <name>Ivanhoe</name>
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        <name>medievalism literature</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>URL</name>
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              <text>&lt;a href="http://news.domain.com.au/domain/architects/golden-era-of-neogothic-20101112-17qbi.html"&gt;http://news.domain.com.au/domain/architects/golden-era-of-neogothic-20101112-17qbi.html&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="34445">
                <text>'Golden era of neo-Gothic', Domain Website</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="34446">
                <text>ANZ, ANZ Gothic Bank, bank, Jenny Brown, Domain, English, Scottish and Australian Chartered Bank, Gothic, Gothic Revival, Melbourne, neo-Gothic, Old Stock Exchange, William Pitt, pointed arch, Safe Deposit, Vic, Victoria, William Wardell, website</text>
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            <description>An account of the resource</description>
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                <text>This 2010 article by Jenny Brown for the Domain website is about the late nineteenth century Gothic Revival architecture in Melbourne, Victoria. The article focusses on what is now known as the ANZ Gothic Bank on the corner of Collins and Queen Street, comprising the former English, Scottish and Australian Chartered Bank, Old Stock Exchange, and Safe Deposit buildings. The buildings were designed by William Wardell and William Pitt. </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="34448">
                <text>Brown, Jenny</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>November 13, 2010</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="34450">
                <text>Domain, Jenny Brown</text>
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          </element>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="34451">
                <text>Online article</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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        <name>ANZ</name>
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        <name>ANZ Gothic Bank</name>
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      <tag tagId="824">
        <name>bank</name>
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      <tag tagId="6331">
        <name>Domain</name>
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      <tag tagId="1841">
        <name>English</name>
      </tag>
      <tag tagId="70">
        <name>Gothic</name>
      </tag>
      <tag tagId="72">
        <name>Gothic Revival</name>
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      <tag tagId="6330">
        <name>Jenny Brown</name>
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      <tag tagId="104">
        <name>Melbourne</name>
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      <tag tagId="71">
        <name>neo-Gothic</name>
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        <name>Old Stock Exchange</name>
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        <name>pointed arch</name>
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        <name>Safe Deposit</name>
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      <tag tagId="6332">
        <name>Scottish and Australian Chartered Bank</name>
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        <name>Victoria</name>
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        <name>William Pitt</name>
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        <name>William Wardell</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/bf22aa094ea2a72197530397db00b278.jpg</src>
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            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
            <elementContainer>
              <element elementId="74">
                <name>Bit Depth</name>
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                    <text>8</text>
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                    <text>3</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="19036">
              <text>Digital Photograph; JPEG</text>
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    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>'Kryal Castle Dwarf'</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Kryal Castle, castle, crenelation, drawbridge, gate, Kryal Castle, moat, porticullis, Keith Ryall, tourism, tower, battlements, leisure, recreation, re-creation, entertainment, functions, Ballarat, Melbourne, VIC, Victoria, dwarf, dwarves, little people, imp, royal court, court, royalty, royal, jester, statue, figure</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>An image of the 'Kryal Castle Dwarf' behind glass at Kryal Castle in Ballarat, Victoria. According to the description alongside the figure, the Kryal Castle Dwarf was inspired by the medieval period, when "little people...traveled from Court to Court, Castle to Castle" as entertainers for the Royal Court.&#13;
&#13;
About Kryal Castle:&#13;
Kryal Castle is a tourist attraction located 8km from Ballarat in Victoria. Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can also be hired for weddings, conferences, functions, and special events. It was built in 1972 and opened in 1974 by Keith Ryall. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. </text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19032">
                <text>Jeffrey, N.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19033">
                <text>2007</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19034">
                <text>Image used with the permission of N. Jeffrey</text>
              </elementText>
            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19035">
                <text>Digital Photograph; JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
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      <tag tagId="901">
        <name>Ballarat</name>
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      <tag tagId="2539">
        <name>battlements</name>
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      <tag tagId="662">
        <name>castle</name>
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      <tag tagId="892">
        <name>court</name>
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      <tag tagId="3338">
        <name>crenelation</name>
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      <tag tagId="3963">
        <name>drawbridge</name>
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      <tag tagId="4388">
        <name>dwarf</name>
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      <tag tagId="4392">
        <name>dwarves</name>
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      <tag tagId="344">
        <name>entertainment</name>
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      <tag tagId="4391">
        <name>figure</name>
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        <name>functions</name>
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        <name>gate</name>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>&lt;p&gt;This performance of an excerpt from Aucassin et Nicolette was performed by Alana Bennett on November 1, 2012 as part of her MEMS (Medieval and Early Modern Studies) Honours dissertation at the University of Western Australia. The four minute film made by Belinda Bennett was uploaded to YouTube on November 1, 2012. Alana (a member of the medieval band Minerva&amp;rsquo;s Tower) plays a hurdy gurdy and wears medieval clothing. Aucassin et Nicolette is an anonymous twelfth or thirteenth century French chantefable (sung story) which combines prose and verse.&lt;/p&gt;&#13;
&lt;p&gt;For the performance see &lt;a href="http://www.youtube.com/watch?v=Dcqd9j3EhZY&amp;amp;feature=relmfu"&gt;http://www.youtube.com/watch?v=Dcqd9j3EhZY&amp;amp;feature=relmfu&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;An English translation of Aucassin et Nicolette by Eugene Mason is available at &lt;a href="http://www.yorku.ca/inpar/aucassin_mason.pdf"&gt;http://www.yorku.ca/inpar/aucassin_mason.pdf&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Alana Bennett</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>'Romance'</text>
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                <text>Alice Werner (1859-1935), castle, chivalry, â€˜Creeve Roeâ€™, Gothic medievalism, knight, L. D. (1859-1935), Lucia Di Valle Rojana (1859-1935), melancholia, poetry, romance, tournament, Victor Daley (1858-1905)</text>
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                <text>The long-vanished past is briefly reconfigured in this sad and poignant poem. It allows us a fleeting glimpse of what has (or may have) been, even though we find ourselves standing in the waking world â€œUnder blue skies in a fair land.â€ True Romance, it suggests, has gone the way of stately knights in armour, beautiful â€˜maidens forlorn,â€™ castles, and all the accoutrements and trappings of the chivalric medieval past. In gothic literary fashion the buildings, mores and customs have all crumbled, decayed, and vanished, and the poem â€œlament[s] the irredeemable loss of this world, which â€˜Ages ago [...] faded out and diedâ€™â€ (Louise D'Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910 Turnhout, Brepols, 2011, p.139). While these verses do convey sadness and melancholia, Australia was a new land, at least in terms of European settlement and influence, and so it can be concluded, as Louise Dâ€™Arcens suggests, that that, â€œthis melancholy poem is not coupled with any attempt to reanimate the spirit of nostalgia in the presentâ€ (Dâ€™Arcens, p.139). </text>
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                <text>L. D.  (Alice Werner aka Lucia Di Valle Rojana)</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>The Bulletin</text>
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                <text>15 August 1885 (p. 22)</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Public Domain</text>
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