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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Black &amp; white - Glass original quarter plate negative.&#13;
Made in United Kingdom: England, Greater London, London.</text>
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                <text>Investiture at Buckingham Palace Australian Officer</text>
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                <text>Knightly Order, Knightly Orders, knight, knights, knighthood, dubbing, King George V, Australian Army, army, First World War, WW1, World War, World War I, Companion Order of St. Michael and St. George, St. Michael, St. George, Saint Michael, Saint George, Buckingham Palace, CMG, military, military honours</text>
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                <text>His Majesty, King George V, bestowing the Companion of the Order of St Michael and St George (CMG) award upon an Australian ofï¬cer at an investiture held at Buckingham Palace.</text>
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            <name>Source</name>
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                <text>Australian War Memorial&#13;
ID numberD00598</text>
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                <text>3 May 1919</text>
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                <text>&lt;span style="font-family: Helvetica,Arial,sans-serif;"&gt;Copyright expired - public domain [&lt;a href="http://www.awm.gov.au/copyright/#pd" target="_blank"&gt;http://www.awm.gov.au/copyright/#pd&lt;/a&gt;]&lt;/span&gt;</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>http://geelongtradeshall.blogspot.com/</text>
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                <text>Logo of Geelong Trades Hall Council</text>
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                <text>Labor Omnia vincit, Knights of Labor, Geelong Trades Hall Building, Latin mottoes, unions, Eureka Flag, Australian Nationalism, Geelong Trades Hall Council logo, logo, insignia</text>
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                <text>â€˜Labor Omnia Vincitâ€™ (work conquers everything) is a historically significant slogan associated with the American and English labour movements. It was also the motto of the Knights of Labour, a group started in the 1860s in America. The Knights of Labor had members in Australia in the late nineteenth century. Geelong (Vic.) Trades Hall adopted the slogan as its motto and inscribed it on their building. A large number of Australian schools have also taken the slogan as their school code. Geelong Trades Hall Council log associates the Eureka flag (a symbol of Australian nationalism) with the Latin Motto of some of the union movement in America and Australia.</text>
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                <text>http://geelongtradeshall.blogspot.com/</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>&lt;p&gt;&lt;a href="http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-04/fig-latrobe-04-081a.html"&gt;http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-04/fig-latrobe-04-081a.html&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Jesse Gregson Illuminated Address from New Winning (Newcastle) and Hebburn collieries</text>
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                <text>Illuminated manuscripts, manuscript, Jesse Gregson, heraldry, pastoralist, agriculture, agricultural, Australian Agricultural Company, Warrah, Liverpool Plains, Newcastle, illuminated addresses, illumination, address, New Winning (Newcastle) and Hebburn collieries, Nobbyâ€™s Head, Newcastle Wharf, vellum, medieval illumination, Valda Rigg, coalminer</text>
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                <text>The trend in medievalist revivals in all aspects of colonial life included medieval illumination found in addresses, books, presentation certificates or albums. These pieces of carefully crafted work, sometimes on precious vellum, marked special occasions such as retirement, welcomes, congratulations and condolences. Valda Rigg (see Bibliography below) notes the use of chivalric language in these manifestoes. Each address portrayed unique iconography pertinent to its recipient. The addresses are visual insignia or historical keepsakes showing relevant landscapes and/or labour tools and Australian flowers. The Powerhouse Museum has an extensive collection of â€˜Illuminated Addressesâ€™. Jesse Grigsonâ€™s are but two examples of this genre.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>29 Nov 1903</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13398">
                <text>Copyright Applies&#13;
Australian National University Archive Collection, Jesse Gregson Collection (Aa. Co.) &#13;
Reference Code: N17/2&#13;
Noel Butlin Archives Centre&#13;
http://www.archives.anu.edu.au/nbac/html/index.php#</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>â€˜Labor Omnia Vincitâ€™ (work conquers everything) is a historically significant slogan associated with the American and English labour movements. It was also the motto of the Knights of Labour, a group started in the 1860s in America. The Knights of Labor had members in Australia in the late nineteenth century. Geelong (Vic.) Trades Hall adopted the slogan as its motto and inscribed it on their building. A large number of Australian schools have also taken the slogan as their school code.</text>
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              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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            <name>Title</name>
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                <text>Meeting of Chamberlain and Eden clad as medieval admirals</text>
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                <text>Pre-World War II, world war, WWII, war, Chamberlain, Neville Chamberlain, Eden, Mediterranean piracy, piracy, General France, France, submarines, Mussolini, cartoon, caricature, cartoons as political comment, political, politics, Punch, Punch Magazine</text>
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                <text>A â€˜Punchâ€™ cartoon of Neville Chamberlain (Primer Minister of the UK) and Anthony Eden (his Foreign Secretary) depicting them as medieval admirals watching a serpent titled â€˜Mediterranean piracyâ€™, saying â€˜I say, even in holiday time. I think we shall have to take some notice of thisâ€™ was widely reported and held political sway. It urged the UK to act on increasing Italian piracy. News about the cartoon was published in the â€˜Cairns Postâ€™ Friday 3 September 1937, â€˜Barrier Minerâ€™ (Broken Hill, NSW) Friday 3 September 1937 with headlines â€˜Punch Cartoon Urges Britain to Actâ€™, â€˜Sydney Morning Heraldâ€™ (Thursday 2 September 1937; â€˜The West Australianâ€™ Thursday 2 September 1937, â€˜Morning Bulletinâ€™ (Rockhampton, Qld.), Friday 3 September 1937, â€˜Examinerâ€™ (Launceston, Tas.) Friday 3 September 1937.</text>
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            <elementTextContainer>
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                <text>The Canberra Times</text>
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            <name>Publisher</name>
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                <text>The Canberra Times</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Public Domain</text>
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            <description>A language of the resource</description>
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        <name>France</name>
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        <name>Mediterranean piracy</name>
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        <name>piracy</name>
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        <name>submarines</name>
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      <tag tagId="1615">
        <name>war</name>
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        <name>World War</name>
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  <item itemId="332" public="1" featured="0">
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        <src>https://ausmed.arts.uwa.edu.au/files/original/91f7cc84922891dfd8ad1400aa361521.pdf</src>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Sydney University, Sydney, university, universities, bell, bells, York Minster, Taylor &amp; Company, Leicester, Leicestershire, contract </text>
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                <text>An image of the recasting of the York Minster Bells, which are described as being "the heaviest ringing in England." The article states Taylor &amp; Company of Longborough, Leicester, who worked on the bells, were contracted to cast the carillon for Sydney University.</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>The Sydney Morning Herald</text>
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            <elementTextContainer>
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                <text>The Sydney Morning Herald</text>
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                <text>17 July 1926, p. 11. </text>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>The Sydney Morning Herald</text>
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        <name>university</name>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="13454">
              <text>&lt;p&gt;&lt;a href="http://hdl.handle.net/10462/deriv/69611"&gt;http://hdl.handle.net/10462/deriv/69611&lt;/a&gt;&lt;/p&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Members of the Saint David's Society of Brisbane</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="13444">
                <text>banner, banners, Saint David, St David, saint, saints, society, societies, association, associations, club, clubs, fraternity, fraternities, Qld, Queensland, Brisbane, dragon, Wales, Welsh, Welsh dragon</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;An image depicting men and women of the Welsh Saint David's Society of Brisbane, gathered around the Society's banner, which depicts a dragon.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;BRIEF HISTORY OF THE SOCIETY:&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;The Saint David&amp;rsquo;s Welsh Society was founded on 16th April 1918 with the aim of acknowledging and celebrating the Welsh origins of its members and to promote an appreciation of various aspects of Welsh culture within the Brisbane community of Welsh immigrants and their descendants. The Society continues to fill that role and welcomes as members all those with historical or cultural connections with Wales or an interest in Welsh cultures and history. Some of the traditions brought to Australia are still recognised and enjoyed by the Society.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;AIMS OF THE SOCIETY: &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;The aims of the Society are to promote the following:&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Welsh culture, language, literature and music;&lt;/li&gt;&#13;
&lt;li&gt;Welsh traditions and ceremonies;&lt;/li&gt;&#13;
&lt;li&gt;The Arts and Sciences associated with and derived from Wales and Welsh;&lt;/li&gt;&#13;
&lt;li&gt;Fellowship and a sense of community among our members by means of regular meetings and functions;&lt;/li&gt;&#13;
&lt;li&gt;&amp;nbsp;To foster relationships with other organizations in Australia and overseas which have similar aims.&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Discover more about the Society at:&lt;a href="http://www.brisbanewelsh.org.au/"&gt;http://www.brisbanewelsh.org.au/&lt;/a&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Unknown</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="13447">
                <text>John Oxley Library, State Library of Queensland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="13448">
                <text>John Oxley Library, State Library of Queensland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13449">
                <text>Undated</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13450">
                <text>Fegan, Brisbane</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13451">
                <text>John Oxley Library, State Library of Queensland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13452">
                <text>Hyperlink</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13453">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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        <name>association</name>
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        <name>associations</name>
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        <name>banner</name>
      </tag>
      <tag tagId="420">
        <name>banners</name>
      </tag>
      <tag tagId="2248">
        <name>Brisbane</name>
      </tag>
      <tag tagId="2246">
        <name>club</name>
      </tag>
      <tag tagId="2247">
        <name>clubs</name>
      </tag>
      <tag tagId="172">
        <name>dragon</name>
      </tag>
      <tag tagId="474">
        <name>fraternities</name>
      </tag>
      <tag tagId="416">
        <name>fraternity</name>
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      <tag tagId="1350">
        <name>Qld</name>
      </tag>
      <tag tagId="475">
        <name>Queensland</name>
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      <tag tagId="1767">
        <name>saint</name>
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      <tag tagId="2242">
        <name>Saint David</name>
      </tag>
      <tag tagId="1691">
        <name>saints</name>
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      <tag tagId="2244">
        <name>societies</name>
      </tag>
      <tag tagId="79">
        <name>society</name>
      </tag>
      <tag tagId="2243">
        <name>St David</name>
      </tag>
      <tag tagId="2249">
        <name>Wales</name>
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      <tag tagId="2250">
        <name>Welsh</name>
      </tag>
      <tag tagId="2251">
        <name>Welsh dragon</name>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34454">
                  <text>Medievalism on the Streets</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              </elementTextContainer>
            </element>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="7658">
              <text>B&amp;W Photograph</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="13509">
              <text>&lt;a href="http://acms.sl.nsw.gov.au/item/itemPopLarger.aspx?itemid=129181"&gt;&lt;strong&gt;http://acms.sl.nsw.gov.au/item/itemPopLarger.aspx?itemid=129181&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt; &lt;/strong&gt;</text>
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          </elementTextContainer>
        </element>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13499">
                <text>Irish National Foresters Float at the Saint Patrick's Day Parade, Sydney, ca. 1930</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13500">
                <text>Irish, Ireland, Foresters, Irish National Foresters, Irish National Foresters Friendly Society, friendly society, friendly societies, society, societies, float, floats, banner, procession, processions, parade, parades, fraternity, fraternities, Saint Patrick, St. Patrick, St Patrick, nationalism, nationalist, non-political, non-sectarian, Saint Patrick's Day, St. Patrick's Day, St Patrick's Day, Patrick's Day, Sydney, NSW, New South Wales, street</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13501">
                <text>&lt;p&gt;An image depicting members of the Irish National Foresters Friendly Society on board a float in a Saint Patrick's Day procession in Sydney, ca 1930.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;About the Society:&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;The Irish National Foresters Organisation/Friendly Society is a mutual aid society, which was established to help members in distress and the relatives of members who are deceased. It began in 1877 as a breakaway from the Order of Foresters, which was originally set up in England by medieval serfs. As they were not permitted to meet openly, their meetings were gathered in dense forest and they took names associated with forestry and applied them to their leaders (e.g. Chief Ranger, Assistant Chief Ranger, Woodward and Beadle).&lt;/p&gt;&#13;
&lt;p&gt;The I.N.F grew rapidly and soon became the largest friendly society in Ireland. It is non-sectarian, non-political and is not divided by class. It supported Irish nationalism and its constitution called for 'government for Ireland by the Irish people in accordance with Irish ideas and Irish aspirations'. The INF group are non-political and non-sectarian. The Society is also not based on class distinctions.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://museumvictoria.com.au/collections/items/250056/sash-irish-national-foresters-after-1877"&gt;http://museumvictoria.com.au/collections/items/250056/sash-irish-national-foresters-after-1877&lt;/a&gt;&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13502">
                <text>Unknown</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="13503">
                <text>State Library of New South Wales</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="13504">
                <text>State Library of New South Wales</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13505">
                <text>ca 1930</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13506">
                <text>State Library of New South Wales</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13507">
                <text>Hyperlink; Black and white photograph; PDF</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13508">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
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      <tag tagId="158">
        <name>banner</name>
      </tag>
      <tag tagId="478">
        <name>float</name>
      </tag>
      <tag tagId="879">
        <name>floats</name>
      </tag>
      <tag tagId="884">
        <name>Foresters</name>
      </tag>
      <tag tagId="474">
        <name>fraternities</name>
      </tag>
      <tag tagId="416">
        <name>fraternity</name>
      </tag>
      <tag tagId="472">
        <name>friendly societies</name>
      </tag>
      <tag tagId="471">
        <name>friendly society</name>
      </tag>
      <tag tagId="412">
        <name>Ireland</name>
      </tag>
      <tag tagId="468">
        <name>Irish</name>
      </tag>
      <tag tagId="2308">
        <name>Irish National Foresters</name>
      </tag>
      <tag tagId="2309">
        <name>Irish National Foresters Friendly Society</name>
      </tag>
      <tag tagId="477">
        <name>nationalism</name>
      </tag>
      <tag tagId="2310">
        <name>nationalist</name>
      </tag>
      <tag tagId="106">
        <name>New South Wales</name>
      </tag>
      <tag tagId="2311">
        <name>non-political</name>
      </tag>
      <tag tagId="2312">
        <name>non-sectarian</name>
      </tag>
      <tag tagId="338">
        <name>NSW</name>
      </tag>
      <tag tagId="417">
        <name>parade</name>
      </tag>
      <tag tagId="899">
        <name>parades</name>
      </tag>
      <tag tagId="2315">
        <name>Patrick's Day</name>
      </tag>
      <tag tagId="157">
        <name>procession</name>
      </tag>
      <tag tagId="878">
        <name>processions</name>
      </tag>
      <tag tagId="467">
        <name>Saint Patrick</name>
      </tag>
      <tag tagId="2313">
        <name>Saint Patrick's Day</name>
      </tag>
      <tag tagId="2244">
        <name>societies</name>
      </tag>
      <tag tagId="79">
        <name>society</name>
      </tag>
      <tag tagId="2119">
        <name>St Patrick</name>
      </tag>
      <tag tagId="2314">
        <name>St Patrick's Day</name>
      </tag>
      <tag tagId="466">
        <name>St. Patrick</name>
      </tag>
      <tag tagId="469">
        <name>St. Patrick's Day</name>
      </tag>
      <tag tagId="2263">
        <name>street</name>
      </tag>
      <tag tagId="122">
        <name>Sydney</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
