155 8 1266 https://ausmed.arts.uwa.edu.au/files/original/18daff97fec79942806d069955d1e373.pdf 26666bf9ceb876a84dcf01a5adc6faed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Procession Subject The topic of the resource Amalgamated Society of Carpenters and Joiners, armor, armour, bands, banner, Bricklayers, eight hour, guild, knight, Labour Day, labour pageant, pageantry, parade, procession, labourer, Masons, medieval guild, Melbourne, Tinsmiths, trade union, United Society of Painters, Paperhangers and Decorators, trade unionism, union, unionism, VIC, Victoria, worker, working class Description An account of the resource This article from The Argus newspaper provides a report of an Eight Hours procession through the streets of Melbourne in 1887, during which at least 50 different trades were represented. It makes note of the increasing size and elaborateness of the trade society banners being displayed, and describes in detail four banners that were featured in the parade for the first time. These were the banners of the Masons, the Amalgamated Society of Carpenters and Joiners, the Bricklayers’ Society and the United Society of Painters, Paperhangers, and Decorators. Union banners have a medieval predecessor in the banners displayed by guilds (an association of craftsmen in the same trade), whereby each guild had a banner to identify their trade. Some historians consider trade unions to be the successors of medieval guilds. The author of this article also points out that several of the trades made efforts to demonstrate their handicrafts during the procession, with the Tinsmiths in particular parading two knights outfitted in suits of armour. Creator An entity primarily responsible for making the resource Unkown Source A related resource from which the described resource is derived National Library of Australia: <a href="http://nla.gov.au/nla.news-article7943706" target="_blank">http://nla.gov.au/nla.news-article7943706<br /></a> Publisher An entity responsible for making the resource available The Argus Date A point or period of time associated with an event in the lifecycle of the resource 22 April 1887 Rights Information about rights held in and over the resource Out of Copyright Type The nature or genre of the resource Newspaper Article Amalgamated Society of Carpenters and Joiners Armor Armour bands banner Bricklayers eight hour guild knight Labour Day labour parade labourer Masons medieval guilds Melbourne pageant pageantry procession street parade The Argus Tinsmiths trade society Trade Union trade unionism union unionism United Society of Painters Paperhangers and Decorators Vic Victoria worker working class https://ausmed.arts.uwa.edu.au/files/original/cc8abcec583d9341d3795018a8b0241d.jpg c0f552e95b232131aeb502d83c45577d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 235 Width 279 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Galen, Hippocrates, and Aretaeus of Cappadocia’ Window, The University of Sydney Subject The topic of the resource anatomy, Anderson Stuart Building, Aretaeus of Cappadocia, Asklepios, classical, Gothic Revival, Hippocrates, John Harris, medicine, neo-gothic, physicians, stained glass, stair window, surgeons, The University of Sydney, university, university building, window Description An account of the resource This is the lower section of a two-tiered Gothic Revival stair window located in the Anderson Stuart Building at the University of Sydney. The window was donated by John Harris Esq., at a cost of £120 in c.1889 (Calendar of the University of Sydney for the year 1893, Sydney, W. E. Smith, 1893, p.375) It features a triad of classical physicians - Galen, Hippocrates, and Aretaeus of Cappadocia - each of whom had a profound influence on medical thought in the medieval and Renaissance periods and the development of medicine in general. The figures are separately surmounted and framed by late fourteenth to early fifteenth century canopies within individuated lights. Such figuration is very much in keeping with the customary practice of presenting a series of exemplary figures from history for edification and emulation. The Anderson Stuart Building, formerly known as ‘The old medical school’ is used for the teaching of anatomy. It also boasts a statue of Asklepios, the God of medicine and healing, and busts of several eminent physicians and surgeons. The Faculty of Medicine at Sydney University is the oldest in the country. Creator An entity primarily responsible for making the resource Urry, David (photographer) Date A point or period of time associated with an event in the lifecycle of the resource 3 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG anatomy Anderson Stuart Building Aretaeus of Cappadocia Asklepios Classical Gothic Revival Hippocrates John Harris medicine neo-Gothic physicians stained glass stair window surgeons The University of Sydney university university building window https://ausmed.arts.uwa.edu.au/files/original/5b084686e05ae26663af6264cfa26a37.jpg 570d1df9f262ba22f65463b3d46cc725 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 286 Width 235 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The ‘Caxton Window’ Subject The topic of the resource books, education, John Ashwin & Co., John Radecki, Margaret of Burgundy, Mitchell Reading Room, New South Wales, NSW, patronage, print, printing, printing press, Recuyell of the Historyes of Troye (1474), stained glass, State Library of NSW, Sydney, William Caxton (c.1422-1492), window Description An account of the resource An image of the ‘Caxton Window’ located in the Mitchell Reading Room at the State Library of New South Wales. This stained glass window was created in a neo-medieval figurative style by John Radecki of Ashwin and Co., Sydney in 1941. It shows Englishman William Caxton presenting a copy of the Recuyell of the Historyes of Troye (1474) to his patron Margaret of Burgundy. The Caxton theme is an effective means of commemorating a momentous achievement in the history of English literature, namely the ready dissemination of cultural values and the arts via the printed page. Caxton later set up a printing press in Westminster in 1476, initially using type that he brought over from Bruges. This didactic window is superbly executed, and the significance of books and learning is highly appropriate for a library reading room. Regrettably the window’s finer details are not easily discernible from ground level. The placement of this window in the Mitchell reading room, which houses the early Australiana collection, provides a bridge between the two continents (Europe and Australia). Creator An entity primarily responsible for making the resource Urry, David Date A point or period of time associated with an event in the lifecycle of the resource 3 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG books education John Ashwin & Co. John Radecki Margaret of Burgundy Mitchell Reading Room New South Wales NSW patronage print printing printing press Recuyell of the Historyes of Troye (1474) stained glass State Library of NSW Sydney William Caxton (c.1422-1492) window https://ausmed.arts.uwa.edu.au/files/original/e0449116d65a0c6767c5cb60b7b375e2.jpg 7768a8eac522a1b8937d0297cb264b8d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 235 Width 271 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The ‘Advance Australia’ Arms Window in the Queen Victoria Building, Sydney Subject The topic of the resource architecture, cartwheel window, coat-of-arms, endeavour, heraldic, heraldry, identity, neo-Romanesque, New South Wales, NSW, Queen Victoria Building, retail arcade, Romanesque Revival architecture, shopping arcade, Southern Cross, stained glass, Sydney, unification, window, arcade Creator An entity primarily responsible for making the resource Urry, David (Digital Image) Date A point or period of time associated with an event in the lifecycle of the resource 3 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade architecture cartwheel window coat-of-arms endeavour heraldic heraldry identity neo-Romanesque New South Wales NSW Queen Victoria Building retail arcade Romanesque Revival architecture shopping arcade Southern Cross stained glass Sydney unification window Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <p><a href="http://www.slv.vic.gov.au/sjones/gid/slv-pic-aab31193/1/sj001241">http://www.slv.vic.gov.au/sjones/gid/slv-pic-aab31193/1/sj001241</a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wallace Monument, Botanic Gardens, Ballarat Subject The topic of the resource ‘The Cotter’s Saturday Night’, Ballarat, Ballarat Botanic Gardens, Battle, Battle of Stirling Bridge (1297), bequest, Edward I (1239-1307), Guardian of Scotland, hero, James Russell Thomson (1818-1886), patriot, poem, Percival Ball (1845-1900), reverence, Robert Burns (1759-1796), statue, Thomson Bequest, VIC, Victoria, William Wallace, warrior. Description An account of the resource This statue of William Wallace, the Scottish warrior famous for leading the defeat of English forces at the Battle of Stirling Bridge in 1297, stands in the Botanic Gardens in Ballarat, Victoria. Sculpted by Percival Ball of Melbourne and unveiled in 1889, the statue was funded by a £3000 bequest to the gardens by James Russell Thomson, a Scottish miner who made his fortune during the Victorian gold rush. It was intended as a tribute to Thomson’s Scottish origins. The front the statue bears an inscription from Robert Burns’ 1785 sentimental poem ‘The Cotter’s Saturday Night’, which also lauds Wallace as a noble patriot and hero. Creator An entity primarily responsible for making the resource Valentine & Sons’ Publishing Co Source A related resource from which the described resource is derived State Library of Victoria Date A point or period of time associated with an event in the lifecycle of the resource c.1913 Rights Information about rights held in and over the resource State Library of Victoria Format The file format, physical medium, or dimensions of the resource Postcard: printed; 8.8 x 13.8 cm ‘The Cotter’s Saturday Night’ Ballarat Ballarat Botanic Gardens battle Battle of Stirling Bridge (1297) bequest Edward I (1239-1307) Guardian of Scotland hero James Russell Thomson (1818-1886) patriot Percival Ball (1845-1900) poem reverence Robert Burns (1759-1796) statue Thomson Bequest Vic Victoria warrior William Wallace Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Periodical [orig.]; PDF URL <p>See Page 98</p> <p><a href="http://www.nla.gov.au/ferguson/13276638/18440808/00010007/1-10.pdf">http://www.nla.gov.au/ferguson/13276638/18440808/00010007/1-10.pdf</a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chaucer. [From various sources]. Subject The topic of the resource biography, Dante Alghieri (c.1265-1321), Early Australian Literary Tastes, Edmund Spenser (c.1552-1599), English language, Geoffrey Chaucer (c.1340-1400), Hainault, heresy, John of Gaunt (1340–1399), John Milton (1608–1674), John Wycliffe (d.1384), medieval poet, medieval poetry, poet, poetry, William Shakespeare (1564–1616). Description An account of the resource <p class="MsoNormal">This column from the <em>Colonial Literary Journal</em> in 1844 provides a biography of medieval poet Geoffrey Chaucer. Quoting from an unnamed source, the article names Chaucer alongside Spenser, Shakespeare and Milton as one of the &lsquo;Four Great English Poets&rsquo;, and credits him with helping to form the English language. In its praise of Chaucer&rsquo;s poetry, the article likens him to a range of Renaissance painters: &ldquo;Chaucer excels in pathos, in humour, in satire, character, and description. &ndash;His graphic faculty, and healthy sense of the material, strongly ally him to the painter; and perhaps a better idea could not be given of his universality than by saying, that he was at once the Italian and the Flemish painter of his time, and exhibited the pure expression of Raphael, the devotional intensity of Domenechino. The colour and corporeal fire of Titian, the manners of Hogarth, and the homely domesticities of Ostade and Teniers!&rdquo;</p> <p class="MsoNormal">Although the article lists 1328 as the year of Chaucer&rsquo;s birth, most scholars date it almost two decades later, c.1340. See for example, Douglas Gray, &lsquo;Chaucer, Geoffrey (c.1340&ndash;1400)&rsquo;, <em>Oxford Dictionary of National Biography</em>, Oxford University Press, 2004 [<a href="http://www.oxforddnb.com/view/article/5191" target="_blank">http://www.oxforddnb.com/view/article/5191</a>, accessed 24 Feb 2011.</p> Creator An entity primarily responsible for making the resource Various Source A related resource from which the described resource is derived Colonial Literary Journal and Weekly Miscellany of Useful Information, Volume 1, Number 7, p.98. Publisher An entity responsible for making the resource available Colonial Literary Journal and Weekly Miscellany of Useful Information Date A point or period of time associated with an event in the lifecycle of the resource Thursday 8 August 1844 Rights Information about rights held in and over the resource Colonial Literary Journal Format The file format, physical medium, or dimensions of the resource Hyperlink Language A language of the resource English biography Dante Alghieri (c.1265-1321) Early Australian Literary Tastes Edmund Spenser (c.1552-1599) English language Geoffrey Chaucer (c.1340-1400) Hainault heresy John Milton (1608–1674) John of Gaunt (1340–1399) John Wycliffe (d.1384) medieval poet medieval poetry poet poetry William Shakespeare (1564–1616) https://ausmed.arts.uwa.edu.au/files/original/90faa97aeaf719d655ea596e102635ad.jpg 43587f426593b031263a2f0d00ad6e15 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3505 Width 679 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Microfilm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource &lsquo;Jack Cade: A Tribute to the Much-Maligned Patriot (see &lsquo;Henry VI&rsquo; Second Part. Act IV. Scene X)&rsquo;, <em>The Bulletin</em>, 8 December 1894. Subject The topic of the resource Alexander Iden, doggerel, Henry VI Part II, Jack Cade, John Bull, Kent, London, poetry, political commentary, rebellion, revolt, roast beef, verse, Victor J. Daley (1858-1905), William Shakespeare (c.1564-1616). Description An account of the resource Victor Daley was an Irishman who came to Australia as a young man. He wrote romantic verse and was referred to by Vivian Smith as, &ldquo;one of the most attractive poets of the nineties in Australia&rdquo; (Vivian Smith, &lsquo;Poetry&rsquo;, <em>The Oxford History of Australian Literature</em>, ed. by Leonie Kramer, Oxford, Oxford University Press, 1981, p.319). He also wrote under the pen-name Creeve Roe (trans. &lsquo;Red Branch&rsquo;), which conjures the image of a &ldquo;Celtic bard singing ancient songs&rdquo; in an unmistakably Antipodean context (Louise D&rsquo;Arcens, <em>Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910</em>, Turnhout, Brepols, 2011, p.124). In this period poem, Daley praises the memory of Jack Cade, a Kentish rebel leader who died in 1450. The poem critiques Shakespeare&rsquo;s treatment of Cade in Henry VI, Part II. Daley&rsquo;s objective seems to be setting the record straight and praising Jack Cade for his courage. He also seeks to summon local resistance to social values that he thinks have no place in an Australian bush setting. Addressing the English Bard directly he states, &ldquo;I think thy mediaeval / social views suit not this clime.&rdquo; The denouement, which involves a fight between the well-nourished Kentish squire Alexander Iden and the near-starving disconsolate rebel Cade, produces imagery of John Bull, over-stuffed with English beef, taking-on those who are ill-prepared for resistance. It is a decidedly one-sided encounter, and the outcome &ndash; Cade&rsquo;s death &ndash; is never seriously in doubt. The rationale for condemnation is that the likes of Alexander Iden, depicted &ldquo;Gasconading in his garden,&rdquo; frequently attract undeserved honours and knighthoods, while the impoverished people (Jack Cade among them) fare ignominiously. The poem closes after encouraging the downtrodden to take their lead from Cade, and concludes with a toast to the memory of his brave deeds. Creator An entity primarily responsible for making the resource Victor J. Daley Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 8 December 1894 (p. 22) Rights Information about rights held in and over the resource Public Domain Alexander Iden doggerel Henry VI Part II Jack Cade John Bull Kent London poetry political commentary rebellion revolt roast beef verse Victor J. Daley (1858-1905) William Shakespeare (c.1564-1616) https://ausmed.arts.uwa.edu.au/files/original/176155221c24b79bd0743ca18134483d.jpg 4baa7ea11a1ba2fb2b5a87bc8dc60fe4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2479 Width 3506 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Scanned document/JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Viking Brand label Subject The topic of the resource Ad, advert, advertisement, dragon ship, Gokstad ship, Hobart, W.H. Ikin & Son, label, shield, ship, Tas, Tasmania, Viking, Viking Brand, Viking Brand Fancy Grade Pears. Description An account of the resource <p>This pear case label for Viking Brand Fancy Grade Pears is approximately A4-size. It probably dates from 1938 or 1939 (see link below). Viking Brand were exported by W.H. Ikin &amp; Son in Hobart and the produce was from Tasmania. The advert depicts a Viking dragon boat with both oars and sail being used. The boat also has round shields along its side, as is historically attested from the tenth-century Gokstad ship found in 1880 and now housed in the Viking Ship Museum near Oslo, Norway. The advertisement also proudly states that the pears are &lsquo;Empire Produce&rsquo;.</p> <p>For more information see <a href="http://catalogue.statelibrary.tas.gov.au/item/?id=682142">http://catalogue.statelibrary.tas.gov.au/item/?id=682142</a></p> Creator An entity primarily responsible for making the resource Viking Brand Date A point or period of time associated with an event in the lifecycle of the resource 1938-1939 Rights Information about rights held in and over the resource Viking Brand Format The file format, physical medium, or dimensions of the resource Scanned document/JPEG Ad Advert advertisement dragon ship Gokstad ship Hobart label shield ship Tas Tasmania viking Viking Brand Viking Brand Fancy Grade Pears. W.H. Ikin & Son